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Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
VIKKY ALEXANDER Born 1959, Victoria, British Columbia Lives in Montréal, Québec EDUCATION 1979 Nova Scotia College of Art
VIKKY ALEXANDER Born 1959, Victoria, British Columbia Lives in Montréal, Québec EDUCATION 1979 Nova Scotia College of Art and Design, Halifax, Nova Scotia, BFA SELECTED EXHIBITIONS Solo 2019 Vikky Alexander: Extreme Beauty, Vancouver Art Gallery, Vancouver, British Columbia 2018 Vikky Alexander: Other Fantasies, TrépanierBaer, Calgary, Alberta Vikky Alexander: FIAC, Downs and Ross, Paris, France Vikky Alexander: Vertical Dreams, Wilding Cran Gallery, Los Angeles, California Vikky Alexander: Spoils of the Park, Canada House, Canadian Embassy, London, United Kingdom Vikky Alexander: Between dreaming and living, Cooper Cole, Toronto, ON 2017 Vikky Alexander: Unnatural Horizon, L’ESCALIER, Montreal, Quebec Vikky Alexander: 1981 – 1983, Downs & Ross, New York, New York Vikky Alexander, Between Living and Dreaming, Chernoff Fine Art, Capture Photography Festival, Vancouver, BC 2016 Temptation of St. Anthony, Cooper Cole, Toronto, ON 2015 The Troublesome Window, TrépanierBaer Gallery, Calgary, Canada La Vitrine, Atelier Daigneault/Schofield, 2126 Rue Rachel Est, Montréal, Québec 2014 Theatregarden Beastiarium, Wilding Cran Gallery, Los Angeles, California The Temptation of St. Anthony, The Apartment, Vancouver, British Columbia 2011 Island, TrépanierBaer Gallery, Calgary, Canada 2010 Houses of Glass, University Art Gallery, Massey University, Wellington, New Zealand Paris Showrooms, TrépanierBaer Gallery, Calgary,Alberta; Lúz Gallery, Victoria, British Columbia 2008 Lost Horizons, TrépanierBaer, Calgary, Alberta 2007 Model Suites, TrépanierBaer, -
Programme Book Programme Science for Sight October 10-13
EVER 2012 NICE PROGRAMME BOOK PROGRAMME www.ever.be SCIENCE FOR SIGHT OCTOBER 10-13 21 CME credits EUROPEAN ASSOCIATION FOR VISION AND EYE RESEARCH Innovative. Dedicated. Worldwide. For more than 30 years URSAPHARM has been developing innovative phar- maceutical concepts, converting these into successful pharmaceutical and medicinal products for the ophthalmology and general medicine sectors – for the well-being of patients throughout the world. www.ursapharm.de URSAPHARM Arzneimittel GmbH, Industriestraße 35, 66129 Saarbrücken, Germany, www.ursapharm.de WORD FROM THE PRESIDENT 1 Leopold SCHMETTERER EVER President 2012 Dear EVER members, As EVER President it is my great pleasure to welcome you As other societies, EVER is faced with the problems of the to the 2012 EVER meeting in Nice, France. The 21st century fi nancial and economic crisis. This makes it more diffi cult brought signifi cant advances in many areas of Medicine. This for the organizers but also more diffi cult for the scientists is particularly true for Ophthalmology and Visual Science and to join the meeting because of budget restrictions at our the insight into basic mechanisms of ocular disease as well Universities. With all this we must not forget that Research as the improvement in diagnosis and treatment will translate and Development in Biomedical Science is one of the ways into reduced blindness and vision loss. out of the crisis. We should not forget to communicate this and increase our efforts to get our work funded. To form European Consortia is undoubtedly a promising way to The EVER congress in Nice will provide a platform to discuss obtain research money and EVER is a good starting point for future developments in eye research based on the success such efforts. -
Technical Program Sessions | ACM Multimedia 2010
