Irish Fest Prog 2008
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Free! Introductions / Réamhrá
Free! Introductions / Réamhrá On behalf of Donegal County Council, I am very Our newly-commissioned cover artwork is our happy to welcome the 24th Earagail Arts Festival, invitation to you to come and join us in the wilds which once again lights up the county’s summer of Donegal for an extended programme of street in a wonderful celebration of all that Donegal is circus, family and children’s events. As well as renowned for: the best of music, theatre, visual international music performances from as far afield arts and literature, to be enjoyed in that enviable as Mali and Palestine, this year’s festival hosts variety of intimate venues and spectacular settings home-grown stars of the nation’s indie scene, which we are privileged to have at our doorstep. I Beijing opera theatre and acclaimed UK and Irish am also delighted that the Festival is an enthusiastic drama productions. Coupled with intimate literary participant in Donegal County Council’s “Donegal and discursive events including Leviathan’s Political Gathering” initiative, preceding the national Cabaret and a celebration of the Field Day Theatre Gathering next year, and I look forward greatly to Company there’s no excuse not to visit Donegal what they have in store for 2013 and the years ahead. this summer. Cllr. Noel McBride, Paul Brown Mayor of County Donegal Festival Director Thar ceann Chomhairle Contae Dhún na nGall, tá Is cuireadh í an obair ealaíne nua-choimisiúnaithe áthas orm fáilte a chur roimh 24ú Féile Ealaíne an atá le feiceáil ar an chlúdach duitse a bheith linn Earagail, a chuirfidh brí agus beocht sa samhradh i gcontae álainn Dhún na nGall, áit a mbeidh clár Chonallach agus ar ceiliúradh iontach í ar na rudaí fairsing imeachtaí á reáchtáil againn – sorcas sráide, a tharraingíonn clú ar an chontae: ceol, drámaíocht, cuir i gcás, imeachtaí don teaghlach agus do pháistí. -
18 HANZ ARAKI Grainne Mccool Talks to Hanz Araki Whose Roots Are
Irish Music - November 29/09/2014 14:48 Page 18 18 HANZ ARAKI FOREIGN SHORE Grainne McCool talks to Hanz Araki whose roots are deep in two traditions. the wall–of–sound approach. This time around, I challenged myself to leave my own playing and voice very exposed.It's very difficult to be completely happy with the sound of my own voice, and even more difficult to not be hyper-critical of my playing. All that being said, this was a very enjoyable project from start to finish.” The title of this new album is apt considering Hanz Araki’s clear love of Irish and other shores and yet he is presently based in Western America. Hanz agrees and says, “The title is of course a fragment of a lyric from several of my favourite songs, one of which is on the album (Valentine O'Hara); I thought that Foreign Shore was a very appropriate title, given not only the selection of music, but my own place in this world.” On my first listening of Foreign Shore I was intrigued with its attention to detail and the inspiration each track exudes. Araki only served to confirm my findings: “My approach to music is to avoid forcing anything. It's very difficult for me to let go of a performance and let it just be. My instinct is to do a thousand takes, but often I find that leads to a somewhat sterile performance. The trick has been finding the balance between something that captures a moment and a feeling, but also would pass muster with my father, who was very precise and as close to perfect as a person could get (as a musician).” This preciseness and attention to detail has certainly passed on to Hanz! Hanz’s father is shakuhachi grandmaster Tatsuya Kodo Araki, the fifth generation to inherit the name Kodo, one of the most important names in the world of traditional Japanese music. -
News Bulletin May 2018.Pdf
A Chara, Please find below information which may be of interest this week. Opportunities VISUAL ARTS RESIDENCY OPPORTUNITY – SIAMSA TíRE, TRALEE Siamsa Tíre, home to The National Folk Theatre of Ireland, is seeking proposals from visual artists to undertake a residency in its theatre building in Tralee from the 25th of June to the 16th of September 2018. As part of the residency, the selected artist will be invited to respond creatively to the National Folk Theatre of Ireland, engaging with others working in the building, particularly the members of the performing company. There will be a level of public engagement as part of the residency, the details of which will be mutually agreed with the successful candidate. This is a paid residency. The deadline for applications is Friday 18th May 2018. Full details are available on: http://www.siamsatire.com/gallery/visual-artist-residency-opportunity-at- siamsa-tire MACNAS seeks Chief Operating Officer MACNAS seeks an exceptional individual to structure and lead the company’s development and build on the unprecedented opportunities on the horizon, as well as to deliver key commitments of the company for Galway’s year as European Capital of Culture 2020. This is a full-time position based in Galway, initially on a three-year contract, with a six month probationary period. The closing date for receipt of applications for this position is 5pm Friday 18th May 2018. You should forward your CV and a one-page letter of application detailing your suitability for the role to [email protected]. For more information check out the website: http://macnas.com/2018/05/02/were-hiring-macnas- seeks-chief-operating-officer/ Writers - an opportunity to collaborate with a visual artist In collaboration with Linda Fahy and The Tudor Artisan Hub we are once again inviting a collaboration between visual artists and writers, which will form part of the Clancy Festival in Carrick over the upcoming June bank holiday weekend. -
Week of 1/28/98 DD—Wind That Shakes the Barley—Solas/Richard
Week of 1/28/98 DD—Wind that Shakes the Barley—Solas/Richard Stevens & Irish Phil. Week of 2/4/98 1. Call to Dance -Leahy 2. John Gaudi -Fairport Convention 3. Corrie Doon-Stramash 4. Rolling Hills-McCalman's 5. Croppy Boy-Liam Clancy & Irish Phil. 6. Sonny-Mary Black 7. Spanking Maggie from Ross-Street 8. Night Pat Murphy Died-Great Big Sea DD—9. Atlantic Reel-Brian McNeil DD—10. Atlanta Reel-Michael Omartin Week of 2/12/98—Celtic Love Songs for Valentine's Day 1. Take her in your in your arms-Geraldine Doyle 2. Have I told you lately that I love you-Delores Keane 3. Annie Laurie-Corries 4. Red is the Rose-Andy M. Stewart 5. Grace-Jim McCann 6. Don't Get Married Girls-Aoife Clancy 7. Peggy Gordon-Corries 8. Suil a Ruin-Connie Dover 9. Man is in Love-Waterboys 10. Nora-John Cavanagh (Green Caws) 11. I Useta Love Her-Saw Doctors Week of 2/18/98 1. Reels-Jan Journey-John Whelan 2. West Coast of Clare-Planxty 3. Landlord's Walk-Blair Douglas 4. Summer of '46-Robin Laing 5. Rising of the Moon-Clancy's & O'Connell 6. New York Girls-Steeley Span 7. Four Stone Walls-Capercaillie DD—8/9 Aililiu Na Gamhna-Iarla Lionaird/Solas 10. Craic & Porter Black-Dublin City Ramblers Week of 2/25/98 1. Indiana Drones-Davey Spillane 2. Gaelic Medley-Rankin Family 3. The Singer's House-Maura O'Connell 4. On the Mainland-Christy Moore 5. Medley-Pogues 6. -
Archived Playlist 1998 to Present
Celtic Connections Radio Programme—Archived Playlist Week of 1/28/98 Double Dose Wind that Shakes the Barley—Solas Richard Stevens & Irish Phil. Week of 2/4/98 First Half 1. Call to Dance -Leahy 2. John Gaudi -Fairport Convention 3. Corrie Doon-Stramash 4. Rolling Hills-McCalman's 5. Croppy Boy-Liam Clancy & Irish Phil. 6.Sonny-Mary Black 7.Spanking Maggie from Ross-Street 8.Night Pat Murphy Died-Great Big Sea DD 9. Atlantic Reel-Brian McNeil 10. Atlanta Reel-Michael Omartin Closing Song Week of 2/12/98 Celtic Love Songs for Valentine's Day 1. Take her in your in your arms-Geraldine Doyle 2. Have I told you lately that I love you-Delores Keane 3. Annie Laurie-Corries 4. Red is the Rose-Andy M. Stewart 5. Grace-Jim McCann Break 6. Don't Get Married Girls-Aoife Clancy 7. Peggy Gordon-Corries 8. Suiil a Ruin-Connie Dover 9. Man is in love-Waterboys 10. Nora-John Cavanagh (Green Caws) 11. I useta Love Her-Saw Doctors Week of 2/18/98 Pat & 1. Reels-Jan Journey-John Whelan 2. West Coast of Clare-Planxty 3. Landlord's Walk-Blair Douglas 4. Summer of '46-Robin Laing 5. Rising of the Moon-Clancy's & O'Connell Break 6. New York Girls-Steeley Span 7. Four Stone Walls-Capercaillie DD 8/9 Aililiu Na Gamhna-Iarla Lionaird/Solas 10. Craic & Porter Black-Dublin City Ramblers Week of 2/25/98 1. Indiana Drones-Davey Spillane 2. Gaelic Medley-Rankin Family 3. The Singer's House-Maura O'Connell 4. -
PFF-Book-2014.Pdf
IRELAND’S FAVOURITE THE PERCY FRENCH FESTIVAL 2014 WATERCOLOUR PAINTER WILLIAM PERCY FRENCH (1854-1920) THE PURPLE MOOR, 1905 Realised €9,500 at Whyte’s, 30 September 2013 Whyte’s have a reputation for finding and auctioning fine examples of Ireland’s favourite watercolour painter, and are the holders of the world record, at €44,000, for an example of his work. The latter was a large work in its original Belfast pokerwork frame, originally in the Earl of Iveagh (Guinness) collection. Whyte’s are especially careful to check the authenticity of all Percy French pictures consigned and give a guarantee on all works sold. If you are interested in acquiring or selling works by Percy French – or any other Irish work of art - it will pay you to contact Whyte’s. For informed and confidential advice and valuations contact Ian Whyte, Sarah Gates or Adelle Hughes at [email protected] or 01 676 2888. E Forthcoming auctions: H IRISH & BRITISH ART 24 February · IMPORTANT IRISH ART 19 May T IRISH & BRITISH ART 29 September · IMPORTANT IRISH ART 24 November FR ENCH all at the Royal Dublin Society , WHYTE S PARADOX SINCE 1783 %& ##& #'% WHERE IRISH ART IS TRULY VALUED & – & ' ) 38 Molesworth Street Dublin 2 Ireland 01 676 2888 www.whytes.ie " ("&% & $#%#!!