Banned/Challenged Books

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BANNED/CHALLENGED BOOKS This is a list (adult and children’s books combined) of just some of the most frequently challenged or banned books in Canada. View the full list at freedomtoread.ca All titles on this list are in the collections at WPL. Atwood, Margaret Handmaid’s Tale Banned/Challenged Books Banned/Challenged Babbitt, Natalie Ouch! A Tale from Grimm Banks, Lynne R. Indian in the Cupboard Beiser, Tim Miss Mousie’s Blind Date Bell, Ted Warlord Brown, Ian (ed.) What I Meant to Say : the private lives of men Burgess, Anthony A Clockwork Orange Callaghan, Morley Such is My Beloved Chbosky, Stephen The Perks of Being a Wallflower Dickey, James Deliverance Doyle, Brian Boy O’Boy Eaton, Maxwell Two Dumb Ducks Eminem The Way I Am Findley, Timothy The Wars Fitch, Sheree Sleeping Dragons All Around Flynn, Sarah (ed.) Girls’ Life Head to Toe Guide to You Gaiman, Neil American Gods Guterson, David Snow Falling on Cedars Katz, Karen My First Ramadan King, Stephen Different Seasons Laurence, Margaret The Diviners AND A Jest of God Lee, Dennis Lizzy’s Lion Lee, Harper To Kill a Mockingbird Lowry, Lois The Giver Mansbach, Adam Go the F**k to Sleep Munro, Alice Lives of Girls and Women Newman, Leslea Donovan’s Big Day Oates, Joyce Carol Foxfire: confessions of a girl gang O’Brien, Dereck Suffer Little Children Paterson, Katherine Bridge to Terabithia Patterson, Richard North Silent Witness Proulx, Annie Close Range : Wyoming stories Pullman, Philip His Dark Materials series Richler, Mordecai The Apprenticeship of Duddy Kravitz Rohmann, Eric Bone Dog Rowling, J. K. “Harry Potter” series Sanders, Lawrence The Seduction of Peter S Scieszka, Jon Battle Bunny Seuss, Dr. Hop on Pop Smucker, Barbara Underground to Canada Steinbeck, John Of Mice and Men Stewart, Jon Earth (the book) Stine, R. L. “Fear Street” and “Goosebumps” series Swan, Susan Last of the Golden Girls Twain, Mark Huckleberry Finn Wilder, Laura Ingalls On the Banks of Plum Creek Wilson, John Written in Blood Challenged Graphic Novels (view complete list at freedomtoread.ca) Casey, Jo Darth Maul : Sith Apprentice Gaiman, Neil The Graveyard Book (vol. 1 and 2) Herge Tintin in the Congo Hernandez, Gilbert Love & Rockets LeMire , Jeff Essex County LeMire, Jeff Tales From the Farm Rancourt, Sylvie Melody Satrapi, Marjane Persepolis Tamaki, Mariko This One Summer .

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Why and How and Why Not and What Is This, About Starting Another Novel
WHY AND HOW AND WHY NOT AND WHAT IS THIS, ABOUT STARTING ANOTHER NOVEL... Marian Engel WHA.T BEGAN AS AN IDEA many years ago, and must be written because it has not been forgotten, has begun to be a pain. The paper is in the typewriter, all the thinking — in the bath, at the jigsaw puzzles, walking along the street, in restaurants while pretending to read the TLS — has gone as far as it can. The characters have characters. The events are in place. The writing has to begin. I have again to become an omnipotent two-year-old, capable of anything, especially flying. Not, of course, all the time. Just here and now, so I can begin. I'm lucky I have an ideal first line. Old Superego doesn't like this : a first line isn't a book, you schmo. Old Super- ego doesn't like anything. Do I have to battle him to the ground before I can continue? And is he a him? He's probably a rotten old woman with iron-grey hair, like mine. I wouldn't have noticed that my hair was grey if old Superego hadn't said, "You think you're still a tiny blonde, you're a fat middle-aged woman with an iron-grey bob, the kind they won't wait on in the store, you can't write." It always begins this way, but every time the voice is more vicious, it has more past to chew up and spit at me. You won't make any money (so, does Kroetsch?), you're not as good as Alice (I'm just as good for me, said she .
