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Immaculate Heart
@losfelizledger #coronavirusLos Feliz Ledger Read by 100,000+ Residents and Business Owners in Los Feliz, Silver Lake, Vol 15. No. 12 June 2020 Atwater Village, Echo Park & Hollywood Hills Summer Camp Garcetti: “Shame on Us,” If We Let People Return Still on for Some, Others to the Streets Post COVID-19 Opt to Close By Allison B. Cohen By Sorina Szakacs, LOS FELIZ—The COVID-19 Ledger Contributing Writer epidemic has afforded the city of Los Angeles an opportunity to house some of its 36,000 homeless residents, either in empty hotel rooms or in trail- ers, through a program offi- cials are calling “Project Room Key.” Forty such trailers, pro- cured in March by Gov. Gavin Newsom, are now housing as- ymptomatic homeless people in the parking lot at Friend- ship Auditorium, in an effort to keep them free from coro- Silverlake Beach Camp is still hap- navirus. pening this summer, but it won’t look The temporary solution like this. Photo courtesy Kari Druyen. has been welcomed by some as the right thing to do and With a COVID-19 vac- scorned by others who say cine at least a year and a half the temporary trailers were away, if scientists are able to Forty trailers moved into the Friendship Auditorium and Griffith Park Adult Community Center parking lot the first week of May to shelter COVID-19 asymptomatic homeless persons to help them avoid contracting and spreading the disease. the last-straw, becoming the make one at all, and several Locals are mixed about Los Angeles Mayor Garcetti’s choice of the Los Feliz parking lot as a homeless shelter is opening third homeless housing proj- recent incidents of youth Mul- soon across the street and another is planned a short distance away on Riverside Drive at Hyperion Avenue. -
KPCC-KPCV-KUOR Quarterly Report JAN-MAR 2012
Quarterly Programming Report Jan- Mar 2012 KPCC / KPCV / KUOR Date Key Synopsis Guest/Reporter Duration Pasadena Police Department will deploy more officers as Occupy activists plan to demonstrate at the 1/1/2012 POLI Rose Parade. CC :19 Skiers and snowboarders across the western United States face a "snow drought" this winter on some 1/1/2012 SPOR of their favorite slopes. Unknown :16 The three-year old Clean Trucks Program at the ports of Los Angeles and Long Beach moves into its 1/1/2012 TRAN final phase as the year begins. Peterson :58 1/1/2012 LAW Another dozen arson fires broke out overnight in Los Angeles and West Hollywood. CC :17 1/1/2012 ART Native American creation story and bird songs come alive in new Riverside art exhibition. Cuevas 1:33 1/1/2012 MEDI We asked KPCC listeners to look back on 2011 and ahead to 2012. CC :13 1/1/2012 DC Congressmangpyy shares a New Year's Day breakfast recipe. Felde 1:33 contract with United Teachers Los Angeles – an unprecedented agreement that Deasy called “groundbreaking work,” aimed at providing more freedom for teachers, school administrators and 1/2/12 YOUT parents top,gpggpp, manage their respective schools. John Deasy 00:31 of course. Comedy Congress has hung up its Christmas stocking and finds it full of Mitt and Newt and Barack – and it’s our holiday gift to you. Perry ups the voting age; Obama very politely asks Iran for his Alonzo Bodden, Greg 1/2/12 POLI drone back and we play the highlight reel of Cain’s self-described brain twirlings! And just as we thoughtProops, Ben Gleib 00:65 Dr. -
Place Images of the American West in Western Films
