DOCSLIB.ORG

Commercial-Printing.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Commercial-Printing.Pdf Vision toward Growth: Commercial Printing make it a strong contender in European and 2017. This digital system attracted global U.S. markets. attention for providing the same high level of Océ prioritizes not only speed, but also reli- image quality and productivity as offset ability and productivity—for instance, the printing. In addition to its impressive function- ability to maintain consistent color and image ality and productivity, the ProStream 1000 also quality even when operated non-stop for a full received a prestigious design award. Expectations week. Today, Océ is developing and commer- are high that Océ’s new flagship model will cializing high-end printing equipment for the challenge offset printing in the competitive professional printing industry. GA market. Océ offers attentive customer support and service Canon continues to explore new business With an eye on new growth markets, we see a bright future fields and pursue innovation in manufacturing With products ranging from small printers to large commercial-use printers, Canon, in collab- oration with Océ, aims to become the world’s No. 1 printing company. Digital printing is expected to encompass various fields from IT to pharmacy, including industrial printing, which involves such non-paper materials as resin and cloth. With an eye on new markets, Canon will continue to pursue innovation in the manufac- Assembly of the Océ VarioPrint i300 sheet-fed inkjet color press turing process and the development of advanced digital printing technologies. in the mid-1960s, Canon made its full-fledged High-precision printing technologies support entry into the office equipment industry. In 1973, we introduced a full-color plain-paper Canon in a changing commercial printing market copier, bringing new power to business docu- ments. Later, we launched our revolutionary Graphic arts printing of a sales promotion catalog New Customer Experience Demand for various small-lot Core technologies from office multifunction devices which continue to Center for commercial jobs spurs the shift towards printer development support receive high acclaim worldwide. As “One Canon,” we are enables balanced workloads through seamless printing Our wealth of experience and innovative schedule management of multiple presses and digital printing the digitalization of printing expanding into new fields of In April 2017, Canon opened the technology enabled us to continuously refine more efficient allocation of printing jobs. This commercial printing Customer Experience Center Tokyo (CEC Commercial printing is a broad field encom- Digital printing is lauded for its ability to facili- our products, resulting in the development a combination of Canon and Océ technology has Tokyo) at our Shimomaruko headquar- passing newspapers, magazines and books, tate quick turnaround of small-lot jobs. In addi- high-precision, high-image-quality digital Starting out in the industry as a maker of inno- earned significant praise from the industry for ters. This facility allows commercial tion, it provides such added-value advantages promotional catalogs and flyers, financial printing press. In 2006, we opened a new path vative office and home use printers, Canon has its effectiveness in streamlining workflows and printing businesses to experience Canon’s statements, invoices and other documents that as variable printing, enabling the professional into the digital commercial printing market. expanded into the field of commercial printing, boosting productivity. leading digital printing solutions. In addi- are the lifeblood of businesses. printing of such documents as invoices and and is now a leading brand in high-image- tion to equipment demonstrations and Offset printing has long been the dominant delivery statements in which the content varies quality color printing, output services for busi- media and data inspections based on process in this field, boasting such advantages by sheet, and on-demand printing of custom- Welcoming Océ has helped us nesses and in-house on-demand printing. Expanding in the graphic arts individual customer needs, we offer as superb quality, low cost and the high speed ized low-volume orders. Supporting Canon’s achieve growth in the Indeed, our collaboration with Océ has enabled market with high image quality training for staff who will operate our needed for printing large-volume publications. advances are the experience and expertise culti- us to expand into various fields of commercial systems. In the future, we aim to create a commercial printing business and productivity community in which customers can share However, in the 1990s a shift occurred in vated through the development of such core printing. As “One Canon,” we continue to their know-how and experiences with consumption patterns as well as market segmen- technologies as inkjet and electrophotography. To expand Canon’s share of the digital commer- provide high-quality products and services In the graphic arts (GA) market, once domi- each other, and grow as a community. tation, leading to an increase in demand for With the development of the copy machine cial printing market and create new avenues of while creating new synergies for growth. For nated by offset printing, such items as catalogs various small-lot jobs. Ever since, the field of growth, we welcomed the Dutch instance, making Océ’s PRISMAsync print demand high image quality. Aiming for this digital printing has continued to expand. company Océ into the Canon Group controller available for Canon printing systems growing market, Océ launched the continuous In offset printing, color images are sepa- in 2010. realizes enhanced operability, which in turn feed printer Océ ProStream 1000 in February rated into four colors, each of which requires Océ is a leading manufacturer of printing plates, which in turn raises the unit digital printers with a history span- cost of small-lot printing. Digital printing does ning 140 years. The company’s not require the labor-intensive use of plates; high-productivity printers are highly instead, printing is done straight from data. By regarded for such black-and-white overcoming a key weakness in offset printing, printing jobs as invoices, direct mail digital printing has brought about a techno- and in the publishing field. Océ’s Variable printing is possible on Opening of CEC Tokyo in April 2017 logical revolution. various types of paper high-speed continuous-feed printers The next-generation Océ ProStream 1000 digital printing press 18 THE CANON STORY 2017/2018 THE CANON STORY 2017/2018 19.
