Luther Luther Burbank Center for the Arts
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Pharaon Gipsy Kings Pdf Note
Pharaon gipsy kings pdf note Continue sponsored links by the authors of the links Pharaon by Gypsy Kings (1987-)The Gipsy Kings are a group of musicians from Arle and Montpellier who perform in Spanish with an accent from Andalusia. They are known for bringing the rumba of Catalan, pop-oriented music, remotely derived from traditional flamenco music, to a global audience. Their music has a special style of Rumba Flamenca, with pop influence; Many Gipsy Kings songs are suitable for social dances such as salsa and rumba. Their music has been described as the place where Spanish flamenco and roma rhapsody meet salsa funk. Notes Flamenco (modern). 4/4 Signature time. 173 measures. Ten pages. Rasgeado. Four votes. Capo 2. Pharaoh - a very capricious and dynamic composition. The soloist requires quite good technical skills. Gipsy Kings performs this song in several different versions. The drawing we present here is based on the first one published in 1982, recording this song. Download notes for Pharaoh (from the album Allegria) from Gipsy Kings. Arrangement: Notes and tablature for guitar - guitar 1 part. Can't play Pharaoh? Improve your playing via easy step-by-step video lessons! 1603254354442325435433354354433543545533553565335535722442222442222442222344282244222244229224422223442221023311222335523122331322233552314233154232324316232231702402424182523222190222320202523222210222320222523222230222320242252625232222702223202825232222902223203025232223102223203223334302323532320333335203032320302333336302323532320333337203032320302333338302 -
How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-11-2015 How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity Alison Law Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Law, Alison, "How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/english_theses/191 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HOW THE PERFORMANCES, SONG LYRICS, AND ACTIVISM OF THE INDIGO GIRLS DEMONSTRATE THE MUTABLE COMPOSITION OF SOUTHERN IDENTITY by ALISON LAW Under the Direction of Gina Caison, Ph.D. ABSTRACT A common misconception about the southern region of the United States is that any one part of the region can stand alone as an accurate representation of the territory as a whole. To refute any notion of a homogeneous South and demonstrate the dynamic nature of an individual or community identity, I examine the history, song lyrics, performances, and activism of the folk-rock duo the Indigo Girls and their hometown of Atlanta, Georgia. This project applies the theories of locational feminism found in Susan Stanford Friedman’s Mappings and New Southern Studies in Tara McPherson’s text Reconstructing Dixie . Analyzing the biographies, song lyrics, performances, and activism of the Indigo Girls as an archive of southern literature allows us to understand the fluid, multiplex nature of regional identity and view Atlanta as one “borderland” in a heterogeneous U.S. -
Gipsy Kings Join Vibrato in Los Angeles for an Allstar Evening! 7:30 and 9:00 P.M
<Back Print Wednesday November 7th Gipsy Kings join Vibrato in Los Angeles for an Allstar Evening! 7:30 and 9:00 p.m. $20 cover Vibrato Grill Jazz 2930 Beverly Glen Circle Bel Air, CA 90077 310.474.9400 Cedric Leonardi and Mario Reyes of the Gipsy Kings will play an evening of rumba at Vibrato! Alfredo Caceres, guitar/mandola; Andrew Gouche, bass; Salar Nader, tabla; and Alam Khan, sarod, will join Ced on drums and Mario on guitar/vocals, along with one of Flamenco’s foremost modern stars, Patricia Peinado Cruz, who will weave her flamenco magic into the music. The group will return to the Vibrato stage for another performance in December. Ced and Mario will return to India in 2013 as part of a Gypsy Allstars project, which explores the origins of gypsy culture in Rajasthan, India. They are in Los Angeles preparing new material and re–imagining existing music before traveling to India next year. The Gipsy