A Symposium Exploring Community Memory, Meaning and Pluralisation
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Dear Prime Minister, We Note with Concern the Increasingly Violent
Dear Prime Minister, We note with concern the increasingly violent rhetoric directed towards Julian Assange of WikiLeaks. “We should treat Mr Assange the same way as other high-value terrorist targets: Kill him,” writes conservative columnist Jeffrey T Kuhner in the Washington Times. William Kristol, former chief of staff to vice president Dan Quayle, asks, “Why can’t we use our various assets to harass, snatch or neutralize Julian Assange and his collaborators, wherever they are?” “Why isn’t Julian Assange dead?” writes the prominent US pundit Jonah Goldberg. “The CIA should have already killed Julian Assange,” says John Hawkins on the Right Wing News site. Sarah Palin, a likely presidential candidate, compares Assange to an Al Qaeda leader; Rick Santorum, former Pennsylvania senator and potential presidential contender, accuses Assange of “terrorism”. And so on and so forth. Such calls cannot be dismissed as bluster. Over the last decade, we have seen the normalisation of extrajudicial measures once unthinkable, from ‘extraordinary rendition’ (kidnapping) to ‘enhanced interrogation’ (torture). In that context, we now have grave concerns for Mr Assange’s wellbeing. Irrespective of the political controversies surrounding WikiLeaks, Mr Assange remains entitled to conduct his affairs in safety, and to receive procedural fairness in any legal proceedings against him. As is well known, Mr Assange is an Australian citizen. We therefore call upon you to condemn, on behalf of the Australian Government, calls for physical harm to be inflicted upon Mr Assange, and to state publicly that you will ensure Mr Assange receives the rights and protections to which he is entitled, irrespective of whether the unlawful threats against him come from individuals or states. -
The AWA Microphone for Harbour Bridge 75Th
..The Microphone used for the Sydney Harbour Bridge Opening ceremony. Compiled by David Burger, March 2007 with material from: - Phil Burgess Telstra, - Ted Miles – ex AWA technician. Press Release No. 94 (14/03/07) – Telstra's Sydney Harbour Bridge 75th birthday gift Phil Burgess, GMD, Public Policy and Communication, Telstra. Telstra has donated a rare microphone from its historical collection used to open the Sydney Harbour Bridge 75 years ago to the Sydney Powerhouse Museum - and it has created a bit of excitement. The Reisz microphone is a rare example of Australian technology manufactured in 1930 and was used to broadcast the 1932 opening ceremony of the Sydney Harbour Bridge to thousands of people. What has made the microphone especially significant is the signatures of all 10 dignitaries at the opening ceremony, including the NSW Premier John T Lang, NSW Governor Philip Game and the Bridge's Chief Engineer, JJC Bradfield. Speaking at the official donation event, Telstra's Group Managing Director PP&C Phil Burgess said that Telstra was proud to share this wonderful piece of Australian history with the community on the 75th birthday of the Sydney Harbour Bridge. "Every good piece of history has a story behind it and this microphone is no exception," Dr Burgess said. "Thanks to the Powerhouse Museum, many more people will be able to see and understand the role it played in unveiling a great Aussie icon." Why did Telstra have the microphone in its historical collection? The microphone became one of a collection of microphones owned by Mr Philip Geeves who was announcing for AWA (Amalgamated Wireless Australia Ltd) on the day of the Sydney Harbour Bridge opening. -
Powerhouse Museum Exhibitions 1988-2018
"1 The Powerhouse Museum: an exhibition archive 1988-2018 Exhibitions developed by and/or displayed at the Powerhouse Museum, the Observatory, the Mint, the Hyde Park Barracks, the Powerhouse (now Museum) Discovery Centre and online from 1988, when the Powerhouse opened its doors in its new Ultimo location, to 2018. Abbreviations: PHM Powerhouse Museum MNT The Mint Museum HPB The Hyde Park Barracks HB Harwood Building (previously Stage One) OBS The Sydney Observatory PDC Powerhouse (now Museum) Discovery Centre WP Web-based Project AMOL Australian Museums and Galleries Online TR Travelling exhibition PP Powerhouse publication EP External publication Preface From its original establishment in the 1880s to the present day, the Museum of Applied Arts and Sciences, previously under different names and now known as MAAS, has proudly and diligently exhibited different aspects of its outstanding collection. The following list seeks to provide a record of exhibitions from the opening of the new Powerhouse Museum venue in Ultimo in March 1988 through the 30 subsequent fruitful years. The list also documents exhibitions in associated venues including the Sydney Observatory, for some years the Hyde Park Barracks and the Mint Museum, as well as touring exhibitions. Many years of rigorous planning preceded the 1988 opening of the Powerhouse Museum, which was heralded as the most important cultural development in Sydney since the opening of the Opera House, and a major event in Australia’s bicentennial year. A museum for us all, a museum of creativity, curiosity and community, the Powerhouse Museum set out to explore the interrelationship of science, art and people in an Australian context. -
