Fashion Museum January
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Fashion Museum July
Fashion Museum July – December 2018 Fashion Museum Gallery information for 2018 3 Assembly Rooms, Bennett Street, Bath BA1 2QH Welcome The Fashion Museum Bath is one of the world’s great museum collections of historical and contemporary dress. Fashion has the power to capture the imagination and to illuminate personal and social stories. The Museum’s headline exhibition A History of Fashion in 100 Objects shows how fashions have changed throughout the ages, whilst our annual Dress of the Year selection shines a spotlight on contemporary fashion. New for 2018 is the show-stopping exhibition Royal Women which showcases royal dress and explores the fashions worn by four successive generations of women in the British royal family. Visitors can also create their own period outfit from the replica dressing up items, based on the Museum’s collection. A vibrant events programme offers creative workshops, after-hours talks and family activities. We are also home to the Bath branch of the Knitting and Crochet Guild. “ Must see for fashion A visit to the Museum lasts an hour or more and includes an audioguide available and history” in 12 languages. Find out more at fashionmuseum.co.uk, “ Fabulous royal Facebook, Pinterest and Twitter. You can also contact us at dresses exhibition” [email protected] Online reviews from Tripadvisor We hope you enjoy your visit to the Fashion Museum! From left to right: Black lace and pink Yellow, grey and Red and white striped silk strapless evening peach figured silk cotton evening dress dress by Norman -
Title: Get the London Look: Anna Neagle As the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 19
Title: Get the London Look: Anna Neagle as the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 1947 and 1952, the top British female star at the domestic box office was Anna Neagle. She had displaced Margaret Lockwood, who had achieved the top position during the war years with her turns as dangerous and subversive women in Gainsborough pictures such as The Man in Grey (Arliss, 1943) and, most famously, The Wicked Lady (Arliss, 1945). In both films Lockwood co-starred with James Mason, the brooding, somewhat sadistic idol to a legion of female fans. Mason, mirroring Lockwood’s popularity, was the top male star of 1945 and his appeal was a ‘combination of romantic allure and Sadean fascination’ (Evans 2001: 108) – an appeal that meshed with Lockwood’s ‘unity of transgression and sexual appetite’ (Babington 2001: 94). Aimed at a largely female audience, the Gainsborough melodramas provided escapism and the danger and sexual allure of the characters and stars resulted in a skewing of ‘moral logic’ (Leach 2004: 67), which Jeffrey Richards reads as revelatory of the wartime dislocation of moral values (Richards 1985: 292). With the end of the war, however, there came a reclamation of traditional values, not least in British cinema. In the years immediately following the war, there was a distinct pattern in British films that foregrounded ‘the British people’ as hero, a pattern following the wartime work of Humphrey Jennings in providing images of a united Britain; and the idea image of a Briton was a figure of restraint, good-humour and self-deprecation. -
Spring Newsletter 2020
Spring Newsletter 2020 1 Contents Page DATS Conference 3-11 Alice Power, Collecting Pride T-shirts 3 Jane Hattrick, Queering Extant Costume Collections: 4-6 The Case of Norman Hartnell’s Sequinned Pyjamas Martin Pel, Queer Looks: Creating a Collection 6 Ruth Battersby Tooke, Frayed: Textiles on the Edge. 6-7 Curating an exhibition of therapeutic textiles Danielle Sprecher, The Westminster Menswear Archive: 7-8 Building a Collection Rebecca Quinton, Researching the Legacies of Slavery 8 in Glasgow Museums’ Collections Rachel Heminway Hurst, Fashioning Africa; Post-colonial 8-9 collecting in collaboration with communities Rebecca Shawcross, I Stand Corrected? New Perspectives 9 on Orthopaedic Footwear Rachael Lee, Frida Kahlo: Making Her Up 9-10 Georgina Ripley, Body Beautiful: Diversity on the Catwalk 10-11 News 11-13 Exhibitions and Events 13-25 Books 25-25 Editor: Sarah Jane Stevens, AMA Contact: [email protected] Front cover image: The Survival of Glamour. Photo by Michael Alexander, Staverton © Totnes Fashion and Textiles Museum. 