Kings emerged out of the South of France in the early 80s when the Reyes and Baliardos families set the world on fire with their infectious and sensual rhythms — sounds that were original and breathtaking. Songs like “Djobi Djoba” and “Bamboleo” are forever etched on our minds as quintessential feel good music. The Gypsy Kings have sold over 40 millions records worldwide since they first started under the band name Los Reyes in 1982. www.vibratogrilljazz.com This email was sent to [email protected] by [email protected] | Update Profile/Email Address | Instant removal with SafeUnsubscribe™ | Privacy Policy. -
The Gipsy Kings Celebrate 25 Years with Jupiters Theatre Performance
MEDIA RELEASE Tuesday January 13, 2015 The Gipsy Kings celebrate 25 years with Jupiters Theatre performance Jupiters Hotel & Casino is delighted to be celebrating The Gipsy Kings’ 25th anniversary tour with a performance at Jupiters Theatre, Gold Coast on Sunday April 5, 2015. The Gipsy Kings will raise the roof of Jupiters Theatre with the dance-ready sound that has sold 25 million albums in their third ever tour of Australia. Melding deep-heated flamenco, rumba, salsa and pop, the Grammy Award-winning hit-makers celebrate their 25th anniversary by taking audiences back to the south of France, returning to their ground-breaking eponymous album and the nomadic spirit that has led them to their ninth studio album, Savor Flamenco. The world music superstars are remembered for hits such as ‘Djobi Djoba’, ‘Baila Me’, ‘Bamboléo’, ‘Bem Bem Maria’, ‘Volare’, ‘Tu Quieres Volver’, ‘A Mi Manera (Comme D’Habitude)’, ‘Vamos A Bailar’ and many more. Returning to Australia after five years, the highest selling artists in French music history are still at the top of their game. The group’s unchanging roster consists of two bands of brothers — the Reyes and the Baliardos. Lead vocalist Nicolas Reyes and lead guitarist Tonino Baliardo continue to lead The Gipsy Kings as they have from the beginning - with their exciting music which fans have described on their recent US tour as their best ever. From playing on the streets of Cannes and the hedonistic heights of St. Tropez, The Gipsy Kings have broken world music barriers as one of the rare groups to top the US mainstream and world music charts – as well as the Australian charts. -
2007-2008 Season Sponsors
2007-2008 Season Sponsors The City of Cerritos gratefully thanks our 2007-2008 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 07/08 Your Favorite Entertainers, Your Favorite Theater If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. presents MOIRA SMILEY & VOCO MOIRA SMILEY JOHN BALLINGER • JESSICA BASTA • JESSICA CATRON • CHRISTINE ENNS Thursday, March 6, 2008, 7:30 PM There will be one 20-minute intermission. A question-and-answer session will immediately follow this performance. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHY Singer-composer MOIRA SMILEY is based in Los the composers for TRIP Dance Theatre’s Synergy at Ford Angeles and performs and writes an extraordinary range of Amphitheatre. She has received several grants for her Bartok vocal music. Recently, she premiered the critically acclaimed Sings project creating new vocal music around the piano Ukrainian-based Rusalka with the women’s vocal ensemble miniatures of composer Béla Bartók. Smiley’s neo-traditional KITKA; re-opened the Getty Villa performing the Sorceress hymn Stand in That River is popular around the world. in Henry Purcell’s Opera Dido and Aeneas; recorded a solo MOIRA SMILEY & VOCO fuses a new sound album Rua, a compilation of Irish, Appalachian songs; and with voices, banjo, cello, and percussion that is rooted in toured with Goin’ South Band and the Irish band Molly’s traditional song. A vibrant, fast-rising force on the Folk Revenge. -
Red & White Lady Comets Host Pink
INSIDE THIS ISSUE Editorial Page 2 Archives Pages 2 & 3 Public Notices Page 3 Death Roll Page 4 Weatherly Council Page 4 Veterans Corner Page 5 White Haven This Week Page 6 the Weatherly This Week Page 7 Coming Events Page 10 THURSDAY, FEBRUