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Of Sexual Morality
If you have reached these pdf links other than through the designated, please be aware ... This page contains personal writings of Jijo Punnoose. Some of which are sensitive and may not be palatable to every reader. All the other articles by this author, a reader would find, technical and scientific in nature. But not so here. It is cautioned that unless the reader has had some spiritual foundation, these articles would seem absurd. Because, spirituality is of a domain beyond rational minds. OF GENDER DISCRIMINATION, SEXUAL MORALITY & MORALS Summer of 1984. Shooting of Kuttichathan was going on. During a lunch break I was in the editing room. A Production manager (it must have been Ponnappan, I am not very sure) came to tell me that just then an altercation had occurred between cinematographer Ashok Kumar's assistant Ms. Vijayalakshmi and one of our key unit members, chief-camera-in-charge Mr. Ayyappan. It had left the girl in tears. I was fond of both of them. Though a hothead, Ayyappan was hardworking, loyal and very devoted to his equipment. Though a chatterbox, Vijayalaxmi's passion for cinematography had made her venture into a man's world. A few months earlier while shooting film Mamattukkuttiyammakku, Fazil hilariously noted the following about the same two individuals. "Ayyappan hugs the camera protectively to prevent it from accidentally toppling over, whenever one of us goes to check frame through the camera viewfinder. He wouldn't do that if it is Vijayalakshmi, since it may seem that he is hugging her …. and that adds to his helplessness". -
Vol VIII Isue 1-4.Pmd
ISSN 2249-9873 Tapasam A Quarterly Journal for Kerala Studies Adn-bm\pw Xm]kw in Malayalam - English Adn-bn-°m\pw TAPTAPASAMASAM Vol: VIII / Issue 1-4 / July 2012 - April 2013 / Reg. No: M2 11257/ 05 V. J. Varghese Hybrid Assemblages: Modernity and Exceptionalism of Kerala.............. 1 Anna Lindberg Modernization and Religious Identities in Late Colonial Madras and Malabar.... 8 Amali Philips Endogamy Revisited Marriage and Dowry among the Knanaya Syrian Christians of Kerala.............36 Aparna Nair Magic Lanterns, Mother-craft and School Medical Inspections: Fashioning Modern Bodies and Identities in Travancore...... 60 Navaneetha Mokkil Remembering the Prostitute: Unsettling Imaginations of Sexuality.....................86 Jenson Joseph Revisiting Neelakkuyil: On the Left's cultural vision, Malayali nationalism and the questions of 'regional cinema'.................................................114 Shalini Moolechalil Recasting the Marginalised: Reading Sarah Joseph's Ramayana Stories in the Context of the Dravidian Movement..........145 T tcJm-ti-J-c-Øn¬\n∂v AP thWp-tKm-]m-e-∏-Wn°¿ `mjm-N¿® - ASAM, -s{]m^. F¬. hn. cma-kzmanAø¿.................... 172 V Kth-j-W-cwKw ol. VIII, Issues 1-4, 2013 kvIdnbm k°-dnb alm-`m-K-hXw Infn-∏m-´nse Zi-a-kvI‘w ˛ kwtim-[n-X-kw-kvI-cWw cLp-hmkv F.hn./tUm.]n.-Fw. hnP-b-∏≥...........174. ]pkvX-I-]q-cWw kvIdnbm k°-dnb amXr-`m-j-bv°p th≠n-bp≈ kacw ]n. ]hn-{X≥..............................................................177 Issue Editor: Dr V. J. Varghese 1 2 TAPASAM, Vol. VIII, Issues 1-4, 2013 Hybrid Assemblages: Modernity and Exceptionalism of Kerala Partha Chatterjee’s refusal to subscribe to the formulation of Benedict Anderson on nation, as a western normative import to non-western contexts, has also significantly debunked universal biographies of modernity. -
“Mother, I Want to Marry Her, but Only If You Wish”: a Case of Visual Analysis to Understand Families in Contemporary Kerala
