Councft Ponders Club Sport Changes by DENNIS Mclawhorn the Amount Appropriated by the Least One Half of Its Own Budget Asst

Total Page:16

File Type:pdf, Size:1020Kb

Councft Ponders Club Sport Changes by DENNIS Mclawhorn the Amount Appropriated by the Least One Half of Its Own Budget Asst Councft ponders club sport changes By DENNIS McLAWHORN The amount appropriated by the least one half of its own budget Asst. News Editor Athletic Department to club sports through dues, fund-raising projects, The Council on Campus and this year was $1200, as opposed to etc. Religious Life will soon consider a $2000 in 1975-76. The total budgets of Another recommendation report that recommends major the clubs for 1976-77 was around prescribes the formation of a changes in the administration of the $11,800. committee responsible for advising, Davidson club sports program. The Athletic Department has been regulating, and generally overseeing The report, drafted by the Ad Hoc reluctant to allow sports clubs to use club sports. Committee on Sports Clubs, its medical facilities. The Department The report also suggests the evaluates the program and includes " believes it has neither the time, funds, appointment of an administrator recommendations for the improve- nor the personnel to service the sports within the Athletic Department. This ment of the clubs. clubs. Presently, most sports club person would compile a schedule of The report deals with policies on injuries are handled by the infirmary sports club activities, coordinate use finances, insurance, the relationship or by local hospital personnel. of facibties, and serve as a mediator with the Athletic Department, access To deal with these and other between club sports and the Athletic to facilities, medical needs, and problems, the report recommends Department. authority over the sports clubs. WILL THESE RUGGERS get that the Senate take charge of the The report recommends that the There is currently no authority to more money? (Irv Wilson) sports clubs, establish flexible sports clubs be allowed access to the whom the sports clubs report. regulations for them, and provide training facilities, and that a person Club sports are not considered part In most cases, club money comes some financing for them. trained in first aid be assigned to of intramurals, varsity athletics, nor from three sources: (1) membership Also, the report says that the work with sports clubs. the physical education program. The dues, (2) fund-raising projects, most College should allocate sufficient The Ad Hoc Committee, chaired by College has not officially recognized of which have been ineffectual, and (3) funds to the sports clubs through the Assistant Dean of Students Mary them, and the clubs are not governed appropriations from the Athletic Activities Tax Council. However, the Lou Dietler, submitted its report to by the Student Senate. Department. report calls for each club to provide at the Council on Campus and Religious Life, where it was approved before Christmas. The report then went before the Advisory Council on Intercollegiate Atheltics for a second opinion, and will return to the Council on Campus Vol. LXVI. No. FIFTEEN Davidson College, Davidson, N.C. 28036 and Religious Life next week to seek final approval before it is sent to President Samuel R. Spencer, Jr. Martin awaits renovation, Reynolds reconsiders grant By LYMAN COLLINS $850,000. these funding possibilities fell News Editor The renovation would in- through there would still be Due to a continued lack of clude the construction of a another avenue open for con- funding, Martin Science Buil- storage wing at the rear of the sideration. ding still awaits renovation. present facility in addition to "We could establish a cam- "It is a very hot issue with modernizing labs and equip- paign for many smaller gifts, us," commented Vice-Presi- ment. but that type of campaign is dent for Development Dwayne Dittman did not completely very time consuming and diff- Dittman, "but it is so up in' rule Reynolds out as a source icult and Martin is our highest the air at this point." of funding. After the college priority in our $35 million Dittman explained that in received the initial modest campaign," he said. September it had been hoped grant it asked Reynolds to Dittman cautioned against that a grant for the entire reconsider funding the entire the word priority, however, renovation might be obtained project. Representatives from saying that it often is mis- from Reynolds Industries. the college and from Reynolds leading. A donor might only Business problems within will meet in March and make want to contribute money for a the company, however, pre-' the final decision. low priority item and of course vented Reynolds from contri- Dittman praised Chemistry the college would not discour- buting a large grant. Department Department J. age such a gift. Instead of turning the col- Nicholas Burnett's work in "At the moment, however, lege down completely Rey- trying to secure money for the we have to pin our hopes on THESE OUTDATED FACILITIES