House 3-3-10.Trn

Total Page:16

File Type:pdf, Size:1020Kb

House 3-3-10.Trn 1 COMMONWEALTH OF PENNSYLVANIA HOUSE OF REPRESENTATIVES CONSUMER AFFAIRS COMMITTEE MAIN CAPITOL BUILDING ROOM 140 HARRISBURG, PENNSYLVANIA PUBLIC HEARING ON MUNICI PAL ELECTRICITY AGGREGATION WEDNESDAY, MARCH 3, 2010 9:32 A.M. BEFORE: HONORABLE JOSEPH PRESTON, JR., MAJORITY CHAIR HONORABLE MARC J. GERGELY HONORABLE HARRY READSHAW HONORABLE BRYAN BARBI N HONORABLE JOSEPH A. PETRARCA HONORABLE ROBERT W. GODSHALL, MINORI TY CHAIR HONORABLE ROB W. KAUFFMAN HONORABLE TI NA PICKETT HONORABLE SHERYL M. DELOZIER HONORABLE BRIAN L. ELLIS HONORABLE SCOTT PERRY HONORABLE DOUGLAS G. REI CHLEY BRENDA J. PARDUN, RPR P. O. BOX 278 MAYTOWN, PA 17550 717-426-1596 PHONE/FAX 2 ALSO PRESENT: GAI L M. DAVI S, EXECUTIVE DI RECTOR (D) TIMOTHY A. SCOTT, RESEARCH ANALYST (D) ELI ZABETH A. ROSENTEL, RESEARCH ANALYST (D) MARCI L. SANTORO, LEGISLATI VE ASSISTANT (D) COLIN M. FITZSI MMONS, EXECUTIVE DIRECTOR (R) BRENDA J. PARDUN, RPR REPORTER - NOTARY PUBLIC 3 I NDEX NAME PAGE OPENING REMARKS AND I NTRODUCTI ONS 5 JAMES H. CAWLEY 11 CHAIRMAN PENNSYLVANIA PUBLI C UTILITY COMMI SSI ON TONY C. BANKS 50 VICE PRESIDENT PRODUCT AND MARKET DEVELOPMENT FIRSTENERGY SOLUTI ONS GENE ALESSANDRI NI 58 SENIOR VI CE PRESIDENT MARKETING PPL ENERGYPLUS IRWIN "SONNY" POPOWSKY 87 CONSUMER ADVOCATE PENNSYLVANIA OFFICE OF CONSUMER ADVOCATE DOUGLAS L. BIDEN 111 PRESIDENT ELECTRIC POWER GENERATION ASSOCIATION RONALD M. CERNI GLI A 121 DIRECTOR NATIONAL ADVOCACY GOVERNMENT AND REGULATORY AFFAIRS DIRECT ENERGY, LLC TERESA L. RI NGENBACH 125 MANAGER - MI DWEST GOVERNMENT AND REGULATORY AFFAIRS DIRECT ENERGY, LLC RICHARD J. HUDSON, JR. 136 DIRECTOR REGULATORY AND LEGISLATI VE AFFAIRS CONEDI SON SOLUTIONS EDWARD C. TROXELL 148 DIRECTOR GOVERNMENT AFFAIRS PENNSYLVANIA STATE ASSOCIATION OF BOROUGHS 4 WRI TTEN TESTIMONY SUBMITTED DONALD PEPE 158 PRESIDENT PENNSYLVANIA MUNICIPAL ELECTRI C ASSOCI ATI ON DUQUESNE LIGHT COMPANY 163 DOMINI ON RETAIL 167 CONSTELLATION ENERGY COMMODITI ES 174 GROUP, INC. 5 P R O C E E D I N G S CHAIRMAN PRESTON: Good morning. The hour of 9:00 having come and gone by 9:30, sorry -- 9 : 30 having come and gone by, I 'd like to call to order the meeting of the Consumer Affairs Committee. Before I make comments, I'd like to be able to start to my right and your left, the audience's left, and to the rear and we'll have the respective members introduce themselves. REPRESENTATI VE READSHAW: Good morning, everyone. I am Representative Harry Readshaw, representing the 36th Legislative District, Allegheny County. REPRESENTATI VE BARBIN: Good morning. I 'm Bryan Barbin. I represent Cambria County, the 71 st District. REPRESENTATI VE PICKETT: Tina Pickett, Bradford, Sullivan, and Susquehanna Counties. REPRESENTATI VE ELLIS: Brian Ellis, Butler County. REPRESENTATI VE PERRY: Scott Perry, 6 the great 9 2 nd, northern York and Cumberland Counties. REPRESENTATI VE GODSHALL: Bob Godshall, Montgomery County. REPRESENTATI VE PETRARCA: Joe Petrarca, Westmoreland. CHAIRMAN PRESTON: And I 'm Joe Preston. I work for Bob Godshall. First, I want to be able to say that if you would like electronic copies of today's testimony, there will be a sheet where we'll -- at the table there. If you put your address or leave your card down, we'll be able to get it to you. Today's subject is dealing with the aggregation I think is important. And I want to be able to help set the tone. If you notice, there's not a bill that was introduced here; it was a draft. And I think that Chairman Godshall and I have always tried to work together in a lot of things. So we want to be able to let you know that this is a concept that we're going to start off with, nobody's going to be for or directly against them for the members and the members of this 7 com mit tee . I've never, since we've been there, asked them how to vote or anything. But this is something that I think that Pennsylvania really needs to look at as far as a concept. Other people are doing it. Do we do it the same way or do we do something different? And I want to be able to say this to the peopl e i n the industry or interested parties, whether you are for or against the aggregation issue, if you have thoughts or ideas, don't hold them back. Put them on the table. Be able to talk to the respective staff about that the potential suggested changes. We anticipate at