Graduate School of Medical Sciences
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Reading the Tax-Shelter Boom in Canadian Film History
1979: Reading the Tax-Shelter Boom in Canadian Film History By Peter Urquhart, Department of Art History and Communications Studies, McGill University, Montreal. Submitted July, 2004. A thesis submitted to McGill University in partial fulfillment of the degree of Doctor of Philosophy. © Peter Urquhart 2004 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 0-494-12959-X Our file Notre référence ISBN: 0-494-12959-X NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Evolución De Los Efectos Visuales En La Historia Del Cine Y Su Influencia Sobre La Industria Del Video Musical
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad I TESIS DOCTORAL Evolución de los efectos visuales en la historia del cine y su influencia sobre la industria del video musical MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Martínez Sánchez Director Alberto Luis García García Madrid, 2018 © Sergio Martínez Sánchez, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad 1 Evolución de los efectos visuales en la historia del cine y su influencia sobre la industria del video musical MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Martínez Sánchez Bajo la dirección del doctor Alberto Luis García García Madrid, 2017 Evolución de los efectos visuales en la historia del cine y su influencia sobre la industria del video musical Agradecimientos Aún recuerdo como si fuese ayer la primera vez que vi Tron (1982). Era el año 1988 y aunque sólo tenía seis años, aquellas espectaculares carreras de motocicletas digitales se grabaron a fuego en mi mente, al igual que pocos años después las increíbles metamorfosis del androide T-1000 en Terminator 2 (1991), los amenazantes rugidos del Tyrannosaurus rex de Jurassic Park (1993) o las asombrosas transformaciones del videoclip Black or White (1991). La atracción y devoción que he sentido desde siempre hacia los efectos visuales ha sido el principal motivo para el desarrollo esta tesis, por lo que en primer lugar me gustaría darles las gracias a todos los profesionales de la industria cinematográfica y del video musical que con su trabajo han contribuido a la espectacular evolución que los efectos visuales han tenido durante las últimas décadas. -
Fonds F 4695-9 Dennis Robinson Photography
List of: Fonds F 4695-9 Dennis Robinson photography Reference File Item Title and Physical Description Date Ordering Information Code Code F 4695-9 F 4695-9-0-1 Demolition & Construction on Toronto-Dominion June 15, Item is located in F 4695-9, in Centre 1966 container B943632 17 photographs : black and white negatives F 4695-9 F 4695-9-0-2 Toronto-Dominion April 3, Item is located in F 4695-9, in 17 photographs : black and white negatives 1968 container B943632 F 4695-9 F 4695-9-0-3 Canada Grand Prix 1965 September-25 Winner Jim Hall September Item is located in F 4695-9, in - Chappard #66 25, 1965 container B943632 44 photographs : black and white negatives F 4695-9 F 4695-9-0-4 Trudeau at Toronto City Hall June 19, Item is located in F 4695-9, in 26 photographs : black and white negatives. - 2 items 1968 container B943632 of textual records F 4695-9 F 4695-9-0-5 Accident at Railside & Lawrence 12:00 PM February Item is located in F 4695-9, in 11 photographs : black and white negatives 12, 1966 container B943632 F 4695-9 F 4695-9-0-6 Kids Playing Hockey on Gleneagle Crescent Willowdale March 12, Item is located in F 4695-9, in 8 photographs : black and white negatives 1966 container B943632 F 4695-9 F 4695-9-0-7 Police Musical Ride First Performance with Pipe Band April 30, Item is located in F 4695-9, in for Friends & Guests 1966 container B943632 50 photographs : black and white negatives F 4695-9 F 4695-9-0-8 Model of Pickering Nuclear Power Station June 10, Item is located in F 4695-9, in 8 photographs : black and white negatives. -
DAFFODIL RECORDS: on VINYL" (The Roots
“DAFFODIL RECORDS: ON VINYL" (The Roots Of Canadian Rock – 1970 to 1982) PART ONE Background History: Daffodil Records was conceived in the Penthouse Suite of the Playboy Club in London, England on July 16th 1969. It was a strange ‘union’ indeed - an Aussie music journalist, an Arkansas rockabilly star, and an English record company ‘management-trainee’- planning the formation of a Canadian independent record label, with international ambitions, out of the UK. It was born of a friendship between Ritchie Yorke, the Aussie, and myself that had existed for a few years before this eventful meeting at Hugh Hefner’s pad in swinging London. Ritchie and I first met in 1966 while I was at EMI Records, the largest record company in the world at that time. He was the UK representative for Australia’s Sunshine Records and its biggest star, Australian Hall of Fame inductee Normie Rowe, as well as a freelance journalist for various international music publications. As was his wont, Ritchie was constantly on the hustle for the latest stories and pictures of England’s hottest acts, and I was fortunate to be working in the international division of the hottest label on earth and therefore able to provide them. My job was marketing EMI’s vast array of English-based recording artists to the company’s affiliates around the world and to the international media. This included providing international journalists, DJs and TV producers with press packages, producing a weekly radio show called “Stars on Wings”, and setting up interviews with EMI’s star acts like the Beatles, the Hollies, Pink Floyd, the Yardbirds, Dave Clark 5 and many others. -
Annual Report 2019 Annual Report 2019
1 TUTORIAL R EPORT King’s College, Cambridge Annual Report 2019 Annual Report 2019 Contents The Provost 2 The Fellowship 5 Tutorial 18 Undergraduates 35 Graduates 40 Chapel 45 Choir 50 Research 59 Library and Archives 64 Bursary 67 Staff 71 Development 75 Major Promotions, Appointments, Honours and Awards 102 Obituaries 110 Information for Non-Resident Members 299 shall at long last have accommodation for all our graduates (a long term The Provost ambition), together with provision for Fellows and their families. The new academic year has seen the end of an era. On 30 September Sir Stephen Cleobury, knighted in the 2019 Queen’s Birthday Honours, 2 The last year has seen further significant retired as Director of Music after 37 years of outstanding service to the 3 THE PROVOST progress on the Development front and on College and Choir. Stephen’s last year in post was clouded by serious the College’s building programme, exciting illness, which he bore with great fortitude and a determination to continue new initiatives to encourage greater access his work at the highest level. In this he succeeded, and his final Festival THE PROVOST for students, and very good examination of Nine Lessons and Carols, the centenary of the first performance, was results. There is no point writing about the agreed to be a triumph. There were many tributes paid to him over the effects of the Brexit crisis on the University, year, most notably for the College a ‘surprise’ concert in the Hall given as by the time this appears the landscape by four eminent King’s alumni (Sir George Benjamin, Roy Howat, Krysia may have changed dramatically.