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19 Artists, Emergent Americans ARTISTS EMERGENT AMERICANS 1981 EXXON NATIONAL EXHIBITION 19 ARTISTS EMERGENT AMERICANS 1981 EXXON NATIONAL EXHIBITION This exhibition is sponsored by Exxon Corporation THE SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK Published by The Solomon R. Guggenheim Foundation, New York, 1981 ISBN: 0-89207-026-9 Library of Congress Card Catalog Number: 80-54018 © The Solomon R. Guggenheim Foundation, New York, 1981 THE SOLOMON R. GUGGENHEIM FOUNDATION PRESIDENT Peter O. Lawson-Johnston VICE-PRESIDENT The Right Honorable Earl Castle Stewart TRUSTEES Anne L. Armstrong, Joseph W. Donner, Robin Chandler Duke, John Hilson, Harold W. McGraw, Jr., Wendy McNeil, Thomas M. Messer, Frank R. Milliken, A, Chauncey Newlin, Lewis T. Preston, Seymour Slive, Albert E. Thiele, Michael F. Wettach, William T. Ylvisaker HONORARY TRUSTEES Solomon R. Guggenheim, Justin K. Thannhauser, Peggy Guggenheim IN PERPETUITY ADVISORY BOARD Elaine Dannheisser, Susan Morse Hilles, Morton L. Janklow, Barbara Jonas, Bonnie Ward Simon, Stephen Swid STAFF Henry Berg, Counsel Theodore G. Dunker, Secretary-Treasurer; Aili Pontynen, Assistant Treasurer; Barry Bragg, Assistant to the Treasurer; Margaret P. Cauchois, Assistant; Veronica M. O'Connell DIRECTOR Thomas M. Messer THE SOLOMON R. GUGGENHEIM MUSEUM Diane Waldman, Director of Exhibitions Margit Rowell, Director of Collections STAFF Louise Averill Svendsen, Senior Curator; Vivian Endicott Barnett, Associate Curator; Carol Fuerstein, Editor; Mary Joan Hall, Librarian; Ward Jackson, Archivist; Philip Verre, Collec- tions Coordinator; Lisa Dennison Tabak, Exhibitions Coordinator; Susan B. Hirschfeld, Lucy Flint, Curatorial Coordinators Angelica Zander Rudenstine, Adjunct Curator Orrin H. Riley, Conservator; Dana L. Cranmer, Assistant Conservator; Elizabeth Estabrook, Conservation Assistant; Harold B. Nelson, Registrar; Jane Rubin, Elizabeth Jarvis, Assistant Registrars; Marion Kahan, Registrar's Assistant; Saul Fuerstein, Preparator; Scott A. Wixon, Operations Manager; Robert E. Mates, Photographer; Mary Donlon, Associate Photogra- pher; Elizabeth S. Celotto, Photography Coordinator Mimi Poser, Public Affairs Officer; Vanessa Jalet, Special Events Coordinator; Marianne Collins, Public Affairs Coordinator Miriam Emden, Membership Department Head; Carolyn Porcelli, Ann Kraft, Development Associates; Cynthia Wootton, Development Assistant Agnes R. Connolly, Auditor; Charles Hovland, Sales Manager; James O'Shea, Sales Coor- dinator; Robert Turner, Restaurant Manager; Darrie Hammer, Katherine W. Briggs, Infor- mation; Susan L. Halper, Executive Assistant David A. Sutter, Building Superintendent; Guy Fletcher, Jr., Charles Gazzola, Assistant Build- ing Superintendents; Charles F. Banach, Head Guard; Elbio Almiron, Assistant Head Guard LIFE MEMBERS Eleanor, Countess Castle Stewart, Mr. and Mrs. Werner Dannheisser, Mr. William C. Ed- wards, Jr., Mr. and Mrs. Andrew P. Fuller, Mrs. Bernard F. Gimbel, Mr. and Mrs. Peter O. Lawson-Johnston, Mrs. Samuel I. Rosenman, Mrs. S. H. Scheuer, Mrs. Hilde Thannhauser CORPORATE PATRONS Alcoa Foundation, Atlantic Richfield Foundation, Exxon Corporation, Mobil Corporation, Philip Morris Incorporated GOVERNMENT PATRONS National Endowment for the Arts, New York State Council on the Arts LENDERS TO THE EXHIBITION Michael Brakke, Chicago Walker Art Center, Minneapolis Ross Bleckner, New York Braathen-Callozzi Contemporary Art, Inc., Gallery Paule Anglim, San Francisco New York Baum-Silverman Gallery, Los Angeles Guy de Cointet, New York and Los Angeles Roy Boyd Gallery, Chicago Alfred W. Cortese, Jr., Washington, D.C. Hal Bromm Gallery, New York Mr. and Mrs. Homer Delawie, San Diego Cirrus Gallery, Los Angeles Manny Farber, Leucadia, California Delahunty Gallery, Dallas Vernon Fisher, Denton, Texas Linda Farris Gallery, Seattle Mr. and Mrs. Ron Gleason, Tyler, Texas Robert Freidus Gallery, New York Heidi Gluck, New York Glen Hanson Gallery, Minneapolis Tom Green, Cabin John, Maryland Meredith Long Gallery, Houston William Haney, New York Louis K. Meisel Gallery, New York Fred Hoffman, Los Angeles Newspace Gallery, Los Angeles Patrick Hogan, Los Angeles Osuna Gallery, Washington, D.C. Tom Holste, Modjeska Canyon, California Jack Rasmussen Gallery, Washington, D.C. Barbara Kruger, New York Galerie Denise Rene / Hans Mayer, Dusseldorf Philip Larson, Minneapolis Jane Logemann and Gerry Rosen, New York Galerie Simonne Stern, New Orleans Tortue Kevin McCaffery, New Orleans Gallery, Santa Monica Barbara Muniot, New Orleans Bertha Urdang Gallery, New York Bill Newman, Washington, D.C. Jim Richard, New Orleans Bill Richards, New York Darryl Sapien, San Francisco Norie Sato, Seattle Gael Stack, Houston Bennett Tramer, Los Angeles Mindy and Sheldon Weisel, Chevy Chase, Maryland