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INTRODUCTION two former soprano members of Tenebrae (Julia COUPERIN LEÇONS DE TÉNÈBRES Doyle and Grace Davidson) have returned to join GESUALDO TENEBRAE RESPONSORIES Some of the most atmospheric music from the four of our current members (Jeremy Budd, David FOR MAUNDY THURSDAY numerous Liturgical settings in Holy Week is de Winter, Gabriel Crouch and Jimmy Holliday). that composed for the Office of Tenebrae. Victoria’s are the most well-known, but equally Also harking back to my days as a singer, my beautiful and arguably more dramatic are other favourite music to sing at Easter time the settings composed by Gesualdo. They have (Bach Passions aside) were Couperin’s beautiful Trois Leçons de Ténèbres Second Nocturn an intensity unrivalled in most music of that and mesmerising settings of some of the other François Couperin (1688-1733) 7 Amicus meus osculi [3.24] time owing to the extraordinary and sudden texts from the Tenebrae Offices. I first came 8 Judas mercator pessimus [2.30] 1 Première Leçon JD [16.40] harmonic shifts, which at times sound almost across this music in a wonderfully atmospheric 9 Unus ex discipulis meis [3.56] 2 Seconde Leçon GD [12.05] contemporary, and rhythmic outbursts led film all about another French composer, 3 JD (I) GD (II) on occasion by a single word. As a result the Marin Marais: Tous les matins du monde. The Troisième Leçon [12.08] Third Nocturn listener is always kept on their toes, waiting soundtrack to the film features heavily the • Grace Davidson Soprano Julia Doyle Soprano 0 Eram quasi agnus innocens [5.17] • for the next wild change of direction. -
Handel's Messiah Freiburg Baroque Orchestra
Handel’s Messiah Freiburg Baroque Orchestra Wednesday 11 December 2019 7pm, Hall Handel Messiah Freiburg Baroque Orchestra Zürcher Sing-Akademie Trevor Pinnock director Katherine Watson soprano Claudia Huckle contralto James Way tenor Ashley Riches bass-baritone Matthias von der Tann Matthias von There will be one interval of 20 minutes between Part 1 and Part 2 Part of Barbican Presents 2019–20 Please do ... Turn off watch alarms and phones during the performance. Please don’t ... Take photos or make recordings during the performance. Use a hearing aid? Please use our induction loop – just switch your hearing aid to T setting on entering the hall. The City of London Corporation Programme produced by Harriet Smith; is the founder and advertising by Cabbell (tel 020 3603 7930) principal funder of the Barbican Centre Welcome This evening we’re delighted to welcome It was a revolutionary work in several the Freiburg Baroque Orchestra and respects: drawing exclusively on passages Zürcher Sing-Akademie together with four from the Bible, Handel made the most of outstanding vocal soloists under the his experience as an opera composer in direction of Trevor Pinnock. The concert creating a compelling drama, with the features a single masterpiece: Handel’s chorus taking an unusually central role. To Messiah. the mix, this most cosmopolitan of figures added the full gamut of national styles, It’s a work so central to the repertoire that from the French-style overture via the it’s easy to forget that it was written at a chorale tradition of his native Germany to time when Handel’s stock was not exactly the Italianate ‘Pastoral Symphony’. -
1 Remembering Christopher Hogwood (1941-2014) by Michael
1 Ruhling, Michael E. "Remembering Christopher Hogwood (1941-2014)." HAYDN: Online Journal of the Haydn Society of North America 4.2 (Fall 2014), http://haydnjournal.org. © RIT Press and Haydn Society of North America, 2014. Duplication without the express permission of the author, RIT Press, and/or the Haydn Society of North America is prohibited. Remembering Christopher Hogwood (1941-2014) by Michael E. Ruhling "You can play things stylishly on the wrong instruments or unstylishly on the right instruments; I hope we’ll get it stylish on the right instruments. It’s just clearing the way so that people hear them as the composer intended, and if he wasn’t a complete idiot, the way he intended is presumably the correct way for them." — Christopher Hogwood (From an article by Luke Conklin in The Julliard Journal, March 2011, announcing a performance with Julliard415.) 2 Ruhling, Michael E. "Remembering Christopher Hogwood (1941-2014)." HAYDN: Online Journal of the Haydn Society of North America 4.2 (Fall 2014), http://haydnjournal.org. © RIT Press and Haydn Society of North America, 2014. Duplication without the express permission of the author, RIT Press, and/or the Haydn Society of North America is prohibited. Photo by Marco Borggreve. Used with permission. The Haydn Society of North America recently lost one of its original Advisory Board members. Christopher Hogwood passed away September 24 shortly after his 73rd birthday. He had been suffering from a brain tumor for several months. As a keyboardist, conductor, and musicologist, Hogwood leaves an indelible mark on the performance and reception of 18th- and early 19th-century music. -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
