Gid Tanner and His Skillet-Lickers Ya Gotta Quit Kickin' My Dog Aroun' / Turkey in the Straw Mp3, Flac, Wma

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Gid Tanner And His Skillet-Lickers Ya Gotta Quit Kickin' My Dog Aroun' / Turkey In The Straw mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Ya Gotta Quit Kickin' My Dog Aroun' / Turkey In The Straw Country: US Released: 1926 Style: Hillbilly, Country MP3 version RAR size: 1623 mb FLAC version RAR size: 1270 mb WMA version RAR size: 1311 mb Rating: 4.3 Votes: 611 Other Formats: AIFF MP3 DXD ASF WMA VOC AAC Tracklist A Ya Gotta Quit Kickin' My Dog Aroun' B Turkey In The Straw Companies, etc. Record Company – Columbia Phonograph Company, Inc. Copyright (c) – Columbia Phonograph Company, Inc. Credits Banjo [Uncredited] – Fate Norris Effects [Dog Effects] – Unknown Artist (tracks: A) Fiddle [Uncredited] – Bert Layne Fiddle [Uncredited], Harmony Vocals [Uncredited] – Gid Tanner Guitar [Uncredited], Lead Vocals [Uncredited] – Riley Puckett Harmonica – Unknown Artist (tracks: B) Harmony Vocals – Unknown Artist (tracks: A) Notes Labels without "Viva-tonal" designation. Both sides recorded 17 April 1926 in Atlanta, GA. Side A matrix no. 142040-1. Side B matrix no. 142041-3. Barcode and Other Identifiers Matrix / Runout (Side A label): 142040 Matrix / Runout (Side B label): 142041 Other versions Category Artist Title (Format) Label Category Country Year Gid Tanner And His Skillet- Gid Tanner And His Lickers* With Riley Puckett 15084-D Skillet-Lickers* - Ya Gotta Quit Kickin' My Columbia 15084-D US Unknown With Riley Puckett Dog Aroun' / Turkey In The Straw (Shellac, 10", RP) Related Music albums to Ya Gotta Quit Kickin' My Dog Aroun' / Turkey In The Straw by Gid Tanner And His Skillet- Lickers Riley Puckett - Red Wing / Come Be My Rainbow Gid Tanner And His Skillet-Lickers With Riley Puckett And Clayton McMichen - Uncle Bud / Johnson's Old Gray Mule Ted Hawkins - Riley Puckett - Down In The Valley / Zelma Burnett And Rutherford - Little Stream Of Whiskey / Short Life Of Trouble Three Old Cronies - Turkey In The Straw / The Arkansas Traveler Gid Tanner And His Skillet-Lickers With Riley Puckett And Clayton McMichen - Bile Them Cabbage Down / It's A Long Way To Tipperary Gid Tanner, Clayton McMichen, Riley Puckett, Lowe Stokes And Fate Norris - Possum Hunt On Stump House Mountain - Part 1 / Possum Hunt On Stump House Mountain - Part 2 Riley Puckett - There's A Hard Time Coming / Paw's Old Mule.

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Country Music Goes to War Edited by Charles K. Wolfe and James E
Country Music Goes to War This page intentionally left blank Country Music Goes to War Edited by Charles K. Wolfe and James E. Akenson TIfE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Country music goes to war / edited by Charles K. Wolfe and James E. Akenson p. cm. Includes bibliographical references (p. ) ISBN-lO: 0-8131-2308-9 (hardcover: alk. paper) l. Country mUSic-History and criticism. 2. Country music-Social aspects. 3. Music and war. 4. Political ballads and songs-History and criticism. 1. Wolfe, Charles K. II. Akenson,James Edward, 1943- ML3524 C695 2005 78l.642'1599-dc22 ISBN-13: 978-0-8131-2308-0 (hardcover: alk. paper) ISBN-13: 978-0-8131-9204-8 (pbk. : alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. €9® Manufactured in the United States of America. ~"·"'I~ Member ofthe Association of ~~ _ American University Presses -----Contents ----- Introduction vii Charles K.
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DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
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Dissertation Introduction
Copyright by Kyle Stewart Barnett 2006 The Dissertation Committee for Kyle Stewart Barnett certifies that this is the approved version of the following dissertation: Cultural Production and Genre Formation in the U.S. Recording Industry, 1920-1935 Committee: Thomas Schatz, Supervisor James Buhler John D.H. Downing James Hay Mary Celeste Kearney S. Craig Watkins ii Cultural Production and Genre Formation in the U.S. Recording Industry, 1920-1935 by Kyle Stewart Barnett, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2006 iii To Lisa Most of the recordings issued throughout the twentieth century were never simply marketed to or purchased by a huge undifferentiated ‘mass’ audience. Instead, the industry has, since its formation, sold music to the fans of particular styles, through a variety of changing labels…. In addition the recording industry has employed various legal and illegal, small-scale and team-based, marketing and promotional activities as a way of approaching consumers – practices which might well be labeled as ‘flexible.’ – Keith Negus, “Music Divisions: The Recording Industry and the Social Mediation of Cultural Production,” When the music business gets involved in promoting a style of music, it typically adopts colloquial terms that are verbs or adjectives and turns them into nouns – that is, into things, marketable objects that can be promoted, sold, and bought by a mass audience. – Larry Starr and Christopher Waterman, American Popular Music from Minstrelsy to MTV iv Acknowledgements I have relied on the help of many friends and colleagues in completing this project.
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ARSC Journal XXVI Ii 1996
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