John White, Venice, California George Woodman, Boulder and New York Frank Young, New York Diana Zlotnick, Los Angeles ARTISTS IN THE EXHIBITION Michael Brakke Guy deCointet Manny Farber Vernon Fisher Heidi Cluck Tom Green William Haney Patrick Hogan Tom Holste Barbara Kruger Philip Larson Jim Richard Bill Richards Darryl Sapien Norie Sato Gael Stack John White George Woodman Frank Young This exhibition is dedicated to the memory of Robert E. Kingsley (1917-1980) whose devotion to cultural ideals and whose advocacy of corporate support toward their attainment have caused most beneficial results. PREFACE AND ACKNOWLEDGEMENTS It is with great pleasure that we unveil this exhibition of less established but conspicuous talent, representing the third such display sponsored by the Exxon Corporation at The Solomon R. Guggenheim Museum; and the second dedicated to Ameri- can art. The generous contribution of Exxon not only supports the exhibition itself, but enables the Museum to acquire one work by each participant, thereby significantly enriching the Guggenheim's permanent holdings. To avoid too institutional an emphasis in the inherently fluid area of contemporary art, we introduced the perspective of a guest curator on this occasion. In so doing we were for- tunate to enlist the help of Peter Frank, a young critic who is an indefatigable participant in the broad realm of contemporary arts. After a year of intensive exploratory travel and exposure to thousands of works of art, Mr. Frank reluctantly limited his selection to nineteen artists. Of these, seven live in New York (two of these with second residences elsewhere), five in California, two in Texas and one each in Minneapolis, Chicago, Seattle, New Orleans and Washington, DC. Although youth remains a basic assumption in this presentation of new talent, Mr. Frank has made exceptions for undervalued or under- exposed artists. Even so the ages of the participants here average out to forty. As in the previous Exxon National Exhibition the curatorial aspiration is both ambitious and humble. An attempt has been made to mirror the multifariousness of current artistic concerns without championing a single style or advocating a particular approach. Inclusions therefore are alternately nar- rative, formalistic, autobiographical, fantastic, austere, flam- boyant, self-referential, cross-referential, witty, eccentric and provocative. Because criteria for contemporary art remain moot, and taste, the sole universal compass, charts a myste- rious course, an exhibition of this sort invites energetic re- sponse and argument. It is the hope of the organizers that through the presentation and the ensuing debate an enhanced understanding of this perplexing moment in art history will be reached. During the course of the exhibition's preparatory stages we were saddened by the untimely death of Robert E. Kingsley, the Guggenheim's longtime friend and supporter at Exxon Corporation. This catalogue therefore is dedicated to Mr. Kingsley's memory. By assuming responsibility for this project, Leonard Fleischer, Senior Advisor, Arts Programs, has con- tinued to administer corporate support for a program that is considered of vital importance by the Trustees of the Guggen- heim Foundation. The realization of a venture as complex as the 1981 Exxon National Exhibition could not occur without the cooperation of many gifted people. At the Guggenheim Museum, indi- viduals whom Mr. Frank and I wish to single out for our grate- ful acknowledgement are: Linda Shearer, former Associate Curator, who was closely involved in the early stages of the exhibition's organization and continued to provide valuable advice and encouragement after she left the Museum; Lucy Flint, Curatorial Coordinator, who coordinated all aspects of the exhibition; Carol Fuerstein, for editing the catalogue's manuscript and for the handling of its production, as well as many other members of the staff who through the conscien- tious exercise of their functions secured the high level of pro- fessional attainment reflected in this presentation. Finally, I take pleasure in joining Peter Frank in expressing gratitude to many individuals outside the Museum: in par- ticular to his wife Jack Ox, and to dozens of professional col- leagues and personal friends whose advice and hospitality helped make his travels enlightening and productive. Heart- felt thanks are due also to private lenders and to galleries which responded to our requests, and most importantly of course to the nineteen artists who through their work have determined the tone and texture of this exhibition. Thomas M. Messer, Director The Solomon R. Guggenheim Foundation INTRODUCTION An exhibition such as 19 Artists— Emergent Americans: 1981 Exxon National Exhibition reflects a curator's attempt to
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