2 DATS Conference November 2019 Redressing Diversity: Making hidden histories visible This two-day conference explored how dress and textiles can be used to make hidden histories more visible and accessible within museums. Museums are increasingly looking to diversify their collections, audiences and outputs. The conference looked at what part dress and textile collections play in trying to represent BME, Deaf, disabled, LGBTQIA+ and other hidden histories. It revealed how curators, co-curators and community collaborators discovered stories within existing collections and undertook new collecting? Queer Stories Alice Power, Collecting Pride T-shirts Abstract In recent years, it has become common place for high street and online retailers across Europe to release apparel lines to tie in with Pride celebrations each summer. -
Wedgwood Jasper Heels
Shoe Icons 2 Nov 2014 WEDGWOOD JASPER HEELS Wedgwood jasperware and Edward Rayne Wedgwood is an acclaimed quintessence of style and Spring shoes by Rayne. quality worldwide. Articles with Wedgwood name are the pride of museums and private collections, they adorn the " The “Wedgwood” collection for export. tables of the high and mighties as well as common devotees of good taste and high quality. Mr. Edward Rayne the famous London shoe designer has produced what he Just listing the collection of Wedgwood products might be calls his “Wedgwood” collection - for a topic of a separate research paper - in more than 250 the export market - for Spring 1959. years of its history the company has been producing Specially intended for the American and articles from bone china tea sets, dinnerware, vases, Canadian market - the heels have Christmas decorations, figurines, serveware, flatware, traditional Wedgwood design in blue boxes to jewellery. and green with cameo trims in blue - green and black." Whatever the taste differences of porcelain lovers, they all understand that china ware is not an eternal stuff and KEYSTONE PHOTO SHOWS: The more than often its practical qualities come second to Cameo in the centre - is the feature of beauty. With Wedgwood there is no need to compromise. this high heeled silk court shoe - from As manufacturer assures, four Wedgwood bone china the Rayne Wedgwood Collection. cups can withstand another British pride - a Rolls-Royce October 11, 1958 or even a bus with 40 passengers onboard. !1 Shoe Icons 2 Nov 2014 Having no chance to prove this assertion in person, I take their words for it. -
Style City How London Became a Fashion Capital Style City How London Became a Fashion Capital
STYLE CITY HOW LONDON BECAME A FASHION CAPITAL STYLE CITY HOW LONDON BECAME A FASHION CAPITAL Robert O’Byrne CONSULTANT Annette Worsley-Taylor FrANCES LINCOLN LIMITED PUBLISHErS The Publishers wish to thank Wendy Dagworthy and CONTENTS the Royal College of Art, and also the British Fashion Council, for their help and support in the production of this book. Introduction: THE WAY THINGS WERE 6 Frances Lincoln Limited 4 Torriano Mews PUNK EXPLOSION Torriano Avenue & NEW WAVE London NW5 2RZ www.franceslincoln.com 26 Style City: How London Became a Fashion Capital THE NEW Copyright © Frances Lincoln Limited 2009 Text copyright © Robert O’Byrne 2009 ROMANTICS For copyright in the photographs and illustrations 64 see page 247 All rights reserved. No part of this publication may be THE BUSINESS reproduced, stored in a retrieval system, or transmitted, OF FASHION in any form, or by any means, electronic, mechanical, 98 photocopying, recording or otherwise, without either prior permission in writing from the Publishers or a licence permitting restricted copying. In the United Kingdom such A TIME OF CRISIS licences are issued by the Copyright Licensing Agency, 142 Saffron House, 6–10 Kirby Street, London ECN1 8TS. British Library Cataloguing in Publication Data COOL BRitANNIA A catalogue record for this book is available from 180 the British Library ISBN 978-0-7112-2895-5 Postscript: THE NEW MILLENNIUM Picture research Sian Lloyd Fashion picture editor Kathryn Samuel 230 Designed by Maria Charalambous Printed and bound in China Bibliography 246 Picture credits 247 9 8 7 6 5 4 3 2 1 Index 248 Introduction: THE WAY THINGS WERE n the evening of 15 September 2008, 10 Downing Street, headquar- ters of the British government and home of the Prime Minister, was O the setting for a reception celebrating a national industry annually worth more than £40 billion and a twice-yearly event worth £100 million to the capital’s economy.