Great at Organising & Talking on the Phone We'd Love You
GREAT AT ORGANISING & TALKING ON THE PHONE WE’D LOVE YOU TO JOIN OUR TEAM! VOLUNTEER WITH THE SYDNEY OBSERVATORY ADMIN TEAM Sydney Observatory, built in 1858, is Australia’s oldest existing observatory and one of the most significant sites in the nation’s scientific history. In 1982 Sydney Observatory came under the management of the Museum of Applied Arts and Sciences. It is now a museum of astronomy and offers a range of educational programs in astronomy and science, which includes the solar system, the universe, space travel, and the history of astronomy. We are looking for a School Rewards Volunteer Role Description: Sydney Observatory receives many requests for support form schools and community organisations. The policy has been to support all NSW schools ( High Schools, Primary schools, State and private schools) and the Starlight Foundation. This must be handled in an ethical and open way and recorded so that there is an auditable system. The aim is to engage with schools who will then make a booking, or for their parents and friends to promote Sydney observatory as a great place to visit during school holidays or weekends. This system has been working well and the uptake of the complimentary tickets is high which means the message is reaching the schools. There are approximately 12-15 applications for support a month. This is a feel good role. It provides direct contact with school fundraisers and an opportunity to say theMAAS is supportive of education for all schools. Key Volunteer Tasks: 1 day per fortnight (10am – 2pm) Based at Sydney Observatory Read requests and make a decision Phone the school or requester (or send an email) Address the envelope correctly and include relevant information Send out tickets with brochures and any forms in a professional manner Keep a log of requests Skills & Knowledge Required: Professional manner Good phone manner. -
Paolo Giorza and Music at Sydney's 1879 International Exhibition
‘Pleasure of a High Order:’ Paolo Giorza and Music at Sydney’s 1879 International Exhibition Roslyn Maguire As Sydney’s mighty Exhibition building took shape, looking to the harbour from an elevated site above the Botanic Gardens, anxiety and excitement mounted. This was to be the first International Exhibition held outside Europe or America and musical entertainment was to be its greatest attraction.1 An average of three thousand people would attend each week day and as recent studies have shown, Sydney’s International Exhibition helped initiate reforms to education, town planning, technologies, photography, manufacturing and patronage of the arts, music and literature.2 Although under construction since January 1879, it was mid May before the Exhibition’s influential Executive Commissioner Patrick Jennings3 announced the appointment of his friend, Milanese composer Paolo Giorza4 as musical director: [H]is credentials are of such a nature both as a conductor, composer and artist, that I could not justly pass them over. I think that he should also be authorised to compose a march and cantata for the opening ceremony … Signor Giorza offers to give his exclusive services as composer and director and performer on the organ and to organise a competent orchestra of local artists for promenade concerts, and to conduct the same.5 The extent of Jennings’s personal interest in Exhibition music is evident in this report publicising Giorza’s appointment. It amounts to one of the colony’s most interesting cultural documents for the ideas, attitudes and objectives it reveals, including consideration of whether an ‘Australian School of Music, as distinguished from any of the well-defined schools’ existed. -
299 Elizabeth Street, Sydney, Australia
299 Elizabeth Street, Sydney, Australia View this office online at: https://www.newofficeasia.com/details/offices-elizabeth-street-sydney-au This comfortable and well though out serviced business centre offers a complete solution to your office needs. With round the clock access and a fully featured security system you can be sure of a productive and safe working environment with a team of admin and IT support staff to ensure any issues are quickly dealt with. Transport links Nearest railway station: Museum Station Nearest road: Nearest airport: Key features 24 hour access Access to multiple centres world-wide Administrative support AV equipment Car parking spaces Close to railway station Conference rooms Conference rooms High speed internet High-speed internet IT support available Meeting rooms Modern interiors Near to subway / underground station Reception staff Security system Shower cubicles Telephone answering service Town centre location Unbranded offices Video conference facilities Location With the Law Courts, Hyde Park, Museum Station and the Downing Centre all in the immediate area you are perfectly placed for work, rest and travel. Sydney's CBD is a great place to work surrounded by other thriving businesses and numerous shops, restaurants and hotels. Town Hall and Central railway stations are both within easy reach and the airport is easily reachable by car in under 20 minutes thanks to this centre's proximity to the Cahil Expressway. Points of interest within 1000 metres The Australian Museum (museum) - 452m from business centre Capitol -
