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Wk14-Lynn Et Al-Folding in Architecture
FOLDING IN ARCHITECTURE @WILEY-ACADEMY INTRODUCTION GREG LYNN s I argued in the original Folding in Architecture essay, models of complexity, initially those derived from the work of since Robert Venturi and Denise Scott Brown's influential Rene Thom and later those of the Santa Fe Institute, among oth AComplexity and Contradiction in Architecture (1966), it ers. The combination of the discovery, for the first time by archi has been important for architecture to define compositional com tects, of a 300-year-old mathematical and spatial invention, that plexity. Ten years ago, the collected projects and essays in the is calculus, and the introduction of a new cosmological and sci first edition of this publication were an attempt to move beyond entific model of emergence, chaos and complexity, made for an Venturi's pictorial collage aesthetics and the formal and spatial extremely provocative and incoherent moment in architectural collage aesthetics that then constituted the vanguard of com experimentation. Today, a decade later, these interests have plexity in architecture, as epitomized by Johnson and Wigley's shaken out into more or less discrete schools of thought. 'Deconstructivist Architecture' exhibition at MoMA in 1988. The Intricacy connotes a new model of connectionism composed desire for architectural complexity in both composition and con of extremely small-scale and incredibly diverse elements. struction continues today and can be characterised by several Intricacy is the fusion of disparate elements into continuity, the distinct streams of thought, three of which have connections to becoming whole of components that retain their status as pieces the projects and arguments first laid out in the Architectural in a larger composition. -
Aarchitecture 09Download
Issue 9 News from the Architectural Association aa RCHITECTURE In seeking the solutions to environmental and social crises, the answer might be found in any return to pre-metropolitan conditions of inhabitation. Landscape Urbanism Guest Series PG 5 AAIS Interprofessional Studio PG 14 Literature is a hybrid, bastardised medium generally, and essentially so. States of Disintegration PG 10 Landscape Urbanism Guest Series PG 5 Strawberry Tables: A Potted History PG 12 VERSO AARCHITECTURE ISSUE 9 aaC R HITECTURE CN O TRIBUTORS NO TE ABOUT THE DESIGN News from the Architectural Alisa Andrasek The first six issues of AArchitecture, 2 Learning from Denise (and Bob) Association [email protected] established in 2006, looked to establish Issue 9 / Summer 2009 a new title in the AA’s ever-evolving 4 Forming Greg Lynn FORM aaschool.ac.uk Andrzej Blonski series of magazines and journals and [email protected] in doing so revisited the legacy of ©2009 numerous short-lived AA publications. 5 Landscape Urbanism Guest Series All rights reserved Giles Bruce Since the publication of the seventh Published by the Architectural [email protected] issue, the magazine has looked to shift 6 Visiting Schools 2009/10 Association, 36 Bedford Square, direction even further, in its structure, London WC1B 3ES Mike Davies now including a student editor, and in its form, as a newsletter with a more 9 Re-reading Palladio Contact: Ricardo de Ostos standardised and repeating format. [email protected] [email protected] At the same time alternative modes 10 States of Disintegration Nicola Quinn +44 (0)20 7887 4033 of publication continue to be explored Henderson Downing though Bedford Press, established at the To send news briefs: [email protected] AA in 2008. -
EAAE News Sheet 63
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research Aarhus School of Architecture // Design School Kolding // Royal Danish Academy Editorial Toft, Anne Elisabeth Published in: EAAE Publication date: 2002 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for pulished version (APA): Toft, A. E. (2002). Editorial. EAAE, (63), 5-6. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 European Association for Architectural Education Association Européenne pour l’Enseignement de l’Architecture NEWS SHEET Secretariat AEEA-EAAE June/Juin 2002 Kasteel van Arenberg B-3001 Leuven Bulletin 2/2002 tel ++32/(0)16.321694 fax ++32/(0)16.321962 63 [email protected] http://www.eaae.be Announcements/Annonces Four Faces of Architecture 20th EAAE Conference, Stockholm, 8 - 11 May 2003 Preliminary Agenda Four Faces of Architecture The dynamics of architectural knowledge - from ● The plenary discussions on board the ferry established postures to the impact of future between Stockholm and Helsinki will consti- demands in education and research. -
Folding in Architecture
FOLDING IN ARCHITECTURE @WILEY-ACADEMY TEN YEARS OF FOLDING MARIOCARPO olding in Architecture, first published in 1993 as a 'Profile' Heinrich W6llflin, have since brought this interpretive model to of Architectural Design, ranks as a classic of end-of-mil bear in a number of circumstances. 2 Obviously, the nineties start F lennium architectural theory.' It is frequently cited and ed angular and ended curvilinear. 3 By the end of the decade, generally perceived as a crucial turning point. Some of the with few exceptions, curvilinearity was ubiquitous. It dominated essays in the original publication have taken on lives of their own, industrial design, fashion, furniture, body culture, car design, and have been reprinted and excerpted - out of context, howev food, critical theory in the visual arts, sex appeal, the art of dis er, and often without reference to their first appearance in print. course, even architecture. Admittedly one of the most influential This ahistoric approach is characteristic of all works in progress: architectural writers of the decade, Rem Koolhaas, kept design so long as a tradition is still active and alive, it tends to acquire a ing in an angular mode, but the most iconic building of the time, timeless sort of internal consistency, where chronology does not Gehry's Bilbao, was emphatically curvilinear. In spite of the many matter. In Antiquity and in the Middle Ages such phases could varieties and competing technologies of curves that followed, last for centuries. But we have been living in times of faster curvilinear folds were and still are often seen as the archetypal change for quite a while now - we even had to invent a new phi and foundational figure of architecture in the age of digital plian losophy of history in the nineteenth century to take this into cy.