Apprenticeshop Catalog 2021 Boats Building People

Total Page:16

File Type:pdf, Size:1020Kb

Apprenticeshop Catalog 2021 Boats Building People APPRENTICESHOP CURRICULUM 2020 12 -WEEK, 9-MONTH, AND 2-YEAR BOATBUILDING APPRENTICESHIPS APPRENTICESHOP CATALOG 2021 BOATS BUILDING PEOPLE Photo Credit: Erin Tokarz Table of Contents Mission, Vision and Values 3 Leadership and Faculty 4 Board of Directors…………………………………………………………………. 4 Staff…………………………………………………………………………………. 6 Facility 9 Boatbuilding Programs 12 12-Week Traditional Boatbuilding……….……………………………………….. 12 9-Month Apprenticeship Program………………………………………………... 17 2-Year Apprenticeship Program..…………………………………………………. 29 Standards of Progress 42 Assessing Progress………………………………………………………............... 43 Addendum A: Program Application 27 Addendum B: Evaluations 48 Progress Review……..………………………………..…………………………… 48 Exit Interview……………………………………………………………………… 50 2 CATALOG 2021 Mission, Vision and Values Our Mission To inspire personal growth through craftsmanship, community, and traditions of the sea. Our Vision Anchored in Maine’s maritime heritage, we envision a world enriched by creative, collaBorative, self- reliant, and thoughtful makers who explore and engage with the intersection of traditional craft and contemporary culture. Our Values HUMAN POTENTIAL We are all capaBle of building and sailing boats. By navigating challenges within a supportive community, we come to understand what we are capaBle of, and build resilience, self-confidence, and resourcefulness in the process. LEARNING BY DOING Through repeated, hands-on practice, we accumulate knowledge, develop skills, inform our judgment, and expand our creativity. As we encounter proBlems, we innovate toward solutions. This way of learning demands patience and requires us to take an active role in our own education. COLLECTIVE EXPERIENCE Our community is inclusive, non-judgmental and welcomes people of all races, genders, ethnicities, religious affiliations, socioeconomic circumstances, sexual orientations, ages, and past experiences. We Build and sail together. Shared work fosters trust, cultivates accountaBility, and pushes us to develop a personal stake in the execution of communal goals. CULTURAL EXCHANGE Boats have been powerful vehicles for connection and exchange throughout history. We continue to use boats as platforms for exchanging ideas, advancing knowledge, and encouraging all people to find common ground. STEWARDSHIP We celeBrate, preserve, and strive to engage diverse people with maritime culture so traditions can be reinvigorated with new perspectives. The techniques we teach provide foundational skills that can then Be applied to contemporary practices. SUSTAINABILITY We take a mindful approach to our use of materials and environmental resources. We care for our tools, the building we occupy, and our boats so they will last. This attitude of care extends to the land and waterfront we inhaBit as we strive to preserve it for future generations. 3 CATALOG 2021 Leadership and Faculty Board of Directors DAVID COCKEY Chair David’s interest in traditional boats and boatbuilding began as a teenager in Maryland. Influences include books by Howard Chapelle, the columns in National Fisherman by John Gardner, and later the writings of Lance Lee. David has degrees in mechanical engineering, naval architecture, and aerospace engineering. Following a career in automotive research and engineering, David and his wife moved to Rockport several years ago. His current activities focus around boat design and documenting historic boats. Other interests include boating on Penobscot Bay, woodworking, photography, travel and history. RACHEL DAVIS Vice Chair Rachel moved to the Midcoast area 2011 to attend the Apprenticeshop, inspired by her time sailing on tall ships, a search for beauty and function, and years exploring intentional and un- intentional community. With a professional background in bread baking and social pedagogy, as well as extensive travels, she continues to explore aesthetics, craft and relationship. She studied at the Center for Furniture Craftsmanship and is currently a carpenter for PHI Builders and Architects. Rachel lives with her husband Jim in Rockland. WHITNEY FILES Treasurer Whitney is the Chief Operating Officer of Knox County Homeless Coalition (KCHC), the only nonprofit serving homeless families, individuals, and at-risk youth in Knox, Waldo, and parts of Lincoln counties. Prior to KCHC, Whitney served as COO of Harlem Grown, a youth development organization in New York City focused on urban farming. A new resident of Rockland, Whitney spent her childhood visiting her grandfather in Thomaston and Tenants Harbor, and sailing with her father throughout the Midcoast. Whitney holds an MBA from Bard College, earned her B.A. from New York University, and served as a Peace Corps Volunteer