A Nn Ual R Eport 20 17– 18
Powerhouse Museum Sydney Observatory Museums Discovery Centre Annual ReportAnnual 2017–18 The Hon Don Harwin MLC Leader of the Government in the Legislative Council Minister for Resources Minister for Energy and Utilities Minister for the Arts Vice President of the Executive Council Parliament House Sydney NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983, we submit for presentation to Parliament the Annual Report of the Museum of Applied Arts and Sciences for the year ending 30 June 2018. Yours sincerely Professor Barney Glover FTSE FRSN Andrew Elliott President Acting Director ISSN: 2209-8836 © Trustees of the Museum of Applied Arts and Sciences 2018 The Museum of Applied Arts and Sciences is an Executive Agency of, and principally funded by the NSW State Government. MAAS Annual Report 1 2017–18 Contents Acknowledgment of country .........................................................................2 Mission, Vision, Values ..................................................................................3 Strategic direction ........................................................................................ 4 President’s foreword ..................................................................................... 6 Director’s foreword ....................................................................................... 8 Future of MAAS ...........................................................................................10 -
Powerhouse Parramatta Gets Green Light
MEDIA RELEASE | 13 February 2021 Image: Moreau Kusunoki and Genton POWERHOUSE PARRAMATTA GETS GREEN LIGHT The Powerhouse Museum has welcomed confirmation from the NSW Government that planning consent for Powerhouse Parramatta has been received and the project will now move into delivery. Construction of the Moreau Kusunoki and Genton designed Powerhouse Parramatta will now commence, with early works to start in the coming weeks. Once complete, the flagship Parramatta Powerhouse will include over 18,000 square metres of exhibition and public spaces, attract 2 million visitors each year and will be the first NSW Cultural Institution to call Western Sydney home. Powerhouse Board of Trustees President Peter Collins AM QC said: “I applaud the NSW Government’s visionary investment and commitment to deliver Powerhouse Parramatta and look forward to working closely with Infrastructure NSW as we move into the construction phase of the project. Powerhouse Parramatta will be a ground-breaking contemporary museum that will set a new benchmark in how museums engage and reflect their communities” “Powerhouse Parramatta will be our flagship museum and will sit alongside Ultimo, Castle Hill and Sydney Observatory to provide extraordinary cultural benefits for our communities - Australia’s very own Smithsonian for our globally renowned Collection.” Powerhouse Chief Executive Lisa Havilah said: “Powerhouse Parramatta is the largest cultural investment since the Sydney Opera House and planning approval marks a transformative cultural moment for the communities of Greater Sydney and NSW. We are excited to be embarking on building an internationally significant museum that will connect young people and communities with our Collections and tell stories of ingenuity and innovation.” “We look forward to continuing to expand our collaborations across the community to create a museum that reflects the extraordinary diversity of Greater Sydney. -
Different Sights Online.Pdf
Different Sights Immigrants in New England A thematic history of immigrants from non-English-speaking backgrounds on the New England Tableland. Janis Wilton 2009 Different Sights: Immigrants in New England Janis Wilton NSW Migration Heritage Centre Sydney First published 2009 by NSW Migration Heritage Centre NSW PO Box K346 Haymarket NSW 1238 Australia www.migrationheritage.nsw.gov.au The Migration Heritage Centre at the Powerhouse Museum is a New South Wales Government initiative supported by the Community Relations Commission for a Multicultural New South Wales in association with Heritage Branch, NSW Department of Planning Locked Bag 5020 Parramatta NSW 2124 Australia and Heritage Futures Research Centre, University of New England Armidale NSW 2351 Australia National Library of Australia Cataloguing-in Publication Wilton, Janis, 1951- Different Sights: Immigrants in New England: A thematic history of immigrants From non-English-speaking backgrounds on the New England Tableland ISBN 9780980564921 (pbk.) Immigrants – New South Wales – New England Tableland – History New England Tableland (N.S.W.) – History 994.03 © 2009 Janis Wilton This publication is copyright. Apart from fair dealing for trhe purposes of research, study, criticism or review, or as otherwise permitted under the Copyright Act, no part may be reproduced by any process without written permission. Every effort has been made to locate owners of copyright for the images in this book. All photographs are © Janis Wilton unless otherwise stated. FRONT COVER: (clockwise from top left) Kwong Sing Store, Glen Innes; Hanna’s Arcade, Armidale; Sing Wah Restaurant, Tenterfield; Tenterfield Saddler (established by Charles Pavel). PREFACE Different Sights provides an introduction to the rich and diverse history of immigrants from non-English-speaking backgrounds on the New England Tableland. -
