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Lilms Perisllecl
Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou O 1928, only a small portion survive . sands, relatively few projection prints were re While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard . -
Film Advertising Cards and Programs Collection Inventory
Film Advertising Cards and Programs Collection Inventory 1 box; 6 envelopes; 252 items; .125 metres Env. #1: Advertising Cards – 62 items 1. Roscoe Arbuckle (Fatty) / Temple Theatre, week of April 28, 1919 2. John Barrymore / Dundas Playhouse, week of July 21, 1919 3. Enid Bennet / Dundas Playhouse, week of May 12, 1919 4. Gladys Brockwell / Adanac Theatre, week of March 3, 1919 5. Billy Burke / Amusu Theatre, week of April 7, 1919 6. June Caprice / Adanac Theatre, April 14, 1919 7. Harry Carey / Duchess Theatre, week of May 12, 1919 8. Mrs. Vernon Castle (Irene) / Adanac Theatre, week of May 26, 1919 9. Barbara Castleton / Duchess Theatre, week of April 7, 1919 10. Lina Cavalieri / Playhouse Theatre, week of April 21, 1919 11. Charlie Chaplin / Dundas Playhouse, week of April 28, 1919 12. Ethel Clayton / Brighton & Parkview Theatres, wk of April 28, 1919 13. Dorothy Dalton / Dundas Playhouse, week of April 7, 1919 Dorothy Dalton / Queen’s Royal Theatre, week of March 4, 1918 14. Priscilla Dean / Brighton & Parkview Theatres, wk of April 28, 1919 15. June Elvidge / Duchess Theatre, week of March 24, 1919 16. Madge Evans / Dundas Playhouse, week of September 15, 1919 17. Douglas Fairbanks / Brighton Theatre, week of March 10, 1919 18. Dustin Farnum / Temple Theatre, week of April 21, 1919 19. William Farnum / Brighton & Parkview Theatres, week of April 7, 1919 Film Advertising Cards and Programs Collection Inventory Page 2 of 18 20. Geraldine Farrar / Brighton & Parkview Theatres, wk of May 26, 1919 Geraldine Farrar / Queen’s Royal Theatre, week of March 18, 1919 21. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Marion Fairfax
Marion Fairfax Also Known As: Marion Marshall, Marion Tully Marshall, Marion Josephine Neiswanger, Mrs. Tully Marshall Lived: October 24, 1875 - October 2, 1970 Worked as: company director, director, editor, editorial director, playwright, producer, screenwriter, theatre actress Worked In: United States by Tom Slater Between 1904 and 1915, Marion Fairfax wrote several successful Broadway plays before turning to screenwriting. Over the next eleven years, she achieved even greater success in her new field. In 1921, she formed her own production company that produced The Lying Truth (1922), which Fairfax wrote and directed. The most enduring film with which she was associated was The Lost World (1925), a science fiction picture about an isolated land of dinosaurs that featured tremendous special effects. A handwritten note attached to a First National Pictures legal department memo dated December 6, 1923, states: “Fairfax is always a winner—Don’t ever let her get away. Tom [unidentified] knows she is both restless and damn independent.” Three years later, however, Fairfax received her final credit for The Blonde Saint (1926) and then disappeared from filmmaking. She was married to actor Tully Marshall, who died in 1943, for forty-three years. Like many women filmmakers of the silent era, Fairfax began her career as a stage actress. By 1901, she was appearing on Broadway. Shortly thereafter, her own plays began appearing. In 1915, Fairfax turned to screenwriting at the suggestion of William deMille, brother of Cecil B. DeMille. Over the next few years, she wrote several films directed by deMille. Another frequent artistic collaborator was director-producer Marshall Nielan, with whom Fairfax shared a long friendship dating back to her earliest years on Broadway. -
The STORY of the Famous Players-Lasky Corporation L
