Radio 3 Listings for 19 – 25 July 2008 Page 1 Of
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25 July 2008 Page 1 of 8
Radio 3 Listings for 19 – 25 July 2008 Page 1 of 8 SATURDAY 19 JULY 2008 Poulenc: Gloria Read a profile of this artist Britten Sinfonia http://www.bbc.co.uk/music/artist/rq8c/ SAT 01:00 Through the Night (b00cj7xc) Polyphony With John Shea. Stephen Layton (conductor) Choice no.5 (Verity): Methera Quartet: Jack's Alive! (John Dipper) (3.14) Including: Beethoven: Violin Concerto in D, Op 61 album: Methera Polish Chamber Orchestra Methera Records YAN001, Tr.3 Schumann, Robert (1810-1856): Cello Concerto in A minor Nigel Kennedy (violin/director). http://www.methera.co.uk/ Brahms, Johannes (1833-1897): Symphony No 2 http://www.myspace.com/methera Roman, Johan Helmich (1694-1758): Then Svenska Messan Couperin, Francois (1668-1733): Ordre No 8 in B minor SAT 12:15 Music Feature (b00clsyt) Bella Hardy: Three Maidens (Traditional) (3.25) (Pieces de clavecin) A Guide to Accomplishment Interview: Lucy Duran and Bella Hardy (3.21) Zemlinsky, Alexander von (1872-1942): Die Seejungfrau Bella Hardy: Down in Yon Forest (Traditional) (3.09) Chopin, Frederic (1810-1849), arr. Liszt: The Maiden's Wish Concentrating on the novels of Jane Austen, Fiona Talkington Interview: Lucy Duran with Bella Hardy and Chris Sherburne (Six Polish Songs) and Dr Jeanice Brooks of Southampton University present an (5.50) Raitio, Vaino (1891-1945): The Maidens on the Headlands insight into the world of the amateur musician in the late 18th Bella Hardy: Three Black Feathers (Bella Hardy) (3.56) Granados, Enrique (1867-1916): La maja y el ruisenor century, looking at society's attitudes to them and the notion of Bella Hardy (voice/fiddle); Chris Sherburne (concertina) (Goyescas) female 'accomplishment'. -
11 September 2009 Page 1 of 41
Radio 3 Listings for 5 – 11 September 2009 Page 1 of 41 SATURDAY 05 SEPTEMBER 2009 Tae-Won Kim (flute) Hyong-Sup Kim, Pil-Kwan Sung (oboes) SAT 01:00 Through the Night (b00mdn9n) Hyon-Kon Kim (clarinet) 1.00am Sang-Won Yoon (bassoon) Haydn, Joseph (1732-1809): Symphony No 47 in G, H I 47 Australian Chamber Orchestra 4.27am Richard Tognetti (conductor) Bartok, Bela (1881-1945), arr Arthur Willner: Romanian folk dances, Sz 56 1.20am I Cameristi Italiani Mozart, Wolfgang Amadeus (1756-1791): Concerto No 19 in F for piano and orchestra, K459 4.35am Melvyn Tan (piano) Ipavec, Benjamin (1829-1908): Maria the Gypsy Australian Chamber Orchestra Ana Pusar Jeric (soprano) Richard Tognetti (conductor) Nataea Valant (piano) 1.49am 4.39am Schubert, Franz (1797-1828), arr Richard Tognetti: String Rachmaninov, Sergey (1873-1943): Caprice bohemien, Op 12 Quartet in G, D887 (Capriccio on Gypsy Themes) Australian Chamber Orchestra Queensland Symphony Orchestra Richard Tognetti (conductor) Vladimir Verbitsky (conductor) 2.32am 5.01am Palestrina, Giovanni Pierluigi da (c.1525-1594): Magnificat Primi Stravinsky, Igor (1882-1971): Feu d'artifice, Op 4 Toni Rotterdam Philharmonic Orchestra 2.40am Valery Gergiev (conductor) Palestrina: Ascendo ad Patrem - Motet for five voices (1572) 2.44am 5.05am Palestrina: Quem vidistis, pastores Gesualdo, Carlo (c.1560-1613): Ave, dulcissima Maria for five Elmer Iseler Singers voices (1603a) Elmer Iseler (conductor) BBC Singers Bo Holten (conductor) 2.48am Mendelssohn, Felix (1809-1847): The Hebrides Overture 5.10am Norwegian -
Memoirs and Artistic Studies of Adelaide Ristori;