Load more

Recommended publications
  • Open Society Archives
    OSA book OSA / Publications OPEN SOCIETY ARCHIVES Open Society Archives Edited by Leszek Pudlowski and Iván Székely Published by the Open Society Archives at Central European University Budapest 1999 Copyright ©1999 by the Open Society Archives at Central European University, Budapest English Text Editor: Andy Haupert ISBN 963 85230 5 0 Design by Tamás Harsányi Printed by Gábor Rózsa Printing House, Budapest on Niveus acid-free offset printing paper of 90g/m2 produced by Neusiedler Szolnok Paper Mill, Hungary. This paper meets the requirements of ISO9706 standard. TABLE OF CONTENTS CHAPTER I. The coordinates of the Archives The enemy-archives (István Rév) 14 Archival parasailing (Trudy Huskamp Peterson) 20 Access to archives: a political issue (Charles Kecskeméti) 24 The Open Society Archives: a brief history (András Mink) 30 CHAPTER II. The holdings Introduction 38 http://www.osaarchivum.org/files/1999/osabook/BookText.htm[31-Jul-2009 08:07:32] OSA book COMMUNISM AND COLD WAR 39 Records of the Research Institute of Radio Free Europe/Radio Liberty 39 • The Archives in Munich (András Mink) 39 • Archival arrangement and structure of the records of Radio Free Europe/Radio Liberty Research Institute (Leszek Pud½owski) 46 • The Information Resources Department 49 The East European Archives 49 Records of the Bulgarian Unit (Olga Zaslavskaya) 49 Records of the Czechoslovak Unit (Pavol Salamon) 51 Records of the Hungarian Unit (Csaba Szilágyi) 55 Records of the Polish Unit (Leszek Pud½owski) 58 Records of the Polish Underground Publications Unit
    [Show full text]
  • Introduction to Printing Technologies
    Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography.
