Summer 2018 at | W

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Summer 2018 at | W Summer 2018 at | www.cmu.edu/osher w CONSIDER A GIFT TO OSHER Should you wish, you may make a contribution to the Osher Annual Fund by calling the office at 412.268.7489, going through the Osher website with a credit card, or mailing a check to the office. Thank you in advance for your generosity. BOARD OF DIRECTORS CURRICULUM COMMITTEE OFFICE STAFF John Olmsted, President Circe Curley, Chair Lyn Decker, Executive Director/Registrar Alan James, Vice-President Beatrice Jones, Archivist Chris Dashti, Assistant to Registrar/Website Admin. Rosalie Barsotti, Secretary Francine Abraham Chelsea Prestia, Publications Editor Greg Wright, Treasurer Lester Berkowitz Olivia McCann, Office Assistant Joe Shirk, Past President Sally Cohen Francine Abraham Flip Conti CATALOG EDITORS Gary Bates Jan Davis Chelsea Prestia, Editor Joan Bernard Lyn Decker Chris Dashti Linda Bishoff Mary Duquin Roz Goorin Jane Cordisco Anna Estop Rosalyn Treger Circe Curley Leslie Evans Anna Estop Byron Gottfried Lee Fogarty Marilyn Maiello CONTACT INFORMATION Roz Goorin Enid Miller Jeffrey Holst Osher Lifelong Learning Institute Helen-Faye Rosenblum Allan Hribar Carnegie Mellon University Judy Rubinstein James Reitz Hunt Library Rochelle Steiner 4909 Frew Street Pat Schroder Jeffrey Swoger Pittsburgh, PA 15213-3833 Raja Sooriamurthi Sheila Werner Jeffrey Swoger Please include your return address Richard Wilson on all mail sent to the Osher office. David Zimmer Phone: 412.268.7489 Amy Burkert, University Liaison Email: [email protected] Website: cmu.edu/osher ON THE COVER In honor of our 25th anniversary, Osher at CMU has gifted 25 Adirondack chairs to the University. The chairs – in CMU colors, red, black, and gray – are placed around the CMU campus for students, faculty, and Osher members to use. Photography credit: Front cover: Chelsea Prestia Additional images courtesy of Wikimedia Commons and Pittsburgh Ballet Theatre. OSHER at Carnegie Mellon | Summer 2018 What interests you? Find your courses by topic. ARTS & HUMANITIES LEARN BY DOING SCIENCE Art 5 Art 15 Architecture 36 Cinema/Film 5 Crafts / Hobbies 17 Astronomy 36 Drama / Theatre 6 Culinary 19 Environment 37 Literature 6 Dance / Exercise 19 Life Science 39 Music 10 Finance/Insurance 22 Medical 41 Games 24 BUSINESS & Gardening 26 SOCIAL SCIENCES COMMERCE Language 27 Contemporary Topics/ Economics 13 Music / Drama 28 Sociology 44 Law 14 Self Improvement 29 History 48 Technology 31 Pittsburgh 51 General Info Wellness 33 Politics / Government 54 Writing 35 Religion / Philosophy 55 Directors & Staff Front Cover Travel 57 Campus Map 72-73 Classroom Locations 74 General Information IMPORTANT! & Policies 74-75 Parking & Transportation 74 Registraton will open after the catalog is posted on the website and before it is mailed Bad Weather 74 from the printer. Watch your emails for the Code of Conduct 75 date registration opens. Skip Dates 76 Refund Policy 76 Registration Info 76 Session Dates Paper Registration 77 Session One: May 7 - Jun. 29 List of Courses by Day: pgs. 58 - 62 Index by Study Leader Last Name: pgs. 68 - 71 Session Two: Jul. 2 - Aug. 24 List of Courses by Day: pgs. 63 - 66 One and Two Day Course List: pg. 4 The course descriptions have been edited with an eye to preserving the voice and spirit of our study leaders. 412.268.7489 3 e: [email protected] w: cmu.edu/osher + ONE & TWO DAY COURSES Having trouble committing to a six-week course? Try one of our one and two day classes listed below. For full course description, Study Leader biography, dates, and times, please see the course listed on its assigned page. Number of Start Class Class Name Page Classes Date ID # 2 5/7 2453 Container Edibles-Extending The Garden Season And Your Gardening Space 26 2 5/9 1995 The Berlin Airlift 48 1 6/4 2391 The Art Of The City 6 2 6/7 2467 Chamber Music In Cleveland ($280) 12 2 6/13 2455 Building Pittsburgh's Future 36 1 6/15 2374 Aging Voice And Hearing: What To Do? 43 2 6/19 2443 AARP Smart Driver 8-Hour Course 31 1 6/20 2445 The Quark Gluon Plasma 36 1 6/20 2372 Rodef Shalom Biblical Garden 33 1 6/25 2373 Create Trendy Jewelry ($25) 18 1 6/25 2449 ALCOSAN 52 1 6/25 2390 City Of Asylum: Pittsburgh's Worldwide Hub Where Writers And Artists 53 Convene 1 6/25 2380 Images Of Sanibel Island 57 1 6/26 2458 Inside The F.B.I. 55 1 6/27 2447 National Aviary Veterinary Hospital Lecture And Tour ($30) 40 1 6/27 2387 Aging Without Growing Old 41 1 6/27 2450 Regenerative Medicine 41 1 6/27 2469 Rodef Shalom Biblical Garden 33 1 6/28 2459 Identify That Bird! ($40) 40 1 6/28 2376 A Photo Tour Of The Pittsburgh Zoo And PPG Aquarium 51 1 6/28 2355 Pittsburgh Botanic Garden - From Black To Green 53 2 7/10 2432 Boxes And Really Big