Technical Program Sessions | ACM Multimedia 2010 http://www.acmmm10.org/program/technical-program/technical-program-... Technical Program Sessions Tuesday, October 26 morning PLENARY PL1 Chairs: Alberto Del Bimbo, University of Firenze, I Shih-Fu Chang, Columbia University, USA Arnold Smeulders, University of Amsterdam, NL Using the Web to do Social Science Duncan Watts, Yahoo! Research Chair: Shih-Fu Chang, Columbia University, USA ORAL SESSION FULL F1 Content Automatic image tagging Chair: Yong Rui, Microsoft Research, USA Leveraging Loosely-Tagged Images and Inter-Object Correlations for Tag Recommendation Yi Shen, University of North Carolina at Charlotte Jianping Fan, University of North Carolina at Charlotte Multi-label Boosting for Image Annotation by Structural Grouping Sparsity Fei Wu, Zhejiang University Yahong Han, Zhejiang University Qi Tian, University of Texas at San Antonio Yueting Zhuang, Zhejiang University Unified Tag Analysis With Multi-Edge Graph Dong Liu, Harbin Institute of Technology Shuicheng Yan, National University of Singapore Yong Rui, Microsoft China R&D Group Hong-Jiang Zhang, Microsoft Advanced Technology Center Efficient Large-Scale Image Annotation by Probabilistic Collaborative Multi-Label Propagation Xiangyu Chen, National University of Singapore Yadong Mu, National University of Singapore Shuicheng Yan, National University of Singapore Tat-Seng Chua, National University of Singapore ORAL SESSION FULL F2 Applications / Human-centered multimedia User-adapted media access Chair: Ralf Steinmetz, University -
ACM Multimedia 2010 - Worldwide Premier Multimedia Conference - 25-29 October 2010 - Florence (I)
ACM Multimedia 2010 - worldwide premier multimedia conference - 25-29 October 2010 - Florence (I) Conference Program Attendees General History People Program at a glance Technical Program Competitions Interactive Art Exhibit Tutorials Workshops Registration Travel Accommodation Venues Instructions for Presenting Authors You are here: Home Welcome to the ACM Multimedia 2010 website Sponsors Social ACM Multimedia 2010 is the worldwide premier multimedia conference and a key event to display scientific achievements and innovative industrial products. The Conference offers to scientists and practitioners in the area of Multimedia plenary scientific and technical sessions, tutorials, panels and discussion meetings on relevant and challenging questions for the next years horizon of multimedia. The Interactive Art program ACM Multimedia 2010 will provide the opportunity of interaction between artists and computer scientists and investigation on the application of multimedia technologies to art and cultural heritage. Please look inside the ACM MULTIMEDIA Website for more information. Conference videos online! By WEBCHAIRS | Published: FEBRUARY 4, 2011 A. Del Bimbo – Opening Shih-Fu Chang – Opening A. Smeulders – Opening D. Watts – Keynotes M. Shah – Keynotes R. Jain – Tech. achiev. award E. Kokiopoulou – SIGMM award S. Bhattacharya – Best papers ACM Multimedia 2010 Twitter http://www.acmmm10.org/[20/11/2011 7:16:00 PM] ACM Multimedia 2010 - worldwide premier multimedia conference - 25-29 October 2010 - Florence (I) S. Tan – Best papers R. Hong – Best papers S. Milani – Best papers Exhibit VideoLectures.net has finally released the videos of the important events recorded during the conference! ACM Multimedia 2010 Best Paper and Demos Awards at Gala Dinner By WEBCHAIRS | Published: OCTOBER 29, 2010 ACM Multimedia 2010 Gala Dinner was held yesterday in Salone dei 500 at Palazzo Vecchio. -
Instant Coffee • Caitlin Jones • Dave Dyment • Rakett
1 AUTHOR FSM YDSL • Instant Coffee • Caitlin Jones • Dave Dyment • Rakett 4 CONTENTS 5 FSMYDSL INTRODUCTION INSTANT COFFEE Instant Coffee Dave Dyment • p 8 • p 66 QUALITY IS AN INSTANT BESIDE THE QUALITATIVE POINT SOCIETY Caitlin Jones Rakett • p 24 • p 88 6 ESSAY TITLE 7 AUTHOR 8 INTRODUCTION 9 INSTANT COFFEE It doesn’t have to be good to be meaningful. We came up with this phrase in the early years of our formation INTRODUCTION and have since propagated it in many forms — as posters, t-shirts, by-lines, lived aphorism and internalized methodology. It is a slogan we wrote while discussing (IT DOESN’T Andy Warhol. We weren’t speaking about particular artworks by him but referring to his process and subjects. The gist of our conversation being: HAVE TO BE • Quality matters but not more than production. • Producing precedes evaluation. It comes first and should be pursued without the harbinger of good. GOOD TO BE • It doesn’t matter if we like Campbell’s Soup. • Taste rests in the mouth, but there is no need to begin there. • Best to reside in the moment before judgment. MEANINGFUL) • Stay in the instance of making. • Immediacy and production are related and should not get waylaid by concerns about reception. • Our exhibition “Feeling So Much Yet Doing So Little” was presented more than a decade after this conversation, and even though our belief in the original sentiment Instant Coffee has not waivered, the exhibition’s title acknowledges that sometimes our feelings do get in the way of our productivity. We believe that making and doing should precede concerns of quality; output is primary (even if 10 INTRODUCTION 11 INSTANT COFFEE it means repetitiously painting beautifully warm yellow cedar stumps acidic fluorescent pink) but sometimes time is needed to reflect back on what we produce. -
Ho2) Sale AUGUST 10, 2021 – AUGUST 24, 2021 H201 KIM KENNEDY AUSTIN 1977 Canadian B.C
TogeTher again | BaF exhiBiTion and JULY 15, 2020 15, JULY aucTion in SupporT oF alumni arTists online AUCTion parTnerShip (ho2) Sale AUGUST 10, 2021 – AUGUST 24, 2021 h201 KIM KENNEDY AUSTIN 1977 Canadian B.C. Sugar Refinery. Picnic. Bowen Island. 6 August 1921. Dominion Photo Co. AM1535-: CVA 99-5120 watercolour on paper 16 x 20 inches 40.6 x 50.8 centimeters Provenance: Collection of the Artist Exhibited: Terminal Creek Contemporary, Bowen Island, Serpentine Path curated by Patrik Andersson, September 25 - August 26, 2018 Literature: Clint Burnham, Serpentine Path, Espace, Issue 121, Winter 2019 Kim Kennedy Austin is an artist based in Vancouver, Canada. Recent solo exhibitions include You, Only Better at Burrard Arts Foundation (2017); Fast Girls Get There First at Wil Aballe Art Projects (2017); and Industry, Charity, Faith, Hope at West Vancouver Art Museum (2015). Recent group exhibitions include Trapped in 2020 (2020) and Leftovers at Trapp Projects (2019); Serpentine Path at Terminal Creek Contemporary on Bowen Island (2018); and Metamorphosis at Vancouver Art Gallery (2018). Austin’s work has been collected by Burnaby Art Gallery, West Vancouver Art Museum, Vancouver Art Gallery, and Foreign Affairs and International Trade Canada. Austin is represented by Wil Aballe Art Projects. In 2017, Austin presented a new body of work, a result of her artist residency at BAF. These works explored the subject of self-betterment through the advertisements found in American home and fitness magazines from the mid-20th century to comment on the capitalist rise of the “keeping-up-with- the-Joneses" consumerism of the post-WWII era. -
VIKKY ALEXANDER Born 1959, Victoria, British
VIKKY ALEXANDER Born 1959, Victoria, British Columbia Lives in Montréal, Québec EDUCATION 1979 Nova Scotia College of Art and Design, Halifax, Nova Scotia, BFA SELECTED EXHIBITIONS Solo 2020 Vikky Alexander: Nordic Rock, Fonderie Darling, Montréal, Québec 2019 Vikky Alexander: Extreme Beauty, Vancouver Art Gallery, Vancouver, British Columbia Vikky Alexander, Art Toronto, 2019, Booth B3, TrépanierBaer Gallery 2018 Vikky Alexander: Other Fantasies, TrépanierBaer, Calgary, Alberta Vikky Alexander: FIAC, Downs and Ross, Paris, France Vikky Alexander: Vertical Dreams, Wilding Cran Gallery, Los Angeles, California Vikky Alexander: Spoils of the Park, Canada House, Canadian Embassy, London, United Kingdom Vikky Alexander: Between dreaming and living, Cooper Cole, Toronto, ON 2017 Vikky Alexander: Unnatural Horizon, L’ESCALIER, Montreal, Quebec Vikky Alexander: 1981 – 1983, Downs & Ross, New York, New York Vikky Alexander, Between Living and Dreaming, Chernoff Fine Art, Capture Photography Festival, Vancouver, BC 2016 Temptation of St. Anthony, Cooper Cole, Toronto, ON 2015 The Troublesome Window, TrépanierBaer Gallery, Calgary, Canada La Vitrine, Atelier Daigneault/Schofield, 2126 Rue Rachel Est, Montréal, Québec 2014 Theatregarden Beastiarium, Wilding Cran Gallery, Los Angeles, California The Temptation of St. Anthony, The Apartment, Vancouver, British Columbia 2011 Island, TrépanierBaer Gallery, Calgary, Canada 2010 Houses of Glass, University Art Gallery, Massey University, Wellington, New Zealand Paris Showrooms, TrépanierBaer Gallery, Calgary,Alberta; -
