DOCSLIB.ORG

Dear Miss Cowie: the Construction of Canadian Authorship, 1920S And1930s Victoria Kuttainen James Cook University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dear Miss Cowie: the Construction of Canadian Authorship, 1920S And1930s Victoria Kuttainen James Cook University Dear Miss Cowie: The Construction of Canadian Authorship, 1920s and1930s Victoria Kuttainen James Cook University ong before the recommendations of the Massey Report (1948–49), Lthe introduction of the New Canadian Library (1958), and the prolifera- tion of university courses on Canadian literature, a long forgotten school- teacher named Margaret Cowie was at work teaching it in her Vancouver classroom and assembling a library of Canadian literature for her school. Although the library itself has disappeared, the surprising list of titles collected by Miss Cowie, as well as the lively literary correspondence she left behind in fonds at the University of British Columbia, provides a remarkable snapshot of literary activity in Canada in the 1920s and 1930s. Morley Callaghan, Frederick Phillip Grove, A. M. Klein, Raymond Knister, Dorothy Livesay, Stephen Leacock, Mazo de la Roche, F. R. Scott, and Jes- sie Georgina Sime comprise a small star system of writers typically called upon by present-day university curricula to represent Canadian writing in this era. In spectacular contrast, the eighty-three Canadian writers with whom Cowie corresponded comprise a significantly larger universe of Canadian print culture in the process of expanding, stimulated by a grow- ing reading public, modernizing media, and emerging middlebrow tastes. Many of these writers shaped the terrain of writing in Canada before the canon, and more than a few published whole series of books that now ESC 39.4 (December 2013): 145–171 languish in obscurity despite achieving varying levels of national literary celebrity and prestige in their time. Their correspondence and careers offer refreshing insights into the literary history of Canada during this period Victoria Kuttainen and connect Canadian cultural activity to a broader cultural history of received her ba Honours the interwar period. Scholars of modernity have characterized the period and ma in English from between the wars as an epoch of major cultural transition. Ben Singer, for ubc before moving to instance, considers it a “striking explosion” of industrialization, urbaniza- Australia to study with tion, transportation, migration, mass communication, amusement, and the postcolonial research consumerism (19). Yet literary histories have characterized the 1920s and group at the University 1930s in Canada as barren, insular, and lacking in literary talent. The few of Queensland. Her works that have secured a place in the canon reveal the way retrospectives doctorate, which looked of the period overemphasize the impact of literary modernism, national- at Canadian, Australian, ism, or politicized narratives of the Depression at the expense of other and American short kinds of texts and authors widely read in their own time. fiction in a comparative Cowie’s expansive cast of literary correspondents worked actively framework was throughout the Depression and contributed a wide variety of literature. published as Unsettling They funded their writing careers in Canada or the U.S. as journalists, Stories by Cambridge academics, publicists, magazine writers, textbook authors, radio broad- Scholars Press in 2010. casters, screenwriters, or civil servants. They were folklorists, nature poets, She is Senior Lecturer animal fabulists, travel and adventure writers, and authors of masculine and Margaret and Colin historical and industrial romances or feminine coming-of-age novels Roderick Fellow of and sentimental verse. Their work was certainly variable in quality, but Comparative Literature taken as a whole it nonetheless indicates a much richer range of writing at James Cook University and cultural complexity than literary histories of Canada have generally in tropical Queensland. acknowledged. Margaret Cowie’s library of Canadian literature therefore Her research in progress suggests an urgent need to critically modify our understanding of literary focuses on the interwar culture of the interwar period in Canada. As Pierre Bourdieu explains in period, magazines, Distinction, literary work plays an instrumental role in, and is also affected travel across the Pacific, by, the larger social process of the assignment and contestation of cultural and late colonial worth; Cowie’s library and correspondence afford some insight into the modernity. Images can processes of contestation and exclusion in Canada. In considering the be viewed at www. wide range of Canadian writing included in Cowie’s library, and in placing transportedimagination. the work of this dynamic cultural period between the wars back into the com. context of its time, we can grasp a broader understanding not only