Other Minds 19 Official Program
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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
Sòouünd Póetry the Wages of Syntax
SòouÜnd Póetry The Wages of Syntax Monday April 9 - Saturday April 14, 2018 ODC Theater · 3153 17th St. San Francisco, CA WELCOME TO HOTEL BELLEVUE SAN LORENZO Hotel Spa Bellevue San Lorenzo, directly on Lago di Garda in the Northern Italian Alps, is the ideal four-star lodging from which to explore the art of Futurism. The grounds are filled with cypress, laurel and myrtle trees appreciated by Lawrence and Goethe. Visit the Mart Museum in nearby Rovareto, designed by Mario Botta, housing the rich archive of sound poet and painter Fortunato Depero plus innumerable works by other leaders of that influential movement. And don’t miss the nearby palatial home of eccentric writer Gabriele d’Annunzio. The hotel is filled with contemporary art and houses a large library https://www.bellevue-sanlorenzo.it/ of contemporary art publications. Enjoy full spa facilities and elegant meals overlooking picturesque Lake Garda, on private grounds brimming with contemporary sculpture. WElcome to A FESTIVAL OF UNEXPECTED NEW MUSIC The 23rd Other Minds Festival is presented by Other Minds in 2 Message from the Artistic Director association with ODC Theater, 7 What is Sound Poetry? San Francisco. 8 Gala Opening All Festival concerts take place at April 9, Monday ODC Theater, 3153 17th St., San Francisco, CA at Shotwell St. and 12 No Poets Don’t Own Words begin at 7:30 PM, with the exception April 10, Tuesday of the lecture and workshop on 14 The History Channel Tuesday. Other Minds thanks the April 11, Wednesday team at ODC for their help and hard work on our behalf. -
Ellen Fullman
A Compositional Approach Derived from Material and Ephemeral Elements Ellen Fullman My primary artistic activity has been focused coffee cans with large metal mix- around my installation the Long String Instrument, in which ing bowls filled with water and rosin-coated fingers brush across dozens of metallic strings, rubbed the wires with my hands, ABSTRACT producing a chorus of minimal, organ-like overtones, which tipping the bowl to modulate the The author discusses her has been compared to the experience of standing inside an sound. I wanted to be able to tune experiences in conceiving, enormous grand piano [1]. the wire, but changing the tension designing and working with did nothing. I knew I needed help the Long String Instrument, from an engineer. At the time I was an ongoing hybrid of installa- BACKGROUND tion and instrument integrat- listening with great interest to Pau- ing acoustics, engineering In 1979, during my senior year studying sculpture at the Kan- line Oliveros’s album Accordion and and composition. sas City Art Institute, I became interested in working with Voice. I could imagine making mu- sound in a concrete way using tape-recording techniques. This sic with this kind of timbre, playing work functioned as soundtracks for my performance art. I also created a metal skirt sound sculpture, a costume that I wore in which guitar strings attached to the toes and heels of my Fig. 1. Metal Skirt Sound Sculpture, 1980. (© Ellen Fullman. Photo © Ann Marsden.) platform shoes and to the edges of the “skirt” automatically produced rising and falling glissandi as they were stretched and released as I walked (Fig. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie Sylvia Cuenca M Top Ten CDs and Concerts of 2013 JazzFest Berlin Int. jazz news jazz stories CD Reviews BooK REVIEWS in memory Volume 40 Number 1 Jan Feb Mar 2014 A HISTORICAL EDITION! Join us for 4 days of concerts sound art installations and visual arts Full program at www.fimav.qc.ca 15 to 18 May 2014 2 | CADENCE MAGAZINE | JAN FEB MAR 2014 4 | CADENCE MAGAZINE | JAN FEB MAR 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall -
The Secret Agent
center for contemporary opera “…not a single player was poorly cast. Similarly, the orchestra… performed with polish and sophistication under the direction of Sara Jobin.” —Opera News “ The Center for Contemporary Opera has lovingly produced a show that boasts high production values, accessible music and a compelling story, and the distinct possibility of future productions.” — O p e r a t i C u s “Dispatching Verloc with a portentously placed knife, the secret agent Winnie — a vocally gleaming Amy Burton — shifts into mad-scene mode, condemning the “blood and dirt” left in terrorism’s wake.” — N e w Y o r k t i m e s Michael Dellaira libretto by J . D . M c C l a t c h y www.albanyrecords.com TROY1450/51 albany records u.s. 915 broadway, albany, ny 12207 Amy Burton Scott Bearden tel: 518.436.8814 fax: 518.436.0643 albany records u.k. c o n d u c t o r box 137, kendal, cumbria la8 0xd Sara Jobin, tel: 01539 824008 © 2013 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. i ntroduction each driven by callous selfishness and misdirected idealism, each involved to a different degree, as Conrad writes, in “a blood-stained inanity of so fatuous a kind that it was impossible to fathom its On behalf of the Center for Contemporary Opera, I am delighted to bring you this recording of the origin by any reasonable or even unreasonable process of thought.” premiere performance of The Secret Agent, which took place at the Kaye Playhouse in New York City, Michael Dellaira and J. -
Msm Women's Chorus
MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion PROGRAM STEPHEN PAULUS The Earth Sings (1949–2014) I. Day Break II. Sea and Sky III. Wind and Sun Alejandro Zuleta, Conductor Vanessa May-lok Lee, piano Elliot Roman and Alexandros Darna, percussion GUSTAV HOLST Choral Hymns from the Rig Veda, Group 3, H. 99, (1874–1934) Op. 26 Hymn to the Dawn Hymn to the Waters Hymn to Vena (Sun rising through the mist) Hymn of the Travellers Hannah Nacheman, Conductor Minyoung Kwon, harp VINCENT Winter Cantata, Op. 97 PERSICHETTI I. A Copper Pheasant (1915–1987) II. Winter’s First Drizzle III. Winter Seclusion I V. The Woodcutter V. Gentlest Fall of Snow VI. One Umbrella VII. Of Crimson Ice VIII. The Branch Is Black IX. Fallen Leaves X. So Deep XI. The Wind’s Whetstone XII. Epilogue Ronnie Oliver, Jr., Conductor Francesca Leo, flute Tamika Gorski (MM ’17), marimba JOHANNES BRAHMS Vier Gesänge (Four Songs), Op. -
ELLEN FULLMAN & KONRAD SPRENGER Title
out on may 1st on Choose Records (Berlin) and exclusively distributed by a-musik: ELLEN FULLMAN & KONRAD SPRENGER, ORT. CD is ready for shipping now, LP will be available in mid-april. Pre-orders are welcome. artist: ELLEN FULLMAN & KONRAD SPRENGER title: Ort label: CHOOSE format: LP cat #: Choose2LP artist: ELLEN FULLMAN & KONRAD SPRENGER title: Ort label: CHOOSE format: CD cat #: Choose2CD "Ellen Fullman, composer, instrument builder and performer was born in Memphis, Tennessee in 1957. Irish-American, and of partial Cherokee Indian ancestry, with the distinction of having been kissed by Elvis at age one, Fullman studied sculpture at the Kansas City Art Institute before heading to New York in the early nineteen-eighties. In Kansas City she created and performed an amplified metal sound-producing skirt and wrote art-songs which she recorded in New York for a small cassette label. In 1981, at her studio in Brooklyn she began developing her life-work, the 70 foot (21 meter) “Long String Instrument”, in which rosin-coated fingers brush across dozens of metallic strings, producing a chorus of minimal organ-like overtones which has been compared to the experience of standing inside an enormous grand piano. Fullman, subsequently based in Austin, Texas; Seattle, Washington and now Berkeley, California has recorded extensively with this unusual instrument (with recordings on New Albion and Niblock’s XI label among others) and has recently collaborated with such luminary figures as the Kronos Quartet and with cellist Frances-Marie Uitti. In 2000, Fullman received a grant to live and work in Berlin for one year. -
In the Key of Now™ 2014 Annual Report the American Composers Forum Enriches Lives by Nurturing the Creative Spirit of Composers and Mission Communities
In the key of now™ 2014 Annual Report The American Composers Forum enriches lives by nurturing the creative spirit of composers and Mission communities. We provide new opportunities for composers and their music to flourish, and engage communities in the creation, performance and enjoyment of new music. Vision Make composers, and the music they create, a vibrant and integral part of our culture. ACF welcomes guests The Discovery Middle for a January open School 7th grade choir house at our new rehearses the newest home at Landmark ChoralQuest® work: “The Center. ACF grantee Golden Queen” by René Beatrix*JAR provides Clausen. The text was musical entertainment written by two students with interactive and reflects on the growth instruments made and changes faced from upcycled throughout life. children’s toys. Photo: Fargo Public Schools ACF would like to extend a special thank you to all the organizations that partnered with us last year. Alliance of Artists Communities (Providence, RI) Minnesota Boychoir (Saint Paul, MN) American Composers Orchestra (New York, NY) Minnesota Music Coalition (Saint Paul, MN) American Public Media (Saint Paul, MN) Minnesota Opera (Minneapolis, MN) Amsterdam Bar & Hall (Saint Paul, MN) Minnesota Public Radio (Saint Paul, MN) Associated Church (Owatonna, MN) New Music USA (New York, NY) Beatrix*JAR (Minneapolis, MN) Our Savior’s Lutheran Church (Menomonie, WI) Caponi Art Park (Eagan, MN) Rosemount Middle School (Rosemount, MN) Children’s Hospitals & Clinics of Minnesota (Minneapolis, MN) Sacred Heart Catholic -
Musical Instrument Design Practical Information For
Copyright © 1996 by Bart Hopkin. All rights reserved. For information contact See Sharp Press, P.O. Box 1731, Tucson, AZ 85702-1731 or contact us via our web site: www.seesharppress.com Hopkin, Bart. Musical Instrument Design / by Bart Hopkin; with an introduction by Jon Scoville. — Tucson, AZ : See Sharp Press, 1996. 181 pp. ; music ; 28 cm Includes bibliographical references (p. 177) and index (p. 179) ISBN 1-884365-08-5 (pbk.) 1. Music Instruments — Design and construction. 2. Music Instruments — Theory. 3. Music — Philosophy and esthetics. 4. Music — Theory. I. Title. 784.1922 First printing — June 1996 Second printing — June 1998 Third printing — August 2000 Fourth printing — September 2003 Fifth printing — February 2005 Sixth printing — February 2007 Back cover instruments: Glass Marimba by Michael Meadows; Gourd Drums by Darrel DeVore; Five-Bell Bull Kelp Horn by Bart Hopkin. Photo of Glass Marimba by Serge Gubelman; photo of Gourd Drums by Bart Hopkin; photo of Bull Kelp Horn by Janet Hopkin. Front cover design by Clifford Harper. Back cover design by Chaz Bufe. Interior design and illustrations by Bart Hopkin. Interior typeset in Times Roman, Futura, and Arial. Cover typeset in Avant Garde and Futura. ACKNOWLEDGMENTS Most of the ideas in this book are not my own. Many are common currency, having been part of musical instrument building practice for years and years. Others I have picked up in my extensive contacts with other instrument makers, and through familiarity with their instruments and writings. These makers are knowledgeable, skilled and inventive individuals — and terribly generous too, every one of them. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana