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Chet Baker Pretty/Groovy Mp3, Flac, Wma
Chet Baker Pretty/Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty/Groovy Country: US Released: 1958 MP3 version RAR size: 1735 mb FLAC version RAR size: 1189 mb WMA version RAR size: 1592 mb Rating: 4.8 Votes: 397 Other Formats: APE FLAC WMA MP2 AUD AIFF APE Tracklist A1 Look For The Silver Lining A2 Time After Time A3 Travelin' Light A4 My Funny Valentine A5 There Will Never Be Another You A6 The Thrill Is Gone A7 But Not For Me B1 Band Aid B2 The Lamp Is Low B3 Carson City Stage B4 Long Ago And Far Away B5 Easy To Love B6 Winter Wonderland B7 Batter Up Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Saxophone – Bill Perkins Trumpet – Chet Baker Notes Plain labels with writing on both sides. Barcode and Other Identifiers Matrix / Runout: Side A : PJ-ST-774 H Matrix / Runout: Side B : PJ-ST-775 H Other versions Category Artist Title (Format) Label Category Country Year Chet Pretty/Groovy (LP, World Pacific WP-1249 WP-1249 US 1958 Baker Comp) Records Chet Pretty/Groovy (LP, LPM 2082 Music LPM 2082 Italy Unknown Baker Comp) TOCJ-9443, Chet Pretty / Groovy (CD, World Pacific, TOCJ-9443, Japan 2002 WP-1249 Baker Comp, Ltd, RE, RM) World Pacific WP-1249 World Pacific K18P-9262, Chet Pretty/Groovy (LP, K18P-9262, Records, Japan 1983 WP-1249 Baker Comp, RE) WP-1249 Pacific Jazz World Pacific PJ 1249, Chet Pretty/Groovy (LP, PJ 1249, Records, Japan 1991 PJ-1249 Baker Comp, Mono, RE) PJ-1249 Pacific Jazz Related Music albums to Pretty/Groovy by Chet Baker Chet Baker - The Thrill Is Gone My Ideal Chet Baker - Baker's Holiday: Chet Baker Sings And Plays Billie Holiday Chet Baker - The Best Of Chet Baker Matt Dusk - My Funny Valentine: The Chet Baker Songbook Chet BAKER - Sings and plays with bud shank russ freeman and strings Chet Baker - Deep In A Dream - The Ultimate Chet Baker Collection Chet Baker - Chet Baker Chet Baker - Chet Baker In Tokyo Chet Baker - The Very Best Of Chet Baker Chet Baker Quartet - Chet Baker Quartet. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Deebee's Scrapbook # 1 Ict, Dentist Y Phoned INTERNATIONAL Me As Pro Anglo-American Herd Electioneer- What the Sound Would Be Like, Nobody Knew for Certain
Hamiltonians Reunite Jones, trumpet; Nat Adderley, cor cert, Reunald Jones, approaching It was like old on-the-road week net; Bill Harris, trombone; Charlie the microphone, stenped on Woody’s in the Hollywood recording studio. Byrd, guitar; Vince Guaraldi, piano; clarinet. Melody Maker said with Reunited for the occasion by Keeter Betts, bass; and Jimmy Camp British reserve that incident “upset World Pacific Records’ Dick Bock bell, drums. (Jones’) usual composure” during were the members of the original From among the British musicians, the solo. Chico Hamilton Quintet plus near Woody chose well: Bert Courtley, original Paul Horn. The musical Les Condon and Ken Wheeler, Jazz Junket proceedings: recording of bassist trumpets; Don Rendell and Art The standard dream for the Euro Carson Smith’s Ellington Suite. Ellefson, tenors; Eddie Harvev and pean jazz fan is a trip to America to Besides arranger Smith, who, in Ken Wray, trombones; Johnny Scott, hear all his favorites. This summer, addition to being one of the original tenor and flute; Ronnie Ross, bari fans in several countries will see the Hamiltonians, was also the first bass tone. Actually, two of the nine are dream come true in reverse: cornet- ist with the Gerry Mulligan Quartet, not English. Ellefson. whom the ist Rex Stewart is leading a group of the group assembled for this final Melody Maker called “one of U. S. tourists to Europe to hear jazz. World Pacific recording date (before Britain’s most promising jazzmen,” Arranged in conjunction with the Hamilton took up residence in the and Wheeler , whom the same American Tourist Bureau, Inc., of Warner Bros, stable) included cellist paper described as “among the two New York, Stewart’s International Freddv Katz, multi-reed man Buddy or three best lead trumpets in Eng Jazz Junket will arrive by air in mid Collette, guitarist Jim Hall and reed land,” are Canadians — two young July for the start of its 29-day Euro man Horn. -
Chico Hamilton Quintet South Pacific in Hi-Fi Mp3, Flac, Wma
Chico Hamilton Quintet South Pacific In Hi-Fi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: South Pacific In Hi-Fi Country: UK Style: Post Bop, Fusion MP3 version RAR size: 1380 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1176 mb Rating: 4.1 Votes: 227 Other Formats: VOC MP3 MPC MMF DTS VOX MOD Tracklist Hide Credits A Wonderful Guy A1 3:12 Arranged By – Hal Gaylor* This Nearly Was Mine A2 3:45 Arranged By – Paul Horn Dites Moi A3 2:57 Arranged By – Calvin Jackson Some Enchanted Evening A4 3:13 Arranged By – John Pisano Bali Ha'i A5 4:42 Arranged By – John Pisano There Is Nothing Like A Dame B1 3:00 Arranged By – Carson Smith Younger Than Springtime B2 3:27 Arranged By – Carson Smith Happy Talk B3 2:55 Arranged By – Paul Horn A Cockeyed Optimist B4 1:50 Arranged By – Fred Katz Honey Bun B5 4:17 Arranged By – Hal Gaylor* I'm Gonna Wash That Man Right Out Of My Hair B6 2:35 Arranged By – Calvin Jackson Credits Alto Saxophone, Flute – Paul Horn Bass – Hal Gaylor* Cello – Fred Katz Drums – Chico Hamilton Guitar – John Pisano Liner Notes – Charles Edward Smith Producer – Richard Bock Written-By – Rodgers-Hammerstein* Notes All material by Rodgers and Hammerstein. This is a Strobophonic High Fidelity recording with a frequency response of 30 to 15,000 cycles per second. Users of wide range equioment should employ the RIAA or NARTB curve position. VOGUE RECORDS LIMITED . 113-115 FULHAM ROAD . LONDON SW3 . -
Introducing Man Or Billy May Trumpet Section, but 1G CHICO HAMILTON QUINTET This Simply Isn’T the Type of Recorded Surrounding for Him
Hodges-like alto. This and three others are quintet sides, four more are done by big band, four with strings. It almost got one more star because of the times 1 have been chilled by hearing Gozzo spur on a Woody Her Introducing man or Billy May trumpet section, but 1g CHICO HAMILTON QUINTET this simply isn’t the type of recorded surrounding for him. (J. T.) (RCA FZATURING BUDDY COLLETTE Victor 12" I P LPM-1124) PACIFIC JAZZ RECORDS ir p/ i.^ jt*» r fp, w i Pt s. r<j Chico Hamilton t Nice Dayj hinny Valentine; Blue Sanda; The Sage; The Morning After; I II ant to Be Happy; Spectacular; Free Form; Walking Faraón Bluet; Buddy Boo Rating: Chico Hamilton's new quintet is re sponsible for one of the most stimu lating, consistently inventive and unique jazz recordings of this or any recent year. There is, first of all, superb mu sicianship on the part of Buddy Col -Fl lette, flute, clarinet, tenor and alto; Jim Hall, guitar; Fred Katz, cello; n fa- Carson Smith, bass, and Hamilton, great drums. There is also the fresh writing .G.” by all five. As Katz points out in the :hest, notes, . each one writes with feel- >P by ing. Each original composition has :d in warmth, has meaning, has a reason for being; it’s not just u series of clever chords or clever ideas.” The third quality of excellence evi dent here is the collective emotional empathy of the quintet. This is really a unit, and while each of the men in it expresses his own individuality eloqueiftly, they reach their total ful fillment in the cohesive, partly impro visational interplay that is so vitally basic to the best jazz. -
Bob Gordon Discography
BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs -
Original Dixieland Jazz Band) Original Dixieland Jazz Band, 26
