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Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014
Updated Tuesday, December 31, 2013 | 1:38:43 PM Last updated Tuesday, December 31, 2013 Updated Tuesday, December 31, 2013 | 1:38:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Heaven and Earth: Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. Cat. No. 1A / File Name: 3514-117.jpg Statuette of Europa, 1st or early 2nd century marble height: 34.5 cm (13 9/16 in.) Archaeological Museum of Ancient Corinth Cat. No. 1B / File Name: 3514-118.jpg Head of Pan, 2nd century (?) marble height: 14.4 cm (5 11/16 in.) Archaeological Museum of Ancient Corinth Cat. -
NEW EOT-English:Layout 1
TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll. -
FOR IMMEDIATE RELEASE September 11, 2014 MEDIA CONTACTS: Rebecca Baldwin Nina Litoff (312) 443-3625 (312) 443-3363 [email protected] [email protected]
FOR IMMEDIATE RELEASE September 11, 2014 MEDIA CONTACTS: Rebecca Baldwin Nina Litoff (312) 443-3625 (312) 443-3363 [email protected] [email protected] THE ART INSTITUTE OF CHICAGO PRESENTS HEAVEN AND EARTH: ART OF BYZANTIUM FROM GREEK COLLECTIONS Over 60 Works From Greece Represent Life in the Empire that Lasted for More than a Millennium A new exhibition at the Art Institute of Chicago, Heaven and Earth: Art of Byzantium from Greek Collections, presents more than 60 superb artworks of the Byzantine era, from the 4th to the 15th centuries. Organized by the Hellenic Ministry of Culture and Sports of Athens, Greece, with the collaboration of the Benaki Museum, Athens, and originally exhibited at the National Gallery of Art in Washington, DC, and the J. Paul Getty Museum in Los Angeles, the exhibition includes major artistic holdings from Greece consisting of mosaics, sculptures, manuscripts, luxury glass, silver, personal adornments, liturgical textiles, icons, and wall paintings. About one third of the original exhibition will be presented in the Art Institute’s Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art from September 27, 2014, through February 15, 2015. For more than 1,000 years, Greece was part of the vast Byzantine Empire, established in 330 A.D. by the emperor Constantine the Great, who moved the capital of the Roman Empire east to a small town named Byzantium in modern-day Turkey. Renamed for him and transformed into Constantinople, Byzantium would come to represent an empire of splendor and power that endured for more than a millennium. Greek replaced Latin as the official language, and Greece itself was home to important centers of theology, scholarship, and artistic production—as 1 evidenced by the luxurious manuscripts displayed in the exhibition. -
Ciné Paris Plaka Kidathineon 20
CINÉ PARIS PLAKA KIDATHINEON 20 UPDATED: MAY 2019 Dear Guest, Thank you for choosing Ciné Paris Plaka for your stay in Athens. You have chosen an apartment in the heart of Athens, in the old town of Plaka. In the shadow of the Acropolis and its ancient temples, hillside Plaka has a village feel, with narrow cobblestone streets lined with tiny shops selling jewelry, clothes, local ceramics and souvenirs. Sidewalk cafes and family-run taverns stay open until late, and Cine Paris (next door) shows classic movies al fresco. Nearby, the whitewashed homes of the Anafiotika neighborhood give the small enclave a Greek-island vibe. Following is a small list of recommendations and useful information for you. It is by no means an exhaustive list as there are too many places to eat, drink and sight-see than we could possibly put down. Rather, this is a list of places that we enjoy and that our guests seem to like. We find that our guests like to discover things themselves. After all is that not a great part of the joy of traveling? To discover new experiences and places. We wish you a wonderful stay, and we hope you love Athens! __________________________________________________ The site to purchase tickets online for the Acropolis and slopes, The Temple of Olympian Zeus, Kerameikos, Ancient Agora, Roman Agora, Adrians Library and Aristotle's School is here https://etickets.tap.gr/ Once you access the site in the left-hand corner there are the letters EΛ|EN; click on the EN for English. MUSEUMS THE ACROPOLIS MUSEUM, Dionysiou Areopagitou 15, Athens 117 42 Summer season hours (1/4 – 31/10) Winter season hours (1/11 – 31/3) Monday 8:00 - 16:00 Monday – Thursday 9:00 - 17:00 Tuesday – Sunday 8:00 – 20:00 Friday 9:00 - 22:00 Friday 8:00 a.m. -
The Library of Prof. Dr. Werner Rudolf Fuchs, Professor Emeritus, Westfälische Wilhelms-Universität, Münster Including a Portion of the Library of Prof
