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Peace Punks and Punks Against Racism: Resource Mobilization and Frame Construction in the Punk Movement
Music and Arts in Action | Volume 2 | Issue 1 PEACE PUNKS AND PUNKS AGAINST RACISM: RESOURCE MOBILIZATION AND FRAME CONSTRUCTION IN THE PUNK MOVEMENT MIKE ROBERTS & RYAN MOORE Department of Sociology | San Diego State University | USA* Department of Sociology | Florida Atlantic University | USA ABSTRACT In recent years, scholars have begun to attend to the gap in our understanding of the relationship between music and social movements. One such example is Corte’s and Edwards’ “White Power Music and the Mobilization of Racist Social Movements.” Our research shares the perspective of Corte and Edwards (2008) which emphasizes the centrality of music to social movement organizations, especially in terms of resource mobilization, but rather than look at how punk music was used as an instrument by an external social movement like the White Power movement, we look at how punks themselves joined social movements and altered the dynamics of the movements they joined. We also provide examples of punk involvement in left wing social movements to emphasize the indeterminate nature of punk politics. We examine two such cases: the Rock Against Racism movement in the U.K., and the Peace movement in the U.S. In both cases, punks made use of their independent media as a means to provide an infrastructure for mobilization of resources to sustain the punks’ involvement in these social movements and the unique framing provided by punks, which altered the dynamic of the movements they joined. What makes punk an interesting case is that the “do-it-yourself” ethic of independent media construction that was at the centre of the punk movement made it possible for punks to make connections to various other social movements as well as alter the dynamics of those social movements. -
Trends in Anti-Fascist and Anarchist Recruitment and Mobilization
Trends in Anti-Fascist and Anarchist Recruitment and Mobilization Dr. Ariel Kocha1 aMember, The Middle East Networks Analysis Desk, Moshe Dayan Center for Middle Eastern and African Studies, Tel Aviv University Abstract Article History For many, the discourse on anarchists' violence belongs to the past, to an era that Received Aug 1, 2017 shocked the world but ended a long time ago. However, this assumption is not accurate Accepted Feb 16, 2018 in the twentieth-first century. It ignores the reality that allows extremists to rise from Published: Mar 30, 2018 the dust, gain popularity and use available tools to promote themselves and their ideas, and thus, to pose a new potential threat. While most of the research on radicalization and political violent extremism focuses on jihadism or the contemporary right-wing extremism, it is important not to ignore the reaction that right-wing extremists created and provoked in the past, which is still relevant in our days: left-wing extremism, which is embodied today in violent anarchists and anti-fascists. This article sheds light on the contemporary left-wing extremism and violent mobilization in Europe and North America, its reflections on the Internet and in music, and its violent activity at home against "fascist" representatives (such as right-wing extremist groups and individuals), and even abroad, against other "fascist" representatives, such as the Islamic State organization. The purpose of the article is to examine this under- researched phenomenon while focusing on popular and recent modes of mobilization and recruitment of this "new revolutionary left", which reflect a threat that is developing in Europe, North America and the Middle East – but not from the jihadi or right-wing aspects, but from anti-fascist and anarchists' militancy aspect. -
Bibliography on Racism
BIBLIOGRAPHY ON RACISM Teun A. van Dijk Version 1.0, May 31, 2007 Aarim-Heriot, N. (2003). Chinese immigrants, African Americans, and racial anxiety in the United States, 1848-82. Urbana: University of Illinois Press. AARP (Organization) , Leadership Conference on Civil Rights., & Library of Congress. (2004). Voices of civil rights. Ordinary people, extraordinary stories.. Washington, D.C.: AARP. Abad Márquez, L. V., Cucó, A., & Izquierdo Escribano, A. (1993). Inmigración, pluralismo y tolerancia. Madrid: Popular. Abanes, R. (1996). American militias. Rebellion, racism & religion. Downers Grove, Ill.: InterVarsity Press. Abanime, E. P. (1986). Ideologies of Race and Sex in Literature: Racism and Antiracism in the African Francophone Novel. College Language Association Journal, 30(2), 125-143. Abbattista, G., & Imbruglia, G. (1992). Il razzismo e le sue storie. Napoli: Edizioni scientifiche italiane. Abbattista, G., Imbruglia, G., Associazione Sigismondo Malatesta., & Convegni malatestiani sul razzismo e le sue storie (1992). Il razzismo e le sue storie. Napoli: Edizioni scientifiche italiane. Abbott, S. (1971). The prevention of racial discrimination in Britain. London New York: published for the United Nations Institute for Training and the Institute of Race Relations by Oxford U.P. Abd Allah, G. (2000). Waqa i al-yawm al-dirasi al-khass bi-al-manahij al-tarbawiyah al-ta limiyah al-Filastiniyah wa-al-Isra iliyah. al-Quds: Markaz al-Dirasat wa-al-Tatbiqat al- Tarbawiyah. Abdel-Shehid, G. (2005). Who da man? Black masculinities and sporting cultures. Toronto: Canadian Scholars' Press. Abdelaziz, T. (1987). Je, femme d'immigré. Paris: Editions du Cerf. Abdelkhalek, O. (1993). Maghrebins victimes du racisme en France, 1980-1989. -
