Spring 2021 CURRENT EXHIBITION
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Mapplethorpe: Assault with a Deadly Camera
How To Quote This Material ©Jack Fritscher www.JackFritscher.com Mapplethorpe: Assault with a Deadly Camera — Take 2: Pentimento for Robert Mapplethorpe Manuscript TAKE 2 © JackFritscher.com PENTIMENTO FOR ROBERT MAPPLETHORPE FETISHES, FACES, AND FLOWERS Of EVIL1 “He wanted to see the devil in us all... The man who liberated S&M Leather into international glamor... The man Jesse Helms hates... The man whose epic movie-biography only Ken Russell could re-create...” Photographer Mapplethorpe: The Whitney, the NEA and censorship, Schwarzenegger, Richard Gere, Susan Sarandon, Paloma Picasso, Hockney, Warhol, Patti Smith, Scavullo, sex, drugs, rock ’n’ roll, S&M, flowers, black leather, fists, Allen Ginsberg, and, once-upon-a-time, me... The pre-AIDS past of the 1970s has become a strange country. We lived life differently a dozen years ago. The High Time was in full upswing. Liberation was in the air, and so were we, performing nightly our high-wire sex acts in a circus without nets. If we fell, we fell with splendor in the grass. That carnival, ended now, has no more memory than the remembrance we give it, and we give remembrance here. In 1977, Robert Mapplethorpe arrived unexpectedly in my life. I was editor of the San Francisco—based international leather magazine, Drummer, and Robert was a New York shock-and-fetish photographer on the way up. Drummer wanted good photos. Robert, already infamous for his leather S&M portraits, always seeking new models with outrageous trips, wanted more specific exposure within the leather community. Our mutual, professional want ignited almost instantly into mutual, personal passion. -
C100 Trip to Houston
Presented in partnership with: Trip Participants Doris and Alan Burgess Tad Freese and Brook Hartzell Bruce and Cheryl Kiddoo Wanda Kownacki Ann Marie Mix Evelyn Neely Yvonne and Mike Nevens Alyce and Mike Parsons Your Hosts San Jose Museum of Art: S. Sayre Batton, deputy director for curatorial affairs Susan Krane, Oshman Executive Director Kristin Bertrand, major gifts officer Art Horizons International: Leo Costello, art historian Lisa Hahn, president Hotel St. Regis Houston Hotel 1919 Briar Oaks Lane Houston, Texas, 77027 Phone: 713.840.7600 Houston Weather Forecast (as of 10.31.16) Wednesday, 11/2 Isolated Thunderstorms 85˚ high/72˚ low, 30% chance of rain, 71% humidity Thursday, 11/3 Partly Cloudy 86˚ high/69˚ low, 20% chance of rain, 70% humidity Friday, 11/4 Mostly Sunny 84˚ high/63 ˚ low, 10% chance of rain, 60% humidity Saturday, 11/5 Mostly Sunny 81˚ high/61˚ low, 0% chance of rain, 42% humidity Sunday, 11/6 Partly Cloudy 80˚ high/65˚ low, 10% chance of rain, 52% humidity Day One: Wednesday, November 2, 2016 Dress: Casual Independent arrival into George Bush Intercontinental/Houston Airport. Here in “Bayou City,” as the city is known, Houstonians take their art very seriously. The city boasts a large and exciting collection of public art that includes works by Alexander Calder, Jean Dubuffet, Michael Heizer, Joan Miró, Henry Moore, Louise Nevelson, Barnett Newman, Claes Oldenburg, Albert Paley, and Tony Rosenthal. Airport to hotel transportation: The St. Regis Houston Hotel offers a contracted town car service for airport pickup for $120 that would be billed directly to your hotel room. -
Arnold) Glimcher, 2010 Jan
Oral history interview with Arne (Arnold) Glimcher, 2010 Jan. 6-25 Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Arne Glimcher on 2010 January 6- 25. The interview took place at PaceWildenstein in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by the Widgeon Point Charitable Foundation. Arne Glimcher has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Arne Glimcher on Wednesday, January the sixth, at Pace Wildenstein Gallery on— ARNOLD GLIMCHER: 32 East 57th Street. MR. McELHINNEY: 32 East 57th Street in New York City. Hello. MR. GLIMCHER: Hi. MR. McELHINNEY: One of the questions I like to open with is to ask what is your recollection of the first time you were in the presence of a work of art? MR. GLIMCHER: Can't recall it because I grew up with some art on the walls. So my mother had some things, some etchings, Picasso and Chagall. So I don't know. -