Artha J Soc Sci, 12, 1(2013), 33-48 ISSN 0975-329X |http://dx.doi.org/10.12724/asjs.24.3 “Mother, I want to marry her, but only if you wish”: A Case of Visual Analysis to Understand Families in Contemporary Kerala Shiju Joseph,* T Sasidharan† and Maya Menon‡ Abstract The study suggests looking into culturally sensitive data sources like popular films that open a window into the social psyche. As an illustrative case, the climax sequence of a popular Malayalam film Aniyathipravu is analyzed using the method of visual analysis. The analysis is guided by the hermeneutic approach of psychoanalysis and by inputs from evolutionary psychology. The analysis attempts to explore the aspects of individuation of the son, female identity formation and the familial consequences of these aspects in the contemporary society. It reveals how the son is caught in the ambivalence of wanting to be separate from his mother and to be dependent on her, and how the mother is evolved into the cultural stereotype of mother-in-law. The study also shows that motherhood overshadows all other aspects of the female identity in the contemporary society. Study has demonstrated the use of visual analysis to interpret data from popular culture. It indicates the need to psychologically analyze family structure in the contemporary society. * Assistant Professor, Department of Psychology, Govt. College for Women, Trivandrum, Kerala; [email protected] † Reader, Department of Psychology, University of Calicut, Kerala ‡ Assistant Professor, Department of Psychology, Govt. College for Women, Trivandrum, Kerala 33 Shiju Joseph, T Sasidharan and Maya Menon ISSN 0975-329X Keywords: Family, Enmeshment, Identity, Individuation, Film, Kerala, Visual analysis Introduction Cinema, the most influential cultural product of the present times, has been the top means of entertainment for the past few decades in any part of India. -
History of Malayalam Cinema[Edit]
At first (beginning in the 1920s), the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later, the industry shifted to Chennai (formerly Madras), which then was the capital of the South Indian film industry. By the end of 1980s, the Malayalam film industry returned and established itself in Kerala.[1] Several media sources[2][3] describe Kochi as the hub of the film industry, while the Kerala government publications[4] and government sponsored Kinfra organisation[5] states Thiruvananthapuram is the centre. The first 3D film produced in India, My Dear Kuttichathan (1984), was made in Malayalam.[6] The first CinemaScope film produced in Malayalam wasThacholi Ambu (1978).[7] The world's first film with just one actor in the star cast was the Malayalam film The Guard (2001).[8][9] Rajiv Anchal's Guru (1997) and Salim Ahamed's Adaminte Makan Abu (2011) are the only Malayalam films to be sent by India as its official entry for the Best Foreign Language Film category at the Academy Awards. Films such as Piravi, Swaham, Marana Simhasanam, Chemmeen, Mathilukaland Vanaprastham were also screened and won awards at several international film festivals. History of Malayalam cinema[edit] Active Malayalam film production did not take place until the second half of the 20th century: there were only two silent films, and three Malayalam-language films before 1947.[10][11] With support from the Kerala state government production climbed from around 6 a year in the 1950s, through 30 a year in the 60s, 40 a year in the 70s, to 127 films in the year 1980.[10] Origins (1907-1950)[edit] The first cinema hall in Kerala, with a manually operated film projector, was opened in Thrissur by K. -