The British Far Left from 1956
The British far left from 1956 EDITED BY EVAN SMITH AND MATTHEW WORLEY Against the grain MANCHESTER 1824 Manchester University Press This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms Against the grain The British far left from 1956 Edited by Evan Smith and Matthew Worley Manchester University Press Manchester and New York distributed in the United States exclusively by Palgrave Macmillan This content downloaded from 154.59.124.115 on Sun, 11 Feb 2018 10:26:06 UTC All use subject to http://about.jstor.org/terms Copyright © Manchester University Press 2014 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed in the United States exclusively by Palgrave Macmillan, 175 Fifth Avenue, New York, NY 10010, USA Distributed in Canada exclusively by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 978 07190 9590 0 hardback First published 2014 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
Trade Mark Decision O/335/18
O-335-18 TRADE MARKS ACT 1994 IN THE MATTER OF REGISTRATION NO 2563860 IN THE NAME OF CHETAN PATEL IN RESPECT OF THE TRADE MARK Love Music Hate Racism IN CLASS 25 AND AN APPLICATION FOR A DECLARATION OF INVALIDITY THERETO UNDER NO 501644 BY LOVE MUSIC HATE RACISM LTD AND IN THE MATTER OF REGISTRATION NO 3221220 FOR THE TRADE MARK LOVE MUSIC HATE RACISM IN THE NAME OF LOVE MUSIC HATE RACISM LTD AND THE OPPOSITION THERETO UNDER NO 410462 BY CHETAN PATEL Page 1 of 22 Background and pleadings 1) Chetan Patel (“Party B”) is the proprietor of UK trade mark registration 2563860 in respect of the mark “Love Music Hate Racism” and in respect of the following list of goods: Class 25: Dresses, skirts, suits, underwear, trousers, shoes, footwear, jackets and jeans. 2) This registration was applied for on 10 November 2010. On 3 May 2017, Love Music Hate Racism Ltd (“Party A”) applied for the registration to be declared invalid. Party A is acting on behalf of Love Music Hate Racism, an unincorporated association (“the association”) founded in 2002. The application is based upon section 47 and section 3(6) of the Trade Marks Act 1994 (“the Act”) and it is pleaded that Party B’s filing for his mark was made in bad faith. It is claimed that, at the time of filing, Party B “knew or should have known that [Party A] used the [mark] extensively in its branding and marketing and had done so for approximately the past eight years, and that the rights to the name lay with [Party A] and not with him”. -
Unite Against Fascism Archive
UNITE AGAINST FASCISM ARCHIVE (UAF) ©Bishopsgate Institute Catalogued by Various, December 2016 UAF Unite Against Fascism Archive 1976-2014 Name of Creator: Unite Against Fascism; Love Music Hate Racism, Anti-Nazi League; Rock Against Racism Extent: 10 Boxes and oversize items Administrative/Biographical History: Unite Against Fascism is an anti- fascist pressure group in the United Kingdom. UAF was established in 2003 following the electoral successes of the British National Party, beginning as a coalition that included the Anti-Nazi League, the National Assembly Against Racism, the Trades Union Congress, Unite – the Union, and UNISON. UAF aims to raise awareness nationally of the potential affects to the UK and British society if fascist and far right groups (including the British National Party and the English Defence League), gain seats in local, national and European elections. Love Music Hate Racism is a music-orientated campaign established in 2002 by the Anti Nazi League and Unite Against Fascism in response to the perceived increase in support for the far right and the British National Party. The campaign involves concerts aimed at communicating an anti-racist message. It follows in the tradition of the 1970s Rock Against Racism campaign, which also involved the Anti-Nazi League. The Anti-Nazi League (ANL) was established in 1977 on the initiative of the Socialist Workers Party (with sponsorship from some trade unions) to oppose the rise of far-right groups in the UK. It was brought to a close in 1981, but re- launched in 1992. In 2003 it merged with Unite Against Fascism. Rock Against Racism (RAR) was a campaign set up in 1976 by Red Saunders, Roger Huddle and others, including the Anti Nazi League, as a response to an increase in racial conflict and the growth of white nationalist groups such as the National Front. -
TURN IT DOWN! How to Recognise and Confront Hate Music