    [Show full text]
  • Northern Kentucky MARKET REVIEW 2019
    Northern Kentucky MARKET REVIEW 2019 BRIDGES TO THE FUTURE Northern Kentucky’s transformation creates new paths for prosperity, growth and opportunity Underwritten by KY 40150 KY Lebanon Junction Lebanon Permit #327 #327 Permit Published by PAID ELECTRONIC SERVICE REQUESTED SERVICE ELECTRONIC U.S. POSTAGE U.S. PRST STD PRST 601 W. Short St., Lexington KY 40508 KY Lexington St., Short W. 601 $12 GREAT THINGS Accessibility, talent and financial COME resources, broad amenities and a low cost of living make Northern Kentucky an ideal place to start FROM and grow a business. NORTH ERERNKEN N TUCKY NorthernKentuckyUSA.com Northern Kentucky MARKET REVIEW 2019 Made in NKY ...............................................................53 Table of Contents Utilities ...............................................................................57 People & Places ..................................................6 Business Services .......................................................58 Northern Kentucky Tri-ED ................................12 Headquarters ..............................................................60 NKY Chamber of Commerce........................14 Meetings & Attractions .........................................62 Northern Kentucky Arts & Culture ............................................................65 On the Cover: From left: Katie Meyer, Mandy Lehman, Area Development District ......................16 Sports & Recreation ...............................................68 Bonnie Meyer, Gordon Henry, Shwetha T. Pai,
    [Show full text]
  • & Who's Who in Printing 2018 Printing Impressions
    2018 Printing Impressions 35th Annua l Ranking & Who’s Who in Printing PIworld.com | Printing Impressions 1 2018 PRINTING IMPRESSIONS Celebrating its 35th consecutive year, the PRINTING IMPRESSIONS 400 provides the industry’s most comprehensive listing 35th Annua of the leading printing companies in the l Ranking United States and Canada ranked by annual sales volume. The listings include company name and the their annual revenue figures, so they are not location of the headquarters; parent company, included on our PI 400 list. This year, based if applicable; current and previous year’s rank- on Forbes’ ranking of the largest privately-held ings; most recent and previous fiscal year sales companies, we included Taylor Corp. and figures; percentage change in sales; primary used Forbes’ estimated sales calculation. product specialties; principal officer(s); number In addition, some very large firms that are of employees and manufacturing plants; as well ranked, notably RR Donnelley, would not, as the firm’s total range of in-house sheetfed or could not, break down their annual sales and webfed digital and conventional printing by the various print market specialties that process capabilities. we track (so, they may not appear on some of The financial information shown for the our Top 5 market segment leaders charts). PI 400 rankings was provided voluntarily by Individual printing companies that are privately-held and employee-owned firms, part of larger graphic arts networks are not and we instructed companies to not provide listed separately. In essence, to do so would be projected/estimated sales figures if their fiscal to show sales figures twice.
    [Show full text]
  • List of Book Printers in the United States and Beyond
    List of Book Printers in the United States and Beyond TOP BOOK PRINTERS IngramSpark 1 Ingram Blvd. La Vergne, TN www.ingramspark.com Support: [email protected] Australia: [email protected] International: [email protected] Print on demand printing and distribution services. A division of Ingram. Baker and Taylor Publisher Services (formerly BookMasters) 30 Amberwood Parkway Ashland OH 44805 567-215-0030 800-537-6727 www.bookmasters.com/ Bookmasters, based in Ashland, Ohio, is one of the largest providers of customized publisher services in the United States. ALABAMA BOOK PRINTERS Walker 360 (formerly EBSCO Media) 2700 Hwy 280 S. Suite 350E Mountain Brook, AL 35223 334.832.4975 http://walker360.com [email protected] Top 1% of printers in the nation with facilities in Montgomery and Birmingham. ARIZONA BOOK PRINTERS Epic Print Solutions 3346 W Catalina Dr. Phoenix, AZ 85017 480-625-4682 www.epicprintsolutions.com [email protected] Print on demand and offset printing. Nonfiction Authors Association Page 2 Rev 4/18 CALIFORNIA BOOK PRINTERS Burnett Print Group 2600 W Olive Avenue, 5th Floor Burbank CA 91505 818-653-5118 www.burnettprintgroup.com Focused on sustainability in the manufacturing of high quality print materials. Corporate Color Printing 17855 Fitch Irvine, CA 92614 714-464-6705 or 800-495-0322 www.4printing.net [email protected] After 28 years, a printing company should know how to not disappoint the people who place faith in them. We only accept jobs we know will make you satisfied when our work is under your review. DeHart’s Media Services 6586 Whitbourne Dr. San Jose, CA 95120 408-768-1575 www.deharts.com Whether our customers need a small print run, supported by our short-run digital print technology—also called Print on Demand (POD) or their needs are better suited to direct- to-plate offset technology, DeHART’s offers complete print solutions—including complementary products, software manufacturing, and packaging—to meet our customer’s requirements.
    [Show full text]
  • Alessandro Ludovico
    POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium.
