DOCSLIB.ORG

Ha2tf Final 12-21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JUSTIN WALES Justin Wales [email protected] Merry Christmas, You Filthy Animal. OPENING CRAWL: MUSIC CUE: Somewhere In My Memory (Home Alone Theme) JUSTINHome AloWALESne II The Future Ten-Year-Old Kevin McCallister is Lost In New York! A year after being left Home Alone by his family over Christmas to fight off a pair of dimwitted robbers, the mischievous Kevin inadvertently boarded a pre-9/11 flight to New York without a ticket. With his family in Florida, Kevin decides to live it up in New York City without concern for whether his parents are worried or how much of their money he is spending. After a day sightseeing across Manhattan, Kevin heads to the World Famous Plaza Hotel where he is about to meet two unexpected visitors: The future President of the United States, Donald J. Trump, and a 40-year-old version of himself sent back from 2020 to stop him from becoming President...by any means. FADE IN: INT. PLAZA HOTEL - NEW YORK CITY - DECEMBER 23, 1992 KEVIN McCALLISTER enters the hotel’s spectacular foyer. It’s a lot nicer than even the Milwaukee Radisson he and his family stayed at for his cousin Lisa’s wedding last year...and that place had an ice machine on every floor! The Plaza makes that Radisson look like Buzz’s room. Woof. As Kevin makes his way through the Hotel’s gilded halls he stops a random man for directions. It is, inexplicably, the future President of the United States, Donald J. Trump. 2. KEVIN Excuse me, where’s the lobby? DONALD TRUMP JUSTINIt’s down the haWALESll and to the left. KEVIN Thanks. Kevin leaves Trump and enters the opulent lobby. He pulls out a TALKBOY from his bag and hits “PLAY”. As the tape recorder plays back a commercial for the Plaza Kevin just happened to record off of the TV the night before, the hotel is abuzz with guests and excitement. CEDRIC, a pompadoured bellhop (Rob Schneider) carries bags through the lobby as head concierge, MR. HECTOR (Tim Curry), glares rudely at a black guest just trying to check in. TALKBOY Guests of The New Celebrity Ding- Dang-Dong stay at the world- renowned Plaza Hotel, New York's most exciting hotel experience. For reservations, call toll free: 1-800- 759-3000. KEVIN (to himself) I’ll do just that! INT. HOTEL’S PHONEROOM Kevin stands on a stack of phone books to reach the receiver. KEVIN (into TALKBOY) Howdy do? This is Peter McCallister, the father. I’d like a hotel room, please. With an extra large bed, a TV, and one of those little refrigerators you have to open with a key. Credit card? No problem! Kevin flips a switch on the TALKBOY and dials the Hotel’s reservation number. A bright FLASH of LIGHT emits from the frosted windows behind him. He gives the camera a puzzled look but shakes it off when a woman finally picks up the phone. 3. WOMAN Plaza Hotel reservations. May I help you? He plays the recording into the phone at quarter-speed so his JUSTINvoice sounds like a man reWALEScovering from a stroke. TALKBOY Howdy do? This is Peter McCallister, the father... INT. LOBBY - SIMULTANEOUSLY KEVIN MCCALLISTER, 40, lies face down in the hall. Dressed in tatters, he’s rail thin with a mane of wiry blond hair. An elderly, midwestern couple, BETH and LARRY SCHOENFELD, look at Kevin in shock. They were warned New York City was filled with eccentric characters, but didn’t expect to see one in their hotel’s hallway! BETH Oh, Larry! He just came out of nowhere. Do you think he’s hurt? LARRY Now careful, Beth. He might be one of those junkies the tour guide warned us about. Larry nudges Older Kevin with his foot. He starts to come to. As he lifts his head, we see a COVID-style mask covering the bottom half of his face. Older Kevin jolts as he takes in his surroundings. He holds a futuristic-looking PORTAL GUN in his hand which he quickly stuffs in his coat before anyone sees. 4. BETH Let’s go -- He’s wearing a mask, he might have the AIDS. I heard all about it on Connie Chung. JUSTINOLD ER WALESKEVIN (whispers to himself) The AIDS? Kevin calls out to the couple. OLDER KEVIN (CONT'D) Hey lady, do you know what COVID is? BETH Why, of course. Fear strikes Kevin’s eyes. BETH (CONT'D) It’s by Andrew Lloyd Webber, right? Larry and I just love the theater! LARRY No, no. That’s Evita. BETH Oh, right. Is COVIDA any good? Kevin laughs in relief. OLDER KEVIN (to himself) It worked? Looking around the hotel it’s