Madeline in New York: the Art of Ludwig Bemelmans

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Madeline in New York: the Art of Ludwig Bemelmans Madeline in New York: The Art of Ludwig Bemelmans July 4, 2014 - October 13, 2014 Selected PR Images Madeline at the Paris Flower Market , 1955 Oil on canvas The Estate of Ludwig Bemelmans “The little girls all cried ‘Boo-hoo!’” 1956/57 TM and © Ludwig Bemelmans, LLC Madeline and the Bad Hat (The Viking Press, 1956/57) Gouache Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC “Even Miss Clavel said,” 1956/57 “One nice morning Miss Clavel said,” 1939 Madeline and the Bad Hat (The Viking Press, 1956/57) Madeline (Simon & Schuster, 1939) Gouache Crayon and watercolor Collection of Mr. and Mrs. Charles M. Royce Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC TM and © Ludwig Bemelmans, LLC This exhibition is organized by The Eric Carle Museum of Picture Book Art, Amherst, MA Note: Editorial use only. Works must be used in their entirety with no cropping, detailing, overprinting, or running across the gutter. Additionally, the reproductions must be fully captioned as provided. “And low,” 1953 “They went looking high,” 1953 Panel from Aristotle Onassis' yacht The Christina Panel from Aristotle Onassis' yacht The Christina Oil on canvas Oil on canvas Collection of Mr. and Mrs. Charles M. Royce Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC TM and © Ludwig Bemelmans, LLC Cover for Madeline’s Rescue , 1953 Madeline and the Bad Hat (The Viking Press, 1956/57) Madeline’s Rescue (The Viking Press, 1953) Dummy Cover for Madeline and the Bad Hat , ca. Gouache 1956/57 Iris & B. Gerald Cantor Center for Visual Arts at Stanford Pen, ink, watercolor, and gouache University, Laurel D. Schumann Collection, given in The Estate of Ludwig Bemelmans memory of her deceased father, Lawrence R. Schumann TM and © Ludwig Bemelmans, LLC TM and © Ludwig Bemelmans, LLC This exhibition is organized by The Eric Carle Museum of Picture Book Art, Amherst, MA Note: Editorial use only. Works must be used in their entirety with no cropping, detailing, overprinting, or running across the gutter. Additionally, the reproductions must be fully captioned as provided. "Said the lion, ‘we’d better go back,’” 1959 Madeline and the Gypsies (The Viking Press, 1959) “By applying myself thoroughly to the study of kitchen Gouache and the cellar,” 1950 Collection of Judy Koch “Adieu to the Old Ritz,” Town & Country Magazine, Vol. TM and © Ludwig Bemelmans, LLC 104, No.4339, December 1950, pp. 90-93. Pen, black ink, watercolor, and gouache Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC “And sometimes they were very sad,” 1939 “Interesting as the hotel was, my ambition was to paint,” Madeline (Simon & Schuster, 1939) 1950 Watercolor and gouache “Adieu to the Old Ritz,” Town & Country Magazine, Vol. Kendra and Allan Daniel Collection 104, No.4339, December 1950, pp. 90-93. TM and © Ludwig Bemelmans, LLC Pen, black ink, watercolor, and gouache Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC This exhibition is organized by The Eric Carle Museum of Picture Book Art, Amherst, MA Note: Editorial use only. Works must be used in their entirety with no cropping, detailing, overprinting, or running across the gutter. Additionally, the reproductions must be fully captioned as provided. Woman with a Dog , 1950 Oil on staff Hofbräuhaus, Munich, 1932 Collection of Mr. and Mrs. Charles M. Royce Pen, ink, and watercolor TM and © Ludwig Bemelmans, LLC Collection of Mr. and Mrs. Charles M. Royce TM and © Ludwig Bemelmans, LLC French Restaurant with Cats , 1958 Self portrait Oil on canvas Pen, black ink, and gray wash The Estate of Ludwig Bemelmans The Estate of Ludwig Bemelmans TM and © Ludwig Bemelmans, LLC TM and © Ludwig Bemelmans, LLC This exhibition is organized by The Eric Carle Museum of Picture Book Art, Amherst, MA Note: Editorial use only. Works must be used in their entirety with no cropping, detailing, overprinting, or running across the gutter. Additionally, the reproductions must be fully captioned as provided. .
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