of the circulation and reception of literary work in its own era but also of the historical construction of literary value. Fewer than a dozen of the eighty-three authors in Cowie’s correspon- dence have been featured in William H. New’s seminal History of Cana- dian Literature. More than that number are featured in Anne Innis Daag’s The Feminine Gaze: A Canadian Compendium of Non-Fiction Women 146 | Kuttainen Authors and Their Books, suggesting that the longstanding scholarly bias in favour of fiction in literary studies is one reason why a large sample of work in Cowie’s collection has been overlooked. Although the critical dismissal of non-fiction has been corrected in the recent past with the turn to life writing and autobiography studies, historical non-fiction remains under- studied despite its prominence on publisher’s lists in its time. But even more extensive revisions of Canadian literary history suggest additional reasons why these authors are in some cases now completely unknown. Scholars of Canadian literature such as Heather Murray, Carole Gerson, and Maria Tippett have undertaken extensive histories that have enlarged our understanding of print culture and publishing history in Canada. Nick Mount has examined the nationalist bias of Canadian literary criticism, which has overlooked work set outside Canada due to an assumed “topo- centric axiom” that has guided canon formation. He has further shown that commitment to this axiom has repressed in our cultural memory the historical circumstances that impelled many Canadian writers to relocate to the more lucrative and robust American print market. Lorraine York and Faye Hammill have separately appraised the relation between liter- ary repute and the market and have demonstrated a complex relationship in which literary success is often gauged by literary critics as inversely proportionate to market success. Further, Faye Hammill, Michelle Smith, and Candida Rifkind have offered recuperative understandings of mid- range and middlebrow material that was widely read in its own time yet dismissed until now as unworthy of scholarly attention due to an aca- demic bias in favour of non-sentimental, highbrow, and non-commercial prose. These studies have prompted reconsiderations of the processes of canon-making throughout the twentieth century that define the field today. My discussion of the Margaret Cowie Fonds will draw from this important body of revisionist literary scholarship to consider how many of these now obscure writers provide valuable insights into Canadian authorship and reading tastes as they were conceived in their own time, in the era immediately preceding Massey. I argue that Cowie’s collection is particularly valuable as a record of Western Canadian reading tastes and writing cultures when emerging literary associations in central Canada were beginning to shape public awareness of Canadian literature. Further, I show that the letters in Cowie’s correspondence offer rare glimpses into the way these authors operated as working writers and constructed their identities in complex ways in relation to the nation, celebrity, the market, and the literary field before the rise of CanLit as a sanctified and institu- tionalized literary category. Dear Miss Cowie | 147 Florence Nightingale School where Cowie taught in 1930s Vancouver. As Nick Mount has observed in his study of the diverse output and careers of another group of largely forgotten Canadian writers, the orderly proces- sion implied by chronological lists of representative greats in an anthology or university reading list hardly represents the disorder of literary produc- tion in its day. This disorder is succinctly captured in Cowie’s library, as her collected letters bear witness to a busily emerging literary culture that was, a decade after the turn-of-the-century expatriate exodus documented in Mount’s study, increasingly becoming organized and professionalized in Canada. Even still, Cowie’s correspondence reveals that CanLit was yet an uneven enterprise drawing from a variety of professional and amateur writers, not all of whom aimed to capture an elite literary readership and many of whom could not afford to do so. This was an era before protec- tionist measures were introduced in Canadian publishing, during the rise of Hollywood and mass communication, when the market was flooded by American books and magazines with which Canadian writers needed to compete. The introduction of compulsory schooling was only a genera- tion old, and the level of education had been raised to the mandatory age of fifteen only by 1912, university education was still for the elite, and the broadest market of Canadian readers was emerging from the expanding middle class. And while more of the interwar writers in Cowie’s collection were based in Canada than in Mount’s study of an earlier period when a career as a writer in Canada was
Load more

Recommended publications
