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Criffel Creek 07.06.2015 41 Songs, 1.7 Hours, 238.4 MB
Page 1 of 2 Criffel Creek 07.06.2015 41 songs, 1.7 hours, 238.4 MB Name Time Album Artist 1 Cripple Creek 1:32 Blue Grass Favorites The Scottsville Squirrel Barkers 2 I'll Meet You In Church Sunday Morning 2:47 The Father Of Bluegrass Bill Monroe 3 Here Comes A Broken Heart Again 2:59 Band Of Ruhks (M) Band Of Ruhks 4 Wide River To Cross 4:01 Papertown Balsam Range 5 Ashoken Farewell 3:09 Anything Goes Bonnie Phipps 6 Criffel ... (Pause) ... Son Into Your Sunday - DRY 0:05 Jingles Alive Radio 7 Already There 3:02 Anna Laube Anna Laube 8 Old Brown County Barn 2:44 Bill Monroe Centennial Celebration: A Classic Blueg… Michael Cleveland 9 You'd Better Get Right 1:50 Bill Monroe Centennial Celebration: A Classic Blueg… The Vern Williams Band 10 Voice From On High 2:21 Bill Monroe Centennial Celebration: A Classic Blueg… Joe Val & The New England Bluegrass Boys 11 Lonesome Moonlight Waltz 3:52 Bill Monroe Centennial Celebration: A Classic Blueg… The Bluegrass Album Band 12 Dog House Blues 3:17 Bill Monroe Centennial Celebration: A Classic Blueg… Nashville Bluegrass Band 13 Criffel ... Bluegrass & Americana - DRY 0:05 Jingles Alive Radio 14 Walls Of Time 3:49 Bill Monroe Centennial Celebration: A Classic Blueg… The Johnson Mountain Boys 15 Big Mon 2:52 Bill Monroe Centennial Celebration: A Classic Blueg… Tony Rice 16 Footprints In The Snow 2:39 Bill Monroe Centennial Celebration: A Classic Blueg… IIIrd Tyme Out 17 Jerusalem Ridge 4:39 Bill Monroe Centennial Celebration: A Classic Blueg… Michael Cleveland 18 Mansions For Me 3:38 Bill Monroe Centennial Celebration: A Classic Blueg… Bobby Osborne 19 In Despair 2:13 Bill Monroe Centennial Celebration: A Classic Blueg… Ralph Stanley & The Clinch Mountain Boys 20 Criffel .. -
B Uegrass Canada I
BUEGRASS CANADA I The official magazine of the Bluegrass Music Association of Canada www.bluegrasscanada.ca SELDOM SCENE 2012 1976 VOLUME 6 ISSUE 3 AUGUST 2012 WHAT"S INSIDE President Secretary Denis Chadbourn Leann Chadbourn Editor's Message-Pg 2 705-776-7754 705-776-7754 President's Message-Pg 3 Vice-president Treasurer Tips for Bands-Pg 4 Dave Porter Roland Aucoin The Western Perspective-Pg 6 905-635-1818 Feature Article-SELDOM SCENE-Pgs. 7-9 Q & A's With Steep Canyon Rangers-Pgs. 10-13 Maritime Notes Pg. 16 Providence Bay 2012 Pg-18 Directors at Large Advertising Rates Pg 19 Gord deVries Murray Hale 705-4 7 4-2217 Organizational Memberships -Pgs. 20 & 21 519-668-0418 Donald Tarte Tasha Heart-Social Media Just A Bluegrass Wife-Pgs. 23-26 877 -876-3369 Wilson Moore Congratulations to Spinney Brothers-Pg 26 Bill Blance Jerry Murphy, Region 1 SPECIAL NOTICE-Pg. 27 Representative 905-451-9077 Tim's CD Reviews-(Unavailable for this publication) Rick Ford- Region 4 Music Biz Article (Unavailable for this publication) Representative Advertising Pages-various pages Editor's Message - Any bands wishing to have this information included must provide itto me before September 15th, 2012. The Leann Chadbourn email address to send it to is at the bottom of this page We have some great articles in this issue with our trusty and on the Notice. writers, Gord DeVries, Denis Chadbourn, Diana van Holten, Wilson Moore & Darcy Whiteside. Since it's vacation time I Again, BMAC welcomes any interesting articles or infor took it seriously, and didn't get out reminders to everyone for mation relevant to Bluegrass and are hopeful to start receiv our deadline dates so we will be missing our Music Biz Arti ing articles from Coast to Coast. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Bluegrass Jamming Class Taught by Ira Gitlin Using the Wernick Method* Sundays, Oct 27 - Nov 17 1-5Pm 4 Sessions • $150 Rockville, MD Private Residence