liiiiBi I^r»')' MEMOIRS AND ARTISTIC STUDIES OF ADELAIDE RISTORI , Memoirs of Charming Women Memoirs and Artistic Studies of Adelaide Ristori, Translated by G. Manlellini Memoirs of an Arabian Princess, Translated by Lionel Strache's Memoirs of Madame Vigee Lebrun, Translated by Lionel Slrachey Memoirs of a Contemporary, Translated by Lionel Slrachev Memoirs of the Countess Potocka, Translated by Lionel Slrache]) A Belle of the Fifties, being Memoirs Put into narratine form of Mrs. Clay of Alabama, by Ada Sterling A Southern Girl in '61 B\) Mrs. D. Giraud Wright Dixie After the War, Bv Myrta Lockett Avars I'hotottrapli by Schciiibuche &• Valdi, K ADELAIDE RISTORI AS MARIE ANTOINETTE Memoirs and Artistic Studies OF Adelaide Ristori Rendered into English By G. Mantellini With Biographical Appendix by L. D. Ventura Illustrated from photographs and engravings New York Doubleday, Page & Company 1907 Copyright, 1007, by Doubledat, Page & Company Published, Ai'r.rsr, 1907 All Rights Reserved Including that op Translation into Forkign Languages Including THB Scandinavian PREFACE The Marchesa Capranica del Grillo, better known as Adelaide Ristori, died in Rome, Italy, the 9th of October, 190Ó, aged 84. Her life was full of vivid contrasts; a life which, even apart from its stage aspects, was more than ordinarily full of colour. Her autobiography, I offer rendered into English to the American public, primarily to gratify her own desire expressed in one of her letters addressed to Mr. L. D. Ventura of San Francisco, California, who has graciously volunteered to add some of his Bio- graphical Reminiscences as an Appendix to this work, Madame Ristori says: "My intention is to have my Memoirs published in English. -
Gothic Imaginations in Primo Ottocento Opera
Gothic Imaginations in Primo Ottocento Opera By Sarah Chesney A Thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology New Zealand School of Music 2010 i Abstract Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at all. In this study I wish to illuminate how the Gothic is presented both musically and visually on stage through the setting and thematic traits in select nineteenth-century Italian operas. A number of ideas are central to this aim. Firstly, that the ‘Gothic’ dimension of ‘Gothic opera’ is overtly represented through staging. The settings of many ‘Gothic operas’ in Scotland and England reveal the continental European fascination with northern Europe and its history. This stemmed from the influx of English and Scottish literature, most prominently the Ossian poems and the works of Walter Scott and Shakespeare. Consequently, Gothic scenes such as ruined medieval castles and rugged cliffs, masked by darkness or mist are enmeshed with a northern landscape. Tartan costuming also visually situates the Gothic scenes in Northern Europe. Furthermore, the use of musical mannerisms of Scotland and England, particularly in chorus scenes, reinforces this parallel between the Gothic and the north, linking music to the visible Gothic setting. Secondly, I will explore the way in which Gothic imaginings of both immaterial and physical incarnations of the supernatural move between the latent subconscious and conscious realisation. This is evident through the interplay between voice, orchestra and the singer’s corporeality and draws upon recent operatic studies concerning representation of ‘others’, dramatisation, and theatrical spaces. -
Gaetano Donizetti , Saverio Mercadante, and the Evolution and Development of the Verdi Baritone
Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone Item Type text; Electronic Dissertation Authors Krueger, Nathan Elliott Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 15:37:34 Link to Item http://hdl.handle.net/10150/203444 GAETANO DONIZETTI , SAVERIO MERCADANTE, AND THE EVOLUTION AND DEVELOPMENT OF THE VERDI BARITONE by Nathan Elliott Krueger ________________ Copyright © Nathan Elliott Krueger 2011 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Nathan Elliott Krueger entitled Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _________________________________________________________Date: 10/31/2011 Charles Roe _________________________________________________________Date: 10/312011 Grayson Hirst _________________________________________________________Date: 10/31/2011 Kristin Dauphinais Final approval and acceptance of this document is contingent upon the candidate's submissions of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.