  • Department of Drama
    UNIVERSITY OF ALBERTA Mentoring Canadian Theatre: Paul Thompson's Influence On The State of Canadian Theatre Through His Work in Collective Creation Dunng the 1970s and Early 1980s Ryan Farrell O A thesis submitted to the Faculty of Graduate Studies and Research in partial Willment of the requirements for the degree of Master of Arts. DEPARTMENT OF DRAMA Edmonton, Alberta Spring, 2000 National Library Bibliothéque nationale u*u ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibrigmphiques 395 Wellington Street 395. rue Weliiigton OlÉewaON K1AOW OttawaON KlAON4 canada carlada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothéque nationale du Canada de reproduce, loan, distn'bute or seIl reproduire, prêter, distriiuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels mybe printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT In this thesis, 1 demonstrate how Paul Thompson's collective creations from the 1970s and early 1980s provided a mechanism by which to attach theatre practice to the creation of dramatic text. 1 demonstrate how Paul Thompson developed his collective creations to help replenish the body of Canadian written work in the country's theatre industry, creating a volume of playable Canadian theatre texts that were developed by Canadians, for Canadians, and based on Canadian subject-rnatter.
    [Show full text]
  • Paving the Way to Paradise
    Teresa Casas PAVING THE WAY TO PARADISE: W.G. MACKENDRICK , WILLI AM JAMES, AND THE INTERCONNECTED DEVELOPMENT OF PARKS, SUBDIVISIONS AND ESTATES IN TORONTO AND OAKVILLE The car’s power to let one retreat to a home surrounded by parks and the corresponding destruction of the rural environment is one of the worst legacies of the last century. .MacKendrick’s contribution as a major road builder and promoter of city parks and gardens makes him an arch protagonist of this troubled story, captured in its earliest moments by pioneer photojournalist William James. TeresaCasas CONTENTS Introduction ................................................................................................................ 2 Chapter 1 ......................................................................................................................... ‘The Garden of Canada’ ........................................................................................ 13 Chapter 2 ......................................................................................................................... Design for Modern City Life: Toronto ............................................................ 26 Chapter 3 The Park ....................................................................................... 50 Chapter 4 Subdivisions ............................................................................... 74 Chapter 5 The Garden Gospel and the Pavement Wars .............. 118 Chapter 6 The Apocalypse and the Walking Sticks ....................... 139 Conclusion
    [Show full text]
  • Identity Crisis the Triumph of the Self, and the End of Politics
    Chris Alexander: Canada’s failure in Afghanistan PAGE 3 $6.50 Vol. 26, No. 8 October 2018 CHRISTOPHER DUMMITT Identity Crisis The triumph of the self, and the end of politics ALSO IN THIS ISSUE: NANCY MACDONALD ‘The most terrible jaws afloat’ NORA PARR The literary Middle East JOSÉ TEODORO Un-memorializing Leonard Cohen PublicationsOctober Mail Agreement 2018 #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K,reviewcanada.ca Toronto, ON M4P 2G1 A New from University of Toronto Press Robert A. Davidson takes readers on a trip through art, film, and photography to explore an urban space that is at once familiar and enigmatic: the hotel. As shared sites for both tourists and asylum seekers alike, hotels are touchstones of our multinational landscape. Drawing on examples from Edward Hopper to Alfred Hitchcock, The Hotel: Occupied Space chronicles how the hotel has entrenched itself into our symbolic and physical landscape throughout history. “In the current climate in which “Using a wide variety of representations, “Well written, accessible, and engaging, discussions of toxic masculinity from literature, to autobiography, to lm April in Paris brings together interesting have become more frequent and and non- ction critiques, this book tells and surprising threads in order to urgent, Brad Congdon’s book is the story of the adman, and addresses illuminate modernist culture and its relevant and timely.” the ambivalence that practitioners and in uence on the rest of the twentieth critics have about capitalism.” century.” –Maggie McKinley Harper College –Kathy M. Newman –Ihor Junyk Carnegie Mellon University Trent University utorontopress.com B reviewcanada.ca Literary Review of Canada Literary Review of Canada 340 King Street East, 2nd Floor Toronto ON M5A 1K8 email: [email protected] reviewcanada.ca Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol.