Stuff - The Hidden World Of Global Logistics And Project 13 Cargo 2 7/24 2381 Air Pollution, Health, And The Environment 47 1 8/1 2466 The Music Of Johannes Brahms 10 + ARTS&HUMANITIES Art | Cinema/Film | Drama / Theatre | Literature | Music ART CINEMA/FILM Collecting Pre-Columbian Film Titles And Motion Graphics And Ethnographic Art Study Leader: Daniel Boyarski Study Leader: Joel Aaronson • 5 Classes: May 16 – Jun. 13 Class ID: 2368 • 6 Classes: May 9 – Jun. 13 Class ID: 2462 • Wednesday, 10:00 AM - 11:30 AM • Wednesday, 7:00 PM - 8:00 PM • Margaret Morrison, A-11 • Location Given Later We love watching movies, yet few take the time to watch Using the study leader’s collection of pre-Columbian and the film titles up front or the end credits after the movie ethnographic art as a teaching vehicle, the course will ends. They aren’t regarded as part of the movie. This explore the evolution of collecting as an endeavor; the course will start with a brief history of film titles, their nature of pre-Columbian and ethnographic art, distin- reason for being, and how they evolved. We will examine guishing it from other art forms; the psychological, social, the transition from static titles to meaningful dynamic and cultural functions and context of pre-Columbian and sequences in the 50s and 60s. A close look at the work of ethnographic art; the cultures creating the art; the art iconic designers like Saul Bass and Kyle Cooper, among itself; and the moral, legal, authenticity and market con- others, will provide opportunities for context and com- siderations associated with the collection of pre-Colum- parison. The course will end with a look at “motion graph- bian and ethnographic art. ics” beyond the entertainment screen to include informa- tion graphics in various contexts, for example museums, Joel Aaronson is an attorney by trade, recently retired from web sites, and information kiosks. We will watch many, Reed Smith, but has studied and collected pre-Columbian and many title sequences, the only way to really understand ethnographic art for over 30 years. He is a long-serving member and appreciate them. It will be informative and fun! of the board of the Carnegie Museum of Natural History. Joel has travelled extensively in Mexico, Central America, and South Dan Boyarski is professor emeritus and former head of the America to pre-Columbian sites and museums. He lives part of School of Design at Carnegie Mellon University, where he has the year in Mexico. been for over 35 years. He taught courses in typography, informa- tion and interaction design, and time-based communication at graduate and undergraduate levels. His interests lie in visualiz- ing complex information, interface and interaction design, and how word, image, sound, and motion may be combined for effec- tive communication. A fan of movies and title sequences, Dan started teaching kinetic typography and motion graphics in 1994 and continued until his last class in the fall of 2016. 412.268.7489 5 e: [email protected] w: cmu.edu/osher ARTS & HUMANITIES | Drama/Theatre | Literature DRAMA/THEATRE LITERATURE The Art Of The City The Aristotle-Shakespeare Study Leader: Kristen Link Connection: Macbeth Study Leader: Patricia S. Rose • 1 Class: Jun. 4 Class ID: 2391 • Monday, 4:00 PM - 5:30 PM 2410 ONE • 5 Classes: May 7 – Jun. 11* Class ID: • City Theatre, DAY • Monday, 11:15 AM - 12:45 PM 13 Bingham St., South Side • Wean Hall, 4707 *Note: Class will not meet on May 28 In this course, City Theatre staff, such as the dramaturg, managing director, set designer, costume designer, and What makes a good person do a bad thing? What causes a lighting director, will present significant people con- person who has everything to bring about his own self- nected with the current production. Actors, playwrights, destruction? What is the price paid for a mistake in judg- theatre management, and others may interact with City ment? Aristotle reflected on these questions of human Theatre staff and bring to light behind-the-scenes mate- tragedy; so did Shakespeare. In 350 B.C.E, Aristotle rial that will enhance everyone’s theatre experience. This recorded his ideas in his book Poetics. It was his belief that class will meet at City Theatre. tragedy required a tragic hero: one who embodies nobility Kristen Link is director of education and accessibility at the City and virtue, but, because of a flaw in his character, makes a Theatre Company. As an experienced theatre educator, she is fatal mistake in judgment and brings about his own ruin. responsible for overseeing the locally and nationally renowned In the late 1500s, Shakespeare began to utilize Aristotle’s Young Playwrights program that has provided thousands of stu- observations.
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