48 Hours: 21St Century – Make Film, Watch Film, Get Award, Sleep

Total Page:16

File Type:pdf, Size:1020Kb

48 Hours: 21St Century – Make Film, Watch Film, Get Award, Sleep 48 Hours: 21st Century – Make Film, Watch Film, Get Award, Sleep Dallas Area Filmmakers Participate in The 48 Hour Film Project, an International Film Competition Dallas, Texas (July 22, 2013)… Teams of drowsy yet determined filmmakers produced, edited and delivered their best seven-minute film during the annual 48 Hour Film Project held in Dallas last month the weekend of June 22. In 2013, teams in more than 120 cities involving more than 60,000 people will spend 48 grueling hours attempting what seems impossible – create and deliver a short film in a short time. Each filmmaking team is told the same four elements that must be included – a prop, character name, line of dialogue and genre. How they do this is the creative challenge given the short production time. Once complete, the films are shown at a local theater. On July 3, the Dallas winners were announced: Best Directing - "Three Rounds" by Knockaround Guys Runner-Up for Best Film - "Three Rounds" by Knockaround Guys Best Film - "Velo" by Film Freaks Audience Award Winners - "Ahkbars" by Obsessive Comedy Disorder & "Three Rounds" by Knockaround Guys City producers for The 48 Hour Film Project are Danny Ohman and Gary Underwood, who are also partners in micro-budget production company Factory Entertainment with Shawn Parker. Factory has several projects in development including “Hindsight,” which will begin shooting in late 2013. About The 48 Hour Film Project The 48 Hour Film Project is the oldest and largest timed film competition in the world. It began with a few filmmaking teams in Washington, DC in May 2001. Since then, more than 700 competitions have taken place around the world. The 48 Hour Film Project’s mission is to advance filmmaking and promote filmmakers. The tight 48-hour deadline puts the focus squarely on the filmmaking, emphasizing creativity and teamwork and “doing” instead of “talking.” The project is also about building communities of local creative people, making new connections, showcasing skills, and celebrating what creativity and teamwork can accomplish in just one weekend. For more information, go to http://48hourfilm.com/. ### Contact: Jo Trizila, TrizCom Inc., [email protected], 972-247-1369 (off.), 214-232-0078 (cell) .
Recommended publications
  • Uncut! First Time In
    45833_AFI_AGS 3/30/04 11:38 AM Page 1 THE AMERICAN FILM INSTITUTE GUIDE April 23 - June 13, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 10 AFIPREVIEW UNCUT! FIRST TIME IN DC! GODZILLA!GODZILLA! Plus: Great World War II Films, Filmfest DC, Val Lewton Centennial, Three by Alfred Hitchcock, Natalie Wood Tribute MC5*A TRUE TESTIMONIAL POINT OF ORDER A STREETCAR NAMED DESIRE CITY LIGHTS GODSEND SYLVIA BLOWUP DARK VICTORY SEPARATE BUT EQUAL STORMY WEATHER CAT ON A HOT TIN ROOF WAR AND PEACE PHOTO NEEDED WORD WARS 45833_AFI_AGS 3/30/04 11:39 AM Page 2 Features 2, 3, 4, 7, 13 2 POINT OF ORDER MEMBERS ONLY SPECIAL EVENT! 3 MC5 *A TRUE TESTIMONIAL, GODZILLA GODSEND MEMBERS ONLY 4WORD WARS, CITY LIGHTS ●M ADVANCE SCREENING! 7 KIRIKOU AND THE SORCERESS Wednesday, April 28, 7:30 13 WAR AND PEACE, BLOWUP When an only child, Adam (Cameron Bright), is tragically killed 13 Two by Tennessee Williams—CAT ON A HOT on his eighth birthday, bereaved parents Rebecca Romijn-Stamos TIN ROOF and A STREETCAR NAMED DESIRE and Greg Kinnear are befriended by Robert De Niro—one of Romijn-Stamos’s former teachers and a doctor on the forefront of Filmfest DC 4 genetic research. He offers a unique solution: reverse the laws of nature by cloning their son. The desperate couple agrees to the The Greatest Generation 6-7 experiment, and, for a while, all goes well under 6Featured Showcase—America Celebrates the the doctor’s watchful eye. Greatest Generation, including THE BRIDGE ON The “new” Adam grows THE RIVER KWAI, CASABLANCA, and SAVING into a healthy and happy PRIVATE RYAN young boy—until his Film Series 5, 11, 12, 14 eighth birthday, when things start to go horri- 5 Three by Alfred Hitchcock: NORTH BY bly wrong.
