Au Club Manga
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ASPIRATION Journal Vol.1(2) November 2020, P.208-228 E-ISSN : 2723-1461
ASPIRATION Journal Vol.1(2) November 2020, p.208-228 E-ISSN : 2723-1461 ASPIRATION (ASPIKOM Jabodetabek International Research Journal of Communication) Journal homepage: www.aspiration.id/index.php STUDYING FANDOM ONLINE: A CASE STUDY OF TWICE and STRAY KIDS FANDOM ON FAN FICTION PRACTICES OF @ESKALOKAL AND @GABENERTWICE ON TWITTER Cendera Rizky Anugrah Bangun1*, Nareswari Kumaralalita2, Gabriela Frederika Febe Sukur3 1 Universitas Multimedia Nusantara, Jl. Scientia Boulevard, Gading Serpong, Tangerang Banten, 15811 2 LSPR Communication & Business Institute, Jl. K.H Mas Manyur Kav. 35, DKI Jakarta 10220 3 University of China, 1 Dingfuzhuang E St, Chaoyang, Beijing, China 1*[email protected], [email protected], [email protected] ARTICLE INFO ABSTRACT Received on July 21st, 2020 Popular culture is developing over time Received in revised from August 2 nd, 2020 Accepted November 22th, 2020 and fan fiction is product of popular Published on November 30th, 2020 culture. Furthermore, fan fiction is a work of fiction created by fans as a sense of involvement between them and Keywords: Fan fiction their idols. In addition to creating a Fandom sense of "closeness" with his idol, fan Popular culture fiction can also provide a feeling of Alternate universe K-pop satisfaction for fans who want an ending or even a whole new world for their idols. Alternate Universe (AU) is quite popular as one of the characteristics How to cite this article: Bangun, C.R.A; Nareawari, from Fan Fiction. Fan fiction usually has K; & Sukur, G.F.F (2020). Online Fan Fiction: Social Media Alternative Universe Practices on Twitter a fairly long format, with platforms like @Eskalokal and @Gaberntwice. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
Chinese Nationalism, Cyber-Populism, and Cross-Strait Relations
Chinese Nationalism, cyber-populism, and cross-strait relations Ye Weili; Michael Toomey Wenzhou-Kean University THIS IS A PRELIMINARY, INCOMPLETE FIRST DRAFT PREPARED FOR THE 2017 ISA INTERNATIONAL CONFERENCE IN HONG KONG: DO NOT CITE OR CIRCULATE WITHOUT THE AUTHOR’S PERMISSION Abstract: In November 2015, a Taiwanese singer named Chou Tzuyu appeared on a Korean TV show as a member of the pop group ‘Twice’. During the show, she claimed that she was from Taiwan (without mentioning China), and waved the Republic of China flag. Chou was subsequently the recipient of vociferous condemnation from Chinese ‘netizens’, and eventually was compelled to make a public apology for her actions. This apology became the center of an Internet-based dispute between the netizens of mainland China and Taiwan, conducted mainly on the Facebook page of then Taiwanese Presidential candidate, Tsai Yingwen. Subsequently, the tone of this dispute had significant effects on the 2016 Taiwanese general election, with a decisive number of Taiwanese voters switching their support to Tsai. “Cyber-populism”, and the online activities of nationalistic Chinese netizens, are not just limited to the Chou Tzuyu incident. Indeed, Chinese netizens have been vocal in the wake of other international incidents, such as the United Nations Convention ruling on the so-called “Nine-Dash Line” dispute. However, the Chou Tzuyu case was particularly notable for its clearly counterproductive outcome: an argument over the use of Taiwanese symbols of nationalist identity, driven by the identities and objectives of Chinese nationalists, contributed to the electoral success of a pro-Taiwanese independence political party. With this in mind, this paper examines the relationship between Chinese nationalism and cyber-populism, and discusses the effects of this phenomenon on the achievement of China’s stated foreign policy goals. -
Effective Marketing Strategies in K-Pop Industry
Huy Quang Le Effective marketing strategies in K-pop industry Case study: TWICE - JYP Entertainment Bachelor Thesis Autumn 2018 Business School Degree Programme in International Business 2 SEINÄJOKI UNIVERSITY OF APPLIED SCIENCES Thesis abstract Faculty: Business School Degree Programme: International Business Specialisation: International Business Author(s): Huy Quang Le Title of thesis: Effective marketing strategies in K-pop industry Supervisor(s): Miia Koski Year:_2018 Number of pages: 28 Number of appendices: 1 Twice is currently leading girls group in the K-pop music industry. The group has attracted a significant number of fans not only in South Korea but also all around the world, thanks to spectacular marketing strategies from their managing company- JYP Entertainment. The aim of this thesis is to have a closer look on what are the key marketing strate- gies that JYP Entertainment has used to promote for Twice. There are two main parts in this thesis: theoretical framework and empirical study. In the theoretical part, a basic principle of marketing has been introduced as well as digital and social me- dia marketing. Moreover, a brief introduction about K-pop industry, JYP Entertain- ment, the girl group Twice and their marketing methods has also been presented as well as how K-pop, a music style with vast of audio-visual components has become a phenomenon worldwide. In the empirical part, a quantitative survey of random 100 people who interested in K-pop music was conducted to analyse the potential customers group and their be- haviour. Eventually, the results will help the entertainment companies creating a marketing strategy to attract more fans for their artists. -
