Zenkaikon 2012 Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KJ Episodes up to Date and Can FINALLY Start on Episode 13! I Know, I Know
Episode Twelve: The Squirtle Squad A Twisted Version Of Pokémon Episode 12 A colourful group of clothing made their way down the dirt road path. Ash happily marched with a wide smile on his face. His throat vibrated a gleeful signature tune known to the world of Pokémon. Daisy followed her brother's lead, the two siblings humming harmonically. Kelly stood in the back of the group adorning her typical black/gray/gray-blue headphones that blared music just barely audible for those who stood around her. Strangely enough, her usual little jig was missing from her walk; instead, her head was staring down at the ground. A slight frown curved her lips, displaying a wariness to the ground. Mistico tilted her head, noticing her friend looked awfully cautious. "Kelly, are you, like, okay? You totally seem upset about something?" she asked. Kelly nodded. "I'm fine. I'm just a bit scared about falling down another hole." SNAP The colour drained from Kelly's face, looking forward at Ash's foot. Brock and Misty dispersed to the side of him and Daisy walking in front of him, looking at the hole Ash's foot was suddenly in. After a pause, another loud snap opened another gaping hole in the ground. Possibly the fifth one they had fell into that day! They tumbled into the ditch, squishing each other awkwardly. It had been a few days since Ash had caught his Charmander. His confidence was on a high rise, catching (or rather befriended) two Pokémon only a few days apart from each other. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
CS61A Lecture 15 Object-Oriented Programming, Mutable Data
7/16/2012 COMPUTER SCIENCE IN THE NEWS CS61A Lecture 15 Object‐Oriented Programming, Mutable Data Structures Jom Magrotker UC Berkeley EECS July 12, 2012 http://www.iospress.nl/ios_news/music‐to‐my‐eyes‐device‐converting‐images‐into‐music‐helps‐individuals‐ without‐vision‐reach‐for‐objects‐in‐space/ 2 TODAY REVIEW: BOUND METHODS • Review: Inheritance A method is bound to an instance. Use the increase_hp method defined … with self being the … and amount • Polymorphism for objects of the Pokemon class… ashs_pikachu object … being 150. • Mutable Lists Pokemon.increase_hp(ashs_pikachu, 150) is equivalent to ashs_pikachu.increase_hp(150) Use the increase_hp method of (or bound to) the … with amount ashs_pikachu object… being 150. 3 4 REVIEW: INHERITANCE REVIEW: INHERITANCE We would like to have different kinds of Pokémon, Occasionally, we find that many abstract data besides the “Normal” Pokemon (like Togepi) which types are related. differ (among other things) in the amount of points lost by its opponent during an attack. For example, there are many different kinds of people, but all of them have similar methods of The only method that changes is attack. All the eating and sleeping. other methods remain the same. Can we avoid duplicating code for each of the different kinds? 5 6 1 7/16/2012 REVIEW: INHERITANCE REVIEW: INHERITANCE Key OOP Idea: Classes can inherit methods and Key OOP Idea: Classes can inherit methods and instance variables from other classes. instance variables from other classes. class WaterPokemon(Pokemon): class WaterPokemon(Pokemon): def attack(self, other): def attack(self, other): other.decrease_hp(75) other.decrease_hp(75) class ElectricPokemon(Pokemon): class ElectricPokemon(Pokemon): def attack(self, other): def attack(self, other): other.decrease_hp(60) other.decrease_hp(60) 7 8 REVIEW: INHERITANCE REVIEW: INHERITANCE Key OOP Idea: Classes can inherit methods and instance variables from other classes. -
Birthdays Susan Cole