    [Show full text]
  • Michael Brueggemeyer Resume'
    MICHAEL BRUEGGEMEYER PROFILE Michael is a seven-time EMMY recipient for Directing, in the PSW region. He has been directing projects including commercials, corporate videos and films for over 25 years. His work has helped to make companies successful, won awards, and stood out from the crowd. EXPERIENCE DIRECTOR, FILMS http://www.imdb.com/name/nm0115726/ THE LIST — 2015 Winner, Best Film, Best Directing, Best Ensemble Acting, Audience Award, Los Angeles 48 Hour Film Project. COVERAGE — 2013 Winner, Direction, Short Form, 2016 PSW EMMY Awards. Official Selection of the Cannes Film Festival. Winner, Best Film, Best Directing, Best Writing, Best Musical Score, Best Use of Genre, Los Angeles 48 Hour Film Project. INMATE 14658 — 2013 Winner, Direction, Short Form, 2016 PSW EMMY Awards. Runner-Up, Best Film, Winner, Best Cinematography, Best Actress, San Diego 48 Hour Film project. THE HEIRESS LETHAL - 2010 Official Selection of the Cannes Film Festival. Winner, Best Film, Best Directing, San Diego 48 Hour Film project. TOP 100 FINALIST, PROJECT GREENLIGHT, 2015 DIRECTOR, COMMERCIALS www.amalgamatedgrommets.com Directed commercial or corporate projects for Cochlear, Qualcomm, Wells Fargo, Teradata, California Peace Officers Standards and Training (POST), and many others. Recipient of seven PSW EMMY Awards, 2014-2017, for Spot and Short Form Direction, two Silver Telly awards, numerous Bronze Telly awards, a Platinum Marcom award, a Silver Reel award and many others. EDUCATION AND TRAINING San Diego State University — B.S., Radio And Television, 1987 Member, Local 600, Director Of Photography, 1995-1999 www.brueggemeyer.com 858-437-2302 www.amalgamatedgrommets.com.
    [Show full text]
  • Please Sign Page 10**
    SAG-AFTRA 48 Hour Film Project Agreement Rev. 9/20 SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS INFORMATION SHEET AND APPLICATION SHORT FILM LETTER AGREEMENT FOR THE 48 HOUR FILM PROJECT 2021 (or the Special Genre competition) TITLE: “____________________________________________________________________________” FILMMAKER Legally Responsible Party (Producer): ________________________________ SS/Fed.ID#: _______________________________ Address: _________________________________ City: ____________________________________ State: ___________ Zip _____________________ Phone: _____________________________________ BUDGET: Project financed by: _________________________________________________________ Cash expenditures $_____________ ) + Crew deferrals $_____________ ) + Equipment deferrals $_____________ ) + Above the line Deferrals (other than performers) $_____________ ) = Total Budget $_______________ PRODUCTION: Shooting Location: _________________________________________________ Total # shoot days _____________ Dates: Start _________ Finish ____________ Edited running time ________________________ # of Performers ____________________________________________ Professional ________________ Non – Professional _______________ Is there a prior lien on the film? ______________________________________________________ Do you have a distribution agreement? ________________________________________________ **PLEASE SIGN PAGE 10** 1 of 11 SAG-AFTRA 48 Hour Film Project Agreement Rev. 9/20 1. Scope If Producer intends to employ
    [Show full text]
  • Strikes 18 Iowa State Music School of Rock 6 Student Deaths Performance Since January to Be Held at 7 P.M
    Iowa State Daily, July 2010 Iowa State Daily, 2010 7-22-2010 Iowa State Daily (July 22, 2010) Iowa State Daily Follow this and additional works at: http://lib.dr.iastate.edu/iowastatedaily_2010-07 Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Iowa State Daily, "Iowa State Daily (July 22, 2010)" (2010). Iowa State Daily, July 2010. 3. http://lib.dr.iastate.edu/iowastatedaily_2010-07/3 This Book is brought to you for free and open access by the Iowa State Daily, 2010 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, July 2010 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. 