Representasi Perempuan Pada Poster Teaser Album K-Pop Blackpink Dan Twice
REPRESENTASI PEREMPUAN PADA POSTER TEASER ALBUM K-POP BLACKPINK DAN TWICE Yongkie Angkawijaya, Yudhistya Ayu Kusumawati Visual Communication Design Department, School of Design, Bina Nusantara University, Jakarta, Indonesia 11480 email: [email protected], [email protected] ABSTRAK K-Pop telah menjadi fenomena global dikenal dengan istilah hallyu. Bentuk invasi global tersebut mulai dari makanan Korea, gaya fashion, perawatan kecantikan, hingga musik K-Pop. Hingga beberapa dekade saat ini terdapat banyak grup K-Pop yang dikuasai oleh agensi besar seperti YG, JYP, dan SM Entertainment. BLACKPINK K-Pop grup yang dibentuk oleh YG Entertainment, sedangkan TWICE dari JYP Entertainment. Kedua K-Pop grup tersebut memiliki konsep yang berbeda yang direpresentasikan dalam desain poster teaser album. Paper ini mengeksplor konsep visual pada poster album BLACKPINK dan TWICE. Semiotika Roland Barthes digunakan untuk menganalisis representasi perempuan dalam poster album BLACKPINK dan TWICE. Pada penelitian ini ditemukan BLACKPINK menampilkan konsep girlpower dualitas antara hitam dan pink. Sedangkan TWICE lebih merepresentasikan konsep anak muda yang penuh semangat, keceriaan dan energik. Kata Kunci: Analisis Visual, Representasi Perempuan, Poster Album, K-Pop ABSTRACT K-Pop has become a global phenomenon. People call it Hallyu, the Korean wave which has become a major driver of global culture. It has been seen on various aspects such as drama, fashion style, makeup or skincare, and music performance. There are many Korean groups now and K-Pop agencies such as YG, JYP and SM Entertainment. BLACKPINK is one of the most famous South Korea girl groups formed by YG Entertainment. TWICE is girl group formed by JYP Entertainment. Both BLACKPINK and TWICE portrays powerful and strong concept represented in their poster album. -
Marketing K-Pop and J-Pop in the 21St Century Sarah Brand Dickinson College
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-21-2017 Marketing K-Pop and J-Pop in the 21st Century Sarah Brand Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the Asian Studies Commons, Digital Humanities Commons, Japanese Studies Commons, Korean Studies Commons, Music Commons, and the Other Film and Media Studies Commons Recommended Citation Brand, Sarah, "Marketing K-Pop and J-Pop in the 21st Century" (2017). Dickinson College Honors Theses. Paper 266. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. MARKETING K-POP AND J-POP IN THE 21ST CENTURY Sarah Brand Senior Thesis Department of East Asian Studies Dickinson College May 10, 2017 Brand 2017 Music is an important part of daily life and, as a result, an integral part of culture. The way in which individuals are exposed to different genres and types of music helps illustrate the extent to which globalization has had an impact on the world. Before the invention of the internet, music was only available for purchase to consumers who went to record stores and physically purchased goods. Now, countless unique songs and genres are readily available with just a single search. Due to how easily consumers can access new music, digital distribution has completely overtaken the profit from selling physical copies of albums. In 2006, record labels still made $9.4 billion from CD sales in the United States, despite the fact that digital distribution entities, such as Napster and iTunes, provided digital copies of the same songs. -
Travail Personnel Korean Entertainment