    [Show full text]
  • Digital on Demand Printing Environmental Advantage
    Progressive, Profitable Printing The digital on-demand printing environmental advantage Digital on-demand printing enables reductions in the environmental impact of production printing, while offering benefits to both commercial printers and publishers and their customers. A more sustainable approach to printing Digital on-demand printing is more flexible and often more efficient than traditional offset printing. It can offer multiple benefits to commercial printers and publishers and to their print buying customers in terms of reduction of waste and carbon footprint and cost. It can help to achieve this in multiple ways: • Drastically reduced printing process waste. • Printing economics that allow cost effective short print runs – Enabling ‘on-demand’ printing that can help to minimize overruns and cut the number of redundant prints. • Variable data printing – Facilitating more customized and targeted printed material that can often require less paper to print. • Reduced print transportation – Digital on-demand printing’s ability to eliminate redundant prints, combined with attractive short print run economics that facilitate distributed printing closer to the point of end use, can together help to cut the carbon footprint of print transportation. With digital on-demand printing, commercial printers and publishers can reduce environmental impact and increase profitability by reducing waste and costs in their own operations. At the same time, they can engage with their customers to develop more efficient print buying strategies and reduce their environmental impact – and potentially also their costs. HP analYsis indicates that Enhanced profitability through reduced waste shifting to digital printing Digital on-demand printing eliminates several stages of the set-up and changeover processes associated with offset printing that are not only time consuming but also inherently generate high levels of substrate waste.
    [Show full text]
  • Beacon #2 What It Means to “Self-Publish”
    Beacon #2 What it means to “self-publish” The term “publishing” refers to the editing, design, production, and marketing of a book. The term “publisher” refers to the individual, organization, or company that controls and pays for those activities. Until recent years, the only high-quality method for producing a “real” book was to use an offset press – a high-speed device that transfers an inked image from a plate to a rubber blanket, and then to the multi- page printing surface. Most “traditional” book releases are printed this way, because the process is very fast (books can be mass-produced) and once the press is set-up, the actual cost of printing each book is very low (pennies per copy). However, the plates required to print any given book are extremely expensive to create and set-up initially, so offset printing is only practical when thousands of books will be printed in one press run. This huge up-front cost is part of why mainstream publishing companies are usually hesitant to take a chance on a new or unknown author. After all, when a new book fails to sell, they lose a lot of money. Authors who are willing to take a chance on themselves (i.e., edit, design, produce, and market their own books) are considered self-publishers. Historically, self-publishing involved a highly specialized set of tools and skills that very few authors possessed. So a new form of business, called a subsidy press (or vanity press) emerged. Authors (who could afford to) paid these businesses to handle all or part of the publishing process for them.
    [Show full text]
  • The Types and Functions of Samizdat Publications in Czechoslovakia, 1948–1989
    The Types and Functions of Samizdat Publications in Czechoslovakia, 1948–1989 Martin Machovec Czech Literature, Charles University, Prague Abstract The term samizdat, now widespread, denotes the unofficial dissemination of any variety of text (book, magazine, leaflet, etc.) within “totalitarian” political sys- tems, especially those after World War II. Such publishing, though often not explic- itly forbidden by law, was always punishable through the misuse of a variety of laws under various pretexts. It occurred first in the Soviet Union as early as the 1920s, before the term was used, and then, labeled as such, from the 1950s onward. While samizdat publication occurred in Czechoslovakia after 1948, the word itself was used there only from the 1970s on. This article seeks to clarify the term and the phenome- non of samizdat with regard to the Czech literary scene to trace its historical limits and the justification for it. I will first describe the functions of Czech samizdat during the four decades of the totalitarian regime (1948–89), that is, examine it as a non- static, developing phenomenon, and then I will offer criteria by which to classify it. Such texts are classifiable by motivations for publishing and distributing samizdat; the originator; traditionally recognized types of printed material; date of production and of issuance, if different; textual content; occurrence in the chronology of politi- cal and cultural events under the totalitarian regime; and type of technology used in production. The applicability of such criteria is tested against the varied samizdat activities of the Czech poet and philosopher Egon Bondy. Both in Czech literary history and, as far as we know, in the literary his- tories of other countries as well there is a tendency to claim what is more or less obvious: that samizdat books, periodicals, leaflets, and recordings 1.