The Academy of Ancient Music CHRISTOPHER HOGWOOD Director
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN The Academy of Ancient Music CHRISTOPHER HOGWOOD Director EMMA KIRKBY, Soprano DAVID THOMAS, Bass THURSDAY EVENING, MARCH 14, 1985, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Water Music..................................................... HANDEL Horn Suite in F major Overture: largo, allegro Menuct for French Horn Adagio c staccato Bourree Allegro Hornpipe Air: presto Flute Suite in G major Menuet Menuets I and II Rigaudon Country Dance Trumpet Suite in D major Allegro Lcntcmcnt Alia Hornpipe Air Trumpet Menuet INTERMISSION Cantata, Apollo and Dafne ........................................ HANDEL EMMA KIUKBY, Soprano DAVID THOMAS, Bass RACHEL BROWN, flute obbligato CLARE SHANKS, oboe obbligato Hypcrioii and L'Oiscmi-Lyrc Records. Sixtieth Concert of the 106th Season Special Concert Program Notes by Christopher Hogwood Water Music .................................... GEORGE FRIDEUIC HANDEL (1685-1759) "On 15 July, 1717, it was reported that 'at about 8,' the King took Water at Whitehall in an open Barge, and went up the River towards Chelsea. Many other Barges with Persons of Quality attended. A City Company's Barge was employ'd for the Musick, wherein were 50 Instruments of all sorts, who play'd all the way from Lambeth the finest Symphonies, compos'd express for this Occasion by Mr. Hendel; which his Majesty liked so well that he caus'd it to be plaid over three times in going and returning. At Eleven his Majesty went ashore at Chelsea, where a Supper was prepar'd, -
Tuesday Playlist
December 31, 2019: (Full-page version) Close Window “Music is the social act of communication among people, a gesture of friendship, the strongest there is.” —Malcolm Arnold Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Handel Concerto Grosso in F, Op. 6 No. 9 English Concert/Pinnock Archiv 410 899 028941089922 Awake! By the Hearth ~ Scenes from Childhood, Op. 00:16 Buy Now! Schumann Wilhelm Kempff DG 289 469 632 028946963227 15 00:19 Buy Now! Rachmaninoff Symphony No. 3 in A minor, Op. 44 London Symphony/Previn EMI 64530 077776453026 01:01 Buy Now! Dvorak Carnival Overture, Op. 92 Boston Symphony/Ozawa Sony 46687 07464466872 01:12 Buy Now! Mendelssohn String Quartet in D, Op. 44 No. 1 Cecilia String Quartet Analekta 9844 774204984427 01:41 Buy Now! Haydn Symphony No. 023 in G Apollo Ensemble/Hsu Dorian 90191 053479019127 02:02 Buy Now! Mozart Adagio & Fugue in C minor for Strings K. 546 Philharmonia/Klemperer EMI Classics 67331 724356733121 02:11 Buy Now! Higdon A Quiet Moment Essential Voices USA/Clurman Sono Luminus 92162 053479216229 02:15 Buy Now! Brahms Piano Quintet in F minor, Op. 34 Pressler/Pacifica Quartet Cedille 170 n/a String Quartet No. 14 in D minor, D. 810 03:01 Buy Now! Schubert Takacs Quartet Hyperion 67585 034571175850 "Death and the Maiden" Aria (Andante) ~ Sonata No. 2 in A minor, 03:38 Buy Now! Bach Milstein DG 453 901 028945390123 BWV 1003 03:44 Buy Now! D'Indy Saugefleurie, a Legend, Op. -
Development Manager June 19 Ed AAVI
Head of Development Starting salary £30,000 – £38,000 per annum depending on experience. Reporting to Chief Executive Based Cambridge, but with regular time spent in London for concerts, meetings and events, and other travel as necessary. Flexible working options may be available. Hours of work 9am–5.30pm Monday–Friday; plus attendance at some concerts, events and meetings in the evening and at weekends. Holiday 23 days per year plus public holidays. Notice period Three months weeks after an initial three-month probationary period during which the notice period is one month on either side. Introducing the Academy of Ancient Music The Academy of Ancient Music is one of the world’s leading orchestras with an illustrious heritage stretching back over 40 years. The Orchestra is pioneering in its approach to energising baroque and classical music – exploring the soundworlds of the period and performing the music with the style and spirit in which it was written. We believe in engaging deeply with our audiences and players and we do this by making our approach to music-making more relevant and appealing. We revel in the expressive power of old instruments – flutes made out of wood, trumpets without valves, strings woven from gut. Under the leadership of Music Director Richard Egarr, we perform around 50 concerts each year and work with a roster of stellar artists such as Alison Balsom, Carolyn Sampson, Jean Rondeau and Nicola Benedetti. We’ve won numerous awards for our work, including a Grammy Award, a Brit Award and four Gramophone Awards, and were selected to be part of the Queen’s Diamond Jubilee Pageant on the River Thames. -
