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Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Cash Box , Music Page October 10, 1953
31 The Cash Box , Music Page October 10, 1953 lias USE BOX, Safest! anil WESTERg EOUIUf) Ray Price, whose recording of “Wrong Side of Town” and “Who Stole ffltKfrWfSTfW* That Train Off The Track” seems to be kickin’ up lots of attention is going to be real active this month with his personal appearances. Dates have been set for Price and his Drifting Cowboys band; Don Helms, Rusty Gabbard, Jerry Rivers and Cedric Rainwater in Missouri, Oklahoma, Texas, Kansas and Colorado. At the conclusion of a ten day tour around the 14th of this month, Price and his boys will be on a Deer Hunt in Colorado. Rex Allen (Decca) broke a .record recently while recording in Nashville when he went for eleven Buck Benson hours of continuous singing. Those who assisted the Don Larkin Joe Morris WLBR—Lebanon, Pa. artist were Jerry Byrd, Grady Martin, Bobby Moore, WAAT—Newark, N. J. WKDK—Newberry, S. C. 1. Caribbean (Mitchell Torok) 1. It's Been So Long (W. Pierce) 1. It's Been So Long (W. Pierce) Jimmie Self, Owen Bradley, Marvin Hughes, Farris 2. It Zat You Myrtle (Carlitlet) 2. Hey Joe (Carl Smith) 2. A Dear John Letter and the Anita Kerr Singers. Carl 3. Private Property Coursey, Smith, 3. A Dear John Letter (Shepard & Huskey) (Johnny & Jack) (Shepard Ernest Tubb, the Carter Family, with June, Helen, & Huskey) 3. 1 Forgot More (Davis Sisters) 4. Butterfly Love (Jim Reeves) 4. 1 Forgot More (Davis Sisters) 4. Hey Jee (Carl Smith) Anita and Mother Maybelle and Lonzo and Oscar played 5. -
Stu Davis: Canada's Cowboy Troubadour
Stu Davis: Canada’s Cowboy Troubadour by Brock Silversides Stu Davis was an immense presence on Western Canada’s country music scene from the late 1930s to the late 1960s. His is a name no longer well-known, even though he was continually on the radio and television waves regionally and nationally for more than a quarter century. In addition, he released twenty-three singles, twenty albums, and published four folios of songs: a multi-layered creative output unmatched by most of his contemporaries. Born David Stewart, he was the youngest son of Alex Stewart and Magdelena Fawns. They had emigrated from Scotland to Saskatchewan in 1909, homesteading on Twp. 13, Range 15, west of the 2nd Meridian.1 This was in the middle of the great Regina Plain, near the town of Francis. The Stewarts Sales card for Stu Davis (Montreal: RCA Victor Co. Ltd.) 1948 Library & Archives Canada Brock Silversides ([email protected]) is Director of the University of Toronto Media Commons. 1. Census of Manitoba, Saskatchewan and Alberta 1916, Saskatchewan, District 31 Weyburn, Subdistrict 22, Township 13 Range 15, W2M, Schedule No. 1, 3. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. CAML REVIEW / REVUE DE L’ACBM 47, NO. 2-3 (AUGUST-NOVEMBER / AOÛT-NOVEMBRE 2019) PAGE 27 managed to keep the farm going for more than a decade, but only marginally. In 1920 they moved into Regina where Alex found employment as a gardener, then as a teamster for the City of Regina Parks Board. The family moved frequently: city directories show them at 1400 Rae Street (1921), 1367 Lorne North (1923), 929 Edgar Street (1924-1929), 1202 Elliott Street (1933-1936), 1265 Scarth Street for the remainder of the 1930s, and 1178 Cameron Street through the war years.2 Through these moves the family kept a hand in farming, with a small farm 12 kilometres northwest of the city near the hamlet of Boggy Creek, a stone’s throw from the scenic Qu’Appelle Valley. -
NEW DATE ANNOUNCED for KRIS KRISTOFFERSON and the STRANGERS