in Mali. ROBERT JOHNSTON Secretary Robert made his first sailing cruise to the Mid-Coast from New York in 1981, where he discovered beautiful “Good Wooden Boats” on the Camden docks. He returned every year after, cruising the Maine Coast from York HarBor to the St. John River, admiring Maine wooden Boats wherever he found them, then retired from the United Nations in 2005 and Bought a house in 4 CATALOG 2021 Rockland and a racing sailboat, so he could try his hand at racing. He now divides his time with his partner between Rockland and Long Island City, NY. FRANK BLAIR Frank served in the U.S. Navy for five years as a fighter pilot flying single-seat fighters off of carriers in the Mediterranean and the Western Pacific, receiving five Air Medals for low-level reconnaissance over North Vietnam. Flying skills honed sailing skills: radio, navigation, meteorology and appreciation for Bernoulli's Principle. His love of sailing began in childhood and he worked Hurricane Island Outward Bound School for 20 years teaching seamanship. He became a Shellback en route to Australia from Vietnam and has served as a stand-in for Neptune twice since. Frank is the author of The Schooner Maggie B: A Southern Ocean Circumnavigation. He lives in Maine and on his new schooner, Farfarer. TIM CLARK Tim is a professional shipwright who co-owns and operates Clark & Eisele Traditional Boatbuilding, LLC. He has been building and restoring wooden boats in boat shops, shipyards, and museums across New England for nearly two decades, and has also spent significant periods of time working aboard large, traditionally-rigged sailing vessels of many types, both as ship's carpenter and deck crew. Tim is particularly interested in historic vessels and working craft, and has dedicated much of his career to the stewardship of maritime traditions through his work with several educational institutions, as well as commercial vessels that provide authentic traditional sailing experiences. Tim lives in Midcoast Maine and offers his skills wherever they are needed, whether locally or on the other side of the gloBe. TATIANA FISCHER Tanya has been associated with the Apprenticeshop – in one form or another - since 1993 when she was enlisted by Lance Lee to help him with the books of his newly re-vamped Apprenticeshop as it moved from Nobelboro to Rockland. She works for several Portland-based businesses as accountant/bookkeeper. JAN ULRIK LETH Jan lives in Spruce Head with his partner Ariel Hall and their daughter. Prior to relocating full time to Maine, Jan was a Vice Chairman and the GloBal Creative Director for digital for Ogilvy & Mather. Jan still does special assignments for Ogilvy, along with running a design store in Rockland with Ariel. Jan’s interest in boats and the sea probably dates to his childhood, and many passages across the Atlantic on the tail end of the ocean liner era. (Yes, he's that old!) That led to doing open ocean yacht deliveries, and some time living on and sailing the wooden 33-ft Colin Archer his brother Peter built in Denmark. MOLLY MULHERN Molly brings to the board thirty years corporate experience gained while working for a NYC nautical book publisher. A philosophy graduate of Smith College, Molly also has a Masters degree in American Studies. Molly has served on several non-profit boards, including New Hope for 5 CATALOG 2021 Women and Camden’s Parks and Recreation Committee overseeing the revitalization of the Camden Snow Bowl. Molly writes frequently on maritime matters for Points East, Windcheck, and other publications. Molly currently works as a mentor in a local restorative justice program and is a hotline volunteer for a local domestic violence agency. LESLIE PAUL Leslie’s relationship with the Apprenticeshop started with a deep dive as interim Executive Director during the first half of 2019. Her nearly 40-year career in experiential and community- based education linked strongly to the mission and programs of the ‘Shop. Her business and administrative skills then enaBled Leslie to tackle office duties as it Became necessary. Having recently retired to Rockland from New Hampshire, where she and her husband Dan Paul raised their Blended Bunch of 6, Leslie was already at home with the harBor. When not cruising the coast and islands down east, Leslie’s Valiant 40 cutter is moored close to the ‘Shop off of North End shipyard. WARREN SEELIG Warren lives with his wife, Sherrie Gibson in Hope, Maine and has his studio practice located in Rockland. He holds the rank of distinguished visiting professor in the Craft & Material Studies program at the University of the Arts in Philadelphia, where he teaches, curates and writes on various subjects related to material thinking. Seelig has been awarded fellowships from the National Endowment for the Arts, The Pennsylvania Council on the
Recommended publications