In the United States Bankruptcy Court for the Eastern District of Texas Sherman Division
Case 20-42492 Doc 27 Filed 12/23/20 Entered 12/23/20 18:47:22 Desc Main Document Page 1 of 585 IN THE UNITED STATES BANKRUPTCY COURT FOR THE EASTERN DISTRICT OF TEXAS SHERMAN DIVISION In re: § Chapter 11 § SPHERATURE INVESTMENTS LLC, § Case No. 20-42492 et al.,1 § § Debtors. § Joint Administration Requested CERTIFICATE OF SERVICE I, Julian A. Del Toro, depose and say that I am employed by Stretto, the claims, noticing, and solicitation agent for the Debtors in the above-captioned cases. On December 23, 2020, at my direction and under my supervision, employees of Stretto caused the following documents to be served via overnight mail on the service list attached hereto as Exhibit A, via first-class mail on the service list attached hereto as Exhibit B, and via electronic mail on the service list attached hereto as Exhibit C: Order Granting Request for Emergency Consideration of Certain “First-Day Matters” (Docket No. 22) Notice of Commencement of Chapter 11 Cases and Emergency Hearing of Certain First-Day Matters (Docket No. 23) Dated: December 23, 2020 /s/Julian A. Del Toro Julian A.Del Toro STRETTO 410 Exchange, Suite 100 Irvine, CA 92602 Telephone: 855-366-3672 Email: [email protected] _______________________________________ 1 The “Debtors” in the above-captioned jointly administered chapter 11 bankruptcy cases (“Cases”) are: Spherature Investments LLC (“Spherature”) EIN#5471; Rovia, LLC (“Rovia”) EIN#7705; WorldVentures Marketing Holdings, LLC (“WV Marketing Holdings”) EIN#3846; WorldVentures Marketplace, LLC (“WV Marketplace”) EIN#6264; WorldVentures Marketing, LLC (“WV Marketing”) EIN#3255; WorldVentures Services, LLC (“WV Services”) EIN#2220. -
20H Generative Art Conference GA2017 Ravenna, Ultima Cena
20h Generative Art Conference GA2017 Ravenna, Ultima Cena, Sant’Apollinare Nuovo Index Celestino Soddu, Enrica Colabella Chairs of Generative Art conferences opening GA2017 Papers Pag. 13 Celestino Soddu Italy, Argenia Association, Generative Design Lab, Politecnico di Milano Designing Generative Art. Mosaic concept, Creativity, and Idea in Generative Design Pag. 28 Agnieszka Mars, Ewa Grabska Poland, Jagiellonian University in Kraków, Faculty of Physics, Astronomy and Applied Computer Science Aesthetic-Oriented Generation Of Architectonic Objects With The Use Of Evolutionary Programming Pag. 38 Ahlam Bavi, Lior Shamir, Tang Ming Xi, Yagub Ajand Iran, US, HK, Iran, University of Tehran, Faculty of Fine Arts; United States, Lawrence Technological University, College of Engineering; Hong Kong, The Hong Kong Polytechnic University, School of Design; Iran, University of Tehran, Faculty of Fine Arts Computer algorithm analysis contents of painting Pag. 49 Alain Lioret France, ESGI / Université Paris 8 Fractal Beings Pag 3 20h Generative Art Conference GA2017 Pag. 58 Alexey Krasnoskulov Russia, Rostov State Rakhmaninov Conservatoire TongArk: a Human-Machine Ensemble Pag. 66 Angela Ferraiolo USA, Sarah Lawrence College, Visual & Studio Arts/New Genres FLIGHT: A Scene of Escape Pag. 78 Asako Soga, Yuho Yazaki, Bin Umino, Motoko Hirayama Japan, Ryukoku University, Faculty of Science and Technology; Toyo University, Faculty of Sociology; University of Tsukuba, Faculty of Health and Sport Sciences Automatic Synthesizing System of Choreography for Supporting Contemporary Dance Creation Pag. 87 Barbara Strug, Grażyna Ślusarczyk, Ewa Grabska Poland Jagiellonian University, Department of Physics, Astronomy and Applied Computer ScienceStyle-Directed Evolutionary Design Pag. 98 Ben Jack, Bernard Guy New Zealand, Victoria University of Wellington, School of Design The Style Machine: digital tactility through generative collaboration Pag. -