5 Business College of Business departments make changes to keep up with rapid change 10 McDonald: Alcohol Tragedy Four Loko adds up to energy-fueled fun followed by a wicked hangover strikes 18 Iowa State Music School of Rock 6 student deaths performance since January to be held at 7 p.m. Saturday at Zeke’s see LOSSES on PAGE 8 THURSDAY July 22, 2010, Volume 205 >> Number 20 >> 40 cents >> iowastatedaily.com >> An independent newspaper serving Iowa State since 1890 )RUPRUHLQIRDQGDFKDQFHWRZLQD*%L3RG1DQRWH[W³6FLRQ´WR 6RXWK'XII$YH $1000 College ZZZVFLRQRIDPHVFRP Grad Rebate 2QHHQWU\SHUSKRQHQXPEHU'UDZLQJ 6FLRQ[% PAGE 2 | Iowa State Daily | Thursday, July 22, 2010 A look at Iowa State On The Cover: Daily Like what you see? ™ Since January, Iowa State has had six student deaths. This graphic represents those six deaths. Order copies of any photo you see in Graphic: Kenyon Schafer/Iowa State Daily the Daily online, online Snapshot at reprints.iowastatedaily.com 9" Do you agree Ames is the 9th best place to live in America? 17% 3% NO WAY.
    [Show full text]
  • Remington Smith
    theremingtonsmith.com. REMINGTON SMITH ​ 859.229.8090 [email protected]​ ​ ​ ​ ​ EDUCATION 2014 MFA Film & Video Production University of Iowa 2010 MA Film Studies University of Edinburgh 2008 BA History University of Louisville TEACHING EXPERIENCE 2016 - 18 Assistant Professor Film & Film Production UofL 11/2017 Guest Speaker: Film Distribution Documentary Production UofL 03/2017 Guest Speaker: Film Aesthetics Central High School Louisville, KY 02/2017 Guest Speaker: Rubbertown Honors: Sport in Film UofL 01/2017 Guest Speaker Rubbertown Environmental Comm. UofL 04/2016 Indie Grits Film Festival Stop-Motion Workshop Columbia, SC 10/2015 Guest Speaker Film Production Fern Creek H.S. 09/2014 Technical Demo Sound Recording University of Iowa 07/2014 Teacher Film Production Camp Willowwind School 2014 Primary Instructor Fiction Film Production University of Iowa Volunteer, Founder Film Production Club SE Jr. High, I.C., IA 2013 Primary Instructor Fiction Film Production University of Iowa Primary Instructor & Graduate Supervisor Modes of Film Production University of Iowa 2012 Primary Instructor Screenwriting University of Iowa Primary Instructor Modes of Film Production University of Iowa 2011 Primary Instructor Modes of Film Production University of Iowa 2010 Guest Speaker Film Production Workshop Edinburgh Movie Production Society DEPARTMENT OF COMMUNICATION WORK Fall 2017 Advisor, New RSO Film Liberation Unit 03/2017 Panelist, Mock Interview Truman Scholarship 02/2017 Organizer, Promotion International Film Series TECHNICAL/FILM
    [Show full text]
  • Jim Hagen DATE: May 6, 2005 FROM: Billie Jo Waara SUBJECT
    MEMORANDUM TO: Jim Hagen DATE: May 6, 2005 FROM: Billie Jo Waara SUBJECT: Tourism’s April Monthly Status Report 2010 Initiative Please refer to 2010Initiative.com for updates on all goals. Rural Tourism Development Submitted report, as will all team members, on the Custer Community Assessment for the South Dakota Rural Development Council, based on themes noted as the most important for this community. Addressed main street revitalization, hiking and biking trails, convention center, signage, RV parking, the role of arts in the community, establishment of a welcome wagon, impact of tourism on a local economy, hospitality training, and current tourism trends. A final report will be put together and presented to the community at a later date. Met with Chairman Crawford of the Sisseton-Whapeton Tribe and tribal members to discuss future plans for the Native American Holocaust Memorial and other projects on which the tribe is working. Participated in a panel discussion at the Minority Business Seminar in Rapid City. Spoke at the Association of South Dakota Museums annual meeting in Sturgis. Presented information on Tourism’s marketing programs and the value of cooperative advertising and networking. Presented information on agri-tourism at Leadership Plenty in Chamberlain. Attended Capital for a Day in Vermillion. Coordinated a Cultural Tourism workshop with Yankton Area Arts Council to educate local artists about the importance of the arts in the tourism industry. Twenty-five artists from the Yankton area attended the workshop. Public Relations Finalized promotional plan for National Tourism Week. Sent media teasers to 43 in-state contacts. Mailed fast fact cards to CVBs.