October 30 – December 30, 2021
ST 71 OCTOBER 30 – DECEMBER 30, 2021 EXHIBITION 71st A•ONE – A•ONE is a national competition/exhibition highlighting the diversity of work that is currently being made by established and emerging artists. Eligibility – Open to all artists, 18 years of age and older, residing in the United States. Original artwork in any media will be considered. Giclée reproductions of original works will not be accepted. Eligible artwork must have been completed after January 1, 2019, and fall within the restrictions. Awards – Grand Prize, awards an artist a solo exhibition at Silvermine Arts Center with a $1,000 stipend for show related expenses. The Juror has additional awards to give at their discretion. Entry Fee – $50 for up to 5 entries. To be considered for the Grand Prize Award, artists are required to enter a minimum of three works. Online entry – Complete the 71st A•ONE entry form on Slideroom – https://silvermineart.slideroom.com JUROR Richard Klein is a curator, artist, and writer. Since 1999 he has been Exhibitions Director of The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. In his two decade long career as a curator of contemporary art he has organized over 80 exhibitions, including solo shows of the work of Janine Antoni, Sol LeWitt, Mark Dion, Roy Lichtenstein, Hank Willis Thomas, Brad Kahlhamer, Kim Jones, Jack Whitten, Jessica Stockholder, Tom Sachs, and Elana Herzog. Major curatorial projects at The Aldrich have included Fred Wilson: Black Like Me (2006), No Reservations: Native American History and Culture in Contemporary Art (2006), Elizabeth Peyton: Portrait of an Artist (2008), Shimon Attie: MetroPAL.IS. -
Jan Feb Mar Apr 2021 from the Director
FROM THE DIRECTOR JAN FEB MAR APR 2021 FROM THE DIRECTOR Submit your story I am sure you would agree, let us put 2020 behind us and anticipate a better year in 2021. With this expectation in mind, your Art Center teams are moving ahead with major plans for the new year. Our exhibitions We continue to include The Path to Paradise: Judith Schaechter’s accept personal Stained-Glass Art; Justin Favela: Central American; stories in response and Louis Fratino: Tenderness revealed along with to Black Stories. Iowa Artists 2021: Olivia Valentine. An array of print gallery and permanent collections projects, including Enjoy this story an exhibition that showcases our newly conserved submission from painting by Francisco Goya, Don Manuel Garcia de Candace Williams. la Prada, 1811, and another that features our works by Claes Oldenburg, will augment and complement Seen. I felt seen as I walked these projects. The exhibitions will continue to through the Black Stories address our goals of being an inclusive and exhibition with my friend. welcoming institution, while adding to the scholarship As history and experiences of the field, engaging our local communities in were shared through art, meaningful ways, and providing a site for the I remembered my mom community to gather together, at least virtually taking my sister and I to (for now), to share ideas and perspectives. the California African- Our Black Stories project has done just this American Museum often. as we continue to receive personal stories from She would buy children’s the community for possible inclusion in a books written by Black publication. -
Cardi Gallery Louise Nevelson