UNITED Thematic Leaflet no 6 ENGLISH TURN IT DOWN! How to recognise and confront hate music Music is practically the most significant feature and means of self-identification of the lives of adolescents and youngsters. Its forming power is extraordinary strong. Especially at the times of economical crisis when people start scapegoating vulnerable groups, it is quite dangerous for our societies if the lyrics contain racist and anti-semitic slogans and its visual part shows neo-Nazi symbols. They all have one thing in common – they are insult- ing, discriminating, humiliating. Often they are liable to prosecution. Hate music is a threat. It incites violence. Ignoring the problem means that hate can grow in the middle of society without being confronted. The limit of tolerance is reached not only when the text contains elements of a criminal offence but when it violates the dignity of any human being. Any expressions of racist hate in public can never be tolerated. NEO-NAZI SKINHEADS AND RACIST ROCK: YOUTH SUBCULTURE OF HATE The skinhead phenomenon originated in the white power music, a hard-driving brand of rock- early 1970s on the streets of England and then and-roll whose lyrics pound home a message of spread to the rest of Europe. For some (not all bigotry and violence. Skinhead use of the Internet skinheads are racists), the racist and chauvinis- has almost exclusively focused on racist music. tic attitudes held by these gangs developed into Music is the skinhead and neo-Nazi movement’s a crude form of Nazism with violence, frequent, main propaganda weapon and chief means of at- racially motivated attacks on immigrants, homo- tracting young recruits. -
Views with Many Members of Punk’S First Wave, Remains One of the Best Histories of British Punk Culture
White Man (In Hammersmith Palais): Punk, Immigration, and the Politics of Race in 1970s England _______________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________ In Partial Fulfillment of the Requirements of Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in History _______________________________ By Sam Benezra May 2018 This thesis has been approved by The Honors Tutorial College and the Department of History ______________________________________ Dr. Kevin Mattson Professor, History Thesis Advisor ______________________________________ Dr. Miriam Shadis Honors Tutorial College, Director of Studies History ______________________________________ Cary Roberts Frith Dean, Honors Tutorial College TABLE OF CONTENTS Acknowledgements………………………………………………………………………………. 2 Introduction……………………………………………………………………………………… 3 Chapter One…………………………………………………………………………………….. 11 “INGLAN IS A BITCH:” IMMIGRATION, ECONOMIC TURMOIL, AND THE RISING NATIONALIST RIGHT Chapter Two……………………………………………………………………………………. 35 “WHITE RIOT:” PUNK AND THE FAR RIGHT Chapter Three………………………………………………………………………………..… 57 ROCK AGAINST RACISM: FORMING AN ANTI-RACIST PUNK IDENTITY Conclusion……………………………………………………………………………………… 83 Bibliography……………………………………………………………………………………. 86 Acknowledgements This thesis could not have been produced without assistance, guidance, and moral support from a long list of friends and advisors. I would like to take this moment to thank a few of them. I would like to thank my thesis advisor, Dr. Kevin Mattson, who, over many conversations in Bentley Annex, guided me through my research and helped me develop this thesis out of a kernel of an idea. I would also like to thank my Director of Studies, Dr. Miriam Shadis, for seeing me through three years of college with excellent advising. I would like to thank Dr. Kevin Uhalde for filling in while she was gone. And of course, I have to thank Andre Gribou, for taking me to London and sparking my interest in this topic in the first place. -
Managing Collective Violence Around Public Events International
bw.pw55mm_deel 30.5 08-04-11 15:43 Pagina 1 Managing collective violence around public events: an international comparison bw.pw55mm_deel 30.5 08-04-11 15:43 Pagina 2 bw.pw55mm_deel 30.5 08-04-11 15:43 Pagina 3 Managing collective violence around public events: an international comparison O.M.J. Adang With cooperation from: S.E. Bierman, E.B. Brown, J. Dietermann, C. Putz, M. Schreiber, R. van der Wal, J. Zeitner bw.pw55mm_deel 30.5 08-04-11 15:43 Pagina 4 Under the authority of: Police Science & Research Programme Cover design: Martien Frijns Photography: Jet Budelman/ Hollandse Hoogte Editing and layout: Vantilt-producties & Martien Frijns ISBN: 978 90 3524 536 5 NUR: 600, 824 Realization: Reed Business, Amsterdam 2011 Police Science & Research Programme, Apeldoorn Notwithstanding the exceptions provided for by law, no part of this publication may be reproduced and/ or published without prior written permission from the publisher, who has been irrevocably authorised by the author(s) to give such permission to the exclusion of all other parties. The greatest care has been taken in the preparation of this publication. The author, editors and publisher accept no liability for any information that may nevertheless be incomplete or incorrect. Any suggestions for improvement are welcomed. No part of this publication may be reproduced in any form, by print, photo print or other means without written permission from the authors. bw.pw55mm_deel 30.5 08-04-11 15:43 Pagina 5 Foreword On the evening of August 22, 2009 a dance event (Veronica Sunset Grooves) took place on the beach of Hoek van Holland in the Netherlands. -
Gmb Annual Congress