    [Show full text]
  • Web Resources for Digital Film
    MY.CHAMPLAIN.EDU | CONTACT Career Services Self-Assessment | Resumes | Cover Letters | Interviewing | Job Search | Networking | Professional Development Web Resources for Digital Film New England Film and Video: The premier online resource and magazine for local film and video professionals. The website is free for all users; the site contains over 5,000 industry directory listings, thousands of articles, interviews and how-to’s, and hundreds of current local films listings, jobs, events, and classifieds. Bay Area Video Coalition: A nonprofit media arts center that was by a coalition of media makers and activists who wanted to find alternative, civic-minded applications for a new technology. BAVC's mission is to bring increased cultural and economic participation to underserved communities through media. 911 Media Organization: A non-profit organization dedicated to supporting independent digital media artists in the creation and exhibition of their work. University Film and Video Association: A prestigious and annual national conference. American Film Institute: A national institute providing leadership in screen education, and the recognition and celebration of excellence in the art of film, television, and digital media. Independent Film and Television Alliance: Trade association for the independent film and television industry worldwide. The Independent (Association of Independent Video and Filmmakers): Informs, promotes, encourages, and mobilizes independent and grassroots media-makers. The Motion Picture Association of America: Serve as the voice and advocate of the American motion picture, home video and television industries, domestically through the MPAA and internationally through the MPA. New York Women in Film and Television: A nonprofit membership organization for professional women in film, television and new media.
    [Show full text]
  • Branching out to New Products
    CELEBRATING THE ENERGY OF YOUR COMMUNITY BRANCHING OUT TO NEW PRODUCTS DEAN OF AGRICULTURE UK’s Nancy Cox UNIQUE KENTUCKY PRODUCTS Farm toys, scoreboards and wrestling rings JANUARY 2021 • KENTUCKYLIVING.COM ADVERTISEMENT Eye Doctor Helps Tennessee Legally Blind To See High Technology For Low Vision Patients Allows Many To Drive Again are not familiar with the condition. As functioning, especially driving,” says Dr. many as 25% of those over the age of 50 Pino. have some degree of macular When Elaine, 57, of Kingsport, TN, degeneration. The macula is only one came to see Dr. Pino she wanted to keep small part of the retina; however, it is the her Tennessee driver’s license and was most sensitive and gives us sharp central prescribed bioptic telescopic glasses to vision. When it degenerates, macular read signs and see traffic lights farther degeneration leaves a blind spot right in away. Dr. Pino also prescribed microsope the center of vision, making it difficult or glasses for reading newspapers and impossible to recognize faces, read a menus in restaurants. book, or pass the driver’s vision test. As Elaine puts it, “My regular Nine out of 10 people who have glasses didn’t help too much – it was like macular degeneration have the dry form. looking through a fog. These new or many patients with macular New research suggests vitamins can help. telescopic glasses not only allow me to degeneration and other vision- The British medical journal BMC read signs from a farther distance, but related conditions, the loss of Ophthalmology recently reported that make driving much easier.