BLUEGRASS JAMMING CLASS TAUGHT BY IRA GITLIN USING THE WERNICK METHOD* Sundays, Oct 27 - Nov 17 1-5pm 4 SESSIONS • $150 Rockville, MD Private residence Ira Gitlin is widely known and respected in IRA’S STUDENTS SAY: Washington-Baltimore music circles as a versatile multi- Wonderfully engaging instrumentalist, teacher, and writer. A winner of the “ and informative. National Bluegrass Banjo Championship at Winfield, he has ” also performed with the Johnson Mountain Boys, Laurie “Ira Gitlin is terrific! ” Lewis, and Peter Rowan. Ira has taught at many camps and workshops, helping students master the basic skills that will “Not only knowledgeable make them a welcome presence at any jam session. but can teach.” • All bluegrass instruments Wernick Method Classes *teach real bluegrass jamming! • No jamming experience necessary * in your area * with other pickers like you * • You will be jamming the first session! * Hands-on learning in large and small groups * Learn many bluegrass standards * Gentle tempos! Mistakes expected * Full ground rules and etiquette of typical jams * How to lead songs and how to follow new songs * How to find melodies, fake solos, sing harmony * Ear skills taught and emphasized as in real bluegrass * Tab/note reading skills not needed or used * Group and individualized instruction on backup skills * Intermediates welcome, and given added challenges * Understanding, low-pressure, time-tested teaching! Pete Wernick (“Dr. Banjo”, originator of Banjo DO YOU QUALIFY? It’s easier than you may think! If you play guitar, Camps and Bluegrass Jam Camps) has created a method that has taught mandolin, banjo, fiddle, bass, or dobro… you can be part of a bluegrass jam. -
Newsletter #284 County Sales P.O
NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material. -
The Ngoni, the Banjo and the Atlantic Slave Trade
Mapping the Beat: A Geography through Music Curriculum ArtsBridge America Center for Learning through the Arts and Technology, UC Irvine Funded by National Geographic Education Foundation This curriculum unit for Mapping the Beat: A Geography through Music Curriculum was developed by Stephanie Feder (2007) at the University of California, Irvine with support from a grant from the National Geographic Education Foundation. The extended unit below was created by Dr. Timothy Keirn and the ArtsBridge America program at the California State University, Long Beach (2009). Other on-line resources, videos and lesson plans complied by the UC Irvine Center for Learning through the Arts and Technology are available at: http://www.clat.uci.edu/. LESSON: COUNTRY: AMERICA’S MUSIC (EARLY INFLUENCES AND INSTRUMENTS) Included in this document are: Part I: Lesson Part II: On-line resources for use with lesson Part III: Supporting Materials Part IV: Classroom Handouts, Worksheets and Visuals PART I: LESSON Mapping the Beat Fifth Grade Lesson: Country: America’s Music (Early Influences and Instruments) CONCEPT Early influences on modern American country music. How the migration of instruments of the Scots- Irish immigrants to Appalachia combined with those of the Atlantic slave trade influenced regional music. OBJECTIVE To visually recognize and describe instruments commonly associated with country music (namely the fiddle, guitar, and banjo), to recognize audio samples of music played by each instrument, and describe from where each instrument originated. STANDARDS ADDRESSED National Geography Standards Standard 4: The physical and human characteristics of places. How: Students identify and compare music and instruments of Scotland, Ireland, and Africa with that of American Appalachia during the 18th and 19th centuries. -
Folklife Center News, Volume 10 Number 3 (Summer 1988)
AMERICAN FOLKLIFE CENTER THE LIBRARY OF CONGRESS Summer 1988 Volume X, Number 3 LOWELL FIELDWORK COMPLETED By Doug DeNatale On May 31 the fieldwork phase of the Lowell Folklife Project was completed. Lowell, Massachusetts, boasts of hav ing over fifty ethnic groups repre sented among its citizens, and the city's cultural diversity posed an exciting challenge for the project workers. The field team-Michael Bell, Barbara Fertig, John Lueders Booth, Mario Montano, Martha Norkunas, Tom Rankin , David Taylor, and Eleanor Wachs-doc umented a range of community events and expressive activities, predominantly among the Irish, Franco-Americans, Greeks, Portuguese, Puerto Ricans, and Cambodians who comprise the city's largest ethnic groups. The Center wi ll publish an illustrated study based on the Lowell Folklife Project in about a year. A full analysis awaits that publica ti on, but some preliminary observa tions about the city's contemporary cultural landscape have emerged from the project's research. The city's population was in a gradual decline Continued on page 2 Sophia Pargas crocheting at her work station in the computer sub-assembly ~~---- area, Wang Laboratories, Pawtucket Boulevard, February 12, 1988. The traditional activity carried on in the high-tech setting symbolizes the juxtapositions of cultural groups, old and new ways, that are part of daily life in Lowell. (LFP-TR-B392-3) Photo by Tom Rankin LOWELL PROJECT The stereotype that burdens AMERICAN FOLKLIFE CENTER Continued from page 1 Lowell's Hispanic population, but THE LIBRARY OF CONGRESS tressed by the confusion between street from the 1930s, but within the past life and a well-publicized drug traffic, Alan Jabbour, Director twenty years the influx of three major Ray Dockstader, Deputy Director tends to negate the perception of populations-the Portuguese, the cultural traditions entirely. -