Volume 27 Number 4 Issue 322 September 2014 A WORD FROM THE EDITOR Amelia Con September 5-7 It was a busy August. First I went to Conjure and got to Atlantic Recreation Center spend some time with some local fans and pros. Then I went to 2500 Atlantic Avenue France and saw the American Cemetery in Normandy. Then I Fernandina Beach, FL 32034 went to London for Worldcon. Along the way I stopped at Guests: Caitlin Blackwood (actress, Doctor Who) Cardiff, Wales to see the Doctor Who Experience. I will be Sonny Strait (voice actor) working on my NASFiC and Worldcon report this month. I am John Beatty (voice actor) trying a new way of con reporting. I planning to have the Detcon Micah Solusod (voice actor) 1(NASFiC) report for next month and Worldcon ready by Ayu Sakata (voice actor) November. In November , I will have pictures of from $10 online or $12 at the door Necronomicon as well. www.ameliacon.com As always I am willing to take submissions. Fanboy Expo See you next month. September 12-14 211 North Tampa Street Events Tampa, FL 33602 Guest: Lee Majors (actor) Umicon Richard Anderson (actor) September 5-7 Jewel Staite (actor) Plaza Resort &Spa Dean Stockwell (actor) 600 N. Atlantic Avenue And many more Daytona Beach, FL 32118 $40 for 3-Day, $20 per day Guests: J.Michael Tatum(voice actor) fanboyexpo.com Justin Cook (voice actor) John Swayse (voice actor) Creative Con Aaron Dismuke (voice actor) September 13 $40 for three day, $20 for Fri and Sun, $30 for Sat Gulf Coast State College at the door Union West www.umicondaytona.com Panama City, FL Guests: Chris Arrant (writer) Dawn Duvurger (actress) Gary Brookins (comic strip artist) Birthdays $10 for the day www.pccreativecon.com/ Susan Cole - Sept. -
A New Series of LUPIN the Third Going Into Production Broadcasting to Start in Spring 2015 in Italy, First in the World
N E W S R E L E A S E November 28, 2014 TMS Entertainment Co., Ltd. A new series of LUPIN the Third going into production Broadcasting to start in spring 2015 in Italy, first in the world TMS Entertainment Co., Ltd. (Head office: Nakano-ku, Tokyo; President: Yoshiharu Suzuki; “TMS”) announced Wednesday, October 15, at 0 a.m. Japan time at MIPCOM, held in Cannes, France, that it would produce a new series of LUPIN the Third, unveiling its plan to start broadcasting the series in spring 2015 in Italy, first in the world. LUPIN the Third official site: http://lupin-new-season.jp/ Original comic books created by Monkey Punch ©Monkey Punch All rights reserved ©TMS All rights reserved LUPIN the Third is one of the representative works of TMS, an animation production company making continued efforts to enhance the power of works it produces and develop its business through specialized projects. TMS will produce and promote the new series from a global perspective focused on the next generation, as well as in respect for former N E W S R E L E A S E LUPIN the Third series, since this project also commemorates the company’s “50th anniversary of animation production.” Information about the new series is available at the official website. Main staff: Original creator: Monkey Punch General Director: Kazuhide Tomonaga Director: Yuichiro Yano Script: Yuya Takahashi Producer: Yu Kiyozono Animation production: Telecom Animation Film Production and copyright: TMS Entertainment Co., Ltd. ■ LUPIN the Third official site: http://lupin-new-season.jp/ For further information, please contact: TMS Entertainment Co., Ltd.: [email protected] International Sales & Licensing: Totsuka Phone: 03-6382-7039 Fax: 03-5342-4827 . -
All Fired Up
All Fired Up Adapted by Jennifer Johnson Scholastic Inc. 5507167_Text_v1.indd07167_Text_v1.indd v 112/20/172/20/17 66:50:50 PPMM If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” © 2018 The Pokémon Company International. © 1997–2018 Nintendo, Creatures, GAME FREAK, TV Tokyo, ShoPro, JR Kikaku. TM, ® Nintendo. All rights reserved. Published by Scholastic Inc., Publishers since 1920. SCHOLASTIC and associated logos are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fi ction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fi ctitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBN 978-1-338-28409-6 10 9 8 7 6 5 4 3 2 1 18 19 20 21 22 Printed in the U.S.A. 40 First printing 2018 5507167_Text_v1.indd07167_Text_v1.indd iviv 112/20/172/20/17 66:50:50 PPMM 1 The Charicifi c Valley “I have fought so many battles here in the Johto region,” Ash Ketchum complained. -
