Quarterly Jan | Feb | Mar 2015 from the Director

quarterly jan | feb | mar 2015 from the director |

Dear Members and Friends:

Happy 2015! We're thrilled to have you aboard as we embark on a very exciting year of exhibitions, programs, and planning for the Museum's bright future.

And, oh, what a year it will be! We’re hosting two major exhibitions of beautiful and important work by prominent national and international artists—work UMFA Board you won't see anywhere else in our region. Our of Directors America: The Latino Presence in American Art, an Marcia Price, Chair outstanding assembly of modern and contemporary Latino art from the collections of the Smithsonian Cynthia Sue Anderson American Art Museum, opens next month. In August Virginia Barlage The British Passion for Landscape: Masterpieces Robert F. Bennett from the National Museum Wales will bring to Utah Toni Bloomberg an extraordinary gathering of work by celebrated Jim Bradley* European artists including Turner, Constable, Lee Dever Gainsborough, and Monet. Both exhibitions will Fred Esplin* be accompanied by one-of-a-kind educational opportunities, lectures, and discussions to suit the Lynn Fey needs and tastes of our many audiences. It’s going John H. Firmage to be a blockbuster year! Jonathan Freedman Clark P. Giles Looking ahead, 2016 will bring an enormous opportunity: the Museum’s building upgrade and Wesley G. Howell, Jr. temporary closure. We will spend that gift John C. Jarman of time re-envisioning our gallery spaces and Georgianna Knudson* visitor experience—with essential input from you, our Al Landon members, as well as our Board of Directors, docents, Naja Lockwood volunteers, and community members—for a grand Suzanne C. Marquardt reopening in 2017. Michele Mattsson* Finally, as we look back on a year of wonderful W. Brent Maxfield participation at every level of membership, I offer Mary S. McCarthey special thanks to the generous and forward-looking Kathie Miller patrons who have remembered the UMFA in their Nicole Mouskondis wills. We profiled G. W. Anderson in our last quarterly; I can’t overstate the difference that such Rashelle Perry gifts make to the Museum’s operations. As we all Shari Quinney benefit from past bequests, I extend our deepest Chris Redgrave gratitude to each of you who are designating the Joanne F. Shiebler UMFA as part of your legacy. Diane Stewart Naoma Tate

Elizabeth F. Tozer Raymond Gretchen Dietrich, Executive Director Tymas-Jones* Marva Warnock ON THE COVER | Freddy Rodríguez (Dominican), Danza de Carnaval, 1974, acrylic. Ruth Watkins* Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 1974, Freddy Rodríguez. * Ex-Officio

The UMFA gratefully acknowledges the continuing support it receives from the University of Utah, Salt Lake County Zoo, Arts & Parks Program, Utah Arts Council, Salt Lake City Arts Council, C. Comstock Clayton Foundation, Estate of Aurelia B. Cahoon, Anne M. and David S. Dolowitz, Helene Druke Shaw Family, Katherine W. Dumke & Ezekiel R. Dumke, Jr. Foundation, George S. & Dolores Doré Eccles Foundation, Marriner S. Eccles Foundation, The William Randolph Hearst Foundations, Emma Eccles Jones Foundation, Wilma T. Gibson Family, Jeanette and O. Ernest Grua, Jr. Family, Estate of John W. and Helen B. Jarman, National Endowment for the Arts, LaReta C. Madsen Family, Ray, Quinney & Nebeker Foundation, John & Marcia Price Family Foundation, S. J. & Jessie E. Quinney Foundation, Joseph and Evelyn Rosenblatt Family Foundation, George Q. Morris Foundation, Estate of E. Frank Sanguinetti, Ms. Suzanne M. Scott, State Office of Education, Utah Division of Arts & Museums, Paul L. & Phyllis C. Wattis Foundation, UMFA Board of Directors, Docent Council, Friends of Contemporary Art, Friends of Utah & Western Art and UMFA Members. exhibitions | exhibitions

