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LOS ANGELES: the CITY, the NOVEL the MOVIE Fall 2018 M,W 10:00-11:50 + Discussion Section THH 201
ENGLISH 176: LOS ANGELES: THE CITY, THE NOVEL THE MOVIE Fall 2018 M,W 10:00-11:50 + discussion section THH 201 Prof. Thomas Gustafson Office: THH 402C: email: [email protected] Office Hours: M 4-5, W 12-1, and by appointment Cell Phone: 310-722-8447 Course Description: Los Angeles has been mocked as a city 500 miles wide and two inches deep. It is famous for its movies and music, but critics claim that it lacks cultural depth. This course seeks to prove otherwise. The region of Southern California has a remarkably rich literary heritage extending deep into its past, and over the past two decades, Los Angeles has become a pre-eminent center of literary creativity in the United States, the home of a new generation of writers whose work address questions and concerns of special significance as we confront the problems of 21st century urban America including environmental crises, social inequality, and problems associated with uprootedness, materialism and racism or ethnic conflict. Study of the literature of this region can help perform one of the vital roles of education in a democracy and in this urban region famous for its fragmentation and the powerful allure of the image: It can teach us to listen more carefully to the rich mix of voices that compose the vox populi of Los Angeles, and thus it can help create a deeper, broader sense of our common ground. So often LA is represented in our movies and our music as a place of superficial, drive-by people: on our freeways, we pass each other by, silently, wordlessly, insulated in our cars, or we are stuck in the same jam, our mobility a dream, or we crash into each other, carelessly or in rage. -
SLAP Supporting Local Arts & Performers
Issue 44 SLAP Supporting Local Arts & Performers Hello and a belated Happy New Year to you all! As we go headlong into our 5th term we are hopeful of a great year ahead for the local music and arts scenes. Other noteable anniversaries include a 10th birthday for Artrix in Bromsgrove, so look out for the celebrations there in April. The Marrs Bar now in its 15 year and The Swan Theatre which first opened its doors to the public a staggering 50 years ago! We also have many new initiatives to celebrate this year, Feb 2015 such as the brand new Breaking Bands Festival at Stoke Prior, Bromsgrove which will sit nicely along side other major local festivals such as Nozstock, Lakefest, Wychwood and 2000 Trees to name but a few. SLAP MAGAZINE Despite many venues up and down the country sadly having to finally close their doors, we are seeing more and more local Unit 3a, Lowesmoor Wharf, promoters such as Never Mind the Bullocks, Surprise Worcester WR1 2RS Attacks, Hereford Live, CFS Presents & Embrace the Chaos Telephone: 01905 26660 putting on great shows at different venues. Bringing us quality [email protected] acts the like of God Damn - our front cover image taken by our own Brendan Stephens. In fact it’s this kind of initiative For advertising enquiries, please contact: that keeps us excited about the future of music around the [email protected] counties. Perhaps this is why many local acts are getting played more regularly on 6music and bands like Das Sexy EDITORIAL Mark Hogan - Editor Clap and Stiff Joints even played on Radio 1. -
2011.ARLT101.Syllabus.Spring 2011