    [Show full text]
  • The United States at Jalna'
    THE UNITED STATES AT JALNA' J. G. Snell Τ jALNA NOVELS are best known for their evocation of the British ideal in a ДНCanadiaЕ n setting. The Whiteoaks are the epitome of the British heritage in Canada — haughty, aristocratic, conservative, bound strongly together as a family in a rural homestead of considerable tradition. And yet with English Canadians, loyalty and support for the Empire and for things British have always been paralleled by a rejection of the United States. Recent studies of Cana- dian imperialist thought have examined in depth the relationships between anti- Americanism and Canadian imperialism.2 Certainly for Mazo de la Roche the image of the United States played an important role in supporting the pro-British sentiment and life-style so predominant at Jalna. The period in which the Jalna novels were written (1927-1960) was one of considerable anxiety in Canada regarding the American cultural "take-over" of the Dominion, Royal commissions expressed their concern for the potential loss of Canadian identity and the growing intrusion of American popular culture; move- ments and journals led by Canadian intellectuals showed similar fears. Even the federal government was moved to action, however moderate: the Aird Commis- sion, the Massey Commission, the Canadian Broadcasting Corporation, the National Film Board, the Canada Council. In the late twenties and early thirties, when the outlines of Jalna were being created and determined, Canadian atten- tion to such problems was very strong, with a good deal of thrust and vigour to their proposals and actions.3 At the same time, however, there was an apprecia- tion of American success, prosperity, and well-being that fostered among Cana- dians some desires for emulation.
    [Show full text]
  • Hall of Fame
    HALL OF FAME 2020 EDITION National Library of Canada Cataloguing in Publication Data Main entry under title: City of Orillia Hall of Fame 2020 edition Library and Archives Canada Cataloguing in Publication Isabel Brillinger, 1916-2011 author Commemorative Awards Committee / Kym Kennedy / Ellen Cohen -- 2020 edition. ISBN 978-0-9689198-2-8 (paperback) 1. Orillia (Ont.)--Biography. 2. Awards--Ontario--Orillia. I. Orillia (Ont.). Commemorative Awards Committee, issuing body II. Title. FC3099.O74Z48 2020 971.3’17 C2020-905298-X HALL OF FAME 2020 Edition Updated by: The Commemorative Awards Committee City of Orillia Cover Art by: Jieun Kim Introduction The Orillia Hall of Fame was established in 1964 to recognize residents, or past residents, of Orillia and area for their outstanding accomplishments. The award serves to build upon the history of our city and the incredible patrons who have built its past and present. Those nominated have received national and/or international recognition in their field of work or endeavour. Nominees have included those in the arts, professions, politics, business, philanthropy, athletics and more. In all cases, the nominees and, ultimately the inductees, have made a substantial impact on the destiny of Orillia. In order to ensure the legacy of the deeds and achievements of our Orillia citizenship, we invite nominations of those who inspire and illuminate. Details regarding criteria and deadlines are available at orillia.ca/halloffame. Take some time to visit the display of the 50+ inductees at the Orillia City Centre in the hall outside of the council chamber. 4 Chair’s Remarks Orillia isn’t just a beautiful city.