  • Light, Strong, Stackable Sawhorses
    TAUNTON’S Light, Strong, Stackable Sawhorses A project plan for building versatile sawhorses For more FREE ©2009 The Taunton Press project plans from Build an Oak Bookcase S m i pS eu lt, dr yW o kr b e n c h From Getting Started in Woodworking, Season 2 Simple,From Sturdy Getting Started inWorkbench Woodworking, Season 2 o u c a n t h a n k M i k e P e k o v i c hBY , AS Fine Woodworking Fine Woodworking’s art direc A CHRISTI Ytor, for designing this simple but From Getting Startedstylish bookcase. in Woodworking, He took a straightfor Season 2 A ward form--an oak bookcase with dado N A BYA CHRISTI-AS and rabbet joints--and added nice pro- A N A BYportions ASA and CHRISTI elegant curves. A N A - We agreed that screws would reinforce his workbench is easy and the joints nicely, and that gave us a de- inexpensive to build, yet is sturdy and sign option on the sides. Choose oak T LUMBER, HAR versatileplugs, and align the grain carefully, andDWARE D ANSUPP enough for any woodworker. 4 LIESLIS T his workbench is easy and inexpensiveThe basethe plugs isLU disappear.MBER, HAR MakeDWARE 8-ft.-longthem from AN Da2x4s, SUPP kiln-driedLIES LIST construction lumber (4x contrasting wood, like walnut,2 and the Tto build, yet is sturdy and versatile4s and 2x4s), joined4 8-ft.-long 2x4s,8-ft.-long kiln-dried 4x4s, kiln-dried rows of plugs add a nice design feature simply with long bolts and s 1 4x8 sheet of MDF Enjoy our entire site enough for any woodworker.
    [Show full text]
  • End Jointing of Laminated Veneer Lumber for Structural Use
    End jointing of laminated veneer lumber for structural use J.A. Youngquist T.L. Laufenberg B.S. Bryant proprietary process for manufacturing extremely long Abstract lengths of the material both in panel widths and in LVL Laminated veneer lumber (LVL) materials rep- form. The proprietary process requires a substantial resent a design alternative for structural lumber users. capital investment, limiting production of LVL. If ex- The study of processing options for producing LVL in isting plywood facilities were adapted to processing of plywood manufacturing and glued-laminating facilities 5/8-inch- to 1-1/2-inch-thick panels, subsequent panel is of interest as this would allow existing production ripping and end jointing of the resultant structural equipment to be used. This study was conducted in three components could conceivably compete both in price and phases to assess the feasibility of using visually graded performance with the highest structural grades of lum- veneer to produce 8-foot LVL lengths which, when end ber. Herein lies the major concern of this study: Is it jointed, could be competitive with existing structural technically feasible to manufacture end-jointed LVL lumber products. Phase I evaluated panel-length from PLV panels made in conventional plywood 3/4-inch-thick LVL made from C- or D-grade 3/16-, 1/8-, presses? or 1/10-inch-thick veneer, and the effect of specimen width on flexural and tensile properties. Phase II evalu- An evaluation of the production and marketing ated the use of vertical and horizontal finger joints and feasibility of LVL products made from panel lengths scarfjoints to join 3/4-inch thicknesses of LVL.
    [Show full text]
  • AZEK Trim & Moulding Install Guide
    AZEK® Trim and Moulding AZEK Trim & Moulding Install Guide Storage & Handling, Cutting, Drilling, Routing ................................................................................ 2 Fastening, Expansion & Contraction ................................................................................................ 3 Painting, Gluing............................................................................................................................... 4 Spanning, Water Table ................................................................................................................... 5 Garage Door Thermostop, Rabbeted Cornerboard .......................................................................... 6 Universal Skirt Board, Integrated Drip Edge ................................................................................... 7 Installing Finish Grade Trim ......................................................................................................... 8-9 Installing Column Wrap ........................................................................................................... 10-11 Care and Cleaning ..........................................................................................................................12 • These guidelines cover the general installation recommendations for AZEK Trim and AZEK Moulding. See specific installation information for Universal Skirt Board, Integrated Drip Edge, Rabbeted Cornerboard, Column Wrap, Finish Grade Trim, Water Table, and Garage Door Thermostop.