ARLT 101: LOS ANGELES: THE FICTION Spring 2011, SGM 123, M,W 2:00-3:50, and discussion Prof. Thomas Gustafson Office: THH 402C, ext. 0-3747, email: [email protected] Office Hours: M 10-12; T 11-12, and by appt. Course Description: Los Angeles has been mocked as a city 500 miles wide and two inches deep. It is famous for its movies and music, but critics claim that it lacks cultural depth. This course seeks to prove otherwise. The region of Southern California has a remarkably rich literary heritage extending deep into its past, and over the past two decades, Los Angeles has become a pre-eminent center of literary creativity in the United States, the home of a new generation of writers whose work address questions and concerns of special significance as we confront the problems of 21st century urban America including ethnic friction, environmental crises, social inequality, and problems associated with uprootedness and materialism. Study of the literature of this region can help perform one of the vital roles of education in a democracy and in this urban region famous for its fragmentation and the powerful allure of the image: It can teach us to listen more carefully to the rich mix of voices that compose the vox populi of Los Angeles, and thus it can help create a deeper, broader sense of our common ground. So often LA is represented in our movies and our music as a place of superficial, drive-by people: on our freeways, we pass each other by, silently, wordlessly, insulated in our cars, or we are stuck in the same jam, our mobility a dream, or we crash into each other, carelessly or in rage. -
The Battle of Los Angeles: the Cultural Politics of Chicana/O Music in the Greater Eastside
Battle of Los Angeles | 719 The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside Victor Hugo Viesca Chicanos are, when you call yourself that, you know your history, you know where you came from, you know where you need to go. —Yoatl, Aztlán Underground1 I try to find my own Chicana sensibility in the dance. —Martha Gonzales, Quetzal2 ast Los Angeles is the center of a flourishing musical cultural scene with a renewed “Chicana/o” sensibility.3 This scene is being led by a E collective of socially conscious and politically active Latin-fusion bands that emerged in the 1990s, including Aztlán Underground, Blues Experiment, Lysa Flores, Ozomatli, Ollin, Quetzal, Quinto Sol, Slowrider, and Yeska. These groups compose original songs that weave together the sounds of the Ameri- cas, from soul, samba, and the son jarocho to reggae, rumba, and rap. Multilin- gual lyrics in Spanish, English, Cálo, or Nahuatl that speak to themes of urban exile, indigenous identity, and multiracial unity are layered over the music to produce a sonic Chicana/o imaginary of the global city in the twenty-first century.4 Several of the bands within the scene have released full-length al- bums on their own independent record labels such as Xicano Records and Film (Aztlán Underground and Quinto Sol), De Volada Records (Slowrider and Blues Experiment), and Lysa Flores’s Bring Your Love Records (see dis- cography). The bands often collaborate with one another, producing or play- ing on each other’s records and touring on the same bill. -
Interview by Umegatani Yuta for Breakcore Guidebook
6/3/2019 Interview: breakcore guidebook japan | aaron spectre interview by umegatani yuta for breakcore guidebook when was "drumcorps" started? how did this project start? what is the origin of the name? Drumcorps started when I was living in Berlin. The name was inspired by my time playing snare drum in marching bands, and symbolically it’s about the power and precision of a team of people aligned to a single cause. After several years playing warehouse parties all over Europe, the DJ-oriented scene was starting to feel a bit creatively limiting. What works in a club is a pretty specific and small range of emotions, and it felt like time to explore, to get free, to branch out and try something new. Sometimes you want to address a specific subject in detail. This means lyrics. Sometimes you want some live upfront instruments. For me this meant guitar, and a different approach to live sets. Sometimes you make a quiet tune which wouldn’t work so well in the context of DJ land. It was time for a new project. Enter Drumcorps, an experiment to see if I could finally make what I always wanted to hear from my days playing in bands - solid songwriting mixed with an upfront intensity, human heart & soul mixed with machine precision. It was a way to bring some more articulate themes into the work, and to bring more variety of sound. The name just came into my head while in the shower one day, which is where the best ideas sometimes bubble up. -
