Uta Briesewitz
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SHOOT Magazine | June-July 2020
www.SHOOTonline.com June/July 2020 Chat Room 22 The Road To Emmy Series Part 5, Page 4 Cinematographers & Cameras 23 From top left, clockwise: The Plot Against America; Stranger Things; Yellowstone; I Know This Much is True; Hunters; and Ramy. Streaming Services 27 Production & Post Recovery 14 From left: Sergio Lopez-Ferrero, Kate Morrison, Mark A. Lanza, and Mike Fantasia The Best Place To Put Your Work To Work To Find You New Work. My.SHOOTonline.com A CELEBRATION OF THE ORIGINAL MUSIC, CRAFT AND ARTISTRY OF SEASON 3 WATCH NOW ON CONSIDERAMAZON.COM/MAISEL_MUSICAL Perspectives The Leading Publication For Film, TV & Commercial Production and Post June/July 2020 spot.com.mentary By Robert Goldrich Volume 61 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director “The Most Urgent Filmmaking” Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Last week in The New era do in response to the stark realities culture of white supremacy.” Whether 203.227.1699 ext 702 [email protected] York Times, critic- captured by “nonprofessional” videogra- you agree with them or not, increas- ADVERTISING at-large Wesley Mor- phers? What role can film, messaging and ingly it’s become evident that standing Digital & Print Rates & Information [email protected] ris wrote that “THE communication play in bettering society? for something, doing good, being proac- 203.227.1699 ext. 701 www.shootonline.com/go/advertise MOST URGENT FILMMAKING any- In this week’s feature on how the in- tively involved represent much needed Advertising Production body’s doing in this country right now dustry is trying to recover from the pan- currency for brands if they are to mean- Gerald Giannone [email protected] is by black people with camera phones.” demic, grappling with how to best resume ingfully connect with people. -
The Essential HBO Reader
University of Kentucky UKnowledge American Popular Culture American Studies 1-18-2008 The Essential HBO Reader Gary R. Edgerton Jeffrey P. Jones Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Edgerton, Gary R. and Jones, Jeffrey P., "The Essential HBO Reader" (2008). American Popular Culture. 15. https://uknowledge.uky.edu/upk_american_popular_culture/15 THE ESSENTIAL HBO READER ESSENTIAL READERS IN CONTEMPORARY MEDIA AND CULTURE This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include both single-author works and edited collections. SERIES EDITOR Gary R. Edgerton, Old Dominion University THE ESSENTIAL READER Edited by Gary R. Edgerton and Jeffrey P. Jones THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. -
HBO Drama Series the DEUCE, Created by George Pelecanos and David Simon
HBO Drama Series THE DEUCE, Created by George Pelecanos and David Simon, Returns for Second Season Sept. 9, Exclusively on HBO Chronicling the rise of pornography and the multibillion-dollar industry’s transformation of American culture, the critically acclaimed drama series THE DEUCE, created by George Pelecanos and David Simon, returns for its nine-episode second season SUNDAY, SEPT. 9 (9:00-10:00 p.m. ET/PT), exclusively on HBO. Resuming five years after the culmination of the first season, THE DEUCE returns to the world of 1977, capturing the Times Square area of midtown New York at its most garish and volatile. The series is also available on HBO GO, HBO On Demand and partners’ streaming platforms. Amid a city that is as culturally dynamic as it is dystopic, the show finds its protagonists living at the apex of the Golden Age of Porn, when the dream of a mainstream X-rated film business is suddenly a credible reality, and the culture of pornography and its blatant commodification of sex is finding increasing traction among more and more Americans. Disco and punk are in full swing, and police corruption and political tolerance for New York’s midtown demimonde is at its height. And the Mafia, the early backer of pornography at the moment when courts declared for its legality, is now seemingly poised to reap great profits. A comparable – and, in some ways, more professional – porn industry is rising on the West Coast as well. But for now, New York is holding its own in a city flush with movies, music and art, as the drug-fueled party rages around the clock. -