    [Show full text]
  • Taylor Guitars Wood & Steel Magazine
    BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons).
    [Show full text]
  • Woodwork Joints: How They Are Set Out, How Made and Where Used
    The Project Gutenberg EBook of Woodwork Joints, by William Fairham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Woodwork Joints How they are Set Out, How Made and Where Used. Author: William Fairham Release Date: May 19, 2007 [EBook #21531] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK WOODWORK JOINTS *** Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: The Table of Contents has been changed to match the actual chapter headings. A few hyphenations have been changed to make them consistent. Minor typographic errors have been corrected. WOODWORK JOINTS (THE WOODWORKER SERIES) REVISED EDITION WOODWORK JOINTS HOW THEY ARE SET OUT, HOW MADE AND WHERE USED; WITH FOUR HUNDRED ILLUSTRATIONS AND INDEX REVISED EDITION LONDON EVANS BROTHERS, LIMITED MONTAGUE HOUSE, RUSSELL SQUARE, W.C.1 THE WOODWORKER SERIES WOODWORK JOINTS. CABINET CONSTRUCTION. STAINING AND POLISHING. WOODWORK TOOLS. PRACTICAL UPHOLSTERY. WOOD TURNING. WOODCARVING. TIMBERS FOR WOODWORK. FURNITURE REPAIRING AND RE- UPHOLSTERY. HOUSEHOLD REPAIRS AND RENOVATIONS. CARPENTRY FOR BEGINNERS. KITCHEN FURNITURE DESIGNS. BUREAU AND BOOKCASE DESIGNS. LIGHT CARPENTRY DESIGNS. DOORMAKING. EVANS BROTHERS, LIMITED, MONTAGUE HOUSE, RUSSELL SQUARE, LONDON, W.C.1. EDITORIAL FOREWORD To be successful in woodwork construction the possession of two secrets is essential—to know the right joint to use, and to know how to make that joint in the right way.
    [Show full text]
  • Modelling of Harmonic Response of Scarf Adhesive Joints
    European Journal of Engineering and Technology Research ISSN: 2736-576X Modelling of Harmonic Response of Scarf Adhesive Joints Awad A. Alqahtani, Khalid H. Almitani, and Ramzi Othman Abstract — Adhesives are used for attaching structures to The geometry is straightforward, but the stress various spacers such as tubular and scarf joints to replace the distributions are very complex. Double lap joints, step joints, traditional joining methods of welding, brazing, soldering, etc. and scarf joints are among other common joint arrangements. Many of the unique features associated with adhesives are low manufacturing cost, long component life, and lightweight. Scarf joints, however, can be found highly fascinating Accordingly, a considerable amount of study has been carried because they do not induce adhesion bending, which out and is still underway to develop. The main objective of this adversely influences the strength of the joint, unlike single- study is to investigate the response of the scarf joints when lap joints [1]. Thanks to their ability to assemble a wide exposed to a harmonic load. The finite element method (FEM) variety of components, adhesive joints seem to be an using ANSYS is availed to study and analysis the natural interesting tool for minimizing the weight and expense of frequencies, mode shape, and frequency response. Additionally, structures in diverse manufacturing fields. However, the influence of the adhesion angle is examined. adhesives are significantly underused because of the lack of Index Terms — Adherends; Ansys; Finite Element Modelling faith in non-destructive quality assessment. The need to (FEM), Scarf Adhesive Joints. suggest testing to assess the durability of assembly choices that can be used for the construction of adhesively bonded structures is another important point.