OUR AMERICA THE LATINO PRESENCE IN AMERICAN ART February 6–May 17, 2015 PRESENTED BY Our America: The Latino Presence in American Art explores the varied and deep links between Latino art and U.S. history, culture, and art, providing insight into our nation’s past and unfolding present. The exhibition, drawn from the Smithsonian American Art Museum’s MAJOR pioneering collection of Latino art, features work created SPONSORS since the 1950s, when long-standing Latino communities S. J. and increasingly demanded equal rights, the island of Puerto Jessie E. Quinney Foundation Rico became a commonwealth of the United States, and newer diasporas reached the American mainland. Ray, Quinney & Nebeker Our America includes works by artists who played Foundation important roles in American art movements after SUPPORTING abstract expressionism; leaders in the fields of activist, SPONSOR conceptual, and time-based art; and many who began to Wells Fargo express bicultural perspectives in their work. Others ABOVE LEFT | reinterpreted classic American subjects such as Olga Albizu (American, landscape, portraiture, and popular culture. They often b. Puerto Rico), Radiante, 1967, oil. Smithsonian drew from Latino experience and their own experiments American Art Museum. to expand the parameters of media such as graphics, Gift of JPMorgan Chase. photography, and installation art. RIGHT | Joseph Rodríguez, The exhibition includes works by artists of Mexican, Carlos, from the series Spanish Harlem, 1987, Puerto Rican, Cuban, and Dominican descent, as well as chromogenic print. other Latin American artists with deep roots in the United Smithsonian American Art Museum, gift of States who have defined themselves in numerous and the artist. © 1987, diverse ways: Chicano, Puerto Rican, American, painter, Joseph Rodríguez. sculptor, to name a few. Questioning the limits of the category “Latino art,” this exhibition calls attention to the broad contours of a lesser-known field within the art of COMMUNITY the United States. PREVIEW & party Our America: The Latino Presence in American Art is organized by the Thursday, Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, February 5 The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, 5–7 pm Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo, and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for Treasures to Go, the Museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta, Georgia.

Red Iguana exhibitions |

salt 11: Duane Linklater Opening February 27, 2015 Whitney Tassie | Curator of Modern and Contemporary Art

ABOVE | The eleventh edition of the salt series features new Duane Linklater (Omaskêko Cree of work by Duane Linklater, a Canada-based multimedia Moose Cree First Nation), artist of Native American heritage. Through instal- Tautology, 2011-2013, lation, performance, film, photography, and other Edition of 5 + 2 AP, Neon, transformer, enamel on media, Linklater studies the migration and exchange aluminum, courtesy the of ideas, language, and memory and reveals many artist and Catriona Jeffries Gallery. inconsistencies in knowledge and history. He often works collaboratively and appropriates liberally, challenging modern perceptions of authorship and authenticity. Through his salt exhibition, Linklater will directly engage the UMFA’s permanent collection to explore physical and conceptual processes of translation and the cultural information that is lost therein.

Duane Linklater is Omaskêko Cree from Moose Cree First Nation in Northern Ontario. Born in 1976, he holds bachelor’s degrees in fine art and Native studies from the University of Alberta (2005) and a master’s degree in film and video from the Milton Avery Graduate School of Arts at Bard College (2012). Linklater won the Sobey Art Award, Canada’s preeminent prize for emerging artists, in 2013. He lives in North Bay, Ontario.

Exhibition sponsors | The Andy Warhol Foundation for the Visual Arts UMFA Friends of Contemporary Art (FoCA) University of Utah J. Willard Marriott Library

RELATED EVENT

TONY FEHER: salt 11: Duane Linklater They arrived yesterday, dusty and weary from the journey, but in good spirits.

Through December 31, 2015

Whitney Tassie | Curator of Modern and Contemporary Art

Last fall American sculptor Tony Feher transformed our G. W. Anderson Family Great Hall with his latest site-determined installation. Tony “lived” in the Great Hall for two weeks, creating the inspired and breathtaking work with help from our collections and exhibitions staff and a forty-five-foot boom lift.

With a hyper-awareness of the formal qualities of everyday objects—bottles, tape, plastic bags—Feher turns unconsidered, often-discarded materials into poetic sculptures and installations. Feher reconceives these everyday items in ways that create beauty and call attention to the qualities of transience and permanence, not only in these objects but in life itself.

