Large Gathering Hears Baird at Woodbridge
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Doreen Denning's Arkiv
Doreen Denning’s arkiv Doreen Denning 1928-2007 Skådespelerska, dubbningsregissör. Född i London, England. Avled i Kungsängen, Stockholms län. Arkivet innehåller engelska och svenska manus, trailermanus och annat material från Doreen Dennings arbete som ansvarig för svenska versioner av Disneyfilmer (och andra). Dessutom förekommer arbetsmaterial för filmernas utgivning på skiva/kassett. Arkivet är uppdelat i v. 1-26, som rör arbetet med Disney’s filmer och skivor [med undantag för v. 6 som även innehåller den danska filmen Lille Virgil…]; v. 27-30, som rör arbetet med Astrid Lindgrens filmer och skivor och v. 31-37, som rör andra filmtitlar samt övrigt material. DD: v. 1 [Pärm, orange rygg]: Aristocats (US, 1970 [Sv. 1971]). Svenskt manus, credits och biografannonser. Se även v. 19, 24. DD: v. 2 [Svart pärm]: Askungen / Cinderella (US, 1949 [Sv. 1950]) Svenskt manus. credits, anteckningar. [Oklart vad DD’s roll var här, uppgift saknas. Filmen omdubbad 1958, samt videorelease 1998.]. Se även v. 24, 26B. DD: v. 3 [Svart pärm]: Bambi (US, 1942 [Sv. 1985]). Svenskt och engelskt manus, inspelningsplan, sånger/noter, credits, trailertext. Se även v. 21. DD: v. 4 [Pärm, grön rygg]: Bernard & Bianca ; Bernard & Bianca i Australien / The Rescuers ; The rescuers down under (US , 1977 [Sv 1978, 1997 videorelease] ; (US, 1990 [Sv. 1991]) Svenska och engelska manus. Walt Disney info om filmerna samt karaktärer, bilder, sånger/noter. Tidsschema och kommentarer för röstprover, korrespondens. Bioannonser. Se även v. 23. DD: v. 5 [Pärm, gul rygg]: Dumbo [US, 1941 [Sv. 1972]). Svenskt manus. Se även v. 19. I-ors födelsedag / Winnie the Pooh and a day for Eeyore [För TV? Denna titel visad 1986-01-03 i SVT1] Svenskt manus. -
Web Paramount Historical Calendar 6-12-2016.Xlsx
Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety -
The Interpretation of Dreams Sigmund Freud (1900)
The Interpretation of Dreams Sigmund Freud (1900) PREFACE TO THE THIRD EDITION Wheras there was a space of nine years between the first and second editions of this book, the need of a third edition was apparent when little more than a year had elapsed. I ought to be gratified by this change; but if I was unwilling previously to attribute the neglect of my work to its small value, I cannot take the interest which is now making its appearance as proof of its quality. The advance of scientific knowledge has not left The Interpretation of Dreams untouched. When I wrote this book in 1899 there was as yet no "sexual theory," and the analysis of the more complicated forms of the psychoneuroses was still in its infancy. The interpretation of dreams was intended as an expedient to facilitate the psychological analysis of the neuroses; but since then a profounder understanding of the neuroses has contributed towards the comprehension of the dream. The doctrine of dream-interpretation itself has evolved in a direction which was insufficiently emphasized in the first edition of this book. From my own experience, and the works of Stekel and other writers, [1] I have since learned to appreciate more accurately the significance of symbolism in dreams (or rather, in unconscious thought). In the course of years, a mass of data has accumulated which demands consideration. I have endeavored to deal with these innovations by interpolations in the text and footnotes. If these additions do not always quite adjust themselves to the framework of the treatise, or if the earlier text does not everywhere come up to the standard of our present knowledge, I must beg indulgence for this deficiency, since it is only the result and indication of the increasingly rapid advance of our science. -