in Martin Science nolds contributed what Ditt- project. the Reynolds Grant," he con- Building continue to corrode while awaiting renovation man termed a "modest grant" "Dr. Burnett has done a cluded. funds. (Hunter Jennings) which has been put into a fund fabulous job writing a propo- with smaller gifts to be used sal to the National Science FOCUS for the project. Foundation for mostly pro- The estimated cost of the gram funds, but including proposed renovation was $100,000 for space renovation Changes planned for WDAV $750,000 last April but Ditt- which could be part of the man indicated that a more total renovation objectives," By AMANDA HALL "There is no question about during the holidays before then. reasonable estimate today was he added. Managing Editor the fact that Davidson has lost between $800,000 and Dittman indicated that if Davidson College plans to community impact in Char- The station's broadcast for- raise the power of WDAV to lotte. Charlotte is where we mat will be altered when the 18,540 watts pending approval need to raise our money. We change takes place to cater to of the Federal Communica- lost the impact because Cen- the Charlotte audience during tions Commission (FCC) Feb- tral Piedmont and UNCC are the day. Sixty percent of the ruary 15 and the college trus- serving Charlotte in ways we broadcasting will be student- tees February 24. are not. We once had a oriented and forty percent will The increased power will basketball program that drew, he classical and educational enable WDAV to reach the but now we don't. We need a programming. Charlotte audience in hope of rejuvenated impact." "With the (application lor raising money for the college Because the increased power increased power at the FCC) there, according to College necessitates the station broad- we have contemporary music President Samuel R. Spencer cast year-round an automation from sign on to noon, educa- Jr. system may be installed. Ac- tional and classical from noon "This is money sent after cording to Director of News to 8 pm, and from 8 pm tn sign money," Spencer said. "(The and Photography Earl W. off contemporary music ag- increase) will get you money in Lawrimore this system will be ain," said Jack Golden, former the long run." acquired sometime in the fut- WDAV station manager, who STUDENT DJ's are wary of administration's efforts to "(To get the money) we ure and the college will hire raise funds to change WDAV. (Hunter Jennings). have to raise it," he said. DJ's to operate the station [see STUDENTS, page 7] February 4, 1977 The DavkJsonian off-campus students By JOHN HEDRICK vened in the 900 Koom on where other than prison be- mally established by the var- Baer, and the total budget is Staff Writer January 13th. Present were cause of the dehumanizing ious state PIRG's and CAG's $22,500. The North Carolina Public Richard Urbanic of the N.C. effects of confinement. Dr. attending the National PIRG This area of funding is Interest Research Group is Department of Corrections, Urbanic suggested building Conference at Minneapolis, expected to be a source of presently conducting its sur- John Campbell, head of the more facilities to relieve the Minn., in August, 1976. much discussion at the up- vey of off •campus students for Prison Grievance Committee, overcrowding and to upgrade The Clearinghouse is to coming meetings. Most feel its upcoming housing guide. and Jeff Campbell, director of the existing units. John serve as an information and that the present funding mec- Someone should be calling ECO, the ex-convicts organi- Campbell advocated an in- resource center to draw the hanism is self-limiting and too each house within the next zation in Charlotte. crease in health, recreational member PIRG's closer toget- small to run a national organi- week for information regard- Each participant gave his and educational opportunities. her. It is presently located in zation. ing residents' rental situa- 15-minute presentation and All, however, stressed that Oakdale, Iowa, under the su- Also on the agenda is a tions. If your off-campus then opened the floor to ques- prison should be viewed as a pervision of Iowa PIRG whose proposal for research and joint house hasn't been contacted tions. Everyone agreed that part of an overall system of director has pledged his sup- action. This proposal, known by next Friday, pleaM inform the prilon system punishes justice that includes society as port and group's facilities. as the National PIRG project, Kathy McLendon (B 468, instead of rehabilitating, but a key link. They emphasized Each member group of the would make PIRG visible as a •3060) so she can include you the panelists disagreed on that anything done in a part of Clearinghouse has one person national entity as well as give in the survey. remedies for the problems. the system will have effects on on the Governing Council, it the capacity to lobby on Jeff Campbell recommended the entire system's ultimate which is in charge of the issues with the information A panel of experts on pri- that all but the hard-core outcome.
