Saturday, April 24Th 36Th Annual
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Iain Macinnes Interview Edited
NOTING THE TRADITION An Oral History Project from the National Piping Centre Interviewee Iain MacInnes Interviewer Jonathan Graham Date of Interview 30 th April 2012 This interview is copyright of the National Piping Centre Please refer to the Noting the Tradition Project Manager at the National Piping Centre, prior to any broadcast of or publication from this document. Project Manager Noting The Tradition The National Piping Centre 30-34 McPhater Street Glasgow G4 0HW [email protected] Copyright The National Piping Centre 2012 This is an interview for ‘Noting the Tradition’ conducted in the BBC studios, Glasgow on the 30 th April 2012. The interviewer is myself, Jonathan Graham, and I’m interviewing Iain MacInnes. So thanks for speaking to me, Iain, today. That’s quite all right, Jonathan. It’s nice to see you. Aye, you too. So I just really want to go from the start, start at the beginning. Right. So how did you get into piping? Well, that is quite a long time ago. I actually grew up in the Far East, out in North Borneo and Brunei, so there wasn’t much piping to hear out there. Brunei at that time was a British protectorate semi-colony, my father was a Director of Education out there, but because it a British Protectorate, British Army regiments used to come through occasionally and we used to see the Gurkhas and they also had a pipe band. And I remember one year the Queen’s Own, or possibly they were still the Seaforth, this was back in the sixties, they came through, which caused great excitement because my parents were both from the Isle of Lewis, the village of Gravir on Lewis, so the Seaforth’s or Queen’s Own, probably as it was, I can’t quite remember when the Seaforth’s amalgamated to become the Queen’s Own, their pipe band came through and there were loads of people from Stornoway in Brunei at the time. -
Scotland ^ 37Th Annual Smithsonian
SMITHSONIAN FOLKLIFE FESTIVAL SCOTLAND ^ 37TH ANNUAL SMITHSONIAN FOLKLIFE FESTIVAL Appalachia Heritage and Haniioiiy Mali From Timbuktu to Washingto ii Scotland at the Smithsonian June 2 5 -July 6, 2003 Wa s h i n g t o n , D . C . The annual Smithsonian Folklife Festival brings together exemplary keepers of diverse traditions, both old and new. from communities across the United States and around the world. The goal of the Festival is to strengthen and preserve these traditions by presenting them on the National MaO, so that the tradition-hearers and the public can connect with and learn from one another, and understand cultural difierences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www. folklife. SI . edu © 2003 by the Smithsonian Institution ISSN 1056-6805 Editor: Carla Borden Associate Editors: Frank Proschan, Peter Seitel Art Director: Denise Arnot Production Manager: Joan Erdesky Design Assistant: Krystyn MacGregor Confair Printing: Finlay Printing, Bloomfield, CT Festival Sponsors The Festival is co-sponsored by the National Park Service. The Festival is supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; volunteers; and food, recording, and craft sales. Major in-kind support for the Festival has been provided by media partners WAMU 88.5 FM—American University Radio, Tfie IVashiiigtoii Post, washingtonpost.com, and Afropop, and by Motorola, Nextel, Whole Foods Market, and Go-Ped. APPALACHIA: HERITAGE AND HARMONY This program is produced in collaboration with the Birthplace of Country Music Alliance and the Center for Appalachian Studies at East Tennessee State University. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
The Choral Works of Hamish Maccunn
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The Choral Works of Hamish MacCunn Jane Wilson Mallinson Submitted for the Degree of PhD University of Glasgow Department of Music April 2007 © Jane Wilson Mallinson 2007 ProQuest Number: 10754050 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10754050 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. -
September 2016 TM
www.folkproject.org September 2016 TM roject olk P Pres F en TM he t T s Calan Morristown Unitarian Fellowship 21 Nor�andy Heights Road These five young musicians bring Mor�istown NJ together remarkable talent giving a fresh Friday, September 23, 2016 and vibrant sound to t�aditional Welsh 8:00 PM! music. They create sparkling melodies, foot $15 in advance tapping t�nes, and also an energetic $20 at the door perfor�ance of Welsh step dancing. Come Infor�ation and tickets: hear their unique blend of accordion, www.folkproject.org fiddle, g�itar, Welsh pipes, Welsh har�, concer�[email protected] and the Welsh clogs! 908-591-6491 QUICK GUIDE TO THE INSIDE September Evening o' Music ......................................................... 2 Minstrel Start Time & Show Format .............................................. 2 William Jackson House Concert .................................................... 6 NJ Storytelling Festival .................................................................. 6 Board Meeting: The Summary .....................................................10 Good o’ the Order .........................................................................11 Senior Management Positions Available ...................................11 Members’ Gigs (& Friends) ...........................................................13 NOTE: web links in the eNewsletter are now clickable September Evening o' Music September 2016 Sat., Sep. 10, 8pm • Liz Pagan and Dave Kleiner's The Minstrel 32 Williamson Avenue, Bloomfield, NJ • 973/429-0288 Acoustic -
The Andes (2010)
Douglass Residential College Presents 36th Annual Celebrate The Andes Saturday, April 24th 2 New Jersey Folk Festival • April 2010 NEW JERSEY FOLK FESTIVAL April 2010 4 Welcome Letter from the Festival Manager 5 Mayor’s Letter 7 About the Festival: A Student Run Event History of the Restival 8 Heritage Spotlight The Andes 9 Previous Festival Highlights 10 Heritage Area Exhibitors 12 Preseting our Performers 18 Singer-Songwriter Showcase Winners 21 Awards & Honorees 22 Emcees & Facilitators 23 NJFF 2010 Committee 25 For Your Information 26 Sponsors & Donors 27 Loree Building Presentations 28 Food Vendors List 30 Folk Marketplace Information Children’s Activities Area Information Back Inside Cover Stage Schedule Back Cover Site Map OFFICIAL PROGRAM BOOK OF THE NEW JERSEY FOLK FESTIVAL Table of Contents 3 Dear Friends, The New Jersey Folk Festival has played a large part in my undergraduate years here at Rutgers and I am extremely excited to welcome you to our 36th Annual Festival! Being able to look out onto the Eagleton Institute lawn on festival day and seeing visitors like you here and enjoying yourselves makes all the hard work and plan- wonderful day exploring and experiencing the diverse array of activities the festival has to offer. To all our return- ingning visitors, that goes I hope into thisthe year’sfestival festival worthwhile. is as enjoyable For all the as infirst-time previous festivalgoers years. I hope you have a memorable and The New Jersey Folk Festival is the oldest and largest annually run festival of its kind in the state. We also are unique in the fact that we are the only entirely student run festival of its kind in the country.