PLACE IMAGES OF THE AMERICAN WEST IN WESTERN FILMS by TRAVIS W. SMITH B.S., Kansas State University, 2003 M.A., Kansas State University, 2005 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of Geography College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Abstract Hollywood Westerns have informed popular images of the American West for well over a century. This study of cultural, cinematic, regional, and historical geography examines place imagery in the Western. Echoing Blake’s (1995) examination of the novels of Zane Grey, the research questions analyze one hundred major Westerns to identify (1) the spatial settings (where the plot of the Western transpires), (2) the temporal settings (what date[s] in history the Western takes place), and (3) the filming locations. The results of these three questions illuminate significant place images of the West and the geography of the Western. I selected a filmography of one hundred major Westerns based upon twenty different Western film credentials. My content analysis involved multiple viewings of each Western and cross-referencing film content like narrative titles, American Indian homelands, fort names, and tombstone dates with scholarly and popular publications. The Western spatially favors Apachería, the Borderlands and Mexico, and the High Plains rather than the Pacific Northwest. Also, California serves more as a destination than a spatial setting. Temporally, the heart of the Western beats during the 1870s and 1880s, but it also lives well into the twentieth century. The five major filming location clusters are the Los Angeles / Hollywood area and its studio backlots, Old Tucson Studios and southeastern Arizona, the Alabama Hills in California, Monument Valley in Utah and Arizona, and the Santa Fe region in New Mexico. -
Section 1: Studios and Backlots
ESTUDIOS STUDIOS CINEMA E TV http://www.retroweb.com/tv_studios_and_ranches.html Section 1: Studios and Backlots ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925. ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P. 1 The Prospect Studios (ABC Television Center West) (Google Maps Street View) aerial view of The Prospect Studios (ABC Television Center West) (Bing Maps) 2 California Studios (name circa 1960) Formerly: Clune Studios Currently: Raleigh Studios Hollywood Location: 5300 Melrose Avenue Hollywood, CA a home to independent filmed television production in the early years of television, including productions by Gross-Krasne and Ziv-TV in the 1950's studio dates to 1915 (as Famous Players Fiction Film Company) known as Clune Studios in 1920's later named California Studios, then Producers Studios, Inc. -
Understanding Film Spring Semester 2017 Film 2332.001.17S
UNDERSTANDING FILM SPRING SEMESTER 2017 FILM 2332.001.17S John E. Petty [email protected] Office: JO5.109 Office hours: by appointment CLASS LOCATION AND TIMES MONDAYS 4:00 PM - 6:45 PM January 9, 2017 – May 8, 2017 JO 4.614 Direct link to class: http://go.utdallas.edu/film2332.001.17s COURSE DESCRIPTION This course is intended to introduce you to the field of film studies in a way that will allow you to more actively engage with, and appreciate, the films that you watch. During the course of this class, we will examine the technical aspects of filmmaking (cinematography, lighting, editing, sound, etc.), the theoretical perspectives by which we can “unpack” film (auteur theory, genre theory, feminist theory, etc.), and the historical and cultural contexts in which films have been made. By the end of this course, you should be able to look at a film as more than a simple piece of entertainment, and begin to take it apart to understand how it has been constructed and what meanings it communicates. TEXTBOOKS (Required) Film Art: An Introduction (11th edition), David Bordwell, Kristin Thompson, and Jeff Smith (McGraw-Hill, 2017) Engaging Cinema: An Introduction to Film Studies, Bill Nichols (Norton, 2010) These textbooks are widely available from the campus bookstore, Off Campus Books, Amazon.com, and many textbook resellers. Although the 11th edition of Film Art is specified (and the syllabus is based on this edition), 10th edition is also acceptable. Should you have any questions about the required readings, please see me. Additional readings, if any, will be distributed in class. -