CARDI GALLERY Louise Nevelson, Untitled, 1964, Painted wood, 241 x 216 x 49.5 cm (94 7/8 x 85 1/8 x 19 1/2 in) LOUISE NEVELSON 55-70 October 7-December 20, 2014 Corso di Porta Nuova 38, Milan Cardi Gallery is pleased to present Louise Nevelson: 55-70, an exhibition of over thirty important collages and sculptures created between 1955 and 1970 that reveal the formalist achievements of Louise Nevelson (1899-1988), an icon of the Feminist art movement and one of the most significant American sculptors of the 20th century. Louise Nevelson: 55-70, is on view October 9 – December 20, 2014. Louise Nevelson: 55-70 features works created between 1955 and 1970, a period when the artist’s signature modernist style emerged, with labyrinthine wooden assemblages and monochrome surfaces, and evolved, as Nevelson incorporated industrial materials such as Plexiglas, aluminum and steel in the 1960s and 1970s. The exhibition at Cardi Gallery presents more than twenty-five collages and ten sculptures from private collections around the world, including large-scale monochrome reliefs, freestanding large-scale sculptures, and mixed media collages on paper and board, incorporating newsprint, paint, vinyl, metal, and other found objects. “I go to the sculpture, and my eye tells me what is right for me,” explained Nevelson. “When I compose, I don’t have anything but the material, myself, and an assistant. I compose right there while the assistant hammers. Sometimes it’s the material that takes over; sometimes it’s me that takes over. I permit them to play, like a seesaw. -
The Museum of Modern Art
The Museum of Modern Art For Immediate Release May 1995 ARTIST'S CHOICE: ELIZABETH MURRAY June 20 - August 22, 1995 An exhibition conceived and installed by American artist Elizabeth Murray is the fifth in The Museum of Modern Art's series of ARTIST'S CHOICE exhibitions. On view from June 20 to August 22, 1995, ARTIST'S CHOICE: ELIZABETH MURRAY presents more than 100 drawings, paintings, prints, and sculptures by approximately seventy women artists. The exhibition involves works created between 1914 and 1973, including those ranging from early modernists Frida Kahlo and Liubov Popova to contemporary artists Nancy Graves and Dorothea Rockburne. Murray focuses particular attention on artists who made their reputations during the 1950s and 1960s, such as Lee Bontecou, Agnes Martin, Joan Mitchell, when Murray herself was studying and forming her style. This exhibition and the accompanying video and panel discussion are made possible by a generous grant from The Charles A. Dana Foundation. Organized in collaboration with Kirk Varnedoe, Chief Curator, Department of Painting and Sculpture, the ARTIST'S CHOICE series invites artists to create an exhibition from the Museum's collection according to a personally chosen theme or principle. "I wanted, for myself, to explore what being a woman in the art world has meant," Murray writes in the exhibition brochure. "I wanted to weave together a sense of the genuine and profound contribution women's work has made to the art of our time." - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Fax: 212-708-9889 2 Installed in the Museum's third-floor contemporary painting and sculpture galleries, the exhibition is arranged in thematic groupings. -
LAMAR UNIVERSITY PARKING LEGEND Outside Emergency Phones University Advancement 53 W Wimberly Student Services Bldg
LU BUILDING LEGEND BUILDING & PARKING MAP 2017-2018 ALPHABETICAL BLDG. NO. Admissions Visitors Center (Herman Iles Building) (C,6) . 15A Archer Building (D,2) . 55 The LU campus map is provided for reference and every effort is made for accuracy. Art (C,1). 69 Changes will occur during the course of the year. It is not intended for any official, legal or surveying use. Art House (B,2) . 63 Baptist Student Center (B,4) . 39 Barnes & Noble Bookstore (C,2) . 56 Brooks-Shivers Dining Hall (B,4). 38 Food Trucks (D-3) Campbell Hall (C,6) . 17 Campus Tours - Herman Iles Building - Admissions Visitor Center (C,6) . 15A East Lavaca Carl Parker Building (C,3) . 