    [Show full text]
  • From the University Presses -- the Iddeh N Digital Revolution in Scholarly Publishing: POD, SRDP, the "Long Tail," and Open Access Sanford G
    Against the Grain Volume 21 | Issue 2 Article 33 April 2009 From the University Presses -- The iddeH n Digital Revolution in Scholarly Publishing: POD, SRDP, the "Long Tail," and Open Access Sanford G. Thatcher Penn State Press, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Thatcher, Sanford G. (2009) "From the University Presses -- The iddeH n Digital Revolution in Scholarly Publishing: POD, SRDP, the "Long Tail," and Open Access," Against the Grain: Vol. 21: Iss. 2, Article 33. DOI: https://doi.org/10.7771/2380-176X.2576 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Biz of Acq from page 59 From the University Presses — raphers and reference librarians provide subject- The Hidden Digital Revolution in specific Websites and blogs for their users, we can provide a broader look at new resources Scholarly Publishing: POD, SRDP, recently purchased by the library. For example, a new e-resources blog with an RSS feed could be a way to push information about new acquisi- the “Long Tail,” and Open Access tions to the library community. Tagging within the blog could provide access to the blog entries Column Editor: Sanford G. Thatcher (Director, Penn State Press, USB 1, Suite C, by specific subject or format. 820 N. University Drive, University Park, PA 16802-1003; Phone: 814-865-1327; Another possibility is using this technology Fax: 814-863-1408) <[email protected]> www.psupress.org to push information about outages in databases or library systems.
    [Show full text]
  • — Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest
    — Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, No February-June . Publications IAS — Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, February-June 2013. edited by valentina parisi — Co-sponsored by the Central European University Institute for Advanced Study and eurias — Colophon Parisi, Valentina (ed.) Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, February-June 2013. ias Publications No 1 © Central European University, Institute for Advanced Study 2015 Includes bibliographical references and index. isbn 978-615-5547-00-3 First published: February 2015 Proofreading: Christopher Ryan Graphic design: Ákos Polgárdi Typefaces: Adobe Jenson & Arquitecta — Contents Acknowledgements p. 005 Preface p. 007 The common pathways of samizdat and piracy p. 019 Balázs Bodó “Music on ribs”. Samizdat as a medium p. 035 Tomáš Glanc The media dimension of samizdat. p. 047 The Präprintium exhibition project Sabine Hänsgen The dispersed author. The problem of literary authority p. 063 in samizdat textual production Valentina Parisi Movement, enterprise, network. The political economy p. 073 of the Polish underground press Piotr Wciślik Samizdat as social practice and communication circuit p. 087 Olga Zaslavskaya Authors p. 101 Index of names p. 105 — 3 — 4 — Acknowledgements This volume brings together the texts of all the lectures delivered at the Open Society Archives (OSA) in Budapest in the
    [Show full text]
  • Digital Printing Vs. Commercial Offset Printing
    3333 Chester Avenue • Cleveland, Ohio 44114 P 216.861.3377 • F 216.861.6108 [email protected] • www.copy-king.com DIGITAL PRINTING VS. COMMERCIAL OFFSET PRINTING Digital Printing and Commercial Offset Printing are both offered at Copy King. The differences between them can affect the output of your print job and the price you pay. Digital printing is straight from a digital file to the printed piece. Similar to printing to your desktop printer at home. In Commercial offset printing, the desired print image is burned onto a plate and is then transferred (or offset) from the plate to a rubber blanket, and then to the printing surface. The lithographic process is based on the repulsion of oil and water. The image to be printed gets ink from ink rollers, while the non printing area attracts a film of water, keeping the non printing areas ink-free. Advantages/Disadvantages of Each and How to Decide which is Right for Your Project. Digital Printing: • Ideal for short run jobs that require greater customization • Variable Data Printing is a form of customizable digital printing. Using information from a database or external file, text and graphics can be changed on each piece without stopping or slowing down the press. For example, personalized letters can be printed with a different name and address on each letter. Without question, digital printing offers the most affordable way to customize marketing materials, direct mail pieces, letters, etc. • If you make frequent changes to your printed documents, digital printing is a more cost efficient choice. • Digital printing simulates the color using a four-color matching process, so some digital printers may offer less accurate color matching on projects.
    [Show full text]