Ancient Art & Archaeology, Mostly Greek The Library of Prof. Dr. Werner Rudolf Fuchs, Professor emeritus, Westfälische Wilhelms-Universität, Münster including a portion of the library of Prof. Dr. Reinhard Herbig (as well as books from the libraries of Gustav Herbig and Rudolf Pagenstecher) 2,842 titles in circa 3,600 volumes WERNER FUCHS Dr.Phil. Professor em. 27.09.27 11.01.16 Zwickau, Germany Oxford, England SCHRIFTVERZEICHNIS FUER PROF.em. DR. WERNER FUCHS 1. Die Vorbilder der neuattischen Reliefs. Dissertation Tuebingen 1953. Erweitert gedruckt 1959 als 20. Ergaenzungsheft zum Jahrbuch des Deutschen Archaeologischen Instituts. 212 S., 39 Taf. 2. Zum Aphrodite-Typus Louvre-Neapel, Neue Beitraege zur klass. Altertumswissenschaft (Festschrift B. Schweitzer) 1954, 206-217 3. Das roemische Theater in Malaga, Archaeologischer Anzeiger 1954, 389- 395. 4. Dionysos aus dem Metroon-Giebel?, Athenische Mitteilungen 721, 1956, 66-73, Beilage 44-46. 5. Zu den Metopen des Heraion von Selinus, Roemische Mitteilungen 63, 1956, 102-121, Taf. 49-56. 6. Eine Bronzestatuette des Strengen Stiles im Lateran, Roemische Mitteilungen 64, 1957, 222-231, Taf. 46-47. 7. Die verschollene Kleinbronze aus Tegea, Archaeologischer Anzeiger 1956, 1-10, Abb. 1-5. 8. Juenglingskopf im Museo Barracco, Roemische Mitteilungen 65, 1958, 1-5, Taf. 1-3. 9. Anzeige von Opus Nobile Heft 1-5, Gnomon 30, 1958, 398-399. 10. Der Dornauszieher, Opus Nobile Heft 8, Bremen 1958, 3-14, Abb.15. 11. Attisches Weihrelief im Vatikan, Roemische Mitteilungen 68, 1961, 167- 181, Taf. 74-77. 12. Rezension von Tobias Dohrn, Attische Plastik vom Tode des Phidias bis zum Wirken der grossen Meister des IV Jhs.v.Chr., Gnomon 33, 1961, 237- 242. -
Conference Guide
Conference Guide Conference Venue Conference Location: Radisson Blu Athens Park Hotel 5* 5Hotel Athens” Radisson Blu Park Hotel Athens first opened its doors in 1976 on the border of the central park of Athens, Pedion Areos (Martian Field), in a safe part of the city. For 35 years the lovely park has been a wonderful host and marked the very identity of this leading deluxe hotel. Now, we thought, it is time for the hotel to host the park inside. This was the inspiration behind our recent renovation, which came to prove a virtual rebirth for Park Hotel Athens. Address: 10 Alexandras Ave. -10682 Athens-Greece Tel: +30 210 8894500 Fax: +30 210 8238420 URL: http://www.rbathenspark.com/index.php History of Athens According to tradition, Athens was governed until c.1000 B.C. by Ionian kings, who had gained suzerainty over all Attica. After the Ionian kings Athens was rigidly governed by its aristocrats through the archontate until Solon began to enact liberal reforms in 594 B.C. Solon abolished serfdom, modified the harsh laws attributed to Draco (who had governed Athens c.621 B.C.), and altered the economy and constitution to give power to all the propertied classes, thus establishing a limited democracy. His economic reforms were largely retained when Athens came under (560–511 B.C.) the rule of the tyrant Pisistratus and his sons Hippias and Hipparchus. During this period the city's economy boomed and its culture flourished. Building on the system of Solon, Cleisthenes then established a democracy for the freemen of Athens, and the city remained a democracy during most of the years of its greatness. -
New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent
fig. 1 G. de Chirico, Scatola di cerini e sigarette, ca 1904-1906 13 New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent Myth in Giorgio de Chirico: Mavìlis, Palamàs and the Early XX Century Athens Literary Scene Fabio Benzi There have been many attempts at identifying an influence of the Greek milieu on the young Gior- gio de Chirico. From his birth (1888) to his late adolescence, the artist lived in Greece, in Volos and especially Athens, until he moved to Munich in October 1906. So, he spent the first eighteen years of life – undoubtedly a formative moment for any young intellectual – mostly in Athens, where he also completed his first artistic studies in the Academy of Fine Arts of the Polytechnic School. As might be expected, research aimed at contextualizing and furthering the knowledge of pos- sible Hellenic influences on de Chirico’s artistic activity has focused so far on the specific analysis of the local painting scene, although with little or less than significant results. To be sure, we are not aware of any extant early painting from his Greek period, except for a negligible, small still life painted on cardboard, depicting a box of matches with a lit cigarette leaning against it (fig. 1); the verso shows an earlier copy of a detail of a chromolithography by Bel- gian painter Jan van Beers (Lier, 27 March 1852-Fay- aux-Loges, 17 November 1927), which we have iden- tified here (figs. 2, 3).1 If this copy is an example of the nearly photographic unyielding adherence by a young artist who might have not yet attended the academy, the small oil is actually a genre exercise, probably painted while de Chirico was still a student. -