MUNI 20110926 – úvodní přednáška DIXIELAND 1. Dixieland Jass Band One-Step (Original Dixieland Jazz Band) Original Dixieland Jazz Band, 26. 2. 1917 Nick LaRocca-co; Eddie Edwards-tb; Larry Shields-cl; Henry Ragas-p; tony Sbarbaro [Spargo]-dr. Victor 18255/matrix number 19331-1. RCA ND 90560. NEW ORLEANS 2. Canal Street Blues (Joe Oliver-Louis Armstrong) King Oliver’s Creole Jazz Band, 5. 4. 1923 Joe “King” Oliver, Louis Armstrong-co; Honore Dutrey-tb; Johnny Dodds-cl; Lil Hardin-p; Arthur “Bud” Scott-bjo; Bill Johnson-tu?; Warren “Baby” Dodds-dr. Gennett 5133/11384-B. Masters MJCD 1. 3. King Porter Stomp (Ferdinand Joseph Lamenthe Morton) Jelly Roll Morton-solo piano, 17. 7. 1923 Gennett 5289/11537. Masters MJCD 19. BIG BANDS 4. Copenhagen (C. Davis-W. Melrose) Fletcher Henderson Orchestra, 30. 10. 1924 Elmer Chambers, Howard Scott-tp; Louis Armstrong-co; Charlie Green-tb; William “Buster” Bailey, Don Redman, Coleman Hawkins-reeds; Fletcher Henderson-p; Charlie Dixon-bjo; Ralph Escudero-tu; Joseph “Kaiser” Marshall-dr. Vocalion 14926/13928/9. Masters MJCD 21. 5. Rhapsody in Blue (George Gershwin/arr. Ferde Grofe) George Gershwin, Paul Whiteman and his Concert Orchestra, 21. 4. 1927 3 tp, 3 tb, 2 h, 4 sax, 5 vio, 2 vla, vcl, bjo, cel, tu, b, dr. Victor 35822/30173-8 & 30174-6. ASV AJA 5170. 6. East St. Louis Toodle-Oo (Duke Ellington-Bubber Miley) Duke Ellington and his Orchestra, 19. 12. 1927 Louis Metcalf, James “Bubber” Miley-tp; Tricky Sam Nanton-tb; Otto Hardwick-as, bs, bass sax; Harry Carney-bs, as, ss, cl; Rudy Jackson-cl, ts; Duke Ellington-p; Fred Guy-bjo; Wellman braud-b; Sonny Greer-dr. -
MOOCHIN02-Booklet.Pdf
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread PRINTERS PAIRS CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Image: John Cassavetes with Shafi Hadi recording the score for Shadows © Marvin Lichtner/The Cinema Museum 60 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread PRINTERS PAIRS CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. FOREWORD Words fl ying a thousand miles an hour, heads spinning, eyes fl ashing, tyres twisting tarmac as straight street slides by and the great unknown night rises up to snatch you into its cold, dark embrace. Gasoline, Thunderbird and Bennies. Next stop San Francisco, San Antonio or San Atorium. Out of the shadows they came. Rude, righteous and in your face, daddy-o. What are you rebelling against? Whaddya got? April In Paris. Give me Sartori In Paris any day. And make sure Stan Getz is there to blow sweet and high. As a kite. Out of the twilight murk of post-war fi lm noir emerged a new strand of shadowy cinematic JAZZ ON FILM concepts. This time though the fi lms were more sexually provocative, fraught with existential angst In memory of and fi zzing with outsider rebellion towards the Eisenhower mainstream of 1950’s America. The beginnings of a generation in motion, with bebop to crank the starting handle. Like the Beat Clive Edward Lazell Generation, bebop was young, hip, cool and underground. Not only did it fi re up writers such as 1938-2012 Jack Kerouac and Jack Gelber, but key directors too such as John Cassavetes and Don Siegel and an inspirational father and best friend the music chased the narrative like cat and mouse. -
Space and Voice: Compositions for Contemporary Cello
SPACE AND VOICE: COMPOSITIONS FOR CONTEMPORARY CELLO CHARLES MATTHEW BRUBECK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO APRIL, 2018 © CHARLES MATTHEW BRUBECK, 2018 ii ABSTRACT This dissertation contains a diverse portfolio of ensemble and solo compositions for contemporary cello. Throughout the accompanying paper, the concepts “space” and “voice” are utilized as analytical lenses, as they are central to my compositional approach. The evolution of cello space in Western art music is contrasted with cello space in jazz, and the modes of sound production in the classical cello tradition are compared to the voice of the jazz cello. While examining jazz cello voice, the notion of idiomatic improvisation is considered and the paper turns to original research regarding the recordings of Harry Babasin, Oscar Pettiford, and Fred Katz, who introduced the cello as an improvising instrument to the jazz genre. The remainder of the written component focuses on my composition process and aesthetic considerations. Composition and improvisation are treated as distinct but interrelated points along a continuum of creative music practice. Within the composition process, improvisation is used to generate musical materials, and various methods of structuring pieces to incorporate improvisation are employed. Commentaries on the composition process, including the salient features pertaining to space and voice, are included for each score. iii ACKNOWLEDGMENTS I would like to thank the members of my committee (Supervisor Michael Coghlan, Dr. Mark Chambers, and, last but not least, Professor Casey Sokol) for their advice and feedback throughout the dissertation process. -
Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan. Charles Lester Quinn Jr Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan. Charles Lester Quinn Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Quinn, Charles Lester Jr, "Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan." (1996). LSU Historical Dissertations and Theses. 6276. https://digitalcommons.lsu.edu/gradschool_disstheses/6276 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Chet Baker Pretty / Groovy Mp3, Flac, Wma
Chet Baker Pretty / Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty / Groovy Country: Japan Released: 2007 MP3 version RAR size: 1467 mb FLAC version RAR size: 1793 mb WMA version RAR size: 1953 mb Rating: 4.8 Votes: 609 Other Formats: MP2 ASF MP2 AHX FLAC MIDI WAV Tracklist Hide Credits Look For The Silver Lining 1 Written-By – DeSylva*, Kern* Time After Time 2 Written-By – Styne-Cahn* Travelin' Light 3 Written-By – Mundy*, Mercer* My Funny Valentine 4 Written-By – Rogers-Hart* There Will Never Be Another You 5 Written-By – Warren*, Gordon* The Thrill Is Gone 6 Written-By – Brown*, Henderson* But Not For Me 7 Written-By – G. & I. Gershwin* Band Aid 8 Written-By – Russ Freeman Pavane 9 Written-By – M. Ravel* Carson City Stage 10 Written-By – Carson Smith Long Ago And Far Away 11 Written-By – Gershwin*, Kern* Easy To Love 12 Written-By – Cole Porter Winter Wonderland 13 Written-By – Smith*, Bernard* Batter Up 14 Written-By – Russ Freeman Companies, etc. Manufactured By – Toshiba EMI Ltd Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Remastered By – Ron McMaster Saxophone – Bill Perkins Trumpet – Chet Baker Notes Recorded in Los Angeles on July 27, 29 & 30, 1953 (tracks 9-12 & 14), at Radio Recorders in Hollywood on October 3, 1953 (tracks 6 & 8) and October 27, 1953 (track 13), at Capitol Studios in Hollywood on February 15, 1954 (tracks 1, 2, 4, 5 & 7) and in New York City on December 9, 1957 (track 3). -
Smithsonian Jazz Oral History Interview with Chico Hamilton in His Home on 45Th Street in New York City
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. FORESTSTORN “CHICO” HAMILTON NEA Jazz Master (2004) Interviewee: Foreststorn “Chico” Hamilton (September 21, 1921 – November 25, 2013) Interviewer: Dr. Anthony Brown with recording engineer Ken Kimery Date: January 9-10, 2006 Repository: Archives Center, National Museum of American History Description: Transcript 150 pp. Brown: Today is January 9, 2006. This is the official Smithsonian Jazz Oral History interview with Chico Hamilton in his home on 45th Street in New York City. This is a partnership with the National Endowment for the Arts Jazz Masters program. Good afternoon, Chico Hamilton. If we could begin by you stating your full name and your date and place of birth, please. Hamilton: Oh, I’m not going to tell you that, man. Okay, my name is Foreststorn Chico Hamilton, aka Chico Hamilton. I was born in LA in 1921, September the 21st or 23rd, 1921. Brown: 21st through the 23rd? Hamilton: Well it was either the 21st or 23rd, but I go for the 21. It’s easier to remember, 21. Brown: Why is there a discrepancy of the date? Hamilton: Well there was a discrepancy at that time in LA. You know, I don’t know whether you can remember that far back but because I guess my ethnic background in For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 regards to that being from sort of a multi race family, you know, mixed, so, you know, but anyway – Brown: Were you born in a hospital? Hamilton: I was born upstairs by the kitchen sink and you’re supposed to ask me how do I know, I heard the water running.