least having a little bit more formal introduction of the bill reasonably in time. But at the same time, I think that we're going to be able to look at -- for the municipalities, from the industry, and especially for the consumer, as they look at what's coming in the future. And I want to be able to set this, because this is the year -- and last year was spend time, especially since 50 percent of the committee were new, so we spent a lot of the 8 time away from just voting on some of the bills that we dealt with, but familiarizing them with the process of dealing with all of the aspects that this committee has insight over, with deal ing wi th the PUC and some of the other different safety issues and consumer issues. In addition, in the next six months, is the thought that do we make changes in different substances that we have dealt with in the past. And I think now that we have a background, as I've always told the members, because we want to eliminate the questions ahead of time, so when we do have a bill in front of us, everybody's had a chance to be able to address those issues. And I know that sometimes, we have people who come in now from outside the state, other levels of executives, who may have compared or dealt with other state systems. But I'd like to think that in this committee, and I don't think any member would say that we haven't had a chance to ask a question. And the same thing with the industry. Every issue we've ever taken, we've made sure that all 9 sides have been equally represented, whether or not we were for or against the is sues. And I want to be able to help set that tone to be able to make this perfectly clear. So I encourage you, instead of the last minute to come up, that this is what we want to be able to do and this is what we have problems with. And I encourage you also to deal with -- most of your -- all of you have good governmental representatives. And I encourage you to be able to talk to them just as well, because all of us have a good level of trust wi t h t hem. Chairman Godshall, do you have any comments? REPRESENTATIVE GODSHALL: I think what you just said, we're not going to try to do things the way they do things in Was hington. We're going to do things they way we do it in Harrisburg. Is that right? We're going to -- there's not going to be a twenty- seven-hundred-page bill that we start with and then you look at certain pages and say, we don't like this or we don't like that. But 10 it's going to be that way anyway. So, no, we do want to work with you all. And it's a new concept, a concept I believe in very strongly, the same with Chairman Preston. And I think that it's, you know, something for the future, benefit a lot of our constituents, and it's the way to go here in Pennsylvania to help a lot of people with the rate caps coming off. I t's a new and innovative way of treating the problems. CHAIRMAN PRESTON: And like to think, s i n c e we a r e go i ng t o s t a r t o f f wi t h t he chairman of the Public Utility Commission, and this is going to be broadcast on PCN. This will be a good issue where an awful lot of the consumers will be watching to be able to see exactl y what we're going to be doing. And then, to the members of the committee, I anticipate, in the coming months, that we will been in different parts of the state addressing this issue and introducing it to the local elected officials before they have -- people get a chance to say I 'm for or against something. That this is a concept that we're going to look at. 11 That being said, we have Chairman James Cawley of the Public Utility Commission for the Commonwealth of Pennsylvania. And, Mr. Chairman, welcome, and we have the opportuni ty now to set the tone for where we're going to tomorrow. CHAIRMAN CAWLEY: Well, thank you, Chairman Preston and Chairman Godshall and members of the committee. I appreci ate the opportunity to be here today to testify about this discussion draft which would grant legislative authority for municipalities to be a municipal aggregator of customers under Chapter 28, which is the electric choice chapter of the Public Utility Code, and would provide for opt-out municipal aggregation of electric generation supply within a municipality's boundaries. I thank you for calling this hearing and commend you for your leadership to provide an open and honest forum for discussion of this issue.