51 Undergraduate Advising Center University Press T1 N Center for Innovation, Commercialization, and Entrepreneurship (D,6) . 2 C-3 Port Management 72 C-5 Small Business Development Center 70 Chemistry (C,2) . 61 E. Irby St. 73 Cherry Building (D,4). 29 1 71 69 Charles & Eleanor Garrett Engineering Center A-6 Engineering Research Center Church of Christ Student Center (D,3) . 32 65 C-4 Combs Hall (A,4) . 41 64 67 Communication (B,3). 48 66 68 Disability Resource Center Caston C-2 Custodial Services (D,7) . 6 62 Dauphin Athletics Complex (F,3). 76 60 A-5 Digital Learning Center (D,7). 5 63 Dishman Art Museum (C,1). 70 61 E-1 Earth & Space Sciences (C,2). 58 59 Education (C,4) . 24 T2 Facilities Management (A,2) . 46 58 Maintenance & Operations (F,6) . 18 Jimmy Simmons Blvd. C-1 Dewey A-4 Planning & Construction (E,7) . -
• Press Release Contact: Andrea Allen (585) 276-8932 / [email protected] Shirley Wersinger (585) 276-8935 / [email protected] March 21, 2006
Memorial Art Gallery 500 UNIVERSITY AVENUE OF THE UNIVERSITY OF ROCHESTER ROCHESTER, NEW YORK 14607 585.276.8900 585.473.6266 FAX MAG.ROCHESTER.EDU • Press Release Contact: Andrea Allen (585) 276-8932 / [email protected] Shirley Wersinger (585) 276-8935 / [email protected] March 21, 2006 MEMORIAL ART GALLERY OPENS MAJOR REINSTALLATION OF AMERICAN COLLECTION ROCHESTER, NY — “Seeing America,” a major reinstallation of the Memorial Art Gallery's noted American collection, is now open to the public. Spanning four centuries and occupying 7,000 square feet on MAG’s first floor, the new installation brings together some of the finest works in the collection as it constitutes what chief curator Marjorie Searl calls “a journey in space and time.” The 114 works range from the Colonial era, exemplified by John Singleton Copley’s unfinished portrait (ca. 1762) of Boston silversmith Nathaniel Hurd, to politically charged mixed-media pieces by contemporary artists Jaune Quick-to- See Smith, Christian Boltanski and Binh Danh. In between are works by such masters as Thomas Cole, Winslow Homer, Augustus Saint-Gaudens, Thomas Eakins, John Sloan, George Bellows, Helen Frankenthaler, Jackson Pollock, Jacob Lawrence and Dale Chihuly. (A com- plete checklist is attached.) Of particular interest, Georgia O’Keeffe’s Jawbone and Fungus (1937) is displayed for the first time in a plexiglas case that allows visitors to see the brightly colored, unfinished abstract painting on the reverse—a painting that dates to the 1920s and that the artist abandoned for reasons unknown. Three galleries are grouped chronologically—“Art of a Young Nation” (Colonial era–1900); “Controversy and Change” (1900–1950); and “Art and Ideas” (1950–the present). -
RFP 758-19-00061 the Texas State University System 601 Colorado Street Austin, Texas 78701
REQUEST FOR PROPOSALS FOR THE TEXAS STATE UNIVERSITY SYSTEM AUSTIN, TEXAS PROPERTY APPRAISAL SERVICES RFP NO.: 758-19-00061 ALL PROPOSALS MUST BE RECEIVED BY: February 15, 2019 @ 3:00 p.m. (Central Daylight Time) Prepared By: Jenn DeLeon, Financial Operations Coordinator The Texas State University System 601 Colorado Street Austin, Texas 78701 Phone: 512-463-6764 email: [email protected] 1 Section TABLE OF CONTENTS Page Cover Page 1 Table of Contents 2 I General Information & Requirements 3 1.1 General Information 3 1.2 Public Information 3 1.3 Clarifications and Interpretations 3 1.4 Execution of Offer 3 1.5 Proposer Questions 3 1.6 Point of Contact 4 1.7 Submission of Proposals 4 1.8 Evaluation of Proposals 5 1.9 TSUS Reservation of Rights 5 1.10 Acceptance of Evaluation Methodology 6 1.11 Non Reimbursement for Costs 6 1.12 Historically Underutilized Business Submittal Requirements 6 1.13 Certain Proposals and Contracts Prohibited 6 1.14 Certification of Franchise Tax Status 6 1.15 Delinquency in Paying Child Support 6 1.16 Conflicts/Contact 6 1.17 Ownership and Use of Work Material 7 1.18 Validity Period 7 1.19 Contract Administration 7 1.20 Termination/Cancellation 7 1.21 Presentations 7 1.22 Negotiations 7 1.23 Multiple Awards and Utilization 7 1.24 Use of Services by other Institutions of Higher Education 7 II Overview 8 2.1 Description of TSUS 8 2.2 Project Description 8 2.3 Performance Period/Option to Extend Term 8 2.4 Required Timeline 8 2.5 Class and Item (NIGP Code) 8 III TSUS Requirements and Specifications 9 3.1 Respondent’s -