Recommended publications
  • Year 1963 Dean Martin LP
    Year 1963 Dean Martin LP “Dean “Tex” Martin – Country Style” 414 Martin, Dean Dean “Tex” Martin - Country Style Reprise R9-6061 (US) 1.1963 I’m so lonesome I could cry (piano) – Face in a crowd (piano) – Things (background piano) – Room full of roses (no piano) – I walk the line (no piano) – My heart cries for you (piano!!) – Any time (piano) – Shutters and boards (piano) – Blue, blue day (piano?) – Singing the blues (piano) – Hey, Good Lookin’ (no piano) – Ain’t gonna try anymore (piano!!!) – Lots of Leon all over! James Burton on guitar. Rec. date: Face in a crowd - Ain’t gonna try anymore - Shutters & Boards - Singing The Blues - Face In The Crowd - Dec. 20, 1962 The label states that the year of release was 1961!!?? - Arr. & cond. Don Costa – prod. Jimmy Bowen? Bobby “Blue” Bland – LP 645 Bland, Bobby Call On Me/That’s The Way Love Is Duke 360 (US) 2.1963 Leon background piano on both? Dean Martin LP “Dean “Tex” Martin – Rides Again” 543 Martin, Dean Dean “Tex” Martin - Rides Again Reprise R-6085 (US) 4.1963 I’m gonna change everything (no piano) – Candy kisses (piano!!) – Rockin’ alone (in an old rocking chair) (piano) – Just a little lovin’ (background piano) – I can’t help it (if I’m still in love with you) (piano) – My sugar’s gone (piano!!) – Corrine, Corrina (piano!) – Take good care of her (piano) – The middle of the night is my cryin’ time (piano!!) – From lover to loser (piano!) – Bouquet of roses (piano) – Second hand Rose (piano!!) – Lots of Leon all over! Arr.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • The Wrecking Crew
    Magnolia Pictures Present A MAGNOLIA PICTURES RELEASE THE WRECKING CREW A film by Denny Tedesco 101 minutes; 1.78 Official Selection: SXSW Film Festival International Documentary Association – Best Music Documentary Nominee Docuweek – Official Selection Seattle International Film Festival – Golden Space Needle Audience Award Winner Tallgrass Film Festival – Audience Award Winner Mill Valley Film Festival Nashville International Film Festival Florida Film Festival FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Matt Cowal Steve Beeman Marina Bailey Arianne Ayers Falco Ink Marina Bailey Film Publicity Magnolia Pictures 250 West 49th Street, Ste. 704 6569 De Longpre Avenue (212) 924-6701 phone New York, NY 10019 Los Angeles, CA 90028 [email protected] (212) 445-7100 phone (323) 962-7511 phone [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. And now, THE WRECKING CREW tells the story in pictures and that oh, so glorious sound. The favorite songs of a generation are all here, presented by the people who made them for you. THE WRECKING CREW is a documentary film produced and directed by Denny Tedesco, son of legendary late Wrecking Crew guitarist Tommy Tedesco. The film tells the story of the unsung musicians that provided the backbeat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s.
    [Show full text]
  • Everything Old Is New Again
    Volume 46 • Issue 1 january 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “Professor” Adrian Cunningham and his Old School Band made their Suncoast Jazz Classic debut and played sets throughout the weekend, including a CD release party for their latest Arbors album, Swing It Out! Here the leader pays close attention to bassist Jim Robertson’s solo on November 17. Photo by Mitchell Seidel. everything old Is new again By Mitchell Seidel verything we’re playing tonight is prior and ASCAP licensing rights, but it could just “E to 1923,” half-seriously joked trumpeter as easily have meant the repertoire of a good Dave Tatrow of Wally’s Warehouse Waifs, number of repeat performers at the 27th performing in the ballroom for the pre-festival annual event. Indeed, Tatrow and the Waifs sponsors’ dinner for the 2017 Suncoast Jazz have been performing at the event since the Classic in November. His quip referred to BMI turn of the century (21st, not 20th). Despite continued on page 28 New JerseyjazzSociety in this issue: new jersey jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/join njjs . 51 Crow’s Nest . 52 New/Renewed Members . 53 his marks my final “Prez Sez” column (it’s hard There were also some disappointments, the main to believe I have written 55 of them), because ones being the discontinuance of Jazzfest due to storIes T Suncoast Jazz Festival .