In This Fresh New Look at a Classic Story, Russell Brand Re-Invents The
In this fresh new look at a classic story, Russell Brand re-invents the role of loveable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and the good sense of lifelong nanny Hobson (Academy Award® winner Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge—choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner), that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy, Naomi (Greta Gerwig), the woman he really loves. With Naomi’s inspiration and some unconventional help from Hobson, the one person who always believed in him, Arthur will take the most expensive risk of his life and learn what it means to be a man, in this re-imagining of the romantic comedy “Arthur.” “Arthur” is directed by Jason Winer, a 2010 Directors Guild Award winner for the hit ABC comedy “Modern Family.” Also starring are Luis Guzmán as Arthur’s driver, Bitterman, and Nick Nolte as his imposing future father-in-law, Burt. The “Arthur” screenplay is by Peter Baynham, story by Steve Gordon. The film is produced by Larry Brezner, Kevin McCormick, Chris Bender and Michael Tadross, with executive producers J.C. Spink, Scott Kroopf, Russell Brand and Nik Linnen. The creative filmmaking team includes director of photography Uta Briesewitz (“Walk Hard: The Dewey Cox Story,” HBO’s “The Wire”), production designer Sarah Knowles (“Dan in Real Life”), editor Brent White (“Knocked Up”) and costume designer Juliet Polcsa (“Brooklyn’s Finest”). -
„Du Kannst Eine Show Nicht Kapern“
STORY UTA BRIESEWITZ aber von meinen Studienarbeiten. Da- raufhin wollte er mich als Kamerafrau „Du kannst eine haben. Was extrem ungewöhnlich war in der Zeit: eine junge Frau anzuheuern Show nicht kapern“ in einem von Männern dominierten Bereich. Und dann auch noch für einen Frau Briesewitz, welcher relativ toughen Shoot. Baltimore, wo SERIENMAGAZIN war der wichtigste Mo „The Wire“ spielt, ist ein hartes Pflaster, INTER ment Ihrer Karriere? und wir haben in den Originalkulissen Ein ganz wichtiger Mo- gedreht, waren also richtig in der Szene VIEW ment war, den Serien- unterwegs. Ich hätte den Verantwort- piloten für „The Wire“ zu lichen selbst zehn gute Gründe nennen bekommen. Ich hatte bis können, weshalb man vielleicht keine dahin kleine Indiefilme gedreht, konnte Frau ohne sonderliche TV-Erfahrung davon aber nicht leben. Und ich war für den Job hätte verpflichten sollen. wirklich an einem Punkt angekommen, Inwieweit müssen sich Frauen in dem Job an dem ich dachte: Meine Güte, sechs heute noch immer besonders behaupten? Jahre Studium und ich kann die Rech- Also, die Dinge haben sich wirklich ver- nungen nicht bezahlen. Ich hatte ja in ändert. Ich bewundere den Mut und die Deutschland schon für das Fernsehen ge- Weitsicht, die Robert Colesberry damals arbeitet, aber man fängt eben noch mal hatte. Allerdings hat auch HBO schon von vorn an. Dazu muss man bereit sein. So viele Menschen wollen in die TV- und STRANGER Filmindustrie und arbeiten am Anfang umsonst oder für sehr wenig Geld, um Als ich mit der Regie sich einen Namen zu machen, das ist nun mal so. Auch ich habe zunächst für um- angefangen habe, sonst oder für hundert Dollar die Woche durften Frauen sich gedreht, aber irgendwann wird man älter. -
Jessica Jones Episode Guide Episodes 001–039
Jessica Jones Episode Guide Episodes 001–039 Last episode aired Friday June 14, 2019 www.netflix.com c c 2019 www.tv.com c 2019 www.netflix.com c 2019 www.comicbook.com c 2019 www.vulture.com c 2019 bamsmackpow.com c 2019 c 2019 marvelcinematicuniverse. www.bleedingcool.com wikia.com The summaries and recaps of all the Jessica Jones episodes were downloaded from http://www.tv.com and http: //www.netflix.com and http://www.comicbook.com and http://www.vulture.com and http://bamsmackpow.com and http://marvelcinematicuniverse.wikia.com and http://www.bleedingcool.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on June 27, 2019 by footstep11 with create_eps_guide v0.62 Contents Season 1 1 1 AKA Ladies Night . .3 2 AKA Crush Syndrome . .7 3 AKA It’s Called Whiskey . 11 4 AKA 99 Friends . 15 5 AKA The Sandwich Saved Me . 19 6 AKA You’re a Winner! . 23 7 AKA Top Shelf Perverts . 27 8 AKA WWJD? . 31 9 AKA Sin Bin . 35 10 AKA 1,000 Cuts . 39 11 AKA I’ve Got the Blues . 41 12 AKA Take a Bloody Number . 43 13 AKA Smile . 45 Season 2 49 1 AKA Start at the Beginning . 51 2 AKA Freak Accident . 55 3 AKA Sole Survivor . 59 4 AKA God Help the Hobo . 63 5 AKA The Octopus . 67 6 AKA Facetime . 69 7 AKA I Want Your Cray Cray . -