NEW DATE ANNOUNCED FOR KRIS KRISTOFFERSON and THE STRANGERS FRIDAY, NOVEMBER 20, Kris Kristofferson & The Strangers headline the National Fiddler Hall of Fame Gala Concert with four stellar inductees and special guests at the Mabee Center, Tulsa OK. Emcees are Billy Parker and Tess Maune. Kristofferson sent a thank you message for moving the concert date from March to November due to coronavirus worldwide concerns. “We are looking forward to being in Tulsa this fall. By then we should be seeing the country returning to some normalcy. We really appreciate you making this change.” NFHoF president Bob Fjeldsted states the other performers echo this sentiment and are on board for the concert at 7:00 p.m. on November 20 at the Mabee Center. An exciting celebration is in store for all, with the world's best talents here for the National Fiddler Hall of Fame 2020 Gala induction concert. Headlining the event in full concert is the amazing and multi-talented Kris Kristofferson and his band, The Strangers. Kristofferson played an important role in the Ken Burns PBS series “Country Music” and as composer of dozens of hit songs, he remains a vibrant songwriter, actor and musician, with countless awards, including the Grammy Lifetime Achievement Award, and a Golden Globe for Best Actor in "A Star is Born". His story includes the reasons for writing hits like “Help Me Make it Through The Night” and the pivotal experience resulting in his moving classic, “Why Me Lord?” VIP table ticket holders will enjoy early doors at 5:30pm, full dinner at 6pm, a Meet and Greet with the artists, and a Pre-Show by the popular bluegrass band SpringStreet and special guests. -
JANUARY 16, 2006 ARTIST JOE MAPHIS TITLE at Town Hall Party
SHIPPING DATE: JANUARY 16, 2006 ARTIST JOE MAPHIS TITLE At Town Hall Party LABEL Bear Family Records CATALOG # BVD 20011 PRICE-CODE AT EAN-CODE 4000127 200112 ISBN-CODE 3-89916-162-9 FORMAT DVD-Digipac DETAILS NTSC - codefree - b/w GENRE Guitar - Country TRACKS 21 PLAYING TIME t.b.a. SALES NOTES "People said they didn't watch country music on TV (but) when it came to Saturday night and 'Town Hall Party,' Beverly Hills would have their eyes on it. A lot of my studio calls came from somebody watching it and seeing me there." Joe Maphis 1981 Joe Maphis's presence on 'Town Hall Party' made him a guitar legend. As the show's bandleader, his dazzling, flamboyant work was prominent behind other acts and in his frequent solo spots. Watching 'Town Hall,' Ozzie Nelson decided to recruit Joe to back his son Ricky on his first, pre-James Burton Imperial sessions. THP brought Joe studio work including film soundtracks for films like 'Thunder Road' and 'God's Little Acre.' Maphis's THP performances inspired countless rockabilly and surf guitar innovators including surf guitar godfather Dick Dale. Joe's tutelage made Larry Collins of the Collins Kids a phenomenal guitarist in his own right. Now, you can see why the Hollywood elite flocked to Joe. This is Maphis at his wildest, using his doubleneck Mosrite guitar as a musical Uzi. Taken from September 1958 to December, 1959 performances (the show went off the air in 1960) the 21 performances feature: • Maphis favorites Fire On the Strings, Katy Warren Breakdown and live versions of his Columbia recordings of Moonshot and Short Recess. -
Minimum Bod = 6 1.00 / Us$ 1.15 = Minimum
45 rpm single records, unless otherwise noted 6085 Desert Rose Band Darkness on the Playground | Story of Love MCA-C 79052 N 6086 ~ One That Got Away | He’s Back and I’m Blue MCA-Curb 53274 N * = picture cover · pr = promo with special label 6087 ~ Ashes of Love | One Step Forward MCA-Curb 53531 N US releases, if not noted otherwise 45's 6088 Ann Diamond & the Nashville Playboys You Make Me Feel Like a Woman | I Think I’m Going to Make It Now Marilyn 7063 N 6089* Neil Diamond Walk on Water | High Rolling Man Uni 6073045\D Zg MINIMUM BOD = € 1.00 / US$ 1.15 = MINIMUM BID 6090 The Dillards Love Has Gone Away | Hot Rod Banjo United Artists 35660\UK Z Some of these 45’s come from radio stations and have writing and/or stickers on labels. 6091* Joe Dolan Love of the Common People | Pretty Brown Eyes Pye 11088\D Zg If you do not want those, let me know! - Een aantal van deze singles komt van radio sta- 6092* Joe Dolce Music Theatre Shaddap You Face|Ain’t in No HurryAriola102947\D Zz tions, waar men op labels schreef en/of stickers plakte. Wilt u die niet, laat het me weten! 6093 Donovan Atlantis | To Susan on the West Coast Waiting Epic 5-9967\D G 6233 Roy Acuff & Charlie Louvin The Precious Jewel (gold vinyl) Hal Kat 63058 Z 6094 Rusty Draper Mystery Train | Shifting Whispering Sands Monument 944 pr N 6001 Bill Anderson & Mary Lou Turner Way Ahead | Just Enough MCA 40852 Z 6095 ~ California Sunshine | The Gypsy Monument 1044 N 6002 Liz Anderson Cry, Cry Again | Me, Me, Me, Me, Me RCA 47-9586 Z 6096 ~ Puppeteer | My Baby’s Not Here Monument