Travail Personnel Korean Entertainment Nom: Alves Chambel Prénom: Carolina Classe: 6G3 Tutrice: Amélie Mossiat 2019/2020 Introduction Hello, my name is Carolina and I am 14 years old. My 2019/2020 TRAPE is about Korean Entertainment! I have been into K-Pop for almost 3 years and I have always been researching lots of things about Korean celebrities, their activities and their TV shows. Since I was a child, I have always been very curious about the Asian culture, even though I thought they were gangster. As I grew up, I have become more and more connected to their culture. Then, at the end of 2016, I listened to my first K-Pop song ever. I was 10 years old and I was in primary school when I got to know EXO, the first group I listened to. They had a big impact in my life because in that moment I was struggling mentally and physically... The only thing that made me happy, was listening to their songs! They would make feel better in every way possible, once I listened to some music, I’d completely forget about my worries. It was always the best part of my days. That is why I have grown attached to K-Pop songs, dances and singers. Table of contents WHAT WERE THE MOST FAMOUS SERIES (KOREAN DRAMAS)? (2019) IS IT POPULAR IN OTHER COUNTRIES? WHO IS MY FAVOURITE ACTOR AND ACTRESS? ARE IDOLS ALSO ACTORS? WHAT GENRES OF DRAMAS ARE THERE? WHAT GENRE OF MUSIC DO THEY DO? WHAT ARE THE MOST FAMOUS GROUPS IN KOREA AND INTERNATIONALLY? WHAT ARE THE MOST FAMOUS SONGS? DO K-DRAMAS ALSO HAVE SONGS? What were the most famous series (Korean Dramas)? (2019) Since we are at the beginning of 2020, it would be better to make a list of the 10 most popular K- Dramas in 2019. -
Can K-Pop Change How You Perceive South Korea? an Exploratory Study of the Country of Origin Effect
1 CAN K-POP CHANGE HOW YOU PERCEIVE SOUTH KOREA? AN EXPLORATORY STUDY OF THE COUNTRY OF ORIGIN EFFECT by Tara Dayne Berberabe Spring 2019 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in International Business in cursu honorum Reviewed and approved by: _______________________________________________ (Dr. Karl Alorbi) Thesis Supervisor Submitted to the Honors Program, Saint Peter's University March 25, 2019 Acknowledgements 2 I would like to thank the faculty and staff in the School of Business for helping shape the four years I have spent here at Saint Peter’s, especially my advisor, Dr. Karl Alorbi. Thank you for being incredibly receptive to my requests to incorporate K-Pop wherever I could during my studies and for being the best advisor in the world. I would also like to acknowledge Dr. Mark DeStephano for supporting my minor program in Asian Studies and inspiring me to delve even deeper into learning more about Asian culture. I would also like to thank those I interviewed, my friends and family for supporting me as I wrote my senior honors thesis. Thank you to everyone who listened to my presentations that I did on K-Pop throughout my time as a student here. I hope that they were interesting. Abstract 3 In recent times, the small East Asian country of South Korea has exploded onto the global scene of being a recognizable force in an economic, political and cultural sense. The South Korean government in particular, is credited through its common financial backing of cultural programs and its push to constantly increase tourism to the country by enacting forms of soft power, which they believe to be the best choice for South Korea’s further development. -
GPMS Gazette March, 2019
The Official Newsletter of Gregory-Portland Middle School: Home of the World’s Greatest Students! Academic UIL winners: Brodie Mitchel, Diego Aguillon, Adrian Galvan, Natalie DeLeon, Emma Denton & Erin Ebers. More details inside! Photo by Brooke Moreno Visit www.g-pisd.org/gpms/community to view, GPMS Gazette download, and/or print your own copies in… March, 2019 Brought to you by students in the GPMS Press Corps! Jonathon Martinez Executive Editor March “color” by Jessie Riojas GPMS NEWS News Editor: Faith Pitts (with help from Toonie, the Press Corps Broonie) Math Counts By Melany Castillo Photos provided by Collen Johnson 3rd-place winners (left-to-right, above) Lleyton Davidson, Elisabeth Miller, Eli Gerick and Elena Miller represented GPMS at the February 2, 2019 Math Counts meet. The team was selected by Mrs. Biediger, and some volunteered. The team can only have 4 students. Mrs. Biediger selected them from her UIL team. There were additional students who went to the November practice round. Eight students participated in the practice meet last fall. (Continued on next page) (Math Counts, continued from previous page) The Nueces Chapter of the Texas Society of Professional Engineers and some local companies sponsor the event each year to challenge 6th-8th grade students with engineering-type problem solving. The competition consists of several different tests and a team test, like the UIL Math competitions. Currently they provide a stipend of up to $500 each competition year to up to two teachers per school for attendance at a free workshop in the fall with continuing education credits ($100), the practice ($200) and the competition ($200). -
Korean Women, K-Pop, and Fandom a Dissertation Submitted in Partial Satisfaction
UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. Thank you for your essential and insightful suggestions on my work. My special acknowledgement goes to the Korean female K-pop fans who were willing to participate in my research.