Role-Playing Gender, and How the Game Industry Has Sustained and Defied Sexism
RPG: Role-Playing Gender, and How the Game Industry Has Sustained and Defied Sexism ReBecca Elizabeth Compton BA (Ball State University), MA (Kingston University) A Thesis Submitted in Candidature for the Degree of Doctor of Philosophy Thesis Summary Despite the wider cultural progress of gender equality, game content which perpetuates sexist beliefs about gender is uncomfortably common. Games have historically used narrative and programmed mechanics to advocate that women are valuable only when performing exaggerated femininity – they must look and behave biologically female, even when playing as non-human races. Game content suggests that women desire play such as fighting from a distance, healing, and otherwise supporting the masculine, combative role while being denied equal agency. From this viewpoint, women are at their most feminine – their ‘ideal’ state – when they are objectified, and as cultural artefacts games reveal society’s adherence of the same values: sexist content articulates the dichotomy of man=capable, woman=incapable that structures Western culture. Yet there are signs of change in both games and the industry, and the thesis explores the power of sexist representations and the progress toward inclusive game content. The industry is increasingly representing women and marginalised groups in ways which highlight intellectual solutions over the use of force, explore non-heterosexual sexuality, or feature cooperation that encourages relations of equality beyond gender boundaries, as well as empowered female characters whose stories overcome sexism, racism, and other forms of oppression. ‘RPG: Role-Playing Gender’ looks at games using a mixed-methodological approach which combines ‘close readings’ of games as texts alongside other popular culture and art forms, ethnographic surveys of game communities, and interviews with members of the gaming world. -
Defenders Pdf, Epub, Ebook
DEFENDERS PDF, EPUB, EBOOK Will McIntosh | 512 pages | 27 May 2014 | Little, Brown Book Group | 9780356502151 | English | London, United Kingdom Defenders PDF Book Liability Issues Complicate Commercial Car Accidents in Northbrook A locally-based, personal injury attorney who is experienced in dealing with commercial liability issues has the knowledge to deftly assess such situations and move forward in the right direction in seeking damages for you California DUI Laws How to Hire the Right Divorce Lawyer Choose a lawyer who discusses your case in a way that is reasonable and objective, and who gives the impression of genuinely wanting to help you get divorced in as quick and clean a manner as possible. May 27, Another 8 nominations. Archived from the original on August 22, Retrieved March 8, Showbiz Cheat Sheet. Our Culture Our values, culture, and energy make us unique. The teaser also featured a hidden URL which led to a faux website for the New York Bulletin featuring "plenty of easter eggs and little details". Archived from the original on November 4, Archived from the original on August 16, See the full gallery. He highlighted the use of color throughout the episode to differentiate the characters. If you make the divorce proceedings all about getting revenge on your spouse, this will cost you time and money which might be in the divorce interest, but is certainly not in your own interest. Wing decapitates Bakuto, but his body sets off the timer for the explosives. Retrieved March 26, Jessica Jones". Luke Cage , his name cleared by Murdock's ex-partner Foggy Nelson , returns from prison to the streets of Harlem where police detective Misty Knight informs him of local kids who have been getting involved with a mysterious business and ending up dead.