Jeff Westover
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Christopher Edwards
THE POSTHUMANISM OF WILLIAM CARLOS WILLIAMS by CHRISTOPHER EDWARDS A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2016 Faculty of Arts School of Culture and Communication 1 Figure 1: Unknown. William Carlos Williams wearing beret (fragment). n.d, Photograph. Beinecke Rare Books & Manuscript Library, New Haven. 2 ABSTRACT There is a torn fragment of a black and white photograph in the Beinecke rare book room at Yale University, showing American poet William Carlos Williams wearing a beret and tie (see figure 1). A tear cuts off the right two thirds of the original image, but Williams himself has been cut in half by the framing of the shot itself. What remains of the image of the poet has, in turn, been beset by time and mishandling; a white crease bisects Williams’s face a second time. Yet of all the images that exist of Williams, it is this unusual photograph that, more than any other, sums up Williams’s most significant, and most significantly unrecognised, achievements as a poet. Despite his reputation as a poet of clarity, of economic and discrete images of wheelbarrows, chickens and plums, it becomes clear upon closer reading that Williams’s poetics actively resisted notions of unity, clarity and stability of forms—even at the level of his own subjectivity. Rather, Williams’s poetics is predicated on the assumption that all objects, all words, and all human subjects are, like the man in the beret in the photograph, unstable and fragile components of the continuum of the material world. -
The Medical and Literary World of William Carlos Williams
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2017 Patients, Prose, and Poetry: The Medical and Literary World of William Carlos Williams Sarah Heins Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, North America Commons, and the Medical Humanities Commons Recommended Citation Heins, Sarah, "Patients, Prose, and Poetry: The Medical and Literary World of William Carlos Williams" (2017). Undergraduate Honors Theses. Paper 1138. https://scholarworks.wm.edu/honorstheses/1138 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Patients, Prose, and Poetry: The Medical and Literary World of William Carlos Williams A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary By: Sarah Heins Accepted for Honors Christopher MacGowan, Thesis Director Robert Scholnick, Examination Chair Henry Hart Beverly Sher Williamsburg, VA December 8, 2017 Patients, Prose, and Poetry: The Medical and Literary World of William Carlos Williams Honors English Thesis By Sarah Heins Fall 2017 To my Grandfather, Dr. Stephen J Prevoznik—the physician-writer who has been and always will be my lifelong inspiration. And to my Grandma, -
7Th from Emmett
List of novels, stories, poems, and essays studied at MBA 7th Grade English Novels: The Hobbit, J.R.R. Tolkien (summer reading) A Christmas Carol, Charles Dickens Fahrenheit 451, Ray Bradbury To Kill a Mockingbird, Harper Lee Core Short Stories: “The Adventure of the Speckled Band,” Sir Arthur Conan Doyle “So Much Unfairness of Things,” C. D. B. Bryan “To Build a Fire,” Jack London “There Will Come Soft Rains,” Ray Bradbury “The Tell-Tale Heart,” Edgar Allan Poe Optional Stories: “Two Bottles of Relish,” Lord Dunsany Core Poems: "A Narrow Fellow in the Grass," Emily Dickinson "Ballad of Birmingham," Dudley Randall "Dream Deferred," Langston Hughes "Life Sculpture," George Washington Doane "Meeting at Night," Robert Browning "My Mistress's Eyes," William Shakespeare "The Cremation of Sam McGee," Robert W. Service "The Eagle," Alfred, Lord Tennyson "The Pasture," Robert Frost "The Raven," Edgar Allan Poe "The Road Not Taken," Robert Frost "Those Winter Sundays," Robert Hayden Optional Poems: "A White Rose," John Boyle O'Reilly "Oranges," Gary Soto "The Red Wheelbarrow," William Carlos Williams “On Turning Ten,” Billy Collins “O Captain, My Captain,” Walt Whitman “Ode to a Tuna in a Market,” Pablo Neruda “Under the Harvest Moon,” Carl Sandburg “The Charge of the Light Brigade,” Alfred, Lord Tennyson “Button,” Jane Hirshfield 8th Grade English Novels and Plays: And Then There Were None, Agatha Christie (summer reading) The Contender, Robert Lipsyte (summer reading) The Adventures of Tom Sawyer, Samuel Clemens Lord of the Flies, William Golding -
William Carlos Williams in the 1930S
1 William Carlos Williams in the 1930s Robert L.G. Tucker University College London English Language and Literature Ph.D. 2 I, Robert L.G. Tucker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract The subject of this thesis is William Carlos Williams and the circle of writers around him in the 1930s. During this decade Williams was a key figure in the formation of an alternative left-wing American canon, and active in a group that included Nathanael West, Louis Zukofsky and Kenneth Burke. This thesis explores the political and aesthetic grounds on which that canon was constructed. The assumption that Williams was already a successful writer after Spring and All (1923) has often led to a disproportionate emphasis on his poetry and the ‘modernist’ aspects of his aesthetics. This thesis makes the case for the significance of Williams’ 1930s prose writings in the growth of the Proletarian Literature movement, and challenges the assumption that ‘Marxist’ literature of the 1930s was at odds with ‘modernist’ literature of the 1920s. I investigate the key concepts of Williams’ own aesthetic philosophy, ‘Objectivism,’ ‘Pragmatism,’ ‘Contact,’ and ‘Localism,’ and show how these concepts became politicized during the 1930s. By exploring the relationship between art and politics, and the ways in which Williams was radicalized by the Great Depression, this thesis attempts to expand critical notions of ‘radicalism’ to include a broader New Deal alliance between traditional democratic liberalism and Marxist economic determinism.