Exhibitions Bulletin
Song of Contemporary Art Gallery the Open Road Vancouver, BC Vikky Alexander Robert Arndt Gerard Byrne Jacqueline Hoàng Nguyen Kelly Jazvac Kelly Lycan Niamh O’Malley Dawit L. Petros Greg Staats Lisa Tan April 1 to June 18, 2017 Derya Akay B. C. Binning and Alvin Balkind Galleries Until April, 2017 Events Room, Window spaces Burrard Marina Field House Studio Off-site at Yaletown-Roundhouse Station Song of Taking its title from a poem by Cover: Key to the exhibition is Images or shadows of divine things (2005–), an ongoing series by Irish artist Gerard Byrne. Visually Dawit L. Petros rich and intellectually complex, the artist’s work in photography, the Open Road Walt Whitman, the Contemporary Art Untitled (Epilogue III), Catania, Italy (2016) Gallery presents a group exhibition Archival colour pigment prints film, theatre and multiscreen installation examines the slippage Vikky Alexander Courtesy the artist and between time and the act of image creation. Presented here, a Robert Arndt as the central feature of this year’s Tiwani Contemporary, London selection of these black-and-white photographs seems to depict Gerard Byrne a much earlier period, evoking vernacular photographic idioms Capture Photography Festival. Below: Jacqueline Hoàng Nguyen of American midcentury photography and thus pointing toward Kelly Jazvac Work is presented both inside and Gerard Bryne the relationship between time, appearance and the photographic Kelly Lycan outside and across all of the gallery’s Images or shadows of divine things (2005–) document. Through a collection of over twenty images, a sense Niamh O’Malley Selenium-toned silver gelatin print emerges that the series has a certain scale of vision. -
Wil Aballe Art Projects Presents Broomberg
1129 East Hastings Vancouver, BC V6A 1S3 +1 (778) 229 3458 WAAP Wil aballe art projects www.waapart.com WIL ABALLE ART PROJECTS PRESENTS CHRISTINE D’ONOFRIO, good (detail) installation comprising of 500+ hand-cut C-Prints applied directly to wall in a ahorizontal line configuration Variable dimensions BROOMBERG & CHANARIN CHRISTINE D’ONOFRIO EVAN MCGRAW MARINA ROY good January 17 – February 29, 2020 1129 East Hastings Vancouver, BC V6A 1S3 +1 (778) 229 3458 WAAP Wil aballe art projects www.waapart.com ABOUT THE EXHIBITION WAAP is pleased to present a group exhibition of work by artists Broomberg & Chanarin, Christine D’Onofrio, Evan McGraw, and Marina Roy. The exhibition’s catalyst is the London-based artists Broomberg & Chanarin’s 2013 epic work, Holy Bible. The pair began by underlining resonant passages over the 700 pages of the Bible and poring over 10,000 images from the Archive of Modern Conflict, physically based in London, covering the time period from the Crimean War to present. Page by page, collaging text with image, the resulting assemblages feel like the text has been written for the image, allowing us to look through our complicated past history. In the Book of Psalms, the artists noticed the ongoing reference to the self – my heart, my eyes, my love, my hate, my anger, my trust, my delight, my reign, my right hand, my flesh, my soul, my goings, my speech – and so on. Similarly, Christine D’Onofrio has noticed the capricious contexts of the word ‘good’ in the Bible (perhaps: Genesis 1:10 “And God saw that it was good”; or Judges 9:11 “But the fig tree replied, ‘Should I give up my fruit, so good and sweet, to hold sway over the trees?”; or Psalm 14:3 “All have turned away, all have become corrupt; there is no one who does good, not even one”) and has created an installation work made up entirely of over 500 instances of the word from the book, each photographed and displayed in chronological order, encircling the gallery like a horizon line.