    [Show full text]
  • Caroline Clement the Hidden Life of Mazo De La Roche’S Collaborator
    Can Lit 184 proof 3 EDITED 5/11/05 2:21 PM Page 46 Heather Kirk Caroline Clement The Hidden Life of Mazo de la Roche’s Collaborator “In privacy I can find myself and the creative impulse in me can move unhampered,” said Mazo de la Roche in a interview. Finding the truth about the author of the phenomenally successful Jalna novels has been difficult, for she herself was reticent and evasive. Even the best biographer of de la Roche, Ronald Hambleton, made mistakes: for example, he missed the Acton years. Joan Givner uncovered the Acton years, but one aspect of her Mazo de la Roche: The Hidden Life was terribly wrong: de la Roche was not a child molester who victimized her cousin and life-long companion Caroline Clement.1 De la Roche herself had said in her autobi- ography, Ringing the Changes, that she and Clement were “raised together as sisters,” but Givner, guessing at Clement’s age, contradicted this statement saying “Caroline was much more likely to have found in Mazo a surrogate parent than a playmate her own age”(). De la Roche had said that the two women first met and began engaging in their innocent “play” when de la Roche was seven years old and Clement was about the same age (–, –). Givner, however, insisted that “Caroline was probably a child of seven and Mazo a young woman in her mid-teens” when the two women came together. Furthermore, Givner pronounced, the play was “erotic” (–). Givner implied that Clement was hiding de la Roche’s crime when she became a “willing collaborator” in giving incorrect dates of birth for the two of them.
    [Show full text]
  • Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 Ext
    CURRICULUM VITAE Name: Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 ext. 6150 416 979 5387 fax [email protected] Position: . Professor . Research Associate, Modern Literature and Culture Research Centre . Member, Centre for Digital Humanities Citizenship: Canadian Languages: English, French EDUCATION: PhD, York University, English 1991 Examinations: First field: Canadian Literature Second field: Novel and Other Narrative Dissertation: A Bibliographical Study of Thomas Chandler Haliburton’s The Clockmaker, First, Second, and Third Series Supervisor: Professor John Lennox MA, York University, English 1982 MRP: Studies in the Early Poetry of Miriam Waddington Supervisor: Professor John Lennox BA Honours, Carleton University, English 1980 First year, Vanier College, Social Sciences 1976 AWARDS AND FELLOWSHIPS (EXTERNAL): 2016 Rosa and the late David Finestone Canadian Jewish Studies Award for Best Book in English or French, J. I. Segal Awards, Jewish Public Library ($500) 2016 Finalist, Vine Awards for Canadian Jewish Literature 2015 Canadian Jewish Literary Award for Yiddish Culture ($1,000) 2015 PROSE Award for Literature, Professional and Scholarly Publishing Division, Association of American Publishers 2015 Finalist, Eric Hoffer Award for Independent Books 2 – Ruth Panofsky 2013 McCorison Fellowship for the History and Bibliography of Printing in Canada and the United States, Bibliographical Society of America ($2,000US) 2011-14
    [Show full text]
  • Reviewers and Readers of the Jalna Novels Ruth Panofsky
    Document generated on 09/29/2021 7:39 a.m. Studies in Canadian Literature / Études en littérature canadienne At Odds: Reviewers and Readers of the Jalna Novels Ruth Panofsky Volume 25, Number 1, Spring 2000 Article abstract Although Mazo de la Roche was criticized by reviewers, the author enjoyed an URI: https://id.erudit.org/iderudit/scl25_1art04 enduring and gratifying relationship with her innumerable readers. The immediate attempt to place de la Roche's novel in the canon of "great works" See table of contents was due largely to two factors. First, since the novel had won a substantial sum for an unfamiliar author, it had to be perceived as excellent. Second, since the award had been offered by the Atlantic Monthly, the status of the magazine Publisher(s) was reflected in its choice of winner. Notions of literary value, as well as ideological assumptions, held respectively by reviewers and readers diverged The University of New Brunswick over time and resulted in the gradual shift in de la Roche's literary standing. In reconstructing the historical moment of Jalna, the paradox of professional ISSN marginalization and popular success emerges, despite an early acceptance by both high and popular cultures. For de la Roche's readers, the conservatism of 0380-6995 (print) her novels evoked a past — albeit a largely imaginary one — that they found 1718-7850 (digital) particularly appealing. Her reviewers, on the other hand, were frustrated by a series of novels that embraced an increasingly obsolete ideology. Explore this journal Cite this article Panofsky, R. (2000). At Odds:: Reviewers and Readers of the Jalna Novels.