. ^^r -".«*»». FAMOUS P1AYERS-LASKY CORPORATION ADOLPM ZUKOR mm. JESSE t.LASKY H»Aw CECIt B.OE MILLE IWrti'C«i««l I TUWYOMl, LIBRARY Brigham Young University RARE BOOK COLLECTION Rare Quarto PN ^r1999 1919 I The STORY of the Famous Players-Lasky Corporation l : i ll ! . .; ,i i i i i)i ! ]il lll) llll l l l lllllll l [|||||IHl H MiilMii 3ES ==?r .:;.Mii !llll li im 3E 1 I i I Walter E. Greene /''ice-President ! Frank A. Garbott Vice-President t I 'l|i"l|!l||||ii 2Z^ ^^ illillllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllHlllllllllllllllllll 2ff 3C JZ The Story of the Famous Players-Lasky Corporation (paramount~Qricra£t ^Motion (pictures -...or ..»«*» FAMOUS PLAYERS-LASKY CORPORATION <L ADOLPH ZUKOR Pres JESSE L.LASKY VkxPrms. CECIL B DE M1LLE Director Cenerol. "NEW YORIC Copyright, IQIQ, by the Famous Players-Lasky Corporation ~ZL M : 1 TTT- I'liiiiiiii'iiiiiiiiMiiiiiiii, 1 1 1 1 1 1 1 1 1 1 t < 1 iii 35 i : ; 1 1 i 1 1 > 1 . 1 W=] s: .^sm: '":;iii!!'i'i:'iniiiii""!"i. ! ":"''.t iiinu'lM u m 3 i i S i 5 1 i im :=^ !l!l!llllllll!lllllli^ 3T Adolph Zukor, President ^t^-Q INTRODUCTION 1 HIS is the complete story of the Famous Players-Lasky Corporation, the world's greatest motion picture enterprise. The story of the Famous Players-Lasky Corporation is the story of the motion picture. For it is this organization which has made the motion picture. Seven years ago, Adolph Zukor saw in the motion picture, then only an amusing toy, amazing and tremendous possibilities. -
SMM History 1998-2019
Seattle Theatre Group Silent Film History 1998-2019 1998 Film Title/Year Screen date Director Star Legends of Comedy The General, 1926 August 10,1998 Clyde Bruckman Buster Keaton & Buster Keaton The Pale Face, 1922 August 10, 1998 Edward F. Cline Buster Keaton & Buster Keaton The Gold Rush, 1925 August 17, 1998 Charlie Chaplin Charlie Chaplin Safety Last, 1923 August 24, 1998 Fred C. Newmeyer Harold Lloyd Two Tars, 1928 August 24, 1998 James Parrott Stan Laurel & Oliver Hardy 1999 Film Title/Year Screen date Director Star Funny Money Show People, 1928 June 7, 1999 King Vidor Marion Davis A Dog’s Life, 1918 June 14, 1999 Charlie Chaplin Charlie Chaplin The Pilgrim, 1916 June 14, 1999 Frank Borzage Frank Borzage Seven Changes, 1925 June 21, 1999 Buster Keaton Buster Keaton That Certain Thing, 1928 June 28, 1999 Frank Capra Viola Dana Heroes and Villains The Bat, 1926 July 5, 1999 Roland West George Beranger The Black Pirate, 1926 July 12,1999 Albert Parker Douglas Fairbanks Dr. Jekyll and Mr. Hyde, 1920 July, 19,1999 John S. Robertson John Barrymore Special Engagement Faust, 1926 October 31, 1999 F.W Murnau Emily Jannings Seattle Theatre Group Silent Film History 1998-2019 2000 Film Title/Year Screen date Director Star DW Griffith & Lillian Gish Orphans of The Storm, 1921 July 3, 2000 DW Griffith Lillian and Dorothy Gish Way Down East, 1920 July 10, 2000 DW Griffith Lillian Gish Intolerance, 1916 July 17, 2000 DW Griffith Lillian Gish & Sci-Fi & Adventure The Lost World, 1925 October 2, 2000 Harry O. Hoyt Wallace Beery Aelita- Queen of Mars,1924 October 9, 2000 Yakov Protazanov Yuliya Solntseva Peter Pan, 1924 October 16, 2000 Herbert Brenon Betty Bronson Submarine, 1928 October 23, 2000 Frank Capra Jack Holt The Phantom of the Opera, 1929 October 20, 2000 Rupert Julian Lon Chaney 2001 Film Title/Year Screen date Director Star Women in Film La Boheme, 1926 July 9, 2001 King Vidor Lillian Gish My Best Girl, 1927 July 16, 2001 Sam Taylor Mary Pickford IT, 1927 July 23, 2001 Clarence G. -
Kintaro Hayakawa (June 10, 1886-November 23, 1973) Known Professionally As Sessue Hayakawa Was a Japanese Actor and a Matinee Idol
Kintaro Hayakawa (June 10, 1886-November 23, 1973) known professionally as Sessue Hayakawa was a Japanese actor and a matinee idol. He was one of the biggest stars in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. Thanks to the Gospel of Hollywood - Movie goers see every Yellow face they encounter as either A two-faced Jap spy with a round face and round glasses or bald headed, buck toothed and Tojo mustache. Or acted by a White man as a goodie good Charlie Chan ,who kills his Chinese self and lives on as Our Father Who Art in Hollywood, leading the Godless Yellow to White Supremacy , Assimilation and God. Belief in a power over one’s self, outside of the family to a Taoist, a Confucian is unthinkable. Stupid. A meeting between members of