For his UMFA installation, Feher used fluorescent pink flagging tape and blue painter’s tape. His simple materials and inventive manipulation of the Great Hall create a new, transformative experience for museum-goers.

Museum members and guests have since inhabited the space as a party lounge, wedding venue, formal dining room, and yoga studio—all while experiencing the space of the Museum like never before.

The exhibition is sponsored by Nancy and David Gill, the University of Utah Department of Art and Art History, XMission, and an anonymous donor.

Installation images. Photography by Amelia Walchli. events |

After-Hours Party: A Night to Remember

Celebrating New York artist Tony Feher’s original, site-determined installation in the Great Hall, late-night partiers got their art on at the After-Hours Party on October 3. Feher and other VIP guests mingled in the stylish and sophisticated Mod-A-Go-Go lounge. Guests also enjoyed limited-edition Squatters Tony Feher pale ale and danced the night away to the beats of DJ Chaseone 2.

The UMFA extends a huge thanks to the After-Hours Party planning committee for making this evening a memorable success: Analecia Dumke, Caroline Holden, Jordan Smith, Mary Toscano, Nate Kopp, Rachel Chamberlain, Somer Gardiner, and Thomas Bath.

The event was sponsored by XMission, Mod-A-Go-Go, Squatters Craft Beers, Anna Day Photography, Breath Advisor, MUVE Real Estate, Equality Utah, SLUG magazine, Live Nite Events, and the LGBT Resource Center at the University of Utah.

TOP | Anna Day Photography. BOTTOM | Dave Hyams Photography. | giving

500 Years of European Masterworks: The Legacy of Val A. Browning

In 1971, Frank Sanguinetti, then-UMFA director, was invited to view the extensive European art collection belonging to Val Browning, the Ogden-based industrialist and firearms innovator. In a letter to Val twenty years later, Frank recalled the occasion and his own amazement when he first saw Browning’s stunning painting by Vigée Lebrun (once exhibited in the Paris Salon), an outstanding Breughel, and other incredible works from the “most diverse collection of 500 years of European masterworks that may exist in Utah.”

Val and Frank built a friendship based on their love of art that lasted more than two decades. In 1991, Val Browning gifted thirty-five of his masterpieces to the UMFA through his will, including that Vigée Lebrun and Breughel, as well as a gorgeous portrait by Thomas Gainsborough. At the same time, he created an endowment to support future acquisition of European masterworks. A walk through the UMFA’s European galleries demonstrates the profound impact one decision can make for generations of art-loving Utahns.

Today the UMFA collection includes more than 20,000 works of art spanning 5,000 years of human creativity. University of Utah students and faculty utilize this enormous resource in their studies and publications. Each year Salt Lake’s fourth-graders enjoy up-close and personal encounters with history and masterworks when they visit the UMFA. All that we offer we owe to visionary collectors such as Val Browning.

In upcoming issues of quarterly we will highlight other forward-looking individuals who knew that sharing their collection would make a difference. No matter how large or small, planned gifts have a profound effect at the UMFA: they help acquire new works, conserve the art in our care, launch exhibitions, and support the Museum itself. We thank all of you who have the vision to ensure that the UMFA’s collections and programs grow stronger every year.

Adriaen van Gaesbeeck (Dutch, 1621-1650), The Young Scholar in His Study, detail, oil on panel. Gift of Val A. Browning. giving |

2014 in Review

While it’s impossible to list every individual who makes a difference in the work we do, we are happy to share this summary of our investors and the ways in which their financial support is deployed. Thank you for investing in the future of art in Utah.

SOURCES OF REVENUE

Foundations and Corporate Support Earned 7% Income 11% University Support 27% Endowment Earnings 17%

Individual Giving Government 20% Support 18%

EXPENSES

Events and Community Relations 10%

Art Exhibitions Acquisition 30% 14%

Administration 20% Education, Engagement and Outreach 26% | giving

Gifts to the Collection July 1, 2013–June 30, 2014

Gift from Michael Horn and Rebecca Horn Mixtec tripod painted dish; two Chimu vessels with spout and figure on the side; Moche human effigy face vessel; Peruvian bowl with twist- ed handle; three Peruvian shell and bead necklaces; Western Mexico ladle; figure with spikes; and a Moche stirrup spout bottle.