Voice Cast Revealed for the Official U.S. English Dub of “Dragon Ball Super”
VOICE CAST REVEALED FOR THE OFFICIAL U.S. ENGLISH DUB OF “DRAGON BALL SUPER” Dragon Ball Veterans Including Seán Schemmel, Christopher R. Sabat, Jason Douglas, Ian Sinclair and Sonny Strait to Reprise Roles LOS ANGELES, CA – November 30, 2016. As Toei Animation Inc. and Funimation® Entertainment ready for the highly-anticipated, dub launch of “Dragon Ball Super”, the acclaimed original English cast is back to embark on the newest adventure in the Dragon Ball saga. Long-time Dragon Ball franchise voice actors reprising their previous roles for Funimation’s English dub production include Seán Schemmel (Goku), Christopher R. Sabat (Vegeta), Jason Douglas (Beerus), Ian Sinclair (Whis) and Sonny Strait (Krillin) – all of whom starred in last year’s hit movie “Dragon Ball Z: Resurrection ‘F’,”which became the 9th highest grossing anime film of all time in U.S. Reuniting the franchise’s iconic characters, “Dragon Ball Super” follows the aftermath of Goku’s fierce battle with Majin Buu, as he attempts to maintain Earth’s fragile peace. Overseen by Dragon Ball’s original creator, Akira Toriyama, Dragon Ball Super draws on its thirty-year history to create a bold, new universe that is welcoming to fans and endearing to new viewers. “We are excited to welcome back our many friends and talented newcomers in making ‘Dragon Ball Super’ as special as it can be for fans across the U.S.” said Masayuki Endo, President of Toei Animation Inc. “Funimation has been a fantastic partner in shaping the series for English audiences.” “We’re thrilled to reunite the original voice cast for our U.S. -
Portrayals of Police and Crime in Japanese Anime and Manga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository ALL THE EVIL OF GOOD: PORTRAYALS OF POLICE AND CRIME IN JAPANESE ANIME AND MANGA By Katelyn Mitchell Honors Thesis Department of Asian Studies University of North Carolina at Chapel Hill April 23, 2015 Approved: INGER BRODEY (Student’s Advisor) 1 “All the Evil of Good”: Portrayals of Police and Crime in Japanese Anime and Manga By Katelyn Mitchell “Probity, sincerity, candor, conviction, the idea of duty, are things that, when in error, can turn hideous, but – even though hideous, remain great; their majesty, peculiar to the human conscience, persists in horror…Nothing could be more poignant and terrible than [Javert’s] face, which revealed what might be called all the evil of good” -Victor Hugo, Les Misérables Volume I, Book VIII, Chapter III: “Javert Satisfied” Abstract This thesis examines and categorizes the distinct, primarily negative, portrayals of law enforcement in Japanese literature and media, beginning with its roots in kabuki drama, courtroom narratives and samurai codes and tracing it through modern anime and manga. Portrayals of police characters are divided into three distinct categories: incompetents used as a source of comedy; bland and consistently unsuccessful nemeses to charismatic criminals, used to encourage the audience to support and favor these criminals; or cold antagonists fanatically devoted to their personal definition of ‘justice’, who cause audiences to question the system that created them. This paper also examines Western influences, such as Arthur Conan Doyle’s Sherlock Holmes and Victor Hugo’s Inspector Javert, on these modern media portrayals. -
Mamoru Hosoda and His Humanistic Animations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE 79 Mamoru Hosoda and His Humanistic Animations Satoshi TSUKAMOTO 愛知大学国際コミュニケーション学部 Faculty of International Communication, Aichi University E-mial: [email protected] 概 要 本論文は、日本のアニメーションの監督である細田守の作品を考察する。彼のアニメーショ ンには、筆者によると二つの特徴がある。一つ目は人と人とのつながりが大切であるというメッ セージを、細田はアニメーションを通して伝えている。人と人とのつながりは、家族ばかりで なく、親戚、友人、隣人、師弟を含んでいる。作品によって人と人との関係性は違うが、その 重要性を彼の作品は伝えている。二つ目は異次元の世界をうまく描いているという点である。 インターネットの世界と現実、人間とオオカミ、人間と化け物などの二つの次元の違う世界を 相対立する世界というより、共存する世界として描いている。この二つの点が細田守のアニメー ションの特徴である。 