Gp 3.Qxt 7/2/10 9:32 AM Page 1
07-12 Blind Boys B:Gp 3.qxt 7/2/10 9:32 AM Page 1 Sponsor Welcome to Lincoln Center Festival 2010. We have searched the world to bring you some of the best the performing arts have to offer. Over the 18 days of this month’s Festival, we present 45 performances by artists and ensembles from 12 countries, and expand our venues to include a new site on Governors Island. The Lincoln Center Festival opened with the Chui Chai . The title, meaning “transformation,” North American premiere of Musashi , a lavish is as much a metaphor for Pichet’s own mod - Noh-inspired drama. Yukio Ninagawa directed ernization of Thai classical dance as it is a the late Hisashi Inoue’s reworking and revital - description of the Ramayana, an Indian epic on ization of a traditional Japanese tale based on which it is based. the life of a real samurai warrior. Two dynamic directors give new life to classics If we had a musical survivors series, it would from literature and film at our newest perfor - undoubtedly include three groups making mance venue. An industrial warehouse on Festival debuts this month: The Blind Boys of Governors Island will be the dramatic backdrop Alabama, Orchestre Poly-Rythmo de Cotonou, for the North American premieres of Peter and Emir Kusturica and The No Smoking Stein’s marathon adaptation of Dostoyevsky’s Orchestra. The Blind Boys have inspired musi - novel The Demons and Toneelgroep Amster- cians and music lovers of all tastes for decades, dam’s Teorema , based on the film by Pier Paolo and over three nights we’ll celebrate their con - Pasolini and directed by Ivo van Hove. -
Northern Grass 1119
Winter Fall NovemberFebruary EditionEdition 20192017 JerryJerry Schrepfer Schrepfer-Editor Editor Fall November Edition Northern Kentucky Bluegrass Music Association 2019 Keeping Bluegrass Music Alive in the Northern Kentucky Area In This Edition IBMA World of Bluegrass 2019 Edition! IBMA World of Bluegrass Raleigh in a few hours?” (8 hr drive!) God bless her soul, she was onboard with my very 2019 Raleigh, N.C. - Tom Bushelman Jr. last minute decision. At 6pm we headed south Here it is again, the IBMA Bluegrass and, I’m not making this up, we stopped in IBMA World bonanza, the biggest bluegrass event IN THE Rocky Top, TN. for the night at a lovely little Pages 1-2 WORLD! Originally in KY., then TN., and hotel. Surprisingly, there was not a T-shirt now occupying most of downtown Raleigh, shop in sight because we would certainly have IBMA Award NC. IBMA World of Bluegrass is really the gotten one though we did go through several And the Winner Is must-attend event of the year. About six city stanzas of the Osborne Brothers classic song. Page 3 blocks are cordoned off and filled with stages After a quick stop at Hank’s house in Star, and vendors of all varieties are everywhere. NC., for a chicken dinner that couldn’t be beat IBMA Award The stage schedule is packed with top-notch (you might remember Hank of ‘the 3 Hanks’ Winner’s List bluegrass bands all day and getting a good from a previous article), Pam and I arrived in Page 4 spot for a show is generally not uncommon Raleigh in the early evening. -
6954-RFA.Pdf
SILVER SEASON SPONSOR THANK YOU for 25 years of enriching our community through the arts. Chesapeake Bank and Chesapeake Wealth Management proudly support Rappahannock Foundation for the Arts. John O’Shaughnessy Jean Light * chesbank.com Member FDIC chesapeakewealth.com *Not insured by FDIC or any federal government agency. May lose value. Not a deposit of, or guaranteed by, Chesapeake Bank or any bank affiliate. 