Gift from The Andy Warhol Foundation for the Visual Arts, Inc. An album of individual Polaroid photographs taken, selected, and assembled by the artist Andy Warhol in a series he created called Little Red Books. Five screen prints by Andy Warhol: Speed Skater, Saint Apollinia, Sitting Bull and the Northwest Coast Mask from the "Cowboys and Indians" series, and Hans Christian Andersen.

Purchased with funds from the Phyllis Cannon Wattis Fund for Modern and Contemporary Art and the Friends of Contemporary Art (FoCA) High-definition video piece by Kate Gilmore titledRock, Hard, Place, 2012.

Gift from Dr. George and Vicki Thomsen Fifteen gelatin silver print photographs, including five vintage gelatin silver print photographs by Karl Struss, various titles and dates; five gelatin silver print photographs by Dmitri Baltermants, various titles and dates; and five gelatin silver print photographs by Danny Lyon, various titles and dates.

Gift from Daniel and Noemi Mattis Six gelatin silver print photographs including one vintage ferrotyped gelatin silver print by Alfred Eisenstaedt; four vintage gelatin silver prints by Burt Glinn; and one vintage ferrotyped gelatin silver print by Arthur Fellig (known as “Weegee”).

Gift from Dr. James E. and Debra Pearl to the Dr. James E. and Debra Pearl Photography Collection Thirty photographs including two vintage gelatin silver prints by Wright Morris; six vintage gelatin silver prints by Micha Bar-Am; two vintage platinum prints by Rose and Hopkins; two vintage gelatin silver prints by Arthur Siegel; one vintage gelatin silver print by Mar- garet Bourke-White; two vintage gelatin silver prints by Felix Man; one vintage gelatin silver print by Karl Bulla; one early gelatin silver print attributed to Edward Steichen; and thirteen chromogenic contact prints by Stephen Shore.

Gift from Andrew Howell Fifty-six photographs including twenty-seven vintage gelatin silver print photographs, various titles and dates, by Marilyn Bridges; and twenty-nine vintage gelatin silver print photographs, various titles and dates, by Michael A. Smith.

Gift from Bruce and Lynn Cohne Fifty-eight original engravings by Marcellus Lauron collectively titled Cryes of London depicting characters of the streets of eighteenth- century London. giving |

Gift from Dr. I. Ray Thomason One vintage gelatin silver print by Leonard Freed.

Gift from Peter and Eileen Norton Norton Christmas Project 2013. Consists of a working lamp made from reclaimed trophy parts and pamphlet with assembly instructions. Lamp design based on Ry Rocklen's sculpture Second to None. Designed by Ry Rocklen of Los Angeles, CA.

Purchased with funds from the Phyllis Cannon Wattis Endowment for Modern and Contemporary Art Sol LeWitt, Wall Drawing #33, 1970.

Purchased with funds from the Paul L. and Phyllis C. Wattis Endowment for 20th-Century Works on Paper and the Phyllis Cannon Wattis Fund for Modern and Contemporary Art Five works of art by Daniel Everett: one sculpture of stacked boxes; three framed inkjet prints; and one media piece consisting of two digital videos and two monitors for display.

Purchased with funds from the Paul L. and Phyllis C. Wattis Endowment for 20th-Century Works on Paper Two photographs by the Center for Land Use Interpretation: Bingham Canyon Mine after the slide of April 10, 2013, inkjet prints.

Bequest of Bert G. Clift One hundred ninety-three Chinese porcelain ceramic objects, represent- ing a variety of decorative motifs and periods—mainly vessel forms from the great epochs of Chinese ceramic manufacturing. Sixteen Chinese scroll paintings, various subjects and time periods.

Gift from Miriam Bushnell Wine cooler, earthenware and faience, eigthteenth century, probably made by Les Islettes pottery, France.

Purchased with funds from Dr. James E. and Debra Pearl for the Dr. James E. and Debra Pearl Photography Collection Fifteen vintage gelatin silver print photographs by Lou Stoumen of aircraft nose art in the Pacific Theater, circa 1940s.

