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NAWPA Bibliographies: Native American Theater

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NAWPA Bibliographies: Native American Theater NAWPA Bibliographies: Native American Theater Basic Bibliography Haugo Ann. "Contemporary Native Theater: Bibliography and Resource Materials." In American Indian Theater in Performance: A Reader. Ed. Hanay Geiogamah and Jaye T. Darby. Los Angeles: UCLA American Indian Studies Center, 2000. 367-90. Dawes, Birgit. Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference. Heidelberg: Universitatsverlag Winter, 2007. 391-470. See also issues of Canadian Theatre Review and Native Playwrights' Newsletter. Books Brask, Per, and William Morgan, eds. Aboriginal Voices: Amerindian, Inuit, and Sami Theater. Baltimore: Johns Hopkins UP, 1992. Dawes, Birgit. Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference. Heidelberg: Universitatsverlag Winter, 2007. Geiogamah, Hanay, and Jaye T. Darby, eds. American Indian Theater in Performance: A Reader. Los Angeles: UCLA American Indian Studies Center, 2000. Articles and Chapters in Books Abbott, Larry. "Spiderwoman Theater and the Tapestry of Story." Canadian Journal of Native Studies 16 (1996): 165-80. Appleford, Robert. "Making Relations Visible in Native Canadian Performance." Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E. Peter Lang, 2001. 233-46. D'Aponte, Mimi Gisolfi. "Native Women Playwrights: Transmitters, Healers, Transformers." Journal of Dramatic Theory and Criticism 14 (1999): 99-108. De Veaux, Masani Alexis, Kathleen Betsko, Hortensia Colorado, Vira Colorado, Vira Eva Johnson, Rosie Logan, and Spiderwoman Theater. "Issues of Race and Class." International Women Playwrights: Voices of Identity and Transformation. Ed. Anna Kay France and P. J. Corso. Proc. of the First Internat. Women Playwrights Conf., Oct. 18-23, 1988. Metuchen, NJ: Scarecrow, 1993. 173-88. Dickerson, Glenda, Barbara Graber, Dorothy Hewett, Nicole Mace, Tess Onwueme, and Spiderwoman Theater. "Myth, Legend and Ritual in Plays by Women." International Women Playwrights: Voices of Identity and TransformationM. Ed. Anna Kay France and P. J. Corso. Proc. of the First Internat. Women Playwrights Conf., Oct. 18-23, 1988. Metuchen, NJ: Scarecrow, 1993. 105-20. Geiogamah, Hanay L. "The New Native Ameircan Theater." In Dictionary of Native American Literature, ed. Andrew Wiget. New York: Garland, 1994. 377-81. Gilbert, Reid. "Marie Clements's The Unnatural and Accidental Woman: 'Denaturalizing' Genre." Theatre Research in Canada/Recherches Theatrales au Canada 24, no. 1-2 (2003): 125-46. Glaap, Albert-Reiner. "Drew Hayden Talyor's Dramatic Career." Siting the Other: Re- visions of Marginality in Australian and English-Canadian Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E. Peter Lang, 2001. 217-32. Glancy, Diane. "Further (Farther): Creating Dialogue to Talk about Native American Plays." Journal of Dramatic Theory and Criticism 14 (1999): 127-30. Haugo, Ann. "American Indian Theatre." The Cambridge Companion to Native American Literature. Cambridge: Cambridge University Press, 2005. 189-204. Haugo, Ann. "Colonial Audiences and Native Women's Theatre: Viewing Spiderwoman Theater's Winnetou's Snake Oil Show from Wigwam City." Journal of Dramatic Theory and Criticism 14 (1999): 131-41. Haugo, Ann. "Negotiating Hybridity: Native Women's Performance As Cultural Persistence." Women and Performance no. 14-15, v. 7, no. 2; v. 8, no. 1 (1995): 125-41. Howard, Rebecca. "The Native American Women Playwrights Archive: Adding Voices." Journal of Dramatic Theory and Criticism 14 (1999): 109-16. Howe, LeAnne. "Tribalography: The Power of Native Stories." Journal of Dramatic Theory and Criticism 14 (1999): 117-25. King-Odjig, Alanis. "To Keep the Seventh Fire Lit: Script Development at De-Ba-Jeh- Mu-Jig." Canadian Theatre Review 87 (1996): 17-18. King, Thomas. "Native Literature of Canada." In Dictionary of Native American Literature, ed. Andrew Wiget. New York: Garland, 1994. 353-69. Knowles, Ric. "Translators, Traitors, Mistresses, and Whores: Monique Mojica and the Mothers of the Metis Nations." Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E. Peter Lang, 2001. 247-66. Mattos, Justina T. "Stereotypes and Racial Relations in Hawaii's Contemporary Indigenous Drama." Native Playwrights' Newsletter no. 10 (1996): 18-30. Mattos, Justina T. "Kumu Kahua Theatre: The First Ten Years." Native Playwrights' Newsletter no. 10 (1996): 30-47. Maufort, Marc. "Forging and 'Aboriginal Realism': First Nations Playwriting in Australia and Canada." Siting the Other: Re-visions of Marginality in Australian and English- Canadian Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E. Peter Lang, 2001. 