Issue09.11.Pdf
A View From The Top Greg Busceme, TASI Director THIS OUR 27TH WELCOME back from the sum- organizing the Band Nites for the past five mer hiatus. Over the years I am sure I years. When Olivia was 15 she took over the repeated myself in stating my desire that you reins of Band Nite from long time Studio had a great summer and assuring you that apprentice turned artist Heather Eager and The Studio is still alive after our usually quiet later Tim Postlewaite who, together, estab- summer. lished and organized regular monthly con- ISSUE Vol. 18, No. 1 Not so this summer! certs of local originating bands. Years later, Andy Ledesma, skilled artist and educa- Olivia took on the task of making Band Nite Publisher . The Art Studio, Inc. tor, brought it with his brand of art education more of an all-ages event with a focus on the and we couldn’t be happier! Papier Maché music and the musicians, and later brought Editor . Andy Coughlan was the order of the day this summer as our Ben into it to help organize the bands. Copy Editor . Tracy Danna new A/C kept the children cool and active Now, with our new booking agent, Contributing Writers. Elena Ivanova, and Andy challenged their creativity with Jordan Johnston, taking control of Band Nite, . Peyton Ritter, Jacqueline Hays corn starch and old newspapers. Even our I’m confident that tradition will continue. Contributing Photographer . Josh Reeter community service youth got into the act as Jordan handles the bookings and set up, and Distribution Volunteer . -
Southeast Texas & Southwest Louisiana
AUGUST - OCTOBER 2012 SOUTHEAST TEXAS & SOUTHWEST LOUISIANA Celebration Park • Groves, TX Lamar FootballBeaumont, Team • Lamar TX University Fire Museum of Texas, Downtown Beaumont Rainbow Bridge • Bridge City, TX Wesley United Methodist • Fall Pumpkin Patch Texas Star Texas Visitor Center Beaumont, TX Orange, TX Lamar Dance Team • Lamar University Beaumont, TX DOGTOBER Beaumont,FEST • Crockettt TX Street Windmill Museum Nederland, TX Viva Spotlight Marvin Atwood: Viva Vino!: Tall Tales & Short Trips: The man behind Starvin Marvin's Texas Wines The Alamo on the Gulf Coast Jim King’s Cruisin’ SETX: Plenty to do and see Loaded With Maps, Activities, Shopping & Dining In SE Texas & SW Louisiana AUGUST - OCTOBER 2012 elcome to the first edition of Viva Southeast Texas magazine, the Wmagazine dedicated to providing valuable information about our area and its surrounding neighbors. We are a local quarterly magazine published and Wednesdays distributed throughout the Southeast Karaoke Texas and Southwest Louisiana region. Viva Southeast Texas will help you “Find Your Away Around” with colorful maps, a restaurant guide, useful lists of History things to see and do, and ideas for where to shop. We will Southeast Texas...Our Origins and Roots ............................ 4 introduce you to some of the most interesting local people ON 9TH Thursdays in our “Viva Spotlight” section, and take you back in time Places of Interest with folklore and history with “Tall Tales and Short Trips.” “Buck-off” any beer Shangri-La By Cindy Yohe Lindsey........................................................... 8 If it’s entertainment and local night life you want, Listings.................................................................................................10 Viva Southeast Texas will supply you with all the latest and any burger! information from Jim “King of the Road” and our calendar Maps of events.