Temple Beth Shalom Community to Come Together and Help Alleviate Hunger and Other Op- Pression in Our Columbus Area
4 Upcoming Events 6 The Buzz 7 Chai-er Learning 8 Cantorial Corner 9 The Directive 10 Passover 12 Simcha Station 14 WBS & Men’s Club 15 Presidential Address 16 Donations 20 Yahrzeits 21 Mitzvah Corps Corner 4 April Events Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 1pm— 6:30pm— 6:30pm— 10am— Mah Jongg Jewdies @ First Friday First Aliyah of 4pm— Soul Shine Erev Shabbat David Tucker Midweek Service & Hebrew Enrichment Dinner (4th Grade Shabbat) 7 8 9 10 11 12 13 9am— 1pm— 5:30pm— 10am— Religious School Mah Jongg JCC NA & First Aliyah of & Gan Ami 4pm— TBS Pizza Mason DuBro Pre-K Midweek 4pm— Program Hebrew Board Meeting 6:30pm— Enrichment 5pm— Shabbat Chai Women’s Seder 14 15 16 17 18 19 20 9am— 11:30am— 1pm— 6pm— 10am— Mitzvah Day @ WBS Lunch & Mah Jongg TBS Seder Simchat TBS & Offsite Learn 4pm— Shabbat 3pm— Midweek Services Tzdakah Hebrew Collective Enrichment First Seder Passover 21 22 23 24 25 26 27 No Religious 7pm— 1pm— 12pm— 6:30pm— 9:30am— School Choir Mah Jongg Lunch Bunch Erev Shabbat Healing Practice Services Service 10am— Tot Shabbat 6:30pm— Passover Passover Passover Passover Passover Passover Cabaret Night 28 29 30 9am— 7pm— Religious Choir School Practice 5 6 The Buzz with Rabbi B Around the Passover Table Just yesterday, after the kids were (finally) asleep, lunches were made for the next day, and the house was relatively picked-up, Lauren and I sat down on the couch with our computers to do a little work. -
Ozomatli Highlights
OZOMATLI HIGHLIGHTS AWARDS & HONORS: TV: * 2008-2010 UNITED STATES CULTURAL AMBASSADORS – Appointed by NCIS: Los Angeles (CBS) U.S. Department of State The New Americans (PBS) * 2007 GRAMMY NOMINEE - Best Engineered Album (“Don’t Mess ESPN “Monday Night” Football Theme Song 2008 With the Dragon”) Los Angeles Dodgers 2008 Season/50th Anniversary * 2005 LATIN GRAMMY WINNER - Best Latin Rock/Alternative Album Spokesmen & Original Song (“Street Signs”) “We’re 4 LA” – Prominent LA Figures Commercial * 2005 LATIN GRAMMY Nominee - Best Engineered Album (“Street Imaging Campaign (NBC-LA) Signs”) Kohl’s – National Hispanic Ad Campaign * 2005 GRAMMY WINNER - Best Latin Rock/Alternative Album Toyota – National Hispanic Ad Campaign (“Street Signs”) IPOD Commercial – National Ad Campaign * 2005 BILLBOARD LATIN AWARD WINNER - Latin Rock/Alternative Top Chef (Bravo) – Promo Album of the Year (“Street Signs”) Shark (CBS) – Promos / In Context * 2005 LATINO SPIRIT AWARD - CA State Legislature Ugly Betty (ABC) * 2004 LATIN GRAMMY Nominee - Best Alternative Album (“Coming CSI (CBS) Up”) NUMB3RS (CBS) * 2004 BILLBOARD LATIN AWARD WINNER - Latin Rock/Alternative ESPN Deportes Theme to Sunday Night Major League Album of the Year (“Coming Up”) Baseball * 2002 GRAMMY WINNER - Best Latin Rock/Alternative Album E! Oscar Countdown 2006 (Embrace the Chaos) Adidas/Chivas Fall 2006 National Promo * 2002 LATIN BILLBOARD AWARDS Nominee - Pop Album of the Year; Las Vegas (NBC) Latin Rock/Alternative Album of the Year E.R. (NBC) * 2002 ALMA AWARDS WINNER - Breakthrough -
BAY AREA LATINO FESTIVAL COMING to ORACLE ARENA AEG FACILITIES OAKLAND to HOST SEPTEMBET 12Th EVENT
FOR IMMEDIATE RELEASE Contact: Kate Girotti Director of Sales & Marketing Oracle Arena & O.co Coliseum Phone: 510-383-4930 Email: [email protected] www.oraclearena.com Facebook.com/OracleArenaO.coColiseum Twitter & Instagram: @OracleArena BAY AREA LATINO FESTIVAL COMING TO ORACLE ARENA AEG FACILITIES OAKLAND TO HOST SEPTEMBET 12th EVENT OAKLAND (August 3, 2015) – AEG Facilities Oakland is excited to announce the Inaugural Bay Area Latino Fest coming to Oracle Arena on Saturday, September 12th at 6:00PM. Tickets start at just $40 and go on sale this Friday, August 7th at 10:00am and will be available at all Ticketmaster locations, online at Ticketmaster.com and charge by phone at 800.745.3000. Bay Area Latino Fest will host a number of top Latin artist including, Los Tigres del Norte, Los Angeles Azules, Ozomatli, Los Rakas, Grupo Fantasma, Tierra and Trio Ellas. The event has been created as a celebration of Latin music and culture featuring many artists with ties to the Bay Area. “AEG Facilities Oakland is excited to bring together this amazing collection of musical talent to The Bay Area” said Ryan Northcott, Director of Booking for Oracle Arena, “This lineup brings together a number of rich and diverse genres of music that will appeal to all ages, creating an event that will be a defining tradition in the vibrant Bay Area Latin music scene.” About the Artists Event headliners Los Tigres del Norte originated in San Jose, California in the 1960s and with more than 500 recorded songs to their credit, Los Tigres del Norte have sold over 37 Million albums worldwide, while notching 22 #1 albums and more than 50 #1 singles. -
Gilad Hekselman: “Embrace the Chaos!”
Hatched October 2019 FURTHER CHAOS The six songs on his latest album Further Chaos not talk back to my parents. Though, we did GILAD HEKSELMAN: (2019) showcase Hekselman’s broad orientation do things that weren’t allowed. I remember we and proficiency as a jazz guitarist. His mastery made fires with stuff we found. I still am fasci- stretches from firm fusion in Seoul Crushing – nated by fire, but now a couple of candles are “EMBRACE THE CHAOS!” where he searches for the extremes in his sound enough for me, ha-ha! My parents knew that by Elke Beekman – to dreamy interplay in A Part of the View, and we were up to no good, but as long as we kept again from wonderful themes in Toe Stepping it within certain limits, they let me do my own Waltz and The Hunting, to beautiful, personal thing. I still am thankful for the trust they gave interpretations of the classics Teen Town (Jaco me.” Pastorius) and Body & Soul. Further Chaos is the sequel to the CD Ask for Chaos from 2018. His first music lessons were on the piano. “But According to Hekselman he had enough songs that just wasn’t my instrument, so when I was left from the recording session to justify a se- nine years old, I switched to the guitar. That cond album. Both albums were recorded by two doesn’t mean that I don’t still love the piano. of Hekselman’s trios, ZuperOktave (with Kush You could even say that a big part of the way I Abadey on drums, Aaron Parks on keyboards an play comes from the fact that I try to sound like guest Dayna Stephens on saxophone) and the a piano player.” previously mentioned gHex. -
Extending the Grebel Table Annual Report
Conrad Grebel EXTENDING THE 2014-2015 University College GREBEL TABLE ANNUAL Affiliated with University of Waterloo Strategic Visioning 2015-2020 REPORT Conrad Grebel University College OUR MISSION President’s Report Conrad Grebel University College is an Anabaptist-inspired liberal arts college affiliated with the 1 world-class University of Waterloo. Our mission is “to seek wisdom, nurture faith and pursue Board of Governors’ Report justice and peace in service to church and society.” 5 Spotlight on Innovation OUR VISION and Integration In the next five years we envision “extending the Grebel table.” We do so in the spirit of the round 6 table and our all college Community Suppers first envisioned by founding president, Winfield Academics Fretz. We will focus on community building through innovative and collaborative goals that engage 10 our growing constituencies, elevate our distinctive programs, enhance our facilities and campus presence, and enrich people and positions. These four priorities and more than a dozen initiatives Student Services constitute the strategic visioning “placemat” to “set the table” for our next five years. 16 Student Council Report OUR PROFILE 19 16 full-time academics; 32 part-time instructors; 52 staff; 3476 undergraduate course enrolment; Finance 255 graduate course enrolment; 534 Conflict Management certificate participants; 337 students 20 in residence; 4,485 alumni in 34 countries; founded in 1963; colours: red & black; tagline: Development “Challenging Mind and Spirit” 22 Operations OUR REQUEST 25 Support us by learning more about the strategic plan or sharing your ideas about Grebel’s direction. Honour Roll of Generous Donors Attend a lecture. Bring your children to check out the Grebel residence. -