Purchased with funds from the Phyllis Cannon Wattis Fund for Modern and Contemporary Art and the Paul L. and Phyllis C. Wattis Endowment for 20th Century Works on Paper Fourteen offset print still images from the filmJG by Tacita Dean.

VALENTINE’S DAY February 14! UMFA Members always receive a 10% discount in The Museum Store | thank you

In Memoriam: John Robert ”Bob“ Stewart

Bob and Ann Stewart were devoted friends of Salt Lake City arts—the symphony, the ballet, and the UMFA. As their daughter Gayle recalled, exploring the arts was central to family vacations as well: “Whenever we traveled to a new city, we’d end up in a museum. My mom researched the places we’d go and showed us around like any good docent would. It was always fun to travel with them.”

In 1979 Ann became one of the Museum’s very first docents. Gayle remem- bers that her dad was always so proud of his wife and shared her thirst for knowledge. Accompanying her to trainings and events, Bob was considered an honorary member of the UMFA docent team and education department. Thus began a relationship with the UMFA that would last two lifetimes.

In the 1980s Ann became the associate curator of education, and in 1996 she returned as a docent and continued as an active and beloved volunteer until she passed away suddenly from a brain tumor in 2006. In her honor, her family, fellow docents, and the UMFA created the Ann K. Stewart Conservation Fund to support the care of the collection VALENTINE’S DAY February 14! she and Bob loved so much. Bob and many of our faithful docents have UMFA Members always receive a contributed to that fund in the decade-plus since its inception. 10% discount in The Museum Store When Bob passed away in July 2014, his family requested gifts be made in his memory to support the work that he and Ann started at the UMFA thirty years ago. Bob also remembered the UMFA by including their beloved education and outreach programs as part of their will. We are so grateful for their lifetime of friendship and their legacy of giving that will support our docent and education programs for years to come. We offer our deepest condolences to their children—Martina, Gayle, Brian, Larry—and their families.

ABOVE | Bob and Ann Stewart thank you |

Donor Recognition July 1, 2013–June 30, 2014

We extend our deepest appreciation to the individuals, corporations, foundations, and government entities listed on these pages for their financial and in-kind support over the past fiscal year. Your many generous contributions to all areas of the UMFA’s operations help to ensure excellence in our work.

Every effort was made to produce a complete and accurate listing of donors. If your donation was omitted or your name is listed incorrectly, we extend our sincere apologies and ask that you contact the UMFA Development Department at 801.585.0464 with corrections.

* = Deceased ♥ = Gift In Kind

$25,000 + Estate of G. W. Anderson Andrew Howell ♥ Emma Eccles Jones Foundation Daniel C. and Noemi P. Mattis ♥ James E. and Debra Pearl ♥ John and Marcia Price Family Foundation Salt Lake County Zoo, Arts & Parks Program (ZAP) Rio Tinto Kennecott The Sam and Diane Stewart Family Foundation George Thomsen ♥ University of Utah Utah Division of Arts & Museums and the National Endowment for the Arts Utah State Office of Education M. Walker and Sue R. Wallace John E. Warnock and Marva M. Warnock

$10,000 - $24,999 Anonymous Donors John I. and Toni F. Bloomberg Foundation Bruce G. and Lynn F. Cohne ♥ George S. and Dolores Doré Eccles Foundation Marriner S. Eccles Foundation Thomas H. and Carolyn L. Fey Family Foundation Inc. John H. and Joan B. Firmage Revocable Trust Nancy H. and David P. Gill John W. and Helen B. Jarman Family Foundation Allan R. and Susan T. Landon Mary Schubach and Thomas McCarthey Merit Medical Systems, Inc. Van and Donna Midgley ♥ Larry H. Miller Charities The Mark & Kathie Miller Foundation Nicole T. and Peter W. Mouskondis Native Flower Company ♥ Shari H. and David E. Quinney | thank you