the same family strikes lightning in the brain. That attracts or repels. Momoko Iko refers to “household gods” , a term that resonates comfortably with Japanese and Chinese of the generation of 1940. MOVIES BEGIN WITH SESSUE HAYAKAWA – TV BEGINS WITH GEORGE TAKEI – TAKEI TAKES TV AMERICA TO – AA LITERATURE BY STEALING A SHARE OF RANDALL DUK KIM’S PERFORMANCE OF A TOURIST GUIDE IN FRANK CHIN’S “THE YEAR OF THE DRAGON “ ON PBS – AND TAKEI IS AS SIGNIFICANT AS HAYAKAWA IN AA LITERARY, SHOWBIZ, ENTERTAINMENT HISTORY. REALLY? RANDALL KIM MAKES A MIDWESTERN AN INTERNATIONAL REP AS A SHAKESPEAREAN ACTOR & TEACHER, AND HAS A SHAKESPEAREAN THEATER OUTSIDE OF MILWAUKEE BUT TAKEI IS INVITED TO LECTURE THE SHAKESPEARE CO IN LONDON. -
Armond Fields American Theatre Collection 0337
http://oac.cdlib.org/findaid/ark:/13030/kt5489s1cj No online items Finding Aid of the Armond Fields American Theatre collection 0337 Finding aid prepared by Rob Gutner and Jacqueline Morin USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2011 Note Collection processed by Rob Gutner and Rohan Panikar. Finding Aid of the Armond Fields 0337 1 American Theatre collection 0337 Title: Armond Fields American Theatre collection Collection number: 0337 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 96.0 Linear feet Date (bulk): Bulk, 1895-1925 Date (inclusive): 1856-2000 Abstract: This collection documents the history of the American stage before talking cinema, reflecting the birth and death of vaudeville and the advent of the modern Broadway musical. The collection includes books, posters, theater programs, sheet-music covers, souvenirs, rare film footage of vaudevillians, including Weber & Fields, and manuscripts and research notes for Armond Fields' own books. creator: Fields, Armond, 1930- Processing Information Collection arranged and described by Rob Gutner and Rohan Panikar. Materials in file folders were kept in their original order and described by their original file folder titles. Biographical Note Armond Fields (1930-2008) was an author, artist, art collector and business consultant. Born in Chicago, Illinois, to Louis Max and Esther Fields, he attended schools in the Mid-West. He received his B.S. from the University of Wisconsin (1953), M.A. from the University of Illinois (1955) and Ph.D. from the University of Chicago (1956). He wrote several biographies, primarily on vaudeville performers. -
Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada
REEL TIME MOVIE EXHIBITORS � MOVIE AUDIENCES in prairie canada, 1896 to 1986 Robert M. Seiler and Tamara P. Seiler Copyright © 2013 Robert M. Seiler and Tamara P. Seiler Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, ab t5j 3s8 isbn 978-1-926836-99-7 (print) 978-1-927356-00-5 (pdf) 978-1-927356-01-2 (epub) Cover and interior design by Natalie Olsen, Kisscut Design. Printed and bound in Canada by Marquis Book Printers. Library and Archives Canada Cataloguing in Publication Seiler, R. M. (Robert Morris) Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986 / by Robert M. Seiler and Tamara P. Seiler. Includes bibliographical references and index. Issued also in electronic formats. isbn 978-1-926836-99-7 1. Motion pictures — Social aspects — Prairie Provinces — History. 2. Motion pictures — Economic aspects — Prairie Provinces — History. 3. Motion picture theaters — Social aspects — Prairie Provinces — History. 4. Motion picture theaters — Economic aspects — Prairie Provinces — History. i. Seiler, Tamara Palmer ii. Title. pn1995.9.s6s44 2013 302.23'4309712 c2012-901800-7 We acknowledge the financial support of the Government of Canada through the Can- ada Book Fund (cbf) for our publishing activities. Assistance provided by the Government of Alberta, Alberta Multimedia Devel opment Fund. This publication is licensed under a Creative Commons License, Attribution–Noncom- mercial–No Derivative Works 2.5 Canada: see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author. To obtain permission for uses beyond those outlined in the Creative Commons license, please contact AU Press, Athabasca University, at [email protected].