obvious he isn’t in 2020 anymore: A woman in 90’s fashion smokes a cigarette at the bar; a pair of teens (one of them a fourteen-year-old Nick Kroll, although that doesn’t really factor into the plot) are dressed in neon windbreakers and playing Game Boys; OJ SIMPSON signs autographs as his wife, NICOLE, looks on. OJ SIMPSON FAN You’re an inspiration, Juice! OLDER KEVIN It worked! Kevin rips off his mask and tosses it in the air. Jubilated, he runs over to the couple and puts his arms around them for an intimate, and by the looks of Kevin, very smelly, hug. 5. OLDER KEVIN (CONT'D) I haven’t been able to hold anyone in months. I’ve just been home... alone...because of that stupid JUSTINvirus. WALES BETH Virus! Larry, I told you! Larry pushes away from Kevin. LARRY Well, we have tickets for Cats and should go. You should get out of here before security finds you. KEVIN First I have to find myself. LARRY The ‘60s are over, son. It’s time to grow up. Maybe get a haircut. Let’s go, Beth. INT. LOBBY Younger Kevin walks to a FEMALE CONCIERGE. As he waits for her to finish with another customer, Mr. Hector, the rudest concierge in New York City, eyes Younger Kevin with great suspicion for no reason at all. INT. HOTEL HALL Older Kevin approaches bellboy Cedric as he counts his tips. CEDRIC Look, you can’t be in here. There’s a shelter on 46th-- OLDER KEVIN I’m a guest here. McCallister... Cedric doesn’t believe him. CEDRIC You in one of those grunge bands? Sound Blossoms or something? OLDER KEVIN Yep. I’m in the Sound Blossoms. Cedric’s scowl switches to a too-eager-to-help smile. 6. CEDRIC Oh, of course. Big fan. Are you playing the pageant? OLDER KEVIN JUSTINPageant? WALES CEDRIC The Trump Annual Pre-Teen Christmas Eve Beauty Pageant. OLDER KEVIN ...Yes? CEDRIC Nice! You know, I’m in a band too. We do Quiet Riot covers but we change all the lyrics so they’re about pizza. We call ourselves “Cum on Feel the Noids.” OLDER KEVIN That sounds...amazing, actually. CEDRIC You get it, right? Noid, like the Domino’s Pizza mascot? OLDER KEVIN Yeah, I totally remember The Noid. CEDRIC We’re actually playing tonight if-- OLDER KEVIN Listen, have you seen Donald Trump? I was supposed to meet him here. CEDRIC He just left. OLDER KEVIN I missed him? CEDRIC Yes, but he’ll be back tomorrow. He’s judging the pageant. OLDER KEVIN You’re sure he’ll be back tomorrow? CEDRIC Of course. He wouldn’t miss it, it’s for charity. 7. Trump doing something for charity? Older Kevin raises an unconvinced eyebrow. CEDRIC (CONT'D) JUSTINPlus his daugh teWALESr is competing. OLDER KEVIN Ivanka? CEDRIC I don’t know the names of Donald Trump’s children. OLDER KEVIN Must be nice. As Older Kevin starts to walk away, Cedric coughs while extending his palm out for a tip. OLDER KEVIN (CONT'D) Ah, right--Can you break a ten? CEDRIC I can. Kevin slaps his hand. OLDER KEVIN Now give me five back. Kevin puts out his palm. Cedric reluctantly high fives him. OLDER KEVIN (CONT'D) I’m just kidding. I get that your livelihood depends on tips. Kevin checks the pockets of his jackets. He takes out a modern twenty dollar bill before crumpling it back. He finally pulls out a large, gun shaped VAPEWAND from his jacket and hands it to Cedric as a tip with a guilty look. INT. LOBBY Younger Kevin approaches the Female Concierge. Younger Kevin Hi. Female Concierge Can I help you? YOUNGER KEVIN Reservation for McCallister. 8. FEMALE CONCIERGE A reservation for yourself? YOUNGER KEVIN Ma’am, my feet are hardly touching JUSTINthe ground. I caWALESn barely see over the counter. How can I make a reservation for a room? Think about it: A kid going into a hotel making a reservation? I don't think so. FEMALE CONCIERGE I’m confused. YOUNGER KEVIN I'm traveling with my dad. He's on business. He's at a meeting. I hate meetings. I'm not allowed to go in, only to sit in the lobby. That's boring. So my dad dropped me off and gave me his credit card and told me to check-in so I won't get into mischief. Ma'am, sometimes I do get into mischief. We all do! Younger Kevin flashes that million dollar smile which falls when he hears his name being shouted from across the lobby. OLDER KEVIN (O.C.) Kevin! Older Kevin walks up and puts his arm on his younger self. OLDER KEVIN (CONT'D) My meeting was cancelled, so I thought you and I could go out for a lovely cheese pizza.
Recommended publications
  • Trump: the Negative Uprise in Political Humor