2018 -2019 WELCOME TO THE 25TH SILVER SEASON MESSAGE FROM THE PRESIDENT RFA BOARD Welcome to the Rappahannock Foundation for the Arts OF DIRECTORS On Stage 25th Silver Anniversary Season. As the new President of the RFA, I am truly honored to be working Jamie Tucker President with wonderful volunteers who give so much time to the RFA. I retired from Baltimore County Public Bev Upshur Vice President Schools as the PreK-12 Coordinator of Music for 152 schools, where I witnessed first-hand the impact that Cyndie Stephenson Treasurer the arts have in the lives of children and adults. That belief is supported by the RFA whose mission is to Barbara Breeden provide exceptional performing arts experiences to the Jackie Burke community and the schools. Elsie Delva-Smith On Stage performances have been made possible Bryant Hudgins by many people, who believe that life is richer with Kara Johnson artistic expression and creativity. The RFA is deeply Michael Kennedy appreciative of the support from our Silver Sponsors Donna McGrath and local foundations. We are also fortunate to John Mecke receive generous contributions from individual donors Linda Norman highlighted on our Silver Supporters page, as well as Micki Pugh our Silver Benefactors who have provided additional Lee Pulling funding to support our 25th Silver Anniversary Lucy Schneider programming and ensure our investments. -
Buzz Busby Discography
BUZZ BUSBY SESSION DISCOGRAPHY BAYOU BOYS Radio Station WCOP Boston, Ma: 1953 Bernarr Graham “Buzz Busby” Busbice (vcl-1/mand); Jack Henderson Clement (hmny vcl/rhy gtr); Calvin Scott “Scotty” Stoneman (fdl); Ralph Jones (dobro); poss Lou Mondon (stg bs). Producer: Aubrey L. Mayhew P-50903-1A COLD & WINDY NIGHT -1 Sheraton P-50903, Hillbilly Researcher HBRCD-016 (Buzz Busby) NB(1) The above recording were released on NEW ENGLAND’S ORIGINAL WCOP HAYLOFT SOUVENIR Record Album released Saturday 13th February, 1954. NB(2): Side 1 (P-50900) consists of “I’M CRAZY ABOUT YOU” by Jack Clement & “WEEKEND BLUES” by Muriel White. NB(3); Side 2 (P-50901) consists of “I’M THE GUILTY ONE” by Carl Stuart & WATCHIN’ THE HANDS OF THE CLOCK” by Bobby Bobo. NB(4): Side 3 (P-50902) consists of “SWISS LULLABY” by The LeClair Sisters & “WON’T YOU BE MY SWEETHEART” by Al Green. NB(5): Side 4 (P-50903) consists of “COLD & WINDY NIGHT” by The Bayou Boys & “BOSTON POLKA” by Dee Rogers. NB(6): Side 5 (P-50904) consists of “PLEASE REMEMBER I’M YOUR DARLIN’” by Dee Rogers & “THIRD DEGREE BOOGIE” by Jerry Devine. NB(7): Side 6 (P-50905) consists of “WILLOW SNARE” by Lucky Shore & “TAR PAPER SHACK” by Jimmie & Ruth Senter. NB(8): HILLBILLY RESEARCHER HBRCD-016 “New England’s Original Hayloft Jamboree Souvenir Record Album” released United Kingdom. HAM & SCRAM Radio Station WGAY,Kemp Mill Road Silver Spring, Md: ca: March/April 1954 Buzz “Ham” Busby (vcl/mand); Lester Leroy “Pete”/ “Scram” Pike (vcl/rhy gtr); Donald “Donnie” Bryant (bjo); Lee Cole (stg bs). -
Stephanie P Ledgin
STEPHANIE P. LEDGIN PO Box 628 Pittstown NJ 08867 908/735-7925 [email protected] http://ledgin.com PROFESSIONAL BACKGROUND Freelance Journalist, Photographer, Editor, Publicist (1975-present) Author of three books, plus a curriculum-based manual. In addition to managerial editing positions, magazine and newspaper credits include in-depth articles, interviews, reviews and photos published in the United States and Europe. Other book credits consist of photos, chapter contributions and editing. Front cover, back cover and tray photos as well as liner notes comprise work for various record labels. A major traveling photographic exhibition was shown around the country for three years. Publicity and promotional materials written, designed and developed include press releases, complete artist promotion packets, brochures, flyers, ads and festival program books. Director, New Jersey Folk Festival / Lecturer, American Studies Department, Rutgers, the State University of New Jersey, New Brunswick NJ (1994-2003) An annual free, not-for-profit community event regularly attracting 15,000 people each year, the New Jersey Folk Festival is produced by the American Studies Department at Rutgers. I was the lead instructor for a dozen hand-selected undergraduate students who comprised an internship-like class via which they learned the mechanics of and subsequently implemented the festival. Course work encompassed folk music, craft and food traditions, leadership skills for women, including written and verbal communication, assertiveness training, teamwork, organizational and time management skills, plus publicity writing, graphics, stage management, contracts, financial record keeping and other tools and knowledge required to manage a large- scale event. Each student had a specific role in one of three management areas: vendors/administration, publicity, performance.