Volume 23, Number 05 (May 1905) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1905 Volume 23, Number 05 (May 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 05 (May 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/503 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MAY, 1905. THE ETUDE FOR! THE TEACHER STUDENT AND LOVER: OF MUSIC $150 PER ANNUM THE htude 177 For Vocalists, Teachers, and Students PIANO AND ORGAN A Decided Novelty We Publish all the Best=known Songs by FIFTY CENTS EACH The Standard Graded CONTENTS An Afternoon of Music COLLECTIONS Course of Singing KATE VANNAH “THE ETUDE/' - May, 1905 WITH THE CHILDREN. By the Piano Pupils of By HERBERT WILBER GREENE The Great Music Schools of London and the Music of the better class, although popular ; English System of Musical Examinations for Piano Players!! Good-Bye, Sweet Day. 3 MISS ARABELLA GOODYEAR nothing more difficult than the second grade In four grades: four volumes J. -
FY2012 Annual Listing
2011 2012 Annual Listing 2011 1 2012 Architecture and Design A total of 555 works were acquired by the Department of Architecture and Design. This includes 122 architectural drawings, 14 architectural models, 54 architectural photos, 34 design objects, and 331 graphic design works. ARCHITECTURAL DRAWINGS Grafton Architects. Yvonne Farrell and Shelley McNamara. Luigi Bocconi University, Milan, Italy. 2001. Inkjet print, Didier Fiuza Faustino. Stairway to Heaven. 2002. Print, 11 ¾ x 16 ½" (29.8 x 41.9 cm). Gift of the architects 7 42 ⅛ x 59 /16" (107 x 151 cm). Gift of the artist and Galerie Michel Rein Helen + Hard AS. Siv Helene Stangeland and Reinhard Kropf. Geopark, Stavanger, Norway. 2007. Ink and 13 Didier Fiuza Faustino. Double Happiness. 2009. Print, pencil on paper, 11 /16 x 7 ⅞" (30 x 20 cm). Gift of the 42 ⅛ x 52 ⅜" (107 x 133 cm). Architecture and Design architects and the Royal Norwegian Consulate General in Purchase Fund New York Grafton Architects. Yvonne Farrell and Shelley McNamara. Ricardo Porro. Escuelas Nacionales de Arte de Habana- Luigi Bocconi University, Milan, Italy. 2001. Inkjet print, Cuba. 1961–65. Pen and ink on paper, 12 x 14 ¼" (30.5 8 ½ x 11 ⅝" (21.6 x 29.5 cm). Gift of the architects x 36.2 cm). Gift of the architect and Elise Jaffe and Jeffrey Brown Grafton Architects. Yvonne Farrell and Shelley McNamara. Luigi Bocconi University, Milan, Italy. 2001. Pencil on Ricardo Porro. Escuelas Nacionales de Arte de Habana- vellum, 8 ¼ x 11 ¾" (21 x 29.8 cm). Gift of the architects Cuba. 1961–65. Pen and ink on paper, 13 ⅞ x 10 ¼" (35.3 x 26 cm). -
Motion Picture Reviews (1930)
MOTION PICTUPE PEVIEW.S WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIF 1930 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library h tt ps ://a rc h i ve . o rg/d eta i I s/m ot i o n p i ct u re revO 0wo m e The following reviews are written particularly to give an idea of the suitability of the pictures as entertainment for children and adolescents. The age limits are, of course, purely autocratic, but as some limitations were necessary these were chosen, and it is thought that parents can adapt the information to meet the special require- ments of individual children. We wish to call attention also to the few outstanding productions which the committee found of special interest as adult entertainment. It is generally believed that encouragement of fine pictures will be the method of bringing more to the screen, and at the same time our own motion picture attendance may be made more enjoyable. Of such films we recommend “Disraeli,” “Hallelujah,” and “Seven Days Leave.” For children we recommend “So This is College.” Mrs. John Vruwink, General Chairman. Mrs. George Ryall, Mrs. Harold VanMetre, Chairman of Previews. Vice-Chairman. THE BATTLE OF PARIS. Gert- the South from the stage play by Booth rude Lawrence. Direction by Rob- Tarkington and Harry Leon Wilson. It is musical drama of professional gamb- ert Storey. All dialogue with mus- a lers on the old Mississippi River boats ical interpolations. Paramount. about 1850, and the romantic and excit- Melodrama set in the streets and dives ing tale is unfolded with beautiful South- of Paris’ Latin Quarter.