GMB ANNUAL CONGRESS held on SUNDAY 14TH JUNE –WEDNESDAY 17TH JUNE 2009 at THE WINTER GARDENS, BLACKPOOL ---------------------------------------- SIS. MARY TURNER (President of the GMB Union) (In the Chair) ----------------------------------------- PROCEEDINGS DAY FOUR (WEDNESDAY, 17TH JUNE 2009) -------------------------------------------- (Conference reported by: Marten Walsh Cherer Ltd., 6th Floor, 12-14 New Fetter Lane, London EC4A 1AG Telephone: 020 7936 6000 --------------------------------------------------- 1 FOURTH DAY’S PROCEEDINGS WEDNESDAY, 17TH JUNE 2009 Congress assembled at 9.30 a.m. ANNOUNCEMENTS THE VICE PRESIDENT: Delegates, good morning. I have some announcements to make. The money raised in the Jimmy Knapp raffle was £950, and Paul has agreed to make that a round £2,000. (Applause) Northern Region wants to thank everyone for their support for the raffle. The figure of £100,000 was raised. THE GENERAL SECRETARY: Oi! We ain’t doubling that! (Laughter) THE VICE PRESIDENT: Paul is doubling that. He will give £2,000. THE GENERAL SECRETARY: Oi! You said “£100,000”! THE VICE PRESIDENT: Oh, sorry. The raffle made £1,000, not £100,000. I was just seeing if Paul was awake after last night. (Laughter and Applause) Just for information, next year, 2010, there will be the Tall Ships’ Race at Hartlepool in August. On a pleasant note, I have been informed that today is the birthday of Sis. June Minnery of GMB Scotland. June is 36 and drinks are in the bar at dinner. Happy birthday, June. (Applause and cheers) I have just been handed another note to say happy birthday to Jim McCrossan, again, from GMB Scotland, so they can share the bar bill. -
'Love Music, Hate Racism': the Cultural Politics Of
‘Love Music, Hate Racism’: The Cultural Politics of the Rock Against Racism Campaigns, 1976-1981 Ashley Dawson Associate Professor of English College of Staten Island/City University of New York [email protected] Bio: Ashley Dawson, an Associate Professor of English at the College of Staten Island/CUNY, is currently Mellow Fellow at the Center for the Humanities, The Graduate Center, City University of New York. He is the author of Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain (forthcoming from University of Michigan Press) and co-editor of Contemporary U.S. Culture and Imperialism (forthcoming from Duke University Press), as well as of numerous articles on race, nationalism, and postcolonial theory. Abstract: During the mid- to late-1970s, Britain endured an upsurge of neo-fascist organizing and racial attacks. In response, a strong anti-racist movement grew up among Britain’s ethnic minority communities, leading to radical new forms of organizing. Nascent British youth subcultures of the period such as punk were also sucked into the vortex of racism. The organization Rock Against Racism (RAR) was formed to combat this trend. In its five- year history, RAR drew on the forms of mongrel culture developing among certain sectors of urban British youth to stage groundbreaking performances in which reggae and punk subcultures cross-pollinated. Despite its links to established organizations of the far Left, RAR succeeded in uniting aesthetics and politics in a radical new way by drawing on rather than preaching to youth subcultures of the day. As a result, it offers an important model of autonomous organizing that continues to resonate today. -
Morality in the Music Press, 1967-1983 by Patrick Michael John
Sometimes Good Guys Don’t Wear White: Morality in the Music Press, 1967-1983 by Patrick Michael John Glen A thesis submitted for the degree of Doctor of Philosophy Department of History November 2012 Abstract Sometimes Good Guys Don’t Wear White: Morality in the Music Press, 1967- 1983 This thesis argues that between 1967 and 1983 the music press became increasingly embroiled in extra-musical, social and cultural issues. The music press provided an arena for editors, journalists, musicians and readers to debate social mores. This has gone unnoticed in the existing historiography. The music press – which was conventionally assumed to favour ‘permissiveness’ – hosted a variety of different moral viewpoints that challenge our understanding of conversations on social mores from 1967-1983. Bringing the music press to the fore of historical analysis in this period illustrates that British moral discourse was complex, fragmented and drew from a variety of narratives from the conservative to the radical. The thesis examines how moral debates emerged in the late-1960s’ music press and then investigates the most salient themes that elicited discussions. These themes include youthful rebellion and generational divisions, sex, sexuality, drug use, gender, anti-racism, violent transgression, urban decay and alienation. The thesis analyses how these themes were narrated in the music press and identifies multiple viewpoints were articulated in reference to other tensions that affected moral conversations, such as the music press’s commercial concerns and journalistic styles. It recognises that the music press gave journalists, musicians and readers considerable scope to express their views. Thus the music press is a unique source for gauging the sentiments and proclivities of youth, music subcultures, the press and music industry.