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NOW SHOWING SOKHANVARI Ing-Back at the Way Things Were 16 OCT—14 NOV in Order to Empower a New Gen- Eration with Self-Awareness and Self-Realization

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NOW SHOWING SOKHANVARI Ing-Back at the Way Things Were 16 OCT—14 NOV in Order to Empower a New Gen- Eration with Self-Awareness and Self-Realization KRISTIN HJELLEGJERDE, LONDON of ‘anaesthetised aesthetics’—an expression used by philosopher Susan Buck-Morss to capture the way in which control over aesthet- BOOGIE ics can be used to control soci- WONDERLAND ety. BoogieWonderland presents us SOHEILA with a revision of nostalgia, a look- NOW SHOWING SOKHANVARI ing-back at the way things were 16 OCT—14 NOV in order to empower a new gen- eration with self-awareness and self-realization. Exhibition: With a joyful colour Born: Shiraz, Iran. palette reminiscent of Frida Kahlo Resident: Cambridge, uk. or Gauguin, Sokhanvari subscribes to the school of magical realism. Something else you should know: BoogieWonderland focuses on pre- Sokhanvari is also exhibiting at revolutionary Iran under the rule London’s Saatchi Gallery from 25 of the Pahlavi regime. Sokhanvari November until next spring in a has been drawn to events and trau- group show called Champagne Life. mas that linger in the collective consciousness and cause amne- Quote: ‘Memory viewed through AMRANI GALLERY AND SABRINA OF THE ARTIST COURTESY sia where the collective narrative is the telescope of time and exile SABRINA AMRANI GALLERY, told through the story of the indi- means history can itself be viewed MADRID vidual. Using mainly family pho- as a magical phenomenon, where tographs as her source material, reality and magic mingle to cre- her work is also recognizable for ate a fantastical narration of a lived its obsessive use of patterning and experience.’ (M)ETA(M)ORPHOSIS decoration, inspired by the idea www.kristinhjellegjerde.com AMINA BENBOUCHTA 28 OCT—31 DEC Exhibition: In (M)eta(M)orphosis, Amina Benbouchta focuses on the process of transformation. Through a timeline of images, the Casablanca-born artist dissects the various stages of human muta- tion and evolution throughout the cycle of life. She seeks to provoke an intimate exploration—to evoke personal resonance by appealing to the thought, imagination and affectation of the viewer. Through an exploration of the metamorpho- sis process, Benbouchta presents a new way of understanding the existing challenges of living as a Above contemporary woman in the public Amina Benbouchta and private spheres. Eruca 2014 Dibond Born: Casablanca, Morocco. 100 x 130 cm Resident: Paris/Casablanca. Left Media: Sculpture, image, Soheila Sokhanvari installation. In the Garden 2015 Egg tempera on calf vellum Quote: ‘I prefer to devote myself 15 x 20.5 cm to a work that asks questions Opposite of the future of the human being, Soheila Sokhanvari in a universal way, without con- Selma stantly bringing back the debate 2015 Egg tempera on calf vellum to the details of origin or identity.’ COURTESY THE ARTIST AND KRISTIN HJELLEGJERDE GALLERY HJELLEGJERDE AND KRISTIN THE ARTIST COURTESY GALLERY HJELLEGJERDE AND KRISTIN THE ARTIST COURTESY 15 x 20.5 cm www.sabrinaamrani.com 30 NOW SHOWING NOW SHOWING 31 Right THE THIRD LINE, DUBAI Born: Qazvin, Iran. Untitled (detail) Resident: Tehran, Iran. 2014 Felt marker on paper Media: Mirror, Plexiglas, 100 x 70cm pen and ink. WORKS ON PAPER Below Untitled MONIR SHAHROUDY Something else you should know: 2014 FARMANFARMAIAN Farmanfarmaian’s characteristic Felt marker, coloured pencil 16 NOV—24 DEC mirror mosaic work is derived from and glitter on paper 100 x 70cm the Iranian decorative technique aineh-kari, which dates back to the sixteenth century. Exhibition: Farmanfarmaian weds the cosmic patterning of traditional Quote: ‘I was inspired by the Islamic geometry with the rhythms geometry I found in old mosques of modern Western geometric with their tile, metal, wood, abstraction in painstakingly crafted and plaster work. A master works on paper. Wall-based pan- metalworker that I studied with els and freestanding works offer a once told me, “Everything is in detailed sense of craft as well as of geometry.” Today, I still work in contemporary abstraction. The show geometry—it’s at the base of my art marks the official opening of The because it has an infinite amount Third Line’s new space, which will of possibilities.’ be unveiled a little earlier in October. www.thethirdline.com IMAGES COURTESY THE ARTIST AND THE THIRD LINE THE ARTIST COURTESY IMAGES 32 NOW SHOWING Below MASSIMO DE CARLO, LONDON Born: Livorno, Italy. Gianfranco Baruchello Resident: Rome, Italy. Murmur 2015 Media: Film, paint, enamel, Indian ink and metal hinges collage, installations. on wooden shape NEW WORKS 2013–2015 Bio: The artist attended Ruggero GIANFRANCO Bonghi School where he was inocu- BARUCHELLO lated ‘with the viruses of heroism 12 OCT—21 NOV and sacrifice and the worshipping of military honour’ in Fascist Italy. He graduated from the University of Rome in Law with Economics in Exhibition: Across Gianfranco 1947. In 1959, he produced Other Baruchello’s long career, the Italian Traces, canvasses crossed by artist (regarded by his friend and a tangle of black painted lines. mentor Marcel Duchamp as his only possible heir) has tackled Something else you should know: a vast array of media spanning Baruchello, now 94, has been from land art to video via painting energetically painting since he gave and sculpture. up his business to pursue a career as a painter, aged 35. In the artist’s debut uk solo show, Massimo De Carlo gallery exhibits Quote: ‘I continue to draw; over the his work from the past two years, past three months, I’ve done focusing on the idea of the gesture 20 drawings, with the idea that they and the relationships between the are of no use. Why am I making mind, the ego and the contempo- these drawings? Because I cannot rary external world. Each piece is think without having the possibility delicately handmade by the artist of producing images, of tracing himself, whose witty and sophis- outlines, of experiencing the ticated narrative encompasses a adventure of drawings. This is thoughtful, political and light- a way of being.’ hearted critique of our society. www.massimodecarlo.com COURTESY GIORNO POETRY SYSTEMS GIORNO POETRY COURTESY PALAIS DE TOKYO, PARIS Born: New York, usa. Resident: New York, usa. I JOHN GIORNO Something else you should know: UGO RONDINONE Performances run throughout the exhibition period. Look out for 21 OCT—10 JAN people on roller skates handing out Giorno’s poems to visitors and passers-by, re-enacting the artist’s participation in the StreetWorks Exhibition: I John Giorno is performances on the streets of the first retrospective of the life New York in 1969. and work of American poet John Giorno, a key figure of the New Quote: ‘In the early 1960s, I had York underground scene in the the good fortune of meeting a lot 1960s. The show, conceived by of artists. Andy Warhol, Jasper fellow artist Ugo Rondinone, is Johns, Robert Rauschenberg, John curated by Florence Ostende Cage, Trisha Brown and Carolee and also features works from Schneemann. These artists and artists, filmmakers, poets and painters were the real influence performers who have been on me, as a poet. Whether it was influenced by Giorno’s life and a performance or a painting, they work. These include Anne Collier, did what arose in their minds, and Angela Bulloch, Verne Dawson, made it happen. It occurred to me Judith Eisler, John Giorno, Mark that poetry was 75 years behind Handforth, Matthew Higgs, Pierre painting and sculpture and dance Above John Giorno Huyghe, Françoise Janicot, Scott and music. Giorno Poetry Systems King, Elizabeth Peyton, R.E.M., Raspberry LP Ugo Rondinone, Erik Satie, Billy ‘I said to myself, if these artists can Released by The Intravenous Mind LP art work, front cover Sullivan, Rirkrit Tiravanija and do it, why can’t I do it for poetry?’ COURTESY FONDAZIONE BARUCHELLO AND MASSIMO DE CARLO, MILAN/LONDON. PHOTO: EZIO GOSTI PHOTO: MILAN/LONDON. DE CARLO, AND MASSIMO BARUCHELLO FONDAZIONE COURTESY 1967 Andy Warhol. www.palaisdetokyo.com 34 NOW SHOWING NOW SHOWING 35 SKARSTEDT GALLERY, LONDON exhibition demands an immersive approach, coercing the viewer into questioning the veracity of the CHILDISH THINGS notion that childishness must be VIJA CELMINS, restricted exclusively to one’s early ROBERT GOBER AND years. There’s a playful tension MIKE KELLEY at work here in Childish Things, 9 OCT—21 NOV between the everyday objects and the potential for them to unseat our emotions. Exhibition: Childish Things engages with the deeply personal, repressed Media: Sculpture, image, memories of childhood through installation. the medium of self-portraits, psychological furniture and Quote: ‘Memory is like looking food in the form of humble up at the stars, it’s not a linear meals. Featuring iconic works by thing’—Robert Gober. Celmins, Gober and Kelley, the www.skarstedt.com COURTESY OF DAVID KORDANSKY GALLERY, LOS ANGELES, CA. PHOTO: FREDRIK NILSEN PHOTO: CA. ANGELES, LOS GALLERY, KORDANSKY OF DAVID COURTESY DAVID KORDANSKY, LA and a harlequin trying to get over a fence (Pixelator, 2008). Born: San Antonio, Texas. AARON CURRY Resident: Los Angeles, California. Bio: Curry moved to la to attend 14 NOV—16 JAN CalArts, where he studied under Mike Kelley and Richard Hawkins. His first solo show, Bank Robber, was at David Kordansky in 2006. Exhibition: Fresh from last year’s retrospective at the CAPC Musée Something else you should know: d’Art Contemporain, Curry’s Curry used to hide his paintings in show at David Kordansky spans his studio when he had visitors for both of the la gallery spaces and fear that painting wasn’t consid- features large-scale sculptures as ered cool anymore. well as new paintings on shaped MIKE KELLEY FOUNDATION FOR THE ARTS FOR FOUNDATION MIKE KELLEY © canvasses. Quote: ‘Now that I am partici- ART Curry’s sculptural work—day-glo pating in this thing you call the painted, trippy and reminiscent of art world, it becomes very selfish.
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