Spring 2021 Rights Catalogue
SPRING 2021 RIGHTS CATALOGUE Zeitgeist Agency is a unique literary agency founded in 2009 with an international outlook. From our Sydney and Brussels offices, we represent writers from around the world including Australia, USA, UK, Europe, Russia, Turkey and China. Our catalogue includes bestsellers, the finest literary fiction, crime and thrillers, inspiring memoirs and thought-provoking non-fiction. We also represent picture books, middle grade and YA/crossover titles from around the world. We work directly with publishers in UK, Australia/NZ, France, Israel, Nordic region and the Baltic states. In other countries we rely on a network of 15 dedicated co-agents (see full list on the last page). Our passion is to connect writers, publishers and media across the globe. We hope you enjoy what we have to offer. Warm regards, Benython, Sharon and Thomasin Benython Oldfield Founding Director Australia Sharon Galant Level 1, 142 Smith Street Founding Director Europe Summer Hill, Sydney Rue E. Van Driessche 75 NSW, 2130 Australia 1050 Brussels, Belgium +61 2 8060 9715 Thomasin Chinnery +32 479 262 843 [email protected] Agent [email protected] Rue E. Van Driessche 75, 1050 Brussels, Belgium +32 474 055 696 [email protected] 2 FICTION pg. 4 Miss Eliza’s English Kitchen by Annabel Abbs pg. 5 Frieda: The Original Lady Chatterley by Annabel Abbs pg. 6 The Joyce Girl by Annabel Abbs pg. 7 Kukolka by Kristen Loesch pg. 8 Behind Their Backs by Haska Shyyan pg. 9 From Where I Fell by Susan Johnson pg. 10 Fancy Meeting You Here by Ali Berg and Michelle Kalus pg. -
Government Thumbs Nose at Upper House Call-For-Papers on Powerhouse Museum
MEDIA RELEASE 26 April 2018 Government Thumbs Nose at Upper House Call-for-Papers on Powerhouse Museum A ri r ir rr r r r rp r rr rli r rli r llrppr ili il April 12 r r i ir rlir iir i llri ii prp rli r r li rr pr rir i i rir l rili i Ar iir ri pr li ir rrr l rr lr i i ir pi r ri pril r rli ii i r i i r r i pr r i rp llrpr ppr r i ri i r r i r ll lir i Ar iir ri i l i i i p prrrlli rr iir ri i r l p iri ri rlir iir i i ll pr r i r rll r r ili i rr ri r p i li l rili r l ri l ll riili i i MEDIA CONTACT: Robert Borsak MLC 02 9230 2573 •t+J• ••NSW Premier GOVERNMENT & Cabinet Reference: A251 0948 Mr David Blunt Clerk of the Parliaments Legislative Council Parliament House Macquarie Street Sydney NSW 2000 Order for Papers - Business case for the relocation .of the Powerhouse Museum Dear Mr Blunt I refer to the resolution of the Legislative Council under Standing Order 52 made on 12 April 2018 and your correspondence of that date, concerning the business case for the relocation of the Powerhouse Museum order for papers. Enclosed at Annexure A are certification letters from the following officers certifying that, to the best of their knowledge, no documents covered by the terms of the resolution are held: • Chief of Staff, Office of the Premier • Chief of Staff, Office of the Minister for Arts • Secretary, Department of Planning and Environment, including Create NSW, and • Chief Executive Officer, Infrastructure NSW. -
American Misconceptions About Australian Aboriginal Art
AMERICAN MISCONCEPTIONS ABOUT AUSTRALIAN ABORIGINAL ART A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts By Gina Cirino August 2015 © Copyright All rights reserved Except for previously published materials Thesis written by Gina Cirino B.A., Ohio University, 2000 M.A., Kent State University, 2015 Approved by ___________________________________ Richard Feinberg, Ph.D., Department of Anthropology, Masters Advisor ___________________________________ Richard S. Meindl, Ph.D., Chair, Department of Anthropology _____________________________________ James L. Blank, Ph.D., Dean, College of Arts and Sciences TABLE OF CONTENTS.……………………………………………………………………..….iv LIST OF FIGURES.……………………………………………………………………………..vii LIST OF TABLES..…………………………………………………………………………….viii ACKNOWLEDGMENTS..………………………………………..………………………....…..ix CHAPTER I. RELEVANCE OF THIS STUDY………………………………………………………...1 Introduction………………………………………………………………………………..1 Objectives of thesis……………………………………………………………………..…2 Contents of thesis…………………………………………………………………...……..4 Persecution of Aboriginal groups……………………………………………………...….5 Deception of the Australian Government…………………………………………7 Systemic discrimination and structural Violence………………………………....9 Correlations between poverty and health………………………………………...13 Human Development Index (HDI)………………………………………………………14 Growing responsibilities of anthropologists……………………………………………..17 II. OVERVIEW OF ABORIGINAL ART …………………………………………………20 Artworld Definitions……………………………………………………………………..20 The development