When Crisis Becomes Form: Athens As a Paradigm Theophilos Tramboulis and Yorgos Tzirtzilakis
When Crisis Becomes Form: Athens as a Paradigm Theophilos Tramboulis and Yorgos Tzirtzilakis Documenta 14 in Athens: a glossary Documenta 14 (d14) was an undoubtedly important exhibition which triggered endless debate and controversy that continues today.1 The choice of Athens as a topological paradigm by Adam Szymczyk, an ingenious curator with expected and unexpected virtues, initially fired people’s appetite and enthusiasm. Yet what it ultimately managed to do was demythicize the event itself in a way, as well as demonstrate a series of dangers in the operation of the institution. At the same time it brought to light a series of innate ailments and fantasies of contemporary culture in Greece, which manifested themselves in a distorted and sometimes aggressive fashion. This is not without significance, since it functioned complementarily to—rather than independently of—the exhibition. In short, d14 served as a kind of double mirror with which we could see the cultural relation of Greece with Europe and the world, but also the reverse: that of Europe with Greece. So what was d14 in Athens? For now we must necessarily sidestep its contribution to making Athens and Greek culture a temporary center of international attention in order to focus on what must not be overlooked. The series of arguments below can be read individually or successively as a network of alternating commentary, but also through their diagonal intersections, ruptures, disagreements, and connections, where meaning is produced in a syncretic or dialectical way. D14 is the symptom from which all discourse around it begins. 1/11 A political metonymy The critical reception of d14 in Greece focused mainly on the institution and its operation; on its discursive and political context rather than the works, concerts, or lectures— generally speaking, the actual art and discourse presented by the exhibition. -
GEORGE ZONGOLOPOULOS George Zongolopoulos (Athens, 1903-2004) Was One of the Most Important Greek Artists and Representatives Of
GEORGE ZONGOLOPOULOS George Zongolopoulos (Athens, 1903-2004) was one of the most important Greek artists and representatives of the so called “Generation of 1930s” with diverse and internationally recognized work. The work of the artist, who was often called the “eternal teenager”, extends across the unusual vector of time of almost eight decades, and its rich range of subject matter is characterized by incessant renewal. Biography George Zongolopoulos was born on March 1st, 1903, in Deligiorgi Street in the center of Athens, while his place of origin was the village Manna or Markasi in Corinth (as Zongolopoulos narrated to his family the real year of his birth was 1901 and not 1903 as is appeared in all his official documents). He grew up in a family of lawyers that did not encourage him to deal professionally with art, although he showed a special inclination towards painting and drawing from childhood. He served his military service as a sergeant until 1923 and during that period he met his peer and later important Greek architect Patroklos Karantinos, who became one of his closest friends and colleagues. First years of apprenticeship o National Technical University of Athens, Athens School of Fine Arts (1924-1930) In 1924 he entered the Athens School of Fine Arts and studied sculpture under Academician Thomas Thomopoulos. In his student years he expressed with militancy his opinion on the need for modernization and reorganization of teaching, and also on the need to increase the School‟s budget. His attitude towards the academicism of the School and his participation in the “occupation” of the School by its students in 1929 meant for the young Zongolopoulos expulsion from the School for a year. -
In Greece Since 1948 the Fulbright Foundation US PRESIDENTS on International Exchanges and the Fulbright Program