    [Show full text]
  • Collaborative Writing and Authorial Attribution: Questioning Authorship in The
    Collaborative Writing and Authorial Attribution: Questioning Authorship in the Work of Martha Ostenso and Douglas Durkin Hannah McGregor April 2010 University of Guelph McGregor 1 Introduction: Who is Martha Ostenso? On February 11, 1958, Martha Ostenso Durkin and her husband Douglas Leader Durkin signed a legal agreement in the presence of their attorney, stating that “all of the literary works of Martha Ostenso commencing with the publication of ‘Wild Geese’ in 1925, were the results of the combined efforts of Douglas Leader Durkin and Martha Ostenso” (Durkin and Durkin 1). This agreement, coming at the end of the couple’s long literary career, retroactively declared the collaborative nature of the fifteen novels published under the name “Martha Ostenso” between 1925 and 1958. Most troubling for the reputation of the authors, it suggested that Ostenso received the 1925 Dodd, Mead and Company Best Novel of the Year Award fraudulently, if the more experienced Durkin (who had published at least three novels prior to 1925) collaborated on Wild Geese. This legal agreement not only throws into doubt the entire narrative of Ostenso’s career; it also destabilizes the notion of singular authorship that lies at the heart of this narrative, and raises the question of how collaborative authorship can and should be handled by literary critics. The destabilization of authorship is not the only possible interpretation of the legal agreement. Ostenso was an extremely popular writer in her time, generating a regular income of “between thirty and forty thousand dollars” per year through her writing alone (Atherton 214). The agreement, coming at the end of her career and only a few years before her death in 1963, secured for Durkin ongoing rights and royalties for all the novels published under his wife’s name.
    [Show full text]
  • The Social Relevance of Jalna by Mazo De La Roche the Social Relevance of Jalna
    The Social Relevance of Jalna by Mazo de la Roche The Social Relevance of Jalna by Mazo de la Roche Jack Kapica Department of Engl ish M.A. Thesis Abstract The thesis explores sorne of the developments in the Whiteoak persona 1ity in the process of becom i ng Canadian. The study concentrates on Ja 1na, the fi rst nove 1 Mazo de 1a Roche wrote in the se ri es, for th i s was the beginning point of her own conceptualization of the Whiteoak fami Iy, and it includes ail the seeds that were to develop in the later volumes. The first chapter traces the loss of the family' s original idea of gentility, the most profound aspect of the social consciousness of the Whiteoaks. In this respect, the haughty pretentiousness of the family 1 particularly evident in Gran Adeline, emerges as nothing more than a sham. Chapter 2 examines the artistic sensibi­ lities of Eden and Finch, and how these are interpreted by the two with respect to the rest of the family. Chapter 3 demonstrates the family 's growing stature as an agricultural and rural type. The concept of morality of the individual Whiteoaks, and the judgement of this morality as expressed by the author is dealt with in Chapter 4. The conclusion reiterates these themes in delineating the direction of the family in its process of nationalization as Canadians. TABLE OF CONTENTS Page INTRODUCTION ...................................... Chapter 1: The Decline of the Aristocratie Tradition ••••••••• 7 Chapter 2: The Emergence of a True Artistic Principle ••••• • • • 30 Chapter 3: The Development of Rural Mentality ••••••••••••• 43 Chapter 4: Vision and Morality in Jalna 55 CONCLUSION .......................................