    [Show full text]
  • Non-Metallic Structure-Wood
    9/8/98 AC 43.13-1B SECTION 4. REPAIRS 1-36. GENERAL. The basic standard for both parts accurately. The strength of the any aircraft repair is that the repaired structure joints depends upon good joint design and a must be as strong as the original structure and thin, uniform bond line. Make the scarf cut in be equivalent to the original in rigidity and the general direction of the grain slope as aerodynamic shape. Repairs should be made shown in figure 1-4. in accordance with manufacturer specifications whenever such data is available. 1-37. REPLACEMENT OF DRAIN HOLES AND SKIN STIFFENERS. When- ever repairs are made that require replacing a portion that includes drain holes, skin stiffen- ers, or any other items, the repaired portion must be provided with similar drain holes, skin stiffeners, or items of the same dimensions in the same location. Additional drain holes may be required if reinforcement under a skin re- pair interferes with waterflow to existing drain No grain deviation steeper than holes. Make any additional drain holes the 1 in 15 should be present in an outer same diameter as originals, usually 1/4 inch. eighth of the depth of the spar. In adjacent eighths, deviations involving 1-38. CONTROL SURFACE FLUTTER steeper slopes, such as a wave in a few growth layers, are unlikely to be PRECAUTIONS. When repairing or refin- harmful. Local grain slope deviations ishing control surfaces, especially on high- in excess of those specified may be performance airplanes, care must be exercised permitted in spar flanges only in the that the repairs do not involve the addition of inner one-fourth of the flange depth.
    [Show full text]
  • Polyurethane Crown Mouldings Installation
    POLYURETHANE CROWN MOULDINGS INSTALLATION TOOLS: MATERIALS: Measuring tape Fine tooth saw & Mitre box or Nails compound mitre box Polyurethane Crown moulding Pencil Premium Polyurethane Safety goggles construction adhesive Safety mask Painters Caulk Hammer or finishing nailer Clean cloth or sponge Putty knife High quality Acrylic latex or Oil Coping saw based paint Caulking gun 220 grit sandpaper Paint brushes SAFETY Wear safety mask and goggles when cutting Crown polyurethane mouldings. WALL AND CEILING PREPARATION Prior to installing Crown mouldings make sure walls and ceilings are dust free dry grease free If needed, lightly sand and wipe surface with a damp cloth. WORKING CONDITIONS Before installing American Pro Décor’s Polyurethane Crown mouldings, make sure mouldings and adhesives are placed at room temperature 24 hours before installation. This allows material to adjust to the temperature of the room to avoid expansion or contraction. The recommended room temperature to install mouldings is between 50° to 95° Fahrenheit Page | 1 PAINTING Mouldings can be painted either before installation or after. It is up to the installer. Use a high quality Acrylic Latex or Oil based paint. Mouldings are factory pre- primed and ready to paint or faux finish. MEASURING AND CUTTING Polyurethane Crown mouldings should be cut ¼” longer when filling a gap. It would spring into place. We recommend using a carbide saw blade with 80 teeth or more. If using a compound mitre box, follow the manufacturer’s instructions when mitering angles for inside or outside corners. INSTALLATION Polyurethane Crown mouldings can be glued, nailed or both. It miter-cuts just like wood and also copes just like wood.
    [Show full text]
  • 875 SCARFFER™ Manual
    CAUTION! Read and follow these instructions before 6. Drill ¼" holes through the marked locations on the 4. Mount the guard to the saw base plate with the bolts you attempt to use the Scarffer. Safe and proper saw base plate and if necessary through the new provided. Pass the bolts up through the base and operation of this tool depends upon selecting a proper locations on the guide. Be careful not to damage the tighten the lock washers and nuts against the guard. circular saw and blade, mounting the Scarffer correctly saw housing when drilling through the base. Do not let Recheck the position of the guard for blade clearance on the circular saw, and using the Scarffer in drilling chips fall inside of motor. and elongate the holes if necessary to adjust to the accordance with the instructions provided within this 7. Mount the guide to the saw base with the bolts proper position. 875 SCARFFER™ manual. Do not use the saw without the Scarffer guard provided. Pass the bolts up through the base and 5. Remove any temporary wedges or blocks holding the in place. tighten the lock washers and nuts against the guide. saw safety guard and check to be sure blade moves Saw and blade requirements Recheck the position of the guide. If necessary, freely, clear of the Scarffer guide or guard. Instructions Select a 7¼" circular saw with the base plate area on the elongate the holes with a round file to move the guide Blade angle settings and scarf angles to the position described in Step 4.