In Greece since 1948 THE FULBRIGHT FOUNDATION US PRESIDENTS on International Exchanges and the Fulbright Program “This program is vitally important “This report … is largely devoted to “International exchanges are not in widening the knowledge and an aspect of the program too often a great tide to sweep away all technical ability of the peoples of overlooked … the extraordinary … differences, but they will slowly the twelve participating countries.” cooperation and assistance … from wear away at the obstacles to peace Harry S. Truman, letter to the Chairman, United States private groups … as surely as water wears away Board of Foreign Scholarships, on the This private cooperation … gives a hard stone.” Fulbright Program, May 11, 1951 the program its essential character George W. Bush, 1989 and effectiveness…” “The exchange of students … should Richard M. Nixon, message to Congress, “No one who has lived through be vastly expanded … Information June 15, 1970 the second half of the 20th century and education are powerful forces in could possibly be blind to the enor- support of peace. Just as war begins “The spirit of seeking understand- mous impact of exchange programs in the minds of men, so does peace.” ing through personal contact with on the future of countries…” Dwight D. Eisenhower, remarks at ceremony William J. Clinton, 1993 marking the 10th anniversary of the people of other nations and other Smith-Mundt Act, January 27, 1958 cultures deserves the respect and support of all.” “While many academic exchange “This Program has been most impor- Gerald R. Ford, remarks to foreign exchange programs have striven for excellence, tant in bettering the relations of the students, July 13, 1976 the Fulbright Program’s emphasis on United States with other parts of the mutual understanding has made it world. -
Discover Athens, Greece Top 5
Discover Athens, Greece Photo: Anastasios71/Shutterstock.com Of all Europe’s historical capitals, Athens is probably the one that has changed the most in recent years. But even though it has become a modern metropolis, it still retains a good deal of its old small town feel. Here antiquity meets the future, and the ancient monuments mix with a trendier Athens and it is precisely these great contrasts that make the city such a fascinating place to explore.The heart of its historical centre is the Plaka neighbourhood, with narrow streets mingling like a labyrinth where to discover ancient secrets. Anastasios71/Shutterstock.com Top 5 1. Roman Agora During the antiquity, the Agora played a major role as both a marketplace and … 2. National Archaeological Museum The National Archaeological Museum, in Exarchia, is home to 3. The Acropolis and its surround The Parthenon, the temple of Athena, is the major city attraction as well as... Anastasios71/Shutterstock.com 4. Benaki Museum of Greek Culture Benaki is a history museum with Greek art and objects from the 5. Mount Lycabettus Mount Lycabettus (in Greek: Lykavittos, Λυκαβηττός) lies right in the centre... Milan Gonda/Shutterstock.com Athens THE CITY DO & SEE Nick Pavlakis/Shutterstock.com Anastasios71/Shutterstock.com Athens’ heyday was around 400 years BC, that’s Dive in perhaps the most historically rich capital when most of the classical monuments were of Europe and discover its secrets. Athens' past built. During the Byzantine and Turkish eras, the and its landmarks are worldly famous, but the city decayed into just an insignicant little city ofiers much more than the postcards show: village, only to become the capital of it is a vivid city of culture and art, where the newly-liberated Greece in 1833. -
For Immediate Release
FOR IMMEDIATE RELEASE Ίδρυµα ∆ΕΣΤΕ May, 2014 Εµ. Παππά & Φιλελλήνων 11. 142 34 Νέα Ιωνία ΑΘήνα Ελλάς DESTEFASHIONCOLLECTION: 1 to 8 DESTE Foundation Benaki Museum, Pireos St. Annexe 11 Filellinon & Em. Pappa St. 138 Pireos & Andronikou St. 142 34 Nea Ionia Athens Athens Greece Opening: June 25. 2014 at 20:00 WWW . DESTE . GR Duration: June 26, 2014 – October 12, 2014 T — 30 210 27 58 490 Opening Hours, F — 30 210 27 54 862 Thursday, Sunday: 10:00 - 18:00 Friday, Saturday: 10:00 - 22:00 Monday, Tuesday, Wednesday Closed Closed between Aug. 4 - 17. Between Aug. 1- 3 and Aug. 18 - 31, open by appointment only. — High Resolution Images: https://www.dropbox.com/sh/u0v0wux1poyggrn/AACqye8Zda6sw8U8mfSonNbpa?dl=0 — Media Contacts: Regina Alivisatos, DESTE Foundation [email protected] Nicoletta Menti, Benaki Musem, Head of Communication [email protected] Athina Isaia, Benaki Museum, Press Office [email protected] — Media Sponsors: Page 1 of 4 Ίδρυµα ∆ΕΣΤΕ Εµ. Παππά & Φιλελλήνων 11. DESTEFASHIONCOLLECTION: 1 to 8 marks the second collaboration between 142 34 Νέα Ιωνία ΑΘήνα Ελλάς the DESTE Foundation and the Benaki Museum, which was initiated in the beginning of 2014. Through a series of solo and group contemporary art DESTE Foundation 11 Filellinon & Em. Pappa St. exhibitions hosted at the Benaki Museum, this collaboration between the 142 34 Nea Ionia two institutions aims to promote new and radical developments in Athens Greece contemporary art practice, introduce upcoming artists and important WWW . DESTE . GR artwork to a wider public, and help inspire novel curatorial approaches. T — 30 210 27 58 490 F — 30 210 27 54 862 The destefashioncollection is an incremental, evolving project conceived by the DESTE Foundation to consider and trouble the boundaries between art and fashion.