    Trump: the Negative Uprise in Political Humor

    i i i i DOI: 10.20287/ec.n27.v1.a13 Trump: the negative uprise in Political Humor Constantino Pereira Martins FCSH- Nova University of Lisbon/ IEF – University of Coimbra /FCT Foundation E-mail: [email protected] Abstract The 2016 campaign for the U.S. Presidency revea- sibility of covering all the contours of the problem at led, and confirmed, the new turn that the role of emo- hand we will focus on the Trump campaign, since it tions play in the present political landscape across was one of transgression, which made use of aggres- the globe. The big happening wasn’t so much the sive tactics regarding common sense ideas, political relation between emotions and politics but more correctness and taboo issues. Regarding Trump´s the scale and overwhelming strategic use of nega- campaign as one of management of the provocateur tive emotions in the political debate. Understanding factor, we will try to present the two main emotional emotions as underlying the rationality process, in- ingredients that supported a campaign established in volves cognitive and strategic consequences and, to an efficient use of timing, media and boredom. The the limit, their influence in decision-making. Politics first emotion in analysis will be fear. This implies always operated in this ambivalence and political exploiting one of the most powerful tools in the po- campaign strategists are particularly concerned with litical emotion pallet. The main derivatives could be the timing where these operators must be more effi- aggression, violence, hate and resentment. The se- ciently communicated. This has been a well-known cond emotion in focus will be contempt.
  • Download File

    Download File

    Tow Center for Digital Journalism CONSERVATIVE A Tow/Knight Report NEWSWORK A Report on the Values and Practices of Online Journalists on the Right Anthony Nadler, A.J. Bauer, and Magda Konieczna Funded by the John S. and James L. Knight Foundation. Table of Contents Executive Summary 3 Introduction 7 Boundaries and Tensions Within the Online Conservative News Field 15 Training, Standards, and Practices 41 Columbia Journalism School Conservative Newswork 3 Executive Summary Through much of the 20th century, the U.S. news diet was dominated by journalism outlets that professed to operate according to principles of objectivity and nonpartisan balance. Today, news outlets that openly proclaim a political perspective — conservative, progressive, centrist, or otherwise — are more central to American life than at any time since the first journalism schools opened their doors. Conservative audiences, in particular, express far less trust in mainstream news media than do their liberal counterparts. These divides have contributed to concerns of a “post-truth” age and fanned fears that members of opposing parties no longer agree on basic facts, let alone how to report and interpret the news of the day in a credible fashion. Renewed popularity and commercial viability of openly partisan media in the United States can be traced back to the rise of conservative talk radio in the late 1980s, but the expansion of partisan news outlets has accelerated most rapidly online. This expansion has coincided with debates within many digital newsrooms. Should the ideals journalists adopted in the 20th century be preserved in a digital news landscape? Or must today’s news workers forge new relationships with their publics and find alternatives to traditional notions of journalistic objectivity, fairness, and balance? Despite the centrality of these questions to digital newsrooms, little research on “innovation in journalism” or the “future of news” has explicitly addressed how digital journalists and editors in partisan news organizations are rethinking norms.
  • Hypersphere Anonymous