S.J. & Jessie E. Quinney Foundation Thomas A. & Lucille B. Beano Solomon Horne Foundation Salt Lake City Arts Council Naja and David Lockwood Shiebler Family Foundation Trust W. Brent and Anne S. Maxfield Sorenson Legacy Foundation Paragon Press ♥ Naoma Tate Peter and Isabel Paret University of Utah Suzanne J. and David P. Razor College of Fine Arts Razoo University of Utah Student Charles Redd Center for Fine Arts Fees Western Studies Zions Bank Theodore G. Schmidt Kathie H. and Hugh M. Zumbro $5000 - $9999 Cynthia S. and Gary J. Anderson $1,000 - $2,499 art works for kids! The Kathryn Janet Anderson Trust Virginia L. and James L. Barlage Donald J. and Denise C. Bermant Stephen G. and Susan E. Denkers Kenneth N. and Karen F. Buchi Family Foundation Trust C. Comstock Clayton Foundation Sue J. Ellis Paul M. and Terrell Dougan Energy Solutions Family Foundation Inc. Jonathan and Leanne Freedman Elizabeth B. Drinkaus The Richard K. and Shirley S. eBay Hemingway Foundation James M. and Susan T. J. Ferguson Wesley G. and Sonja Howell Peter M. and Lisa Fillerup Ivanka Huston Flower Patch ♥ Mihail S. Lari and Scott Murray Laurie A. Hofmann Kurt B. Larsen and and David C. Classen Tyrene Christopulos Stephen C. and Lynda Jacobsen Jack and Jodi Livingood Kanter Family Foundation Nicholas & Company ♥ Jeanne M. and Richard A.* Kimball Carmen and Richard A. Rogers Christine Lake and Jordan Schnitzer Family Foundation Heber S. Jacobsen Samuel Scruggs OluKai Margot L. Shott Dorothy A. and Joseph J. Palmer Elizabeth F. and W. James Tozer Anne E. Palmer University of Utah Student Affairs Ray, Quinney & Nebeker Foundation Associated Students of the Christine A. Redgrave and University of Utah (ASUU) David Chipman Wells Fargo Foundation Barbara J. Roberts Williams Fine Art Edwina S. and Thomas Rosenbusch Deborah S. Rounds $2,500-$4,999 Springville Museum of Art Big-D Construction Swartz Foundation Anne M. and David S. Dolowitz Williams Fine Art Spencer F. and Cleone P. Eccles Family Foundation $500 - $999 Susan F. Fleming Kirk Anderson and Elizabeth Moon Clark P. and Nancy L. Giles Jody and Bill Andes Helmut Hofmann William F. and Victoria F. Bennion Michael Horn ♥ Robert R. Clark and Rebecca Horn and Margaret J. Bowman Stanley T. Holmes ♥ Sarah Beth Coyote Foundation thank you |