Introduction Japanese animations are popular not only domestically but also globally. The wide variety of animations ranges from family-oriented TV animations such as Sazae San (1968–the present) and Chibi Maruko-chan (1990–1992, 1995–the present) to science fiction animations, such as Appleseed (2004) and PSYCHO-PASS (2015). Because of the Internet it is easy to gain access anywhere to the contents of Japanese animations 80 文明21 No.42 with provocative themes, and this situation contributes to their popularity (Otmazgin, 2014). The first animation appearing on TV in Japan was Astro Boy, created by Osamu Tezuka in 1963. Then, an epoch-making animation that surprised audiences throughout the world, Akira, was produced by Katsuhiko Otomo in 1988. In my generation (i.e., born in the 1960s), many people grew up with animations, starting with the TV series, Space Battleship Yamato (1974–1975). Lupin the Third: The Castle of Cagliostro (1979) and Nausicaa of the Valley of the Wind (1984) followed, both of which were directed by Hayao Miyazaki. Of course, I watched more animations in my school days. In fact, many people, including me, have been influenced by certain animations in their youth in one way or another. -
If You Purchased This Book Without a Cover, You Should Be Aware That This Book Is Stolen Property. It Was Reported As “Unsold
If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” ©2017 The Pokémon Company International. ©1997-2017 Nintendo, Creatures, GAME FREAK, TV Tokyo, ShoPro, JR Kikaku. TM, ® Nintendo. All rights reserved. Published by Scholastic Inc., Publishers since 1920. SCHOLASTIC and associated logos are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fi ction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fi ctitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBN 978-1-338-17591-2 10 9 8 7 6 5 4 3 2 1 17 18 19 20 21 Printed in the U.S.A. 40 First printing 2017 4475378_Text_v1.indd75378_Text_v1.indd iviv 111/2/161/2/16 11:04:04 PMPM Talent Showdown Adapted by Tracey West Scholastic Inc. 4475378_Text_v1.indd75378_Text_v1.indd v 111/2/161/2/16 11:04:04 PMPM 1 Gary, Again! “This town sure is crowded,” Ash Ketchum said. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
A Real Pizazzy OVERTURE Culminates with a Vaudeville Entrance for the TWO MOVERS
A New Musical Book by Michael Slade Music and Lyrics by John Siegler and John Loeffler, Norman J. Grossfeld, Louis Cortelezzi, Ken Cummings, Neil Jason, Bob Mayo and Michael Whalen Cueing Script by: Arturro Porrazi and Chris Mitchell Posted with Permission on: http://www.pocketmonsters.net/ FINAL VERSION - 10/6/00 Pokémon Live! – 10/6/00 Page 2 CHARACTERS: The Humans: ASH MISTY BROCK JESSIE JAMES GIOVANNI MRS. KETCHUM PROFESSOR OAK NURSE JOY (NATALIE) OFFICER JENNY (SUZANNE) TRAINER A (SINCLAIR) TRAINER B (JAKE) TRAINER C (SHAUN) DEAF TRAINER (JESSE) GIRL TRAINER 1 (NATALIE) GIRL TRAINER 2 (SUZANNE) GIRL TRAINER 3 (ABBEY) PRETTY GIRL (ABBEY) HENCHMEN (Five Men, Five Women) BACK-UP SINGERS TRAINERS The Pokémon: PIKACHU JIGGLYPUFF MEOWTH MEWTWO MECHA-MEW2 VENUSAUR ALAKAZAM LAPRAS ELECTRODE Others: DEXTER THE DEXTEXTTES SONGS: ACT ONE POKÉMON THEME: Chorus POKÉMON THEME (reprise): Chorus, Ash YOU AND ME AND POKÉMON: Ash, Misty, Brock, Pikachu, Chorus IT WILL ALL BE MINE: Giovanni, Jessie, James, Henchmen MY BEST FRIENDS: Ash, Misty, Brock EVERYTHING CHANGES: Professor Oak, Mrs. Ketchum, Trainers, Pokémon EVERYTHING CHANGES (rep): Giovanni JIGGLYPUFF SONG: Jigglypuff MISTY'S SONG: Misty, Pokémon BEST AT BEING THE WORST: Meowth, Jessie, James PIKACHU!: Ash and Entire Company ACT TWO KIND OF POKÉMON R U?: Dexter, Dextettes THE TIME HAS COME: Ash YOU&ME&POKÉMON (Reprise): Giovanni DOUBLE TROUBLE: Jessie, James, Meowth DOUBLE TROUBLE (reprise): Jessie, James, Meowth TWO PERFECT GIRLS: Brock, Back-up Singers I'VE GOT A SECRET Mrs. Ketchum, Misty, Ash EVERYTHING CHANGES (Reprise): Mrs. Ketchum YOU JUST CAN'T WIN: (Giovanni, Ash) FINALÉ (REPRISE): Company Pokémon Live! – 10/6/00 Page 3 ACT ONE – SCENE 1 In the darkness we hear the opening strains of the POKÉMON THEME.