    Hypersphere Anonymous

    Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene.
  • Donald Trump Is Not Always an Easy Man to Take Seriously. It's Difficult To

    Donald Trump Is Not Always an Easy Man to Take Seriously. It's Difficult To

    1 Donald Trump is not always an easy man to take seriously. It’s difficult to imagine the host of a reality TV show making an inaugural address or meeting with Pope Francis. It also isn’t always easy for some Americans to imagine the people who are voting for Donald Trump. When the image of Trump is paired with some of his comments that have an eerie resemblance to a history of racial demagoguery in this country, for some Americans picturing Trump supporters involves images of hateful people promoting ideas such as xenophobia and white supremacy. While it’s been revealed that some of the people who support Trump do in fact think that way, it would be unfair and inaccurate to attribute that ideology to all supporters. As Donald Trump wins more and more states in the primaries and other Republican candidates continue to drop out, it’s becoming increasingly more important to recognize and listen to voices of those voting for Trump. Their opinions speak to very real feelings among an increasing segment of the United States population. In the following case study, a group of Trump supporters express their reasons for voting Trump. Throughout the interviews many common themes appeared time after time in every interview. The themes are broken down into the following chapters: Trump’s position as an outsider and businessman, his public personality, the role of nationalism in the 2016 election, and the role of race and racism within what some believe to be a “post­racial” United States. While I’ve included some analysis using other scholarly works in order to better understand particular viewpoints, the majority of this study is Trump supporters expressing their own reasons for voting for Trump.
  • Commander in Cheat : How Golf Explains Trump

    Commander in Cheat : How Golf Explains Trump

    Copyright The contents in this book and/or of its promotional materials, including but not limited to its website and articles related to or derived there from, (collectively and/or separately, as context requires, “the Contents”) are provided for informational purposes only, and do not, and should not, be construed as legal advice on any matter. Those in need of legal advice should consult their own attorney. Copyright © 2019 by Rick Reilly Jacket design by Carlos Esparza Jacket photograph © Ian MacNicol/Getty Images Jacket copyright © 2019 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Hachette Books Hachette Book Group 1290 Avenue of the Americas New York, NY 10104 hachettebookgroup.com twitter.com/hachettebooks First Edition: April 2019 Hachette Books is a division of Hachette Book Group, Inc. The Hachette Books name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
  • 1:19-CR-00018-ABJ UNITED STATES of AMERICA, V. ROGER

    1:19-CR-00018-ABJ UNITED STATES of AMERICA, V. ROGER

    Case 1:19-cr-00018-ABJ Document 141 Filed 06/27/19 Page 1 of 11 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA Case No.: 1:19-CR-00018-ABJ UNITED STATES OF AMERICA, v. ROGER J. STONE, JR., Defendant. ______________________________/ RESPONSE TO MINUTE ORDER ALLOWING RESPONSE TO GOVERNMENT’S MOTION FOR AN ORDER TO SHOW CAUSE AND FOR A HEARING (DKT. 136) Justice Breyer, concurring in part and dissenting in part in Iancu v. Brunetti, -- S.Ct. ---, 2019 WL 2570622 (June 24, 2019), wrote: “I would appeal more often and more directly to the values the First Amendment seeks to protect. As I have previously written, I would ask whether the regulation at issue ‘works speech-related harm that is out of proportion to its justifications.’ United States v. Alvarez, 567 U.S. 709, 730 (2012).” See, Opinion of Breyer, J., at *8. In Alvarez, Justice Breyer’s concurrence in the decision relating to the Stolen Valor Act concluded that “the statute as presently drafted works disproportionate constitutional harm.” Alvarez, 567, U.S. at 739 (Breyer, J. concurring). The government’s June 20, 2019 Motion For An Order To Show Cause And For A Hearing (Dkt. 136), is a disproportionate response to Roger Stone’s exercise of his First Amendment rights within the confines of this Court’s Order. The government, presenting several Instagram posts, writes: These posts are not the first statements that appear to have run afoul of the Court’s order. The government is bringing this matter to the Court’s attention now because Stone’s most recent posts 1 Case 1:19-cr-00018-ABJ Document 141 Filed 06/27/19 Page 2 of 11 represent a direct attempt to appeal to major media outlets to publish information that is not relevant to, but may prejudice, this case.
  • The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain

    The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain

    THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
  • Ep #106: Selling Intangibles Full Episode Transcript Stacey Boehman

    Ep #106: Selling Intangibles Full Episode Transcript Stacey Boehman

    Ep #106: Selling Intangibles Full Episode Transcript With Your Host Stacey Boehman Ep #106: Selling Intangibles Hey, coaches. We wanted to do something special through the month of January in the honor of launching our brand new 2K for 2K Process and our brand-new member portal. So, we asked our students to record a video of how they made their money back inside 2K so that you can learn from them and see what’s possible to sign your first client, make your first 2K. So, listen for their advice and their words of wisdom at the end of each episode this January and start really seeing that possibility for yourself. Welcome to the Make Money as a Life Coach podcast, where sales expert and master coach Stacey Boehman teaches you how to make your first 2K, 20K, and 200K using her proven formula. Hey coaches, welcome to episode 106. I feel like it’s been forever since I talked to you. How are you? What is happening? I feel like I have to catch you up really quickly before we dive into today’s episode. So, I’m recording this the day before New Year’s Eve, so December 30th. So, you’re going to get this next week. And first of all, did you have an amazing Christmas? We had a great Christmas. And when I say Christmas, I mean Christmas season. We shopped really early. We took a trip to Aspen for a week with some friends and our dogs. So, we were really on top of – we got Christmas lights put on our house for the first time ever, which felt like a dream.
  • Guy Debord, Donald Trump, and the Politics of the Spectacle Douglas Kellner

    Guy Debord, Donald Trump, and the Politics of the Spectacle Douglas Kellner

    CHAPTER 1 Preface: Guy Debord, Donald Trump, and the Politics of the Spectacle Douglas Kellner Guy Debord described a ‘society of the spectacle’ in which the economy, poli- tics, social life, and culture were increasingly dominated by forms of spectacle.1 This collected volume updates Debord’s theory of the spectacle for the twenty- first century and the age of digital media and digital capitalism. We now live in an era, where the digitally mediated spectacle has contributed to right-wing authoritarian populist Donald Trump becoming US president, and Debord’s concept of spectacle is now more relevant than ever to interpreting contempo- rary culture, society, and politics. Donald Trump lived the spectacle from the time in New York when as a young entrepreneur and man about town he performed his business and per- sonal life in gossip columns, tabloids, and rumor mills. Trump used PR advi- sors to promote both his businesses and his persona to eventually become a maestro of the spectacle when his popular TV show The Apprentice made him into a national celebrity. Trump ran his 2016 presidential campaign as a media spectacle with daily tweets that became fodder for TV news, and with rallies where he would make outrageous comments that would be replayed endlessly on cable and network news. Trump thus dominated news cycles by creating daily spectacles of political attack, insulting and negatively defining opponents, How to cite this book chapter: Kellner, D. 2017. Preface: Guy Debord, Donald Trump, and the Politics of the Spectacle. In: Briziarelli, M. and Armano, E. (eds.). The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism.
  • Mail-In Voter Fraud: Anatomy of a Disinformation Campaign