7-22. Myers, Robert. "Mayan Indian Women Find Their Place Is on the Stage." New York Times 28 Sept. 1997: Arts & Entertainment, pp. 4, 12. Oliva, Judy Lee. "Te Ata--A Chickasa Indian Performer: From Broadway to Back Home." Theatre History Studies 15 (1995): 3-26. Schaefer, Henning. "A Celebration of Impurity? Syncretism and Hybridity in Native Canadian Theatre." Textual Studies in Canada 17 (2004). 79-96. Stanlake, Christy. "Blending Time: Dramatic Conventions in Yvette Nolan's Annie Mae's Movement." Journal of Dramatic Theory and Criticism 14 (1999): 143-49. Turcotte, Gerry. "Collaborating with Ghosts: Dis/possession in The Book of Jessica and The Mudrooroo/Muller Project."Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. Ed. Marc Maufort and Franca Bellarsi. Bruxelles: P.I.E. Peter Lang, 2001. 175-92. Yellow Robe, William S., Jr. "Speaking with Yellow Robe." Frank: An International Journal of Contemporary Writing and Art, no. 16/17 (1999): 101-04. Papers Underiner, Tamara. "The Man from Rabinal, the Man from Bourgourg: How the Only (Extant) Indigenous Mayan Dramatic Text Entered 'Western' Discourse." 1994 ATHE Conference: Native Theatre Panels. July 30, 1994, Chicago. Krasner, David. "Between Story and Discourse: The Trickster Figure in Native American Drama." 1994 ATHE Conference: Native Theatre Panels. July 30, 1994, Chicago. Dissertations and Theses Anderson, Brenda Jean. "The North American Indian in Theatre and Drama from 1605 to 1970." DAI. Diss., Univ. of Illinois, 1978. Appleford, Robert. "The Indian 'Act': Postmodern Perspectives on Native Canadian Theatre." DAI. Diss., Univ. of Toronto, 2002. Bannister, Denee Jaggers. "Native American Dance: A Synergy of Dance, Drama and Religion." [Hopi, Lakota, Tiwa Pueblo, Cherokee] DAI. Thesis, Univ. of Louisville, 2000. Arndt, Grant Paul. "No Middle Ground: Ho-Chunk Powwows and the Production of Social Space in Native Wisconsin." DAI. Diss., Univ. of Chicago, 2004. Berube, David Michael. "The Lakotan Ghost Dance of 1890: A Historiocritical Performance Analysis." DAI. Diss., New York Univ., 1990. Brydon, Sherry. "Hiawatha Meets the Gitche Gumee Indians: The Visualization of Indians in Turn of the Century Hiawatha Plays." DAI. Thesis, Carleton Univ., 1993. Cox, Paul Ronald. "The Characterization of the American Indian in American Indian Plays 1800-1860 As a Reflection of the American Romantic Movement." DAI. Diss., New York Univ., 1970. Cunningham, Shawna Marie. "The Trickster in Transition: Tomson Highway's Theatrical Adaption of the Traditional Trickster Figure." DAI. Thesis, Univ. of Alberta, 1995. Darby, Jaye T. "Know the Stories of Our Way: Towards a Culturally Complex Arts Education, Using Theatre as a Case Illustration." Diss., UCLA, 1996. Doran, Gregory Killen. "Saying Good-Bye to Tonto: The Changing Representation of Natives in Canadian Drama." DAI. Thesis, Univ. of New Brunswick, 1995. [Tomson Highway, Drew Taylor, George Ryga, Gwen Pharis] Ellis, Lawrence Simmers. "Turtle Sang Himself Together: Themes of Cultural Survival in the Oral Traditions of the Florida Panhandle Creek Indians." DAI. Diss., Arizona State Univ., 2003. Ferrari, Pasquale. "Two Plays: 'Still Life in LA,' and 'Family Reunion in a Mirage.'" DAI. Diss., Univ. of Utah, 1984. [original plays] First Rider, Amethyst Beverly. "Sweet Grass Visions: The Combination of Trickster and Theatre for the Transmission of Culture." DAI. Thesis, Univ. of Calgary, 1994. Frank, Gene Roland. "The Relationship between Myth and Historical Fact in Writing Plays about the American West: Two Examples of Original Scripts." DAI. Diss., New York Univ., 2000. Fullerton, Mary Elizabeth. "Reception and Representation: The Western Vision of Native American Performance on the Northwest Coast." DAI. Diss. Univ. of Washington, 1986. Gould, Charlene Jeanette Burton. "Feminist Theatre for Working-Class Audiences in the United States." DAI. Diss., Univ. of Kansas, 1995. [Spiderwoman Theater] Grose, Burl Donal. "'Here Come the Indians': An Historical Study of the Representations of the Native American upon the North American Stage, 1809-1969." DAI. Diss. Univ. of Missouri, 1979. Gupta, Pallavi. "Stealing Horses: The Representation of Non-Natives in Native Canadian Literature." DAI. Diss., Dalhousie Univ., 2004. Gustafson, Antoinette McCloskey. "The Image of the West in American Popular Performance." DAI. Diss., New York Univ., 1988. Haugo, Ann M. "Staging Intervention: Native Women, Decolonization, and the American Theatre." DAI. Diss., Univ. of Illinois at Urbana-Champaign, 1999. Hearne, Joanna Megan. "'The Cross-Heart People': Indigenous Narratives, Cinema, and the Western." DAI.,
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