VIOLINIST ANDREW MANZE and the ENGLISH CONCERT ENLIVEN EARLY MUSIC SERIES Chicago Period Violinist Andrew Manze Will Lead the English Concert on Friday, Nov
news release FOR IMMEDIATE RELEASE Contact: Cathy Sweitzer Director of Communications 773 / 834-7965 presents Tickets: 773 / 702-8068 October 3, 2005 VIOLINIST ANDREW MANZE AND THE ENGLISH CONCERT ENLIVEN EARLY MUSIC SERIES chicago Period violinist Andrew Manze will lead The English Concert on Friday, Nov. 11, 2005, as The University of Chicago Presents Early Music Series continues in Mandel Hall. The program will feature everything from a Bach Suite to Biber’sSonata Representativa, serving up the sounds of a cat, a frog, a cuckoo, a hen, a nightingale and a musketeer. the university of Manze will lead the sextet and comment from the stage in what has come to be his signature style -- equal parts scholarship and irrepressible wit. PROGRAM: “Baroque Untamed” Biber Part III Mensa Sonora Pachelbel Suite in F-sharp Minor Jenkins Pavan à 4 Castello Sonata per stromenti d’arco Purcell Fantasia à 4 Biber Two sonatas from Fidicinium sacro-profanum Biber Sonata Representativa Office of Professional Concerts 5720 S. Woodlawn Avenue J.S. Bach Suite in D Major, reconstructed from BWV1068 Chicago, Illinois 60637 773/702-8068 773/834-5888 fax [email protected] chicagopresents.uchicago.edu howard mayer brown early music series chamber music series saint paul chamber orchestra series artists-in-residence series The University of Chicago Presents 2005-2006 Season - Page 2 ABOUT ANDREW MANZE AND THE ENGLISH CONCERT Kent-born violinist Andrew Manze brings knowledge, experience and passion to his role as Director of The English Concert. While studying Classics at Cambridge, friends gave him a baroque violin to play. -
Season Booster 8.23.11
SUCCESSFUL SUMMER FESTIVAL TOUR KICKS OFF 2011-2012 SEASON FOR MUSIC DIRECTOR NICHOLAS MCGEGAN AND THE PHILHARMONIA BAROQUE ORCHESTRA AND CHORALE KDFC Radio Broadcasts Return Starting September 11 All Vivaldi Disc Scheduled for Release September 13 San Francisco, CA – August 23, 2011 -- Music Director Nicholas McGegan and the Philharmonia Baroque Orchestra and Chorale began the 2011-2012 Season in August of 2011 with a prestigious Summer Festival Tour including performances of Handel’s Orlando at the Ravinia Festival, Lincoln Center’s Mostly Mozart Festival (a sold-out show), and Tanglewood to critical acclaim in all venues. Audiences gave standing ovations each night, and critics raved. The New York Times called the Orchestra “superb” and praised the “invigorating performance,” while the Boston Globe said “their playing laced precision with a heady dose of abandon.” In advance of the Ensemble’s first Bay Area performances, Philharmonia Baroque will return to the local radio airwaves on Sunday, September 11 at 9 p.m. with the first broadcast of a new series of monthly programs on KDFC. The first broadcast features the music of Mozart, with performances and interviews recorded last season with pianist Robert Levin and Music Director Nicholas McGegan. And on September 13, Philharmonia Baroque Productions will release an all-Vivaldi disc featuring Philharmonia Baroque Concertmaster Elizabeth Blumenstock, the third disc in the new project marking the institution’s return to commercial recording. Conducted by Mark Morris, the Orchestra and Chorale’s first performances in the Bay Area take place September 16, 17, and 18 at Zellerbach Hall with the Mark Morris Dance Group in of Purcell’s Dido and Aeneas featuring mezzo-soprano Stephanie Blythe and baritone Philip Cutlip. -
Elizabeth Watts’ Countess Brought Real Poise to Her Moments in the Spotlight As the Opera’S Least Comic Character