#" #'"&) #'" $$) %$(% THE PERCY FRENCH FESTIVAL 2014 Introduction page 2 Parnell and Percy French page 4 Wednesday 9th July page 9 Thursday 1 0th July page 11 Friday 11th July page 13 RCC Library Services events page 14 Principal Lecturers and Performers page 16 Sean Freyne remembered page 23 Nearby Accommodation inside back cover The Percy French Festival has taken place annually since 2009 at Castlecoote House, the home of the festival founder, Kevin Finnerty, whose father was a founder mem - ber of the Percy French festivals of 1957 and 1958. -
Boxset-Booklet.Pdf
CHRISTY MOORE THE BOX SET 1964-2004 YELLOW 1. Yellow Triangle 2. Dunnes Stores Christy Moore Author Unknown Previously recorded on "Graffiti Tongue" This song describes the strike action taken in 1997. I was never happy with that by a small number of Dunnes Stores rendition. Here I offer a better version with workers who refused to handle South the Companeros from a late night break in African goods in the Henry Street Dublin recording. This song has travelled around store. Their action was taken in support of the world and I dedicate it to the late those oppressed South African workers Phyllis McGee who inspired me to write it. who called for an international boycott. I can recall their picket line standing cold C.M. - vocal and guitar and alone in an atmosphere of hostility and Declan Sinnott - guitar apathy in Dublin. While many Irish looked Donal Lunny - bodhrán the other way, this act of anti-apartheid solidarity was recognised and appreciated by South African workers and was acclaimed by both Nelson Mandela and Bishop Tutu. C.M. - vocal and guitar Donal Lunny - hammond keyboards bouzouki mandolin guitar bodhrán “I can recall their picket line standing cold and alone in an 3. They Never Came Home Christy Moore atmosphere of I wanted to include this song. I could find no other version but this one from The Point hostility and Theatre Dublin in 1995. I offer it here for those who failed to get a copy in 1986 apathy” when it was banned and withdrawn. C.M. - vocal and guitar 4. -
Es War Einmal... Studio Mit Lärmschluckenden Bodenbelägen Und Dem Warn- Wundertüte Hieß Damals Das Label, in Dem Sie Enden Rotlicht „Achtung Aufnahme!“
denheit“ einer ländlichem Umgebung - ist kein schalldichtes Es war einmal... Studio mit lärmschluckenden Bodenbelägen und dem warn- Wundertüte hieß damals das Label, in dem sie enden Rotlicht „Achtung Aufnahme!“. Hier an Hannes erschienen und es sind zumeist Kleinode aus guten, Mühle fuhren die Traktoren der Bauern vorbei und vor ihr alten Zeiten. Ihr Erfinder (Produzent) war kein balgten sich die Hunde aus der Nachbarschaft. Gelegentlich Geringerer als Carsten Linde, Begründer des Irish drangen solche Geräusche durch die geschlossenen Türen und Fenster und gelangen so mit aufs Band. Alle haben Folk Festivals. Daher überwiegt Irisches in dieser diese atmosphärischen Geräusche jedoch bewusst als Sammlung, aber Folk kam damals auch oft (nur) Nebensächlich angesehen, wenn eine Aufnahme in ihrem aus Irland. Aber es gibt auch CDs von Pete Seeger, Feeling unwiederholbar und einzigartig erschien… Dick Gaughan, Alan Taylor und anderen. Unser Es ging nicht darum, Aufnahmen zu machen, wie sie Tipp: Sehen, Kaufen, Genießen. „clean“ in kostspieligen Tonstudios - allerdings im sterilen Rahmen, oft in erzwungener Vereinzelung der Musiker und … hatten sich in den letzten Jahren eher zufällig getroffen, nur mit Hilfe von Playback-Verfahren - möglich sind. Diese wenn sich ihre Wege auf Tourneen oder auf Festivals Einspielungen sind echte „live“-Aufnahmen. Sie entstanden kreuzten. Manchmal hatten sie am Rande des Geschehens im kongenialen Zusammenspiel aller Beteiligten bis auf oder hinter der Bühne die Instrumente ausgepackt und sich ganz wenige Ausnahmen ohne Playback. Weil Musiker Lieder und Melodien vorgespielt, die sie mochten. Ab und Menschen sind, deren Füsse den Rhythmus ihrer Musik zu hatten sie auch Sessions abgehalten und dabei festgestellt, mitklopfen, deren Finger schwitzen und dann beim schnellen dass sie sich nicht nur musikalisch sondern auch menschlich Laufen auf den Gitarrensaiten Obertöne erzeugen und weil gut verstanden.