    [Show full text]
  • Interview with Jimmy Wyble
    Jimmy Wyble by Jim Carlton www.jimcarlton.com The Amazing Captain C Chord Jimmy Wyble laughingly calls himself “Captain C Chord,” but I think he has the right to call himself Captain Marvel. He’s perhaps the most genuinely humble person I’ve ever talked to although he’s covered more ground musically than any guitarist I can think of. Early in his career he was an integral part of Bob Wills’ famous western swing band, the Texas Playboys. Later, he moved on to enhance the groups of both Benny Goodman and Red Norvo, among others, and like many of his peers spent years as one of Hollywood’s top studio players busily working recording dates, television shows, commercials and film scores. Not only has his jazz playing influenced countless others but his series of original, inventive and atmospheric guitar etudes have fascinated any number of classical artists. Jimmy’s a complete player with a legacy that’s yet to be totally discovered by the guitar world at large. That’s why it’s my pleasure to share a glimpse of, and I hope some insight to, this player who’s one of the world’s finest jazz guitarists. Many guitar-greats consider Jimmy Wyble a genius talent. Jimmy’s a soft-spoken man without pretense or ostentation. His mild- manned demeanor left me with a sense of his being a focused, centered and creative artist who nevertheless seems truly amazed at his own accomplishments. Few players have had such a comprehensive and interesting background and I sincerely believe he looks back fondly at a blessed and satisfying music career.
    [Show full text]
  • Phil Spector and the Wall of Sound by Steven Quinn a Thesis Presented To
    Phil Spector and the Wall of Sound by Steven Quinn A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2019 Phil Spector and the Wall of Sound by Steven Quinn APPROVED: ____________________________ Name of Project Advisor List Advisor’s Department ____________________________________ Name of Chairperson of Project Advisor List Chair’s Department ___________________________ Name of Second Reader List Second Reader’s Department ___________________________ Dr. John Vile Dean, University Honors College OR (NOT BOTH NAMES) Dr. Philip E. Phillips, Associate Dean University Honors College 2 Acknowledgments A special thank you to my thesis mentor John Hill and my second reader Dan Pfeifer for all of their help and support. I also want to say thank you to the faculty at MTSU who helped me out along the way. A thank you to my parents for all of their encouragement and everyone who helped me create this project by playing a part in it. Without your endless support and dedication to my success, this would have never been possible. Abstract Phil Spector was one of, if not the most influential producer of the 1960s and was an instrumental part in moving music in a new direction. With his “Wall of Sound” technique, he not only changed how the start of the decade sounded but influenced and changed the style of some of the most iconic groups ever to exist, including The Beach Boys and the Beatles. My research focused on how Spector developed his technique, what he did to create his iconic sound, and the impact of his influence on the music industry.
    [Show full text]
  • March 2015: the Wrecking Crew
    AFM LOCAL 47 Vol. 1 No. 3 March 2015 online LA studio musicians who recorded the soundtrack of the 1960s profiled in Denny Tedesco’s feature documentary Live at the 87th Academy Awards Musicians are Athletes, Too! Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Hollywood, CA 90038-3779 Adverting Manager p 323.462.2161 f 323.461.3090 Linda A. Rapka www.afm47.org Lead Graphic Designer Nate Herrera Titled Officers Hearing Board President: John Acosta Alan Estes, Chuck Flores, Overture Online is the official electronic Vice President: Rick Baptist Jon Kurnick, Jeff Lass, monthly magazine of the American Federa- Secretary/Treasurer: Gary Lasley Norman Ludwin, Allen Savedoff, tion of Musicians Local 47, a labor union for Marc Sazer Trustees professional musicians located in Hollywood. Judy Chilnick, Dylan Hart, Hearing Representative Bonnie Janofsky Vivian Wolf Formed by and for Los Angeles musicians Directors Salary Review Board over a century ago, Local 47 promotes and Pam Gates, John Lofton, Rick Baptist, Stephen Green, protects the concerns of musicians in all areas Andy Malloy, Phil O’Connor, Bill Norman Ludwin, Marie Matson, Reichenbach, Vivian Wolf Paul Sternhagen of the music business. Our jurisdiction includes all counties of Los Angeles (except the Long Delegates to AFM Convention Fair Employment Practices John Acosta, Rick Baptist, Committee Beach area). With more than 7,000 mem- Pam Gates, Bonnie Janofsky, Ray Brown, Beverly Dahlke-Smith bers, Local 47 negotiates with employers to Gary Lasley, Norman Ludwin establish fair wages and working conditions Grievance Committee 1st Alternate Delegate Ray Brown, Lesa Terry for our members.