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
A Squalid-Looking Place: Poverty Row Films of the 1930s by Robert J Read Department of Art History and Communication Studies McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. Robert J Read, 2010. ii Abstract Film scholarship has generally assumed that the low-budget independent film studios, commonly known as Poverty Row, originated in the early sound-era to take advantage of the growing popularity of double feature exhibition programs. However, the emergence of the independent Poverty Row studios of the 1930s was actually the result of a complex interplay between the emerging Hollywood studios and independent film production during the late 1910s and 1920s. As the Hollywood studios expanded their production, as well as their distribution networks and exhibition circuits, the independent producers that remained outside of the studio system became increasingly marginalized and cut-off from the most profitable aspects of film exhibition. By the late 1920s, non-Hollywood independent film production became reduced to the making of low-budget action films (westerns, adventure films and serials) for the small profit, suburban neighbourhood and small town markets. With the economic hardships of the Depression, the dominant Hollywood studios were forced to cut-back on their lower budgeted films, thus inadvertently allowing the independent production companies now referred to in the trade press as Poverty Row to expand their film practice. -
Infinity Issue 5 - £3.99 Issn 2514-3654 05
THE MAGAZINE BEYOND YOUR IMAGINATION www.infinitymagazine.co.uk THE MAGAZINE BEYOND YOUR IMAGINATION IT’S 05 WARFARE!GORILLA DOUBLE-SIDED BEHIND THE SCENES OF POSTER INSIDE! PLANET OF THE APES THE TV SERIES PLUS: SAPPHIRE AND STEEL • VWORP, VWORP! DOCTOR WHO & THE VINTAGE COMIC UNIVERSE RIP HUNTER - TIME MASTER • THE INVADERS NEWS, COMPETITIONS & MUCH MORE… CAPTAIN SCARLET ALAN THE INCREDIBLE HULK MOORE IS 50! THE NOT-SO-JOLLY GREEN GIANT! COMICS JOIN THE TO MOVIES FROM HELL! PARTY INSIDE INFINITY ISSUE 5 - £3.99 ISSN 2514-3654 05 9 772514 365005 05 05 THE MAGAZINE BEYOND YOUR IMAGINATION www.infinitymagazine.co.uk THE MAGAZINE BEYOND YOUR IMAGINATION IT’S GORILLA WARFARE! BEHIND THE SCENES OF PLANET OF THE APES DOUBLE-SIDED THE TV SERIES 8 14 POSTER INSIDE! 38 PLUS: • VWORP, VWORP! SAPPHIRE AND STEEL • THE INVADERS CAPTAIN DOCTOR WHO & THE VINTAGE COMIC UNIVERSE RIP HUNTER - TIME MASTER SCARLET NEWS, COMPETITIONS & MUCH MORE… ALAN IS 50! MOORE JOIN THE COMICS PARTY THE INCREDIBLE HULK THE NOT-SO-JOLLY GREEN GIANT! TO MOVIES INSIDE FROM HELL! INFINITY ISSUE 5 - £3.99 Cover art by Peter Wallbank (www.petewallbankart.com) 20 48 08: ADVENTURES IN TIME A look back at the TV cult classic Sapphire and Steel, starring David McCallum and Joanna Lumley. 14: A STUDY IN SCARLET It has been 50 years since Captain Scarlet first battled the Mysterons. Something to celebrate! 20: GORILLA WARFARE Mark Phillips reports on the monkey business behind the Planet of the Apes TV series… 38: DOCTOR WHO’S VINTAGE COMIC UNIVERSE Giacomo Lee chats to a very special fanzine about some of the Doctor’s lesser known adventures… 42 42: M IS FOR MOORE That’s Alan Moore, the undisputed bearded Northampton-based God of the British comics realm 52 56 46: A RIP IN TIME The adventures of Rip Hunter… Time Master, a DC comics hero from their Golden Age… 48: THEY’RE HERE! 50 years on from its debut, The Invaders still packs a punch. -