Mark R. and Meri S. DeCaria Cecilia Anthony Gretchen Dietrich and Monty Paret Prescott Muir Architects John H. and Carol Ann W. Firmage Doyle L. Arnold and Anne T. Glarner Linda M. Fontenot Valerie Atkisson William A. and Barbara A. Gibbons Nick M. and Elaine M. Bapis Caren and Richard Beeman Kenneth J.* and Geraldine G. Hanni Laura and Cal Boardman Tim and Stephanie Harpst Judy Brady and Drew W. Browning Patricia A. and J. Boyer Jarvis Sandra L. and Erik L. Brunvand Lucinda L. Kindred Anne A. Buchanan Margaret M. and Bruce Landesman Mary Ann Ellis-Cassell and O. Marvin and Sharon Lewis Brad Cassell George T. and Shari A. Lindsey Paul Christenson Suzanne and Bob Marquardt Margaretha and James A. Church Michele Mattsson and Coda Gallery Benjamin T. Wilson Pamela S. Cole Robert P. and Gail J. McComas Jeanne L. and Geoff Crockett Sarah and Gregory V. Meehan Erica S. and Benjamin M. Dahl Phil Decallejon Jayne G. and Richard G. Middleton Jeanne L. and Palmer A. Depaulis Janet O. Minden Metta Driscoll Marilyn H. Neilson Emily Drown Jeffrey G. Paris and Felix D. Flores Elaine Ellis and Henry C. Wurts Phillips Gallery Geoffrey E. Ellis Jody Plant and Louis Borgenicht Patricia and Ralph B. Faulkner Tiffini Porter Barbara S. and Spencer P. Felt Lon R. and Zoe A. Richardson W. Jeffery and Judy W. Fillmore Janie L. and Edward B. Rogers Renee and Tim Fitzpatrick Loke Sargent and Sarah Allen Todd W. and Kathy Gordon Judith G. and Mark G. Schwei Sally C. and Brooke Grant Sallie Dean Shatz Tyler D. Hansen and Etsuko Kato Hansen Annabel Sheinberg and David K. Turok Sheila I. and Michael R. Harper Annabelle F. and Dennis C. Shrieve Mary and Arthur Heers Jane B. and Terry P. Siegismund J. Alexander Hemphill and Bernard J. Simbari and Nancy L. Melich William D. Barnett Lucille R. Hesse Alice L. and Kevin K. Steiner John Hill R. Anthony and Carol Sweet Robert P. and Dixie S. Huefner Barbara L. and Norman C. Tanner Scott Huntsman University of Utah Department of Laura A. and Thomas H. Hurtado Art and Art History Thelma P. and Gilbert H. Iker Utah Humanities Council John C. Jarman Joseph S. and Margaret P. Viland Sara E. H. and Jason L. Johnson Joshua S. and Catherine M. Kanter Donna G. and Michael R. Weinholtz Paul D. Keller and Robyn L. Carter Marilyn E. and Paul L. Whitehead Whitney Tassie and Nathan J. Kopp E. Art Woolston and Helle B. and Jon M. Le Rette Connie Jo M. Hepworth-Woolston Katherine P. Liddle Barbara J. and Stuart H. Young Patricia A. and Dennis L. Lombardi Connie and Michael P. Zaccheo Abbey and Derek McClain Carole A. and G. Randy McDowell $250-499 Geraldine P. and D. Edward Mineau A Gallery and Frames Gladys E. Muren Jerry and Marilee Albretsen Doug and Julie Nester Ron and Ann Allen Karen H. Nichols Kristian Anderson Patricia M. and David W. Noall Lara and Loic Anthian Therese O'Gorman | thank you

Curtis Olson and Jude Grenney Maria C. Sgambati and Lisa M. Orr-Maestas and Thomas B. Greene Craig M. Orr Linda H. Smith Family Trust Thomas N. Parks and Patricia Legant Gibbs M. and Catherine W. Smith Chris G. LaTour and Sally M. Patrick Arita R. and Robert B. Sparks Timothy E. and Anne T. Payne Caroline and Josh Stewart Derek and Brittany Ann Power Merritt W. and Thomas H. Stites Kevin C. Shilling and Mara L. Rabin Mikell Lyn Stringham Nancy L. Ray and Joel A. Porter Marsha and Thomas Swegle Delia and Craig Reece Arthur J. Swindle David Payne and Leena Rinne Linda and Peter VanOrden Gregory A. Rogler and Brent Godfrey Allison and Keith L. Van Vranken Bill Warren and Patricia Rohrer Wasatch Advisors Incorporated Regina M. Rosenthal and George B. and Oma E. Wilcox and Donald Stromquist Gibbs M. and Catherine W. Smith Aden Ross Charitable Foundation Debra D. Russell Joan J. and Charles E. Woodbury Gary G. and Darlene S. Sachett Jena Woodbury and Casey Jarman Sandra C. and Ben L. Seegmiller Jeffrey and Vanessa D. Wright

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Marcia and John Price Museum Building 410 Campus Center Drive umfa.utah.edu Salt Lake City, Utah 84112-0350

Hours of Operation Tuesday–Friday...... 10 am–5 pm Wednesdays...... 10 am–8 pm Weekends...... 11 am–5 pm Closed Mondays and Holidays Admission (excludes ticketed exhibitions) UMFA Members...... FREE Adults...... $9 Seniors ...... (ages 65+) $7 Youth ...... (ages 6-18) $7 Children under 6 ...... FREE U Students/Faculty/Staff...... FREE Utah Public College Students..... FREE First Wednesdays and Third Saturdays...... FREE UMFA is an accessible museum