    [Show full text]
  • Charles Bane Work: Home: Reynolds C106 41 White Oak Circle Searcy, AR 72149 Searcy, AR 72143 (501) 279-4925 (501) 208-4299 E-Mail: [email protected]
    Charles Bane Work: Home: Reynolds C106 41 White Oak Circle Searcy, AR 72149 Searcy, AR 72143 (501) 279-4925 (501) 208-4299 e-mail: [email protected] EDUCATION: Ph.D. English with Comparative Literature Minor, Louisiana State University, 2006 Concentration: Film History, Theory, and Criticism Minor Concentrations: Twentieth Century Literature, Literary Theory and Criticism, World Literature in Translation Dissertation: Viewing Novels, Reading Films: Stanley Kubrick and the Art of Adaptation as Interpretation, directed by John R. May Areas of Interest and Competency Film Production, Film History, Film Theory and Criticism, American Literature, World Literature, Literary Theory and Criticism EMPLOYMENT HISTORY: Associate Professor, Harding University, May 2016 – Present Assistant Professor, Harding University, August 2014 – May 2016 Assistant Professor and Resident Master of EDGE Residential College, University of Central Arkansas, August 2013 – July 2014 Instructor, Santa Fe College, August 2012 – July 2013 Assistant Professor, University of Central Arkansas, August 2007 – May 2012 Visiting Assistant Professor, University of Central Arkansas, August 2005 – July 2007 SELECTED PUBLICATIONS Book: A Primer of the Novel: For Readers and Writers. Lanham, MD: Scarecrow Press, 2006. [co-authored with David Madden and Sean M. Flory]. Book Chapters: “‘The Middle Classes at Play’: Austen and Marx Go to Hollywood.” Jane Austen and Philosophy. Ed. Mimi Marinucci. Lanham, MD: Rowman & Littlefield, 2016. “‘You weren’t hired to philosophize, Torrance’: The Death of the Author in Stephen King’s The Shining. Stephen King and Philosophy. Ed. Jacob M. Held. Lanham, MD: Rowman & Littlefield, 2016. “Worrying about the Bomb: Stanley Kubrick and the Nuclear War Film.” Hollywood’s America: Twentieth- Century America Through Film.
    [Show full text]
  • CHICAGO ONSCREEN LOCAL FILM SHOWCASE 03 Presented by the Chicago Park District
    04 08 09 02 01 U S T 2 G 6 - U 3 A 1 CHICAGO ONSCREEN LOCAL FILM SHOWCASE 03 Presented by the Chicago Park District 2019 CHICAGO ONCSCREEN LOCAL FILM SHOWCASE CHICAGO ONCSCREEN LOCAL FILM SHOWCASE 2019 V E R A L I N T G A I B I T I O X H N E of CHICAGO-MADE FILM Showcase Schedule..............................................4 Festival Schedule...................................................5 Festival Map............................................................6 Additional Programming.......................................7 Chicago Onscreen Official Selections............8 At Home in Humboldt..........................................21 Programming Partners.........................................22 Staff & Sponsors...................................................27 THe 2019 SHOWCASE EIGHT SCREENINGS of our thirteen Official Selections in parks across the city.* AUG McKINLEY PARK | 2210 W. Pershing Rd. Exit Zero: An Industrial Family Story with Save It and Yesterday 26 MONDAY WICKER PARK | 1425 N. Damen Ave. Onscreen Shorts: Businessmen, Eventual Blindness, Freddy, Limbo, Richie Beyond, Save It, Something Different, Stalled, Yesterday AUG DUNBAR PARK | 300 E. 31st St. The Color of Art with The Art of Flocking 27 TUESDAY MARGATE PARK | 4921 N. Marine Dr. Rendezvous in Chicago with Something Different and Limbo STEELWORKERS PARK | 3100 E. 87th St. Exit Zero: An Industrial Family Story with Save It and Yesterday AUG GRANT PARK: LOGAN MONUMENT | 900 S. Michigan Ave. Onscreen Shorts: Businessmen, Eventual Blindness, Freddy, Limbo, Richie 28 Beyond, Save It, Something Different, Stalled, Yesterday WEDNESDAY HORNER PARK | 2741 W. Montrose Ave. Onscreen Shorts: Businessmen, Eventual Blindness, Freddy, Limbo, Richie Beyond, Save It, Something Different, Stalled, Yesterday JACKSON PARK: GROVE 6 | 1799 Columbia Dr. The Color of Art with The Art of Flocking *All screenings begin at 8PM 4 2019 CHICAGO ONCSCREEN LOCAL FILM SHOWCASE CHICAGO ONCSCREEN LOCAL FILM SHOWCASE 2019 FeSTIVa L SCHEDULE 3 DAYS.