    [Show full text]
  • Discover Georgina Guide 2018
    Official Visitors Guide 2018/2019 DISCOVER GEORGINA EXPLORE ALL WE HAVE TO OFFER! BeachesB h Boating & Fishing Festivals & Events 4-Season FUN Arts & Culture Agri-tourism Where to Eat, Shop, Stroll & Sightsee ,&48*$,t46550/t+"$,40/410*/5t1&''&3-"8t#"-%8*/t6%03" Our low price commitmentto you! • LOW PRICES EVERY DAY • WE ALSO AD MATCH* • SATISFACTION GUARANTEED or your money cheerfully refunded!* *Some restrictions apply. Dalton Road, Su�on GIANT TIGER Store Hours: Mon. - Fri.: 8 am-9pm FOR YOU. FOR LESS. Sat.:8am-6pm•Sun.:9am-5pm DISCOVER GEORGINA Discover Georgina Guide 2018 Published by The Georgina Advocate 580B Steven Crt., Newmarket 905-853-8888 Fax: 905-853-4626 www.yorkregion.com In co-operation with The Town of Georgina 26557 Civic Centre Rd., Keswick 905-476-4301 www.georgina.ca [email protected] and the Georgina Chamber of Commerce INSIDE YOUR The Link 20849 Dalton Rd., Sutton 905-722-8383 getaway [email protected] Publisher: 06 Dana Robbins Fish Lake Simcoe Regional General Manager: 12 Dock at our Marinas Shaun Sauve 14 Walk and Bike our Scenic Trails Advertising Manager: Tanya Pacheco 16 Swim at our Beaches Advertising Director: 17 Visit the Unique Communities of Georgina Amanda Smug 20 Shop our Historic Downtowns Editorial Contributors: Rebecca Reid, Town of Georgina, 28 Relax in our Places to Stay Wil Wegman 30 Taste our Farm to Fork Photography: Central Counties Tourism, Cristina Liu, 31 Discover our Historic Museums Georgina Pioneer Village Archives, Sean Columbus, Susie Kockerscheidt, Town of 42 Georgina, Wil Wegman Experience our Festivals and Events 47 Director of Production: Golf our Courses Katherine Porcheron Graphic Design: Nicolette Blazenko DISCOVER GEORGINA 1 MESSAGE FROM THE MAYOR On behalf of Georgina Town We have wonderful restaurants, Council, I would like to welcome hotels, motels and B&B’s to everyone to our beautiful community accommodate you.
    [Show full text]
  • Nationalism and Gender in Theatrical and Para-Theatrical Practices by Canadian Women Artists, 1880-1930
    Gendering the Nation: Nationalism and Gender in Theatrical and Para-theatrical Practices by Canadian Women Artists, 1880-1930 by Christian Bock M.Ed., University of Osnabrück, Germany, 2003 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English ã Christian Bock, 2019 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Gendering the Nation: Nationalism and Gender in Theatrical and Para-theatrical Practices by Canadian Women Artists, 1880-1930 by Christian Bock M.Ed., University of Osnabrück, Germany, 2003 Supervisory Committee Dr. Sheila Rabillard (Department of English) Supervisor Dr. Misao Dean (Department of English) Departmental Member Dr. Allana Lindgren (Department of Theatre) Outside Member iii Abstract Supervisory Committee Dr. Sheila Rabillard (Department of English) Supervisor Dr. Misao Dean (Department of English) Departmental Member Dr. Allana Lindgren (Department of Theatre) Outside Member This dissertation examines the intersection of nationalism and gender in theatrical and para-theatrical practices by Canadian women artists between 1880-1930, including the works of Madge Macbeth, Mazo de la Roche, Sarah Ann Curzon, Pauline Johnson and Constance Lindsay Skinner and their historical context in order to elucidate why and how these dramatic and para-theatrical works appeared as they did, where they did and when they did. Drama and para-theatrical performances such as mock parliaments, flag drills, Salvation army spectacles, and closet drama serve an important role as discursive public spaces in which a young democracy and budding nation negotiates its gendered struggles concerning cultural hegemony and political participation.
    [Show full text]