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Lakehead University Knowledge Commons,http://knowledgecommons.lakeheadu.ca Electronic Theses and Dissertations Retrospective theses 1985 Water symbolism in the fiction of Margaret Laurence Kahara, Tellervo http://knowledgecommons.lakeheadu.ca/handle/2453/993 Downloaded from Lakehead University, KnowledgeCommons Water Symbolism in the Fiction of Margaret Laurence A Thesis presented to the Department of English Lakehead University In partial fulfillment of the requirements for the degree of Master of Arts by May 1985 ProQuest Number: 10611295 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Pro ProQuest 10611295 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106 - 1346 Table of Contents Page Acknowledgments iii Abstract iv Introduction Chapter I Functions of Water Symbolism: Depicting the Four Major Periods in Man's Life Chapter II Functions of Water Symbolism: Emphasizing the Survival and Regenerative Forces in Man's Life Chapter III Functions of Water Symbolism: Assisting in Characterization 99 Conclusion 135 Bibliography 152 Acknowledgments I am deeply grateful to Lakehead University for the Graduate Scholarship which encouraged my study of Canadian Literature. My heartfelt thanks go to Dr.
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DEVELOPMENT OF SELF THE DEVELOPMENT OF SELF IN HAWTHORNE'S THE SCARLET LETTER CHOPIN'S THE AWAKENING AND ATWOOD'S THE HANDMAID'S TALE By JILL LYNN PARKINSON, B.A. A Thesis Submitted to the School of Graduate Studies In Partial Fulfilment of the Requirements For the Degree Master of Arts McMaster University September 1988 MASTER OF ENGLISH (1988) McMASTER UNIVERSITY (English) Hamilton, Ontario. TITLE: The Development of Self in Hawthorne's The Scarlet Letter, Chopin's The Awakening, and Atwood's The Handmaid's Tale. AUTHOR: Jill Lynn Parkinson, B.A. (The University of Western Ontario) SUPERVISOR: Professor J. Brasch NUMBER OF PAGES: vi, 89 ii ABSTRACT This study is an examination of the developing self-consciousness of three female protagonists in three different novels. Chapter One is a discussion of the detrimental social factors that hinder the complete self- development of Hester Prynne in the seventeenth-century New England environment of Hawthorne's The Scarlet Letter. Chapter Two investigates the emerging consciousness of self of Edna Pontellier and her subsequent failure to achieve an autonomy that permits her to integrate into the confining, social climate of Chopin's nineteenth-century Creole environment in The Awakening. Chapter three is the T1 ft ~ examination of the repressive f orces In. thef u t urxstlcn ,Jk_ \1'4. J. ;;: society of Gilead that serve as a b~~i~r to the development of a unified self for Offred in Atwood's The Handmaid's Tale. In all three chapters of the thesis, I argue that each female pro~~£onist's strJr~~le to successfully a~J~~t 'dl \~:::, the self, and to extend the self toward genuine relationships with others, is not actualized.
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Canadian Children's Regional Literature: Fictions First Neil Besner a Re'suine': Les coizceptioizs traditioiz~zellesde l'idelztite' caimdieizlze qui pre'sidelzt d izotre lecture des textes litte'raires ilzflt~erzte'galenzent szcr notre perception des particularis~~zesde la litte'rature pour la jezc~zessedite re'gionale. A partir desix nlbulns illustre's, dont trois provienlzent des Prairies et trois dzc Que'bec, l'auteur s'attaclzed de'azontrer que les appellatioizs "canndienize"et "re'giona1e"soizt des cate'gories irnporfailtes mnis secondaires daizs l'appre'cintion de ces ouvrages. La critique cnizadienlze n telzdace d sure'valzcer ces caracte'ristiqt~essecolzdaires nu de'trinzent des q~lalitbexpliciteltzelzt et spe'cifiquelizelzt litte'raires de ces textes. Sziiizinnnj: The traditio~zalconceptions, receiztly corztested, of Canadian identity tlmt affect tlze ways we read literanj texts ingeizeral also affect our reading of Canadian children's regioizal literature. This article considers six picture books, three by Prairie writers and tlzreefrollz Quebec, ill order to ilznke the point tlmt both "Caizadian" nizd "regioizal" categories should be lenderstood as helpjicl liznrkers thnt nre secolzdaiy to tlze priinanj qualities ofthe six books asfictio?zs (althot~glz"regio~znl" nzight be n nzore l~sefr~lten11 in postcolonial discussions thalz it zuas when it was sinzply opposed to "nation"). Prairie writing and writilzgfronz Quebec can indeed be distinguished by secondanj charncteristics, but in Cnizadian criticisin we have tended to overvalue these kinds of secondanj characteristics and either uizdervnh~e,or pay less attelztion to, the inore explicitly and specifically literanj qualities of tlzese and other texts. I: Some Disclaimers and A Polemic n the spring of 1996, my colleague Perry Nodelman, knowing that I was I teaching a course in Canadian Regional Literature, asked whether I'd be interested in contributing an essay on a related subject for a special issue of Calzadiaiz Clzildren's Literature.
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