Recommended publications
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • Die 3-Cd Genesis- Anthologie 'R-Kive'
    DIE 3-CD GENESIS- ANTHOLOGIE ‘R-KIVE’ VÖ: 03. Oktober 2014 Erstmals vereint: 37 der besten Songs von Genesis und aus den Solowerken der einzelnen Musiker Am 03. Oktober wird Virgin EMI / Universal Music Catalogue die drei CDs umfassende Genesis-Anthologie ‘R- Kive’ veröffentlichen. Das 37 Songs umfassende CD-Set, das 42 Schaffensjahre umfasst, dokumentiert die Bandgeschichte mit klassischen Arbeiten von Genesis und ausgewähltem Material aus den Solokarrieren von Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett sowie Mike Rutherford / Mike + The Mechanics. Die Werke von Genesis und die aus der Band hervorgegangenen Soloprojekte sind im Laufe der Jahre zu einer mehr als bemerkenswerten Serie von Glanzleistungen angewachsen und haben es gemeinsam auf unglaubliche 14 Alben gebracht, die die Charts anführten, sowie zwei weitere Dutzend in den Top 10. Insgesamt wurden von Genesis und den Solowerken der Bandmusiker weltweit mehr als 300 Millionen Alben verkauft. ‘R-Kive’ enthält in chronologischer Reihenfolge die größten Hits von Genesis, darunter ‘Invisible Touch’, ‘Turn It On Again’, ‘Land of Confusion’ und ‘I Can’t Dance’. Dazu gesellen sich, in entsprechender Reihenfolge, Soloklassiker wie ‘The Living Years’ und ‘Over My Shoulder’ von Mike + The Mechanics, ‘In The Air Tonight’ von Collins und sein Duett mit Philip Bailey, ‘Easy Lover’, sowie Peter Gabriels ‘Solsbury Hill’. ‘R-Kive’ beginnt mit ‘The Knife’, einer neunminütigen Proto-Punk-Nummer, die bei den frühen Konzerten den krönenden Abschluss bildete und noch zu jener Zeit entstanden war, bevor Hackett und Collins zur Band stießen. Zu den insgesamt 22 Songs von Genesis ist jeder der fünf Musiker gleichberechtigt mit jeweils drei Songs seiner Solowerke vertreten.
    [Show full text]
  • MARK SPICER Genesis's Foxtrot* One of the Most Ironic
    MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio.
    [Show full text]
  • Genesis Three Sides Live Mp3, Flac, Wma
    Genesis Three Sides Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Sides Live Country: Canada Released: 1982 Style: Pop Rock, Prog Rock MP3 version RAR size: 1337 mb FLAC version RAR size: 1717 mb WMA version RAR size: 1211 mb Rating: 4.4 Votes: 412 Other Formats: MP1 TTA VQF DXD RA VOX MP3 Tracklist 1-1 Turn It On Again 5:23 1-2 Dodo 7:20 1-3 Abacab 8:43 1-4 Behind The Lines 5:24 1-5 Duchess 6:38 1-6 Me And Sarah Jane 5:52 1-7 Follow You Follow Me 4:45 2-1 Misunderstanding 4:05 2-2 In The Cage 11:52 2-3 Afterglow 5:03 2-4 Paperlate 3:15 2-5 You Might Recall 5:28 2-6 Me And Virgil 6:18 2-7 Evidence Of Autumn 4:58 2-8 Open Door 4:04 Companies, etc. Marketed By – Phonogram Phonographic Copyright (p) – Gelring Ltd. Copyright (c) – Hit & Run Music Ltd. Credits Cover – Bill Smith Drums [Live Recordings Only] – Chester Thompson (tracks: 2-4 to 2-6) Drums, Vocals – Phil Collins Engineer – Geoff Callingham Guitar, Bass – Daryl Stuermer (tracks: 2-4 to 2-6) Guitar, Bass, Backing Vocals – Mike Rutherford Keyboards, Backing Vocals – Tony Banks Management – Carol Willis , Charlene Colon, Tony Smith Photography By – Martin Goddard* Producer – Genesis Written-By – Mike Rutherford (tracks: 1-1 to 1-5, 1-7, 2-2, 2-4 to 2-6, 2-9), Phil Collins (tracks: 1-1 to 1-5, 1-7, 2-1, 2-2, 2-4 to 2-6), Tony Banks (tracks: 1-1 to 1-7, 2-2 to 2-7) Notes CD1 in variant 2 has no printing, clean CD.
    [Show full text]
  • Michael Stanley DANCE Acoustic 16
    OPEN ALL YEAR! Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 December 10 - 31, 2014 “Wishing all of our readers a very Merry Christmas!” from the Norh Coast Voice staff December 10 - 31, 2014 www.northcoastvoice.com • (440) 415-0999 3 Guitar Lessons We would like to thank all of our sponsors and encourage our readers to patronize the fi ne From Rick Piunno businesses appearing in the North Coast VOICE. Beginner Publisher .......................................Wine 101 Entertainment Carol Stouder 6 to 8 ....................................... Bluesville Advanced Editor On The Beat DISC Sage Satori 11 ............................... [email protected] 13 ........ Now We’re Talkin’ - Gail Renard JOCKEY Film Review - Jeff Beck Electric Man of Many Hats 15 .................. OLDIES and Jim Ales Film Review - Michael Stanley DANCE Acoustic 16 .......... CLASSIC ROCK Advertising & Marketing 17 ................................... Kickin’ It Let me teach you [email protected] Music Review - Gentle Giant Emcee • Bands Sage Satori 19 ........ how to make music! Mentor, Willoughby, Chardon area Concert Review - Steve Hackett Production Trenda Jones 20 .... 22 ........................Mind Body Books Multimedia Staff Writers Mind Body Spirit Sage Satori • Cat Lilly 23 ........................ DJ/Emcee, Trenda Jones Schedule your Snarp Farkle • Don Perry .................................Stay In Tune Patrick Podpadec • Helen Marketti 25 now booking Summer & Fall lesson today! ............................
    [Show full text]
  • Leland Sklar and Daryl Stuermer (Phil Collins, Genesis)
    Leland Sklar and Daryl Stuermer (Phil Collins, Genesis) on their careers, Phil Collins‘ „Not Dead Yet“- tour, future projects and why it’s still exciting to be a musician after 50 years in the business »Everyday is an adventure. That’s why you stick around. You never know what tomorrow will bring.« Leland Sklar, Philipp Röttgers, Daryl Stuermer Leland Sklar and Daryl Stuermer are living legends. Leland Sklar is a bass player and one of the most sought-after session musicians in the world. „Father Time“, as he is also called, has played with pretty much every big artist since the beginning of his career in 1970. He can be heard on more than 800 albums and has played on over 3000 songs. His references include Jackson Browne, Carole King, James Taylor, Toto and of course Phil Collins, for whom he has been playing since 1984 (in alternation with Nathan East, who accompanied Collins on bass in the 1990s). Sklar plays on hits like ‚Sussudio‘, ‚Another Day In Paradise‘ and accompanies Phil Collins on his „Not Dead Yet!“ tour, which started in 2017 and is still running. Daryl Stuermer joined Genesis in 1978 as a live guitarist. In the studio the band consisted of Tony Banks (keyboards), Mike Rutherford (guitar and bass) and Phil Collins (vocals and drums), for live performances they were joined by drummer Chester Thompson and Stuermer, who alternated guitar and bass with Mike Rutherford. When Genesis go on tour, Stuermer is the one who teaches them the songs again. When Phil Collins began his solo career in 1981, Daryl Stuermer was also involved as guitarist and is still the only constant member of Collins‚ solo band.
    [Show full text]
  • Budget Impact ~ I
    ~:c-:-.,~,'~ ':--;;-~., .'. • -'" v ' • -. .. .. ... (" ..-, . \ \' ~ Vol. 62, Number 4 Baruch College .'City University of New York March 24, r>. \ ' Budget Impact ~ I. 'F"..•.. .... '. ~. .. .•. lscalUneas~Breeds Fears of Layoi By .FarahDue toGehyGoverner Mario demic counselors has dropped CUNY'scen ingsothe.Umve, :>l"J YYau __._ CUOIIlO'S proposed budgetcuts 14.4percent,anaverageofone a lot of money from the "over­ in education of$74.2 million, counselor per 1,262 students. inflated salaries of 'adminis­ the City University of New • Funds spenton purchasing trators." states a source. York faces many drastic cuts. instructional equipment have The collective bargaining. In response to these cuts, the decreased by 35 percent. contractsforCUNYandSUNY Universityisalreadyplanning In these hardeconomic times differ in that CUNY's faculty toincrease tuition by$500. In m . titutions are feeling contractsinclude both.the two addition, college staffand ser- the h. "Ifthe same levels and four year schools, while vices will probably alsobe cut. of occur next year, some SUNY schools have a variety The $500propcsedincrease s (community colleges) ofcontractsfor theirs said Dr. on tuition still won't meet the closed," said Johnson. JoelDouglas, professorofPub­ $45 in CUNY million gap .the er states, "Hopefully Ii inistration and Diree- budget so administrators are Legislature will Pllt more .ofthe National Center for looking to eliminate less than Dey [in the 'Univer- Study ,of Collective Bar- important utilities. "Wehave "I~them .ning in Higher Education been working on it for over nthe in dt rofMmo~,~~~ng three weeks and it's not a fun and senior CUNY exercise," said Samuel John- ~=i Ools won't solve the labor son, vice presidentforstudentcient relation problems." development, regarding what S.
    [Show full text]
  • Steve Hackett
    TOUR NEWS ******TOUR NEWS ******TOUR NEWS Steve Hackett SECONDS OUT +MORE! WORLD TOUR 2020/21 3rd December 2019: Off the back of his most successful solo tour yet, selling over 30 thousand tickets for his 2019 UK dates, Steve Hackett has announced that his 2020/21 World Tour will feature the whole of the 1977 Genesis live album Seconds Out in full, plus More! Seconds Out was the hugely successful double album recorded on Genesis’ 1977 concert tour together with The Cinema Show, from their 1976 tour, and featured Steve Hackett on guitar alongside Mike Rutherford, Tony Banks and Phil Collins who had taken on the role of vocalist following the departure of Peter Gabriel. The tour included music from each of the six studio albums from Steve’s time in Genesis and marked his final recordings with the band as he left to pursue his solo career upon its completion. The Seconds Out + More! Tour will visit some of the venues Genesis played on that 1977 tour. There will also be additional material, including Steve’s solo concert favourite The Steppes to celebrate the 40th birthday of his fourth solo album Defector. Steve Hackett says: “I‟m thrilled to bring Seconds Out back to life, featuring Genesis material at its most exciting and virtuosic, this time with all numbers played in full plus additional surprises!” Full UK tour dates are as follows: please note - highlighted shows are same venues as 1977 tour Sunday 1 November Brighton Dome Monday 2 November Cardiff St David's Hall Tuesday 3 November Stoke Victoria Hall Thursday 5 November London The
    [Show full text]
  • Genesis R-Kive Mp3, Flac, Wma
    Genesis R-Kive mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: R-Kive Country: Japan Released: 2014 Style: Prog Rock, Pop Rock MP3 version RAR size: 1865 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1736 mb Rating: 4.8 Votes: 415 Other Formats: MP4 FLAC MP1 AUD TTA WMA FLAC Tracklist 1-1 –Genesis The Knife 8:54 1-2 –Genesis The Musical Box 10:25 1-3 –Genesis Supper's Ready 23:04 1-4 –Genesis The Cinema Show 10:50 1-5 –Genesis I Know What I Like (In The Wardrobe) 4:09 1-6 –Genesis The Lamb Lies Down On Broadway 4:54 1-7 –Genesis Back In N.Y.C 5:39 1-8 –Genesis Carpet Crawlers 5:15 1-9 –Steve Hackett Ace Of Wands 5:24 2-1 –Genesis Ripples 8:04 2-2 –Genesis Afterglow 4:11 2-3 –Peter Gabriel Solsbury Hill 4:23 2-4 –Genesis Follow You Follow Me 4:00 2-5 –Tony Banks For A While 3:39 2-6 –Steve Hackett Every Day 6:11 2-7 –Peter Gabriel Biko 7:28 2-8 –Genesis Turn It On Again 3:51 2-9 –Phil Collins In The Air Tonight 5:30 2-10 –Genesis Abacab 7:01 2-11 –Genesis Mama 6:48 2-12 –Genesis That's All 4:25 2-13 –Phil Collins Easy Lover 5:02 2-14 –Mike + The Mechanics* Silent Running (On Dangerous Ground) 5:47 3-1 –Genesis Invisible Touch 3:29 3-2 –Genesis Land Of Confusion 4:46 3-3 –Genesis Tonight Tonight Tonight 8:52 3-4 –Mike + The Mechanics* The Living Years 5:24 3-5 –Tony Banks Red Day On Blue Street 5:49 3-6 –Genesis I Can't Dance 4:01 3-7 –Genesis No Son Of Mine 6:39 3-8 –Genesis Hold On My Heart 4:36 3-9 –Mike + The Mechanics* Over My Shoulder 3:35 3-10 –Genesis Calling All Stations 5:46 3-11 –Peter Gabriel Signal To Noise 7:32 3-12 –Phil Collins Wake Up Call 5:14 3-13 –Steve Hackett Nomads 4:39 3-14 –Tony Banks Siren 8:49 Companies, etc.
    [Show full text]
  • Download Genesis Seconds out Album Download Genesis Seconds out Album
    download genesis seconds out album Download genesis seconds out album. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c949244c9315dc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download genesis seconds out album. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c949247d8c0d52 • Your IP : 188.246.226.140 • Performance & security by Cloudflare.
    [Show full text]
  • Video/Audio Links
    Lecture #4 – Video & Song links st The secrets of rhythm – May 1 Video links: • Sergio Mendes & Brasil ’66: shaker man! https://youtu.be/BrZBiqK0p9E • “First Circle” by Pat Metheny/L.Mays song in 22/8 time signature – analysis by conductor Scott O’Neill: https://youtu.be/1S5fxErfHW0 • Manu Katche – “fluid” drummer with Peter Gabriel “Talk to me” video live; play from 4:40 onward that features drumming: https://youtu.be/JRLjpXLEp1A Songs & audio: Songs with increasing rhythm – to inspire movement • Yoyo Ma and ensemble: “The Swan” from ‘Carnival of the Animals’ by Camille Saints- Saens from album ‘The Essential Yoyo Ma’ • Bajofondo Tango Club (Argentina): “Pa’ bailar” example of Nuevo tango • Rumba Club (Afro-cuban): ‘Bad Guys (Radio Edit)’ from album ‘Colours of the World’ Rhythmic frame • Steely Dan – ‘Aja’ album with 7 songs, all in 4 time, some swung, some straight (1977) Clave & African bell rhythms, groove, clockwork, etc. • Celso Machado (Brazil/Canada) – “Despedida” from Putamayo album ‘Brasiliero’ • Alex Cuba (Cuba/Canada) – “Fiesta Religion” from album Agua del Pozo • Weather Report – “Rumba Mama” from album ‘Heavy Weather’ (1976): live percussion piece by Manolo Badrena & Alex Acuna • Sheila Chandra – “Speaking in Tongues” on album ‘Voices from the Real World’ – example of tabla drum rhythms spoken by mouth • Geoffrey Oryema (Uganda/UK) – “Umoja” from album ‘The River’ • Stewart Copeland (USA) – “Coco” from album ‘The Rhythmatist’ • Joni Mitchell (Canada) – “Dreamland” live track from album ‘Shadows & Light’ recorded in Hollywood
    [Show full text]
  • Tony Banks Six Pieces for Orchestra
    TONY BANKS SIX PIECES FOR ORCHESTRA CHARLIE SIEM VIOLIN MARTIN ROBERTSON ALTO SAXOPHONE THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA PAUL ENGLISHBY Tony Banks (b. 1950) SIX Pieces for Orchestra Tony Banks During the last Genesis tour (2007) at the end of many originally played on both piano and combinations of interviews, each of us was asked what we intended to do orchestral samples. The final versions of these are more Tony Banks is a founding member of Genesis along with Mike next in our solo careers and in order. I think, to say similar to the demos although Paul has worked his magic. Rutherford, Peter Gabriel and Anthony Phillips and, after a few something rather than nothing, I would say I wanted to do With all the arrangements we had lots of going backwards incarnations, the band evolved further with the introduction of Phil another orchestral work. I am not sure the idea was that and forwards between us, only falling out occasionally as Collins, and with Steve Hackett who replaced Phillips. Genesis concrete in my mind then but I did know that at some I tried to protect some of my more exotic chords. became one of the major exponents of progressive rock music in point I wanted to continue, as I had learnt such a lot from Recording in Prague gave us the opportunity to have the early seventies. In 1975 Peter Gabriel left the band to pursue a my first attempt, Seven, and felt I could approach a new rehearsal time with the orchestra, allowing us to remove solo career and Phil Collins replaced Gabriel as lead vocalist.
    [Show full text]