` MOZART The Marriage of Figaro, English National Opera / Edusei, Coliseum Elizabeth Watts’ Countess brought real poise to her moments in the spotlight as the opera’s least comic character. Flora Willson, The Guardian, March 2020 MENDELSSOHN Elijah, BBC Symphony Orchestra / Sakari Oramo, Barbican Hall There was an admirable operatic sweep to Elizabeth Watts’ contributions, with a fine sense of anguish as the Widow, and a touching simplicity in the extended Adagio aria which opens the second half, ‘Hear ye, Israel’, exquisitely sustained.’ Alexander Hall, Classical Source, February 2020 VAUGHAN WILLIAMS Symphony No.3 ‘Pastoral’, BBC Symphony Orchestra / Martyn Brabbins, Hyperion Half-remembered, haunting bugle calls are beautifully handled here, as is the long, wordless soprano solo that closes the last movement, a meditation on all that has gone before, lovingly realised by Elizabeth Watts. Stephen Pritchard, The Guardian, January 2020 HANDEL Brockes-Passion, Academy of Ancient Music / Richard Egarr CD recording – AAM Records Elizabeth Watts In the Daughter of Zion’s 14 solos … Elizabeth Watts sings with fervent intensity, the brightness of her tone tempered by a warm mezzo glint. Highlights among Soprano her arias are legion. I would just pick out the sublime ‘Die ihr Gottes Gnad’ after Judas’s suicide, voice and oboe vying with each other in grieving eloquence, and her no-holds-barred attack in the violent ‘Schäumst du, du Schaum der Welt’ as she rails against Christ’s mockery by the Jews. Richard Wigmore, Gramophone, November 2019 The solo singing is outstanding, with … Elizabeth Watts ravishing as the Daughter of Zion Hugh Canning, The Times, September 2019 The soprano Elizabeth Watts is powerfully expressive in the generous 16 arias given to the Daughter of Zion … piercing every word as if it’s a matter of life or death. -
Download Booklet
THE ENGLISH CONCERT Viola Concerto in G major TWV 51:G9 Georg Philipp Telemann (1681-1767) y I. Largo [3.20] Dall’Abaco, Porpora, Marcello, Tartini & Telemann u II. Allegro [2.43] i III. Andante [3.20] o IV. Presto [3.21] Concerto à più instrumenti in D major Op. 5, No. 6 Evaristo Felice Dall’Abaco (1675-1742) Alfonso Leal del Ojo viola 1 I. Allegro [3.30] 2 II. Aria Cantabile [1.49] Total timings: [68.43] 3 III. Ciaccona [2.41] 4 IV. Rondeau Allegro [0.58] 5 V. Allegro [3.56] HARRY BICKET DIRECTOR / HARPSICHORD Nadja Zwiener & Tuomo Suni violins | Joseph Crouch cello www.signumrecords.com Cello Concerto in G major Nicola Porpora (1686-1768) 6 I. Amoroso [4.57] 7 II. Allegro [4.45] The English Concert is an orchestra which Evaristo Felice Dall’Abaco (1675-1742) was 8 III. Largo [3.37] draws its inspiration from the elite orchestras of born in Verona, the son of a noted guitarist, 9 IV. A tempo giusto [4.09] 18th-century Europe: its members are recruited Damiano Dall’Abaco. Unusually, he appears to Joseph Crouch cello from amongst Europe’s foremost instrumentalists have been a skilled player of both violin and who are led either from the harpsichord or cello, having studied both instruments with Oboe Concerto in D minor Alessandro Marcello (1673-1747) by their principal violinist or Konzertmeister, Giuseppe Torelli. His first post was as a 0 I. Allegro moderato [3.22] just as were the famed court orchestras of violinist in the court orchestra in Modena, q II. -
Barbican Announces the Return of Live Audiences to the Hall, with In
For immediate release: 13 April 2021 Barbican announces the return of live audiences to the Hall, with in-person tickets going on sale for Live from the Barbican concerts from 17 May onwards; featuring Shirley Collins, This is The Kit, world premiere of Errollyn Wallen’s Dido’s Ghost, Sheku & Isata Kanneh-Mason, George the Poet, and Britten Sinfonia with Thomas Adès Today the Barbican announces that in-person tickets for concerts scheduled after 17 May 2021 will go on sale to Barbican patrons on Wednesday 21 April, Barbican members on Thursday 22 April and will be on general sale from Friday 23 April 2021. The spring/summer concerts of the acclaimed Live from the Barbican series will take place as livestreams until 17 May and then continue to be accessible online for a global livestream audience, as well as for a reduced, socially distanced live audience in the Barbican Hall. Tickets are £20 – 40 for live audiences in the Barbican Hall, and £12.50 to access the livestreams. Once livestream tickets are bought ahead of the concert, audiences have an additional 48 hours to re-watch the concert after the event. Discounted tickets at £5 and £10 are available to 14 – 25-year-olds through Young Barbican and over 1000 free stream passes are being offered to schools and community groups in London, as well as schools further afield in Manchester, Harlow and Norfolk, through Barbican Creative Learning. In line with Government guidance, safety measures will be in place, including operating at a reduced, 50% capacity in the Hall, one-way systems to ensure a safe and socially distanced flow of visitors through the space and sanitiser stations.