Ozomatli Album Download Ozomatli
ozomatli album download Ozomatli. Ozomatli is a hip-hop group formed in 1996 in Los Angeles, known as much for their extremely vocal activist viewpoints as their wide array of musical styles. Ozomatli take their name from the Nahuatl word for the Aztec astrological symbol of the monkey, which is also a god of dance, fire, the new harvest, and music. The members of the band met through their affiliation with the Peace and Justice Center of Los Angeles, and their first performance was for picketers during a strike. They began their career in the Los Angeles and San Diego/Mexico border-area club scene. The members of the band met through their affiliation with the Peace and Justice Center of Los Angeles, and their first performance was for picketers during a strike. They began their career in the Los Angeles and San Diego/Mexico border-area club scene. Following an appearance in Vibe magazine, the group broke into the mainstream, releasing Ozomatli, their self titled debut album, in June 1998 under the Almo Sounds label. Ozomatli's second album, Embrace The Chaos, was released on the inauspicious date of September 11, 2001. Although many American bands cancelled their concerts, Ozomatli gained some recognition for continuing to play their concerts, all the while continuing their commitment to social justice and progressive politics, in addition to the rising anti-war movement. Afterwards, the band made a further commitment to a new direction in music, embracing North African and Arab musical styles in addition to their own. The musical styles of many cultures are blended on 2004's Street Signs, with vocals mentioning the Yakuza crossing paths with gnawa trance; or Moroccan sintir virtuoso Hassan Hakmoun, joining the band along with Les Yeux Noirs and the Prague Symphony. -
Resonances of Chindon-Ya: Sound, Space, and Social Difference in Contemporary Japan
Resonances of Chindon-ya: Sound, Space, and Social Difference in Contemporary Japan By Marié Abe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Co-chair Professor Bonnie Wade, Co-chair Professor Alan Tansman Professor Gillian Hart Fall 2010 Resonances of Chindon-ya: Sound, Space, and Social Difference in Contemporary Japan © 2010 by Marié Abe Abstract Resonances of Chindon-ya: Sound, Space, and Social Difference in Contemporary Japan by Marié Abe Doctor of Philosophy in Music University of California, Berkeley Professor Jocelyne Guilbault, Co-chair Professor Bonnie Wade, Co-chair This dissertation examines the intersection of sound, public space, and social difference in contemporary Japanese urban life through ethnographic analysis of a Japanese street musical practice called chindon-ya. Chindon-ya, which dates back to the 1850s, refers to groups of outlandishly costumed street musicians in Japan who are hired to advertise an employer’s business. After decades of inactivity, chindon-ya has been undergoing a resurgence since the early 1990s. Despite being labeled as anachronistic and obscure, some chindon-ya troupes today have achieved financial success generating up to one million dollars in annual income, while chindon-ya aesthetics has been taken up by rock, jazz, and experimental musicians and refashioned into hybridized musical practices. In the context of long-term economic downturn, growing socioeconomic gaps, and visually and sonically saturated urban streets, I ask how such an “outdated” means of advertisement has not only proven itself to be financially viable, but has also enabled widely varying sentiments, musical styles, translocal relations, forms of business enterprise, and political aspirations to articulate with one another.