    [Show full text]
  • 40 Years Strong 2017-18 Annual Report
    40 YEARS STRONG 2017-18 ANNUAL REPORT 1 BOARD CHAIR Bob Clasen CHAIR ELECT Julie Mordecai TREASURER Mike Filkoski SECRETARY Michael Day TRUSTEES John Dee Donald Zuckerman Lauren Handler Jerome Pischella Ron Henderson Gaye Leonard Daniel Junge Megan Lindstrom AnnaSophia Robb Polly Loewy Mike Fries Joe Megyesy Sheila K. O’Brien Ellie Caulkins Deborah Park Jefferey Donovan BOARD MEMBERS BOARD Joey Porcelli Zee Ferrufino Maxine Rossman Donna Dewey Kevin Teng David Wechsler Tom Bower Natalie West Andra Zeppelin AMBASSADORS OUR MISSION OUR VISION OUR HISTORY The Denver Film Society’s The Denver Film Society’s Since 1978, we have worked mission is to develop vision is to cultivate to promote film as both an art opportunities for diverse community and transform form and a civic forum being audiences to discover film lives through film. the only nonprofit theater in through creative, thought- Colorado. provoking experiences. 22 The Road Ahead The State of DFS When Denver audiences stepped into a dark movie theater at the first Denver Film Festival in May of 1978, Jimmy Carter was president, Grease was the top-grossing film at the box office, and the average price of a movie ticket was $2.34. Forty years later, we’re taking a moment here at DFS to observe the hard work, committed audiences, and generous contributions that have allowed us to continue to develop opportunities for diverse audiences to discover film through creative, thought-provoking experiences. Of course, no look back on our history would 2017-18 be complete without acknowledging the incredible efforts and accomplishments of DFS’s co-founder, the tireless Ron Henderson, who continues to serve the organization all these years later, and who we honored at our 40th anniversary gala last May.
    [Show full text]
  • Film Festival
    L O C A L FILM FESTIVAL SEPTEMBER25 - OCTOBER4 LOCALSIGHTINGS.ORG Local Sightings is the Northwest’s premiere showcase of new films, putting homegrown talent in front of Seattle audiences and connecting artists from Alaska to Oregon in a week-long celebration of cinema from the region. Produced by Northwest Film Forum, the festival features new films, juried prizes and killer parties. The 2014 festival includes new features, shorts and documentary programming, as well as conversations with filmmakers and film industry networking events. In 2012, Seattle Weekly called Local Sightings the “Best Film Festival” in Seattle. LETTER FROM THE FESTIVAL DIRECTOR An evil alien force invading peaceful Northwestern woods. A woman standing at a crossroads under Missoula’s cirrus cloud-scattered sky. A richly textured subculture of Vietnam War re-enactors. A man fending for himself on a post-apocalyptic planet. A hand-drawn string bean cursed with interstellar pica and a lisp. .and everything in between. For the past seventeen years, Local Sightings has proudly convened the finest new films produced in the Pacific Northwest. From the striking to the stunning, the weird to the wacky, and with generous doses of humor and social commentary thrown in, this year’s festival slate truly represents the many-splendored voices and styles of independent film from our fair region. This year at Local Sightings, expect to see an eclectic and vibrant group of films, and the talented filmmakers who made them—up close and personal. For the first time in the festival’s history, we’re expanding Local Sightings to ten packed days, filling the schedule with new events like our opening night PechaKucha-style bash, and spotlighting the people who make this region so fertile for filmmaking.
    [Show full text]