    [Show full text]
  • October 1985 Clark Patriot
    RAHKAT PUBLIC LIBRARJ U75 ST.C OBOES HAflttT^JU. 07065 w PUBUC UBRAR^ •'-' V or None' VOL. 19 NO. 41 CLARK. NEW JERSEY, THURSDAY, OCTOBER 10, 198S 20 CENTS ,".V :<.'..>. * r.- * - ^ %••-••• '•"•>*••; i. Regional Board uses '••'"• •'•;?»* i &' J ' /'• •,?/• A. A-fit- r«f.. $260,000 from surplus The Union County Adult school 40 of his students to visit Regional High School salaries, including a pay- the Smithsonian Institute in District No. I Board of ment to former director, Washington, D.C. tomor- Education, which governs Harold Linkin, for unused row. Arthur L. Johnson vacation days and 100 sick A former custodian in the Regional High School in days$5,000: regional district, Michael Clark, Oct. I voted to Summer school Stojka, was authorized to transfer $260,000 from cur- salaries-57,000. be paid $2,145.42 for 29 rent expense surplus to a Summer school unused vacation days, and variety of accounts in its supplies-53,000. another former custodian, 1985-1986 current expense The Board also accepted Francis Domaratius, will be budget so that it would not an emission control unit, paid $175.46 for two unus- overexpcnd the tab. donated by the New Jersey ed vacation days thanks to The following accounts Motor Vehicle Division Board approval. received funds: through the efforts of Mrs. Katherine Zigmont, DEMOCRACY IN ACTION - Principal David M. Hart (left) offers the Presidential can- Course re- William Sangiuiia'no, a a member of the foreign didates and their campaign managers his congratulations on well-organized campaigns vocational advisory com- imbursemcnts-S 10,000 language department at and offers them his best wishes.
    [Show full text]
  • Beach Boys Edited Studio
    The Beach Boys - The Beach Boys Today! Produced by Brian Wilson Released March 1, 1965 - Capitol T-2269 (EMI) This album marked a turning point in the career of Brian Wilson and The Beach Boys, and proved to be the opening salvo of a triumvirate of longplayers (excluding Party !) that defined their status as premier pop artists on a level with The Beatles. A few of the cuts had been completed in the summer and fall of '64, but the bulk of the album was recorded in the winter months following Brian's retirement from the road. Brian's composing skills had progressed beyond garage band "formula" writing, into the realm of what one might call "orchestrated rock". This was also the album where the scope and sheer musicality of Brian's arrangements necessitated the employment of outside musicians to a greater extent. As Carl put it in a 1981 interview for "Circus" magazine (reprinted in the September 1989 issue of "Guitar for the Practicing Musician"), "By the time of Beach Boys Today , there were a lot of prominent session men on the dates". Having said that, one should not sell short Carl's own contributions; the youngest Wilson (who just turned eighteen that December) had developed as a musician sufficiently to play alongside the horde of high-dollar session pros that big brother was now bringing into the studio. Carl's guitar playing on this album is a key ingredient, and in fact this is the most "guitar heavy" of the Boys' post-surf era albums. In a really cool stroke of programming genius, the album is divided into one side of rockers and one side of ballads (a technique probably inspired by two 1961 albums: the Everly Brothers’ Both Sides of an Evening and Elvis’ Something for Everybody , and one later utilized by The Rolling Stones on their 1981 Tattoo You album, but one which has lost much of its impact in today's CD-orientated world).