DVD Laser Disc Newsletter Laser Disc Reviews Final Index June 2004
DVD Laser Disc Newsletter Laser Disc Reviews Final Index June 2004 Title Issue Page "10" Dec 90 3 "10" lb Nov 96 6 "10" Plus (X-rated) Dec 93 8 "Weird Al" Yankovic: The Video Apr 97 13 "X" the Man with X-Ray Eyes Oct 99 13 '68 Feb 89 7 *Batteries Not Included Nov 88 3 '84 24 Heures Du Mans May 87 8 'night Mother Aug 87 5 10 Rillington Place Sep 89 7 10,000 Anal Maniacs (X-rated) Oct 95 11 10,000 Maniacs Time Capsule Oct 91 15 100 Girls by Bunny Yaeger Mar 98 9 100 Years of Olympic Glory Oct 96 12 100 Years: A Visual History of the Dodgers Apr 91 14 101 Dalmatians (cartoon) Apr 99 16 101 Dalmatians (live action) Dec 97 4 11 Harrowhouse May 92 6 113 Cherry Lane (X-rated) Oct 95 11 12 Angry Men Apr 88 3 12 Angry Men (telefilm) Aug 98 7 12 Monkeys Jul 96 2 12 Monkeys (collector's) Mar 97 1 12 Monkeys (DTS) Jul 97 1 12:01 Feb 94 2 13 Ghosts Jun 95 4 1492: Conquest of Paradise Aug 93 3 15 Years of Macneil/Lehrer Apr 92 17 16 Days of Glory Nov 86 5 1776 Dec 85 6 1776 (Col lb) May 95 5 1776 lb Sep 92 1 18 Again Jan 89 8 187 Mar 98 6 1900 Jun 90 10 1941 Jun 96 1 1941 (lb CLV) Dec 96 7 1969 Oct 90 9 1984 (dom.) Jul 89 5 1984 (Image remaster) Jul 97 9 Page 1 All back issues are available at $5 each or 12 issues for $47.50. -
Retrofan9preview (Pdf)
June 2020 No. 9 $9.95 IT’S COLORIN’ TIME! THE WONDERFUL WORLD OF COLORING BOOKS Seventies’ An EYEwitness Account Captain America MEET TV’S Captain Nice... REB BROWN WILLIAM EXCLUSIVE INTERVIEW DANIELS Whipple! Clara! Madge! Behind the Commercial Characters SATURDAY MORNING CARTOON FALL PREVIEWS Benny Hill Invades America • 8-Track Tapes • Secret ID Quiz & more! 1 82658 00401 9 FEATURING <right> Ernest Farino • Andy Mangels • Scott Saavedra • Scott Shaw! • Michael Eury Captain America, The Thing, Mr. Fantastic © Marvel. Captain Nice © NBC. The Cyclops © Allied Artists. All Rights Reserved. RetroFan: The Pop Culture You Grew Up With! If you love Pop Culture of the Sixties, Seventies, and Eighties, editor MICHAEL EURY’s latest magazine is just for you! RETROFAN #10 (NOW BI-MONTHLY!) RETROFAN #6 RETROFAN #7 RETROFAN #8 RETROFAN #10 celebrates fifty years of SHAFT—can you dig it? Plus: interviews Interviews with MeTV’s crazy creepster Featuring a JACLYN SMITH interview, as NOW BI-MONTHLY! Interviews with the with Family Affair’s KATHY GARVER and The Brady Bunch Variety Hour’s GERI SVENGOOLIE and Eddie Munster himself, we reopen the Charlie’s Angels Casebook, ’60s grooviest family band THE COWSILLS, “FAKE JAN” REISCHL, ED “BIG DADDY” ROTH, rare GODZILLA merchandise, BUTCH PATRICK! Call on the original and visit the Guinness World Records’ largest and TV’s coolest mom JUNE LOCKHART! Spaghetti Westerns, Saturday morning cartoon preview specials, fake presidential Saturday Morning GHOST BUSTERS, with Charlie’s Angels collection. Plus: an exclusive Mars Attacks!, MAD Magazine in the ’70s, candidates, Spider-Man/The Spider parallels, Stuckey’s, and more fun, fab features! BOB BURNS! Uncover the nutty NAUGAS! interview with funnyman LARRY STORCH, Flintstones turn 60, Electra Woman & Dyna Featuring columns by ERNEST FARINO, ANDY MANGELS, WILL MURRAY, SCOTT Plus: “My Life in the Twilight Zone,” “I The Lone Ranger in Hollywood, The Dick Girl, Honey West, Max Headroom, Popeye SAAVEDRA, and SCOTT SHAW! Edited by MICHAEL EURY.