    Mail-In Voter Fraud: Anatomy of a Disinformation Campaign

    Mail-In Voter Fraud: Anatomy of a Disinformation Campaign The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Benkler, Yochai, Casey Tilton, Bruce Etling, Hal Roberts, Justin Clark, et al. Mail-In Voter Fraud: Anatomy of a Disinformation Campaign, 2020. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37365484 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mail-in Voter Fraud: Anatomy of a Disinformation Campaign The Disinformation Campaign Surrounding the Risk of Voter Fraud Associated with Mail-in Ballots Follows an Elite-Driven, Mass Media Model; Social Media Plays a Secondary Role in 2020. Yochai Benkler, Casey Tilton, Bruce Etling, Hal Roberts, Justin Clark, Robert Faris, Jonas Kaiser, and Carolyn Schmitt1 ​ SUMMARY AND OVERVIEW The claim that election fraud is a major concern with mail-in ballots has become the central threat to election participation during the Covid-19 pandemic and to the legitimacy of the outcome of the election across the political spectrum. President Trump has repeatedly cited his concerns over voter fraud associated with mail-in ballots as a reason that he may not abide by an adverse electoral outcome. Polling conducted in September 2020 suggests that nearly half of Republicans agree with the president that election fraud is a major concern associated with expanded mail-in voting during the pandemic.

  • Wabash Preps for Election

    David Stewart Comes to Campus for Pre-Law Talk See Page Six OCTOBEROCTOBER 30, 30, 2020 2020 Wabash Preps for Election COURTESY OF NBCNEWS President Donald Trump and Former Vice President Joe Biden. Voters head to the polls Tuesday to decide this heavily anticipated election that will shape the United States for years to come. COOPER SMITH ’23| ONLINE EDITOR • wrong. Could the polls be that wrong again? of potential fraud. The Associated Press They’re just really looking for practical, The United States is very rapidly approaching The New York Times averages current reports, “President Donald Trump has competent, empathetic people to represent the end of a years-long election cycle. Voters polling data, concluding Biden winning by repeatedly warned of voting fraud without them in Washington and people that will will head to the polls in just four days to cast two percentage points. The paper of record offering any evidence. Because of that, there collaborate across the aisle.” their ballots for candidates running for offices supplements this data with an adjustment, are concerns that he will use delays in vote- Spartz, a state senator born in the ranging from school board seats to President adding the margin of error from 2016 polls. If counting to declare results illegitimate. While former Soviet Ukraine, is campaigning as a of the United States. the polls are as wrong as they were in 2016, results might come in later than usual this staunch conservative pushing back against National averages currently show former according to the Times, then Biden should year, that’s because of a change in how people what she perceives as socialist ideals.
  • Comedy for Dinner

    Comedy for Dinner

    Page intentionally left in blank Título: Comedy for dinner – and other dishes Coordenador: Constantino Pereira Martins © dos autores das respectivas comunicações Colecção: eQVODLIBET 4 1ª edição: março de 2019 ISBN: 978-989-54328-1-3 What if everything in the world were a misunderstanding; what if laughter really were weeping! (...) As a special dispensation, I was granted the favor of making a wish. "What do you want," asked Mercury. "Do you want youth, or beauty, or power, or a long life, or the most beautiful girl, or anyone of the other glorious things we have in the treasure chest? Choose-but only one thing." For a moment I was bewildered; then I addressed the gods, saying: My esteemed contemporaries, I choose one thing-that I may always have the laughter on my side. Not one of the gods said a word; instead, all of them began to laugh. From that I concluded that my wish was granted and decided that the gods knew how to express themselves with good taste, for it would indeed have been inappropriate to reply solemnly: It is granted to you. Kierkegaard, Diapsalmata1 1 (Ed.) Howard & Edna Hong, Kierkegaard, Diapsalmata, Either/or, Princeton University Press, 1987. To the shining laughter of my son Guilherme combined complicity of loud radiant symphony that bravely defies the hard rule of time and space. May God always favor laughter on your side. Contents Acknowledgements ………………………………………………………………………….……………………... ix Foreword ………………………………………………………………………...…………………………..…... x-xix 1. Carl Jung and the Role of Shadow and Trickster in Political Humor: Social Philosophical Analysis, Jarno Hietalahti ………………………………………....………………... 20-41 This chapter analyzes the relationship between humor and power in the light of court jesters (comedians) and sovereign (president) based on C.G.