Trade Marks Journal No: 1918 , 09/09/2019 Class 36 2561964 09
Trade Marks Journal No: 1918 , 09/09/2019 Class 36 2561964 09/07/2013 ALPHA CORP DEVELOPMENT PRIVATE LIMITED trading as ;ALPHA CORP DEVELOPMENT PRIVATE LIMITED UPPER BASEMENT, ALPHA MALL, MBM FARM, GT ROAD, SULTAN WIND SUB URBAN, AMRITSAR, PUNJAB, INDIA, 143001 SERVICES COMPANY INCORPORATED UNDER COMPANIES ACT, 1956 Address for service in India/Attorney address: MACE CORPORATE ASSOCIATES 208A/6A, IST FLOOR SAVITRI NAGAR MALVIYA NAGAR NEW DELHI-17 Used Since :01/01/2013 To be associated with: 1329093, 2420002 DELHI REAL ESTATE AFFAIRS, APARTMENT HOUSE MANAGEMENT, BROKERAGE, INSURANCE, FINANCIAL AFFAIRS, MONETARY AFFAIRS, CAPITAL INVESTMENTS, FINANCIAL EVALUATION, INSURANCE, BANKING, REAL ESTATE, FUND RAISING CHARITABLE. HOUSING AGENTS, LEASE/RENTAL, PURCHASE FINANCING, LEASING OF FARMS, LEASING OF REAL ESTATE, REAL ESTATE AGENCIES, REAL ESTATE APPRAISAL, REAL ESTATE BROKERS. REAL ESTATE MANAGEMENT, SALE, PUCHASE, LEASE AND RENTING OF APARTMENTS, OFFICES AND COMMERCIAL COMPLEXES REGISTRATION OF THIS TRADE MARK SHALL GIVE NO RIGHT TO THE EXCLUSIVE USE OF THE.BHATINDA. 6994 Trade Marks Journal No: 1918 , 09/09/2019 Class 36 MINTLIFE Priority claimed from 15/04/2014; Application No. : 86253091 ;United States of America 2824628 10/10/2014 INTUIT INC. 2535 GARCIA AVENUE, MOUNTAIN VIEW, CALIFORNIA 94043, U.S.A SERVICES PROVIDER Address for service in India/Attorney address: LALL & SETHI D-17, N.D.S.E.-II NEW DELHI-49 Proposed to be Used To be associated with: 2001698, 2758314 DELHI PROVIDING INFORMATION AND EDITORIAL CONTENT SERVICES RELATED TO PERSONAL FINANCE; HNANCIAL INFORMATION; PROVIDING A WEBSITE FEATURING PERSONAL FINANCE INFORMATION AND GUIDANCE; EDITORIAL CONTENT SERVICES RELATED TO PERSONAL HNANCE, NAMELY PROVIDING AN ONLINE BLOG FEATURING ARTICLES, TIPS, QUESTIONS AND ANSWERS, AND GUIDANCE IN THE FIELD OF PERSONAL FINANCE, FINANCIAL PLANNING, BUDGETING, AND SAVING MONEY 6995 Trade Marks Journal No: 1918 , 09/09/2019 Class 36 2981132 10/06/2015 EVOLUTION PROPBUILD PRIVATE LIMITED. -
Tla Hearing Board
TLA HEARING BOARD Hearing Schedule from 01/01/2019 to 31/01/2019 Location: CHENNAI Hearing Timing : 10.30 am to 1.00 pm S.No TM No Class Hearing Proprietor Name Agent Name Mode of Date Hearing 1 3428276 5 01-01-2019 A.HARI PRASAD RAO & RAO. Physical 2 3432535 32 01-01-2019 REGAL HEALTHY FINE FOODS PVT. LTD RAO & RAO. Physical 3 3432537 5 01-01-2019 BHOGADI NAGARAJU RAO & RAO. Physical 4 3446254 35 01-01-2019 M/S. NEW BRIGHT ELECTRICAL ANUP JOACHIM T,ADVOCATE Physical 5 3450556 19 01-01-2019 M/S. AVANT ENTERPRISES PVT. LTD ANUP JOACHIM T,ADVOCATE Physical 6 3459453 99 01-01-2019 C.P ABDUL LATHEEF SAJI ISAAC K.J. & Physical DR,ELLZABETH VARKEY 7 3386830 44 01-01-2019 M/S. UNITY CARE AND HEALTH SERVICES S.SINGH & ASSOCIATES Physical PVT. LTD. 8 3133602 37 01-01-2019 CONSTRONICS INDIA IPR LAW ASSOCIATES Physical (CHENNAI) 9 3133606 32 01-01-2019 JAPS INTERNATIONAL CONSUMER IPR LAW ASSOCIATES Physical PRODUCTS PRIVATE LIMITED (CHENNAI) 10 3170653 35 01-01-2019 TECHNO VISION SALES AND SERVICES IPR LAW ASSOCIATES Physical (CHENNAI) 11 3176860 35 01-01-2019 K.S. BALKRISHNA SETTY IPR LAW ASSOCIATES Physical (CHENNAI) 12 3190734 30 01-01-2019 KISHORE AND COMPANY IPR LAW ASSOCIATES Physical (CHENNAI) 13 3198440 37 01-01-2019 BALA KRISHNA.P IPR LAW ASSOCIATES Physical (CHENNAI) 14 3331750 44 01-01-2019 SKIN DEEP TATTOO STUDIO IPR LAW ASSOCIATES Physical (CHENNAI) 15 3331755 44 01-01-2019 SHARANABASAWESWAR IPR LAW ASSOCIATES Physical (CHENNAI) 16 3343764 35 01-01-2019 ANUP KUMAR CHANDAK IPR LAW ASSOCIATES Physical (CHENNAI) 17 3439489 42 01-01-2019 INANI MEDIA PVT. -