    [Show full text]
  • Historical Scarf and Splice Carpentry Joints: State of the Art Anna Karolak* , Jerzy Jasieńko and Krzysztof Raszczuk
    Karolak et al. Herit Sci (2020) 8:105 https://doi.org/10.1186/s40494-020-00448-2 REVIEW Open Access Historical scarf and splice carpentry joints: state of the art Anna Karolak* , Jerzy Jasieńko and Krzysztof Raszczuk Abstract This paper summarises the current state of knowledge related to scarf and splice carpentry joints in fexural ele- ments, also providing some examples of tensile joints. Descriptions and characteristics of these types of joints found in historical buildings are presented. In addition, issues related to forming carpentry joints in historic and heritage structures are discussed. Next, analyses and studies of fexural elements as well as selected examples of tensile joints described in the literature are presented. It is worth noting that authors of vast majority of the publications cited draw attention to the need for further research in this area. They acknowledge that existing descriptions are incomplete and insufcient for bringing about precise understanding and correct description of the static behaviour of these joints. Knowledge about designing and assessing static behaviour of existing carpentry joints is an important issue and is necessary to properly design and strengthen existing joints in historical timber structures. Keywords: Carpentry joints, Historical buildings, Scarf and splice joints, Stop-splayed scarf joints Introduction taking into account joints displacement, but does not Wooden structures are one of the most common building provide any guidelines on how to realise this recommen- types appearing over the centuries. Many of them have dation. Resources available to date have been incomplete survived hundreds of years to the present day and con- in this regard.
    [Show full text]
  • PWM Style Book Jan 2014.Pdf
    Style Book Revised: January 2014 PW Style Book Revised: Jan 2014 Numbers, Measurements • #400-grit (adj) • 30 years adze (n): a primitive tool for surfacing lumber and Callouts • #400 grit (n) • #0000 steel wool • #1,000 grit stone • 1-pound cut, 2-pound cut etc. aftermarket (n): the market for parts, accessories and repairs • 40-tooth (adj) (for shellac) • thickness x width x length of a product; also, a secondary • On anything dimensional, • $2,800 (not $2800) • 1 horsepower; 1 hp (1-hp market for a product after the use numerals and birds’ feet, router); spell out ‘horsepower’ primary market; an aftermarket • 2" scale even if it’s an approximation on first reference, then can use fence for a table saw, for example • 32" x 48" ‘hp’ abbreviation (this departs from AP style) AIA (abbreviation): American • 4' x 7' 1/4"-20 (machine screw thread; • 4/4 lumber (reads as “four- Institute of Architects • 2x4; 2x4s (Name for quarter lumber”; refers to rough- 1/4" is diameter, 20 is threads per air-conditioner (n); construction-grade lumber, cut lumber measured by quarters inch) air-conditioning (A/C) (n); usually pine, generally used for or an inch; do not set as stacked • 70°F (no space; don’t spell out air-conditioned (adj) wall studs; is not really 2" by 4", fractions) on first ref.) air-dry (v); air-dried (adj): a but an estimate of the size used • mid-1800s • 3D (departure from AP) commonly; do not include inch method of seasoning lumber •30mm, 25 cm marks) which permits the sawn wood, • model 41293 which is usually protected from • 90°
    [Show full text]
  • Installation Guidelines Certainteed
    CertainTeed Exterior Trim Installation Guidelines Installation Guidelines Restoration Millwork ® cellular PVC trim is an exterior decorative trim for use only in non-load- bearing applications. It must never be used as a siding/cladding material. These Installation Guidelines are a general resource in standard installation techniques and procedures for working with Restoration Millwork. They are meant to be as thorough as possible. For up-to-the-minute installation instructions, please access our website at www.certainteed.com/products/trim. Restoration Millwork cellular PVC trim looks and feels like • When moving and installing Restoration Millwork, handle top-grade lumber. It installs like lumber and can be cut, it the same way you would handle soft pine lumber. shaped, routed, or milled with ordinary wood-working tools. All our trimboards, sheets, and specialty millwork have a Natural White surface that does not need Cutting, Drilling, Routing, painting. Restoration Millwork meets all ICC and and Finishing CCMC code requirements. Cutting Safety You can cut Restoration Millwork with a conventional carbide-tipped blade that is Restoration Millwork exterior trim is a cellular PVC product designed for working with wood. Do not use and cutting it will create PVC dust and particles. fine-tooth metal-cutting blades. Do not use plywood or metal • Cut cellular PVC trim in an blades because the kerf of the blade is too thin and can cause open, well-ventilated area. heat buildup in the material. For best results, use a 32-tooth (or higher) blade designed for woodworking. To maintain a • Always wear safety glasses or smooth edge, support the trim across its entire length when goggles and a face mask when you cut it.
    [Show full text]