    [Show full text]
  • The Development of the Beach Boys' Sound
    When I Grow Up: The Development of the Beach Boys’ Sound (1962-1966) Author O'Regan, Jade Simone Published 2014 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/2556 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367243 Griffith Research Online https://research-repository.griffith.edu.au When I Grow Up: The Development of the Beach Boys’ Sound (1962-1966) Volume One Jade Simone O’Regan B.PopMus (Hons) Queensland Conservatorium of Music Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December, 2013 2 Abstract The Beach Boys are an American rock group whose career has spanned over fifty years. However, it was between 1962 and 1966 that the group had most of their chart success and that their unique ‘sound’ was crystallised. This study takes a broad, big- picture overview of the Beach Boy’s repertoire from this period and charts the development of their sound through the apprentice-craft-art (ACA) framework. The concept of a ‘sound’ is able to draw together the musical, technological, sociological and historical elements that, when combined, create the sound of the Beach Boys during the 1962-1966 period. The flexibility of this concept means that areas often overlooked in popular music studies and in studies on the Beach Boys in general (particularly the roles of production and instrument types), are able to be woven into analyses of more traditional musical elements (such as song structure or chord progressions).
    [Show full text]
  • Gold Thunder
    Gold Thunder 1 Gold Thunder 2 Gold Thunder Accolades for Tony Tony Newton has always been on the leading edge of music. His style and precision has long been recognized by real players in the industry. – Clarence McDonald Grammy Winning Keyboardist TonyNewton, one of the most talented entities I have ever had the plea- sure to hear and get to know, Truly a diamond that will not be hidden-. Jauqo III-X,Bassist/Producer I met Tony at a Motown session, I had heard through the vine as well as hearing his playing how great he was, he was Smokey Robinson's musi- cal director and played with Tony Williams, whom I admired what a great musician talent as well as a great person Tony. James Gadson – World Renowned Drummer/Producer Mean Streets Rock Magazine of Los Angeles states, “Tony Newton is a monumental master and true music visionary!” I have never met anybody in my life that has given me the truth in so dif- ferent many forms -- Life long lessons that inspire, guide, teach, follow through, and just totally give it all. Tony is not only one of the greatest musicians I've ever heard or worked with, but through him, I have been given the opportunity to see music and life through the eyes of a true genius! Tony, we love you, Mike, Marcia, and Dalton. – MMM Music Tony Newton, is one of the best creative minds I come across in my life- time and he is also a real musical genius dating back to Motown as a mu- sician known as the baby funk brother – Lou Nathan, CEO Nexxus Ent.
    [Show full text]
  • M I C H a E L W a D D a C O R
    M i c h a e l W a d d a c o r p r e s e n t s Strange Brew Celebrating seminal rock music | Edition 09 | Friday August 31 2007 Brian Wilson dreamt he had a halo over his head Pet Sounds: A new type of sophisticated-feeling music Forty-one years later, The Beach Boys’ greatest album, Pet Sounds, merits a fresh celebration for the Noughties. The group’s leader, Brian Wilson, created one of the most majestic music albums of the twentieth century. Producer George Martin and The Beatles – particular Paul McCartney – were amazed by the quality of the album’s songwriting and production, and were fuelled to go several steps beyond Pet Sounds while writing and recording Sgt Pepper’s Lonely Hearts Club in 1966 and 1967. Michael Waddacor pays homage to the irresistible “pop genius” of Brian Wilson and his 1966 masterpiece that continues to touch the hearts and souls of a new generation of music enthusiasts. ELEASED by Capitol Records in May 1966, RThe Beach Boys’ finest album, Pet Sounds, remains one of the most enjoyed and eulogised music albums of the twentieth century. Pet Sounds is a bold, explorative, innovative, sophisticated and highly intelligent pop record glowing with a rare spiritual luminosity and an The cover of The Beach Boys’ Pet Sounds album, invigorating reverence for the foibles of human often rated as “the greatest album ever made”. love and the awkward odyssey from adolescence ……………………………………………………………………………………… to adulthood. Inside this Pet Sounds edition (part 1) Pet Sounds glides effortlessly from wistful touches to sanguine moods and back again within a framework 07 The 1,000-word Neophyte Pet Sounds review of superbly layered vocal harmonies and exquisitely 08 Other views on the Pet Sounds album crafted arrangements.
    [Show full text]