If You Have Reached These Pdf Links Other Than Through the Designated, Please Be Aware
If you have reached these pdf links other than through the designated, please be aware ... This page contains personal writings of Jijo Punnoose. Some of which are sensitive and may not be palatable to every reader. All the other articles by this author, a reader would find, technical and scientific in nature. But not so here. It is cautioned that unless the reader has had some spiritual foundation, these articles would seem absurd. Because, spirituality is of a domain beyond rational minds. -------------------------------------- About SAFETY accidents never happen …. they are caused! As the film's director, the safety precautions on my shooting sets I took very seriously, and had continued that same onus later to my amusement park days. It could have been out of my fear of the consequences, that I have spent hours and hours studying the Application of Murphy's Law in design & execution of machines, and its practical application in performances and the staging of events. My realization that safety is the responsibility of the person at the helm happened in 1982 - the year 'the Twilight zone accident' happened on an L.A. filmset - killing the main actor and two performing children. Also, there was a lesson in one of my own stars 'Jayan' dying on a shooting accident in Nov. 1980. [My friends are sometimes surprised when I remember events from the past. I myself am surprised at the vividness of some of my earliest memories] ▶ Palaattukoman, Elephant 1961 I would have been 4 years old in 1961 when my uncle Kunchacko and my papa Appachan were shooting film Palaattukoman in the forests of Sholayar. -
Portrayal of Same-Sex Relationship in Malayalam Cinema
I N S I G H T: An International Multilingual Journal for Arts and Humanities Peer Reviewed and Referred: ISSN: 2582-8002 University Research Publications, Ernakulam, Kerala VOL 1-ISSUE 4: JUNE 2021 Portrayal of Same-Sex Relationship in Malayalam Cinema Namitha V. S Research Scholar Department of English St. Joseph’s College, Devagiri Calicut, Kerala, India. Abstract There were many unwritten rules regarding what the subject matter of Malayalam films should be. The Malayalam film industry have managed to depict strife, violence, sibling rivalry, infidelity, murder and crime on the screen. But the filmmakers never had the courage to discuss the third gender onscreen. Dominant films portray homosexuality as indecent or immoral. Gay men and women are either shown as sadists, psychopaths or anti-social villains. Alternative sexuality is predominantly the object of ridicule and contempt in Malayalam film scenario. Malayalam cinema was always interested in depicting heterosexual couplings and the movie makers have never attempted to portray anything other than this on the screen. Anyhow there were some attempts from the part of film makers to show alternative sexualities, but the society has never approached it from a serious point of view. This paper tries a resistant reading of many of the established films in Malayalam industry by using the premises of queer theory. Keywords: Alternative Sexuality, homosexuality and homosociality, laughter films Malayalam movies, queer theory, same-sex relationship. In our society, family is the cornerstone of civilization. Inseparably linked to that tenet is the belief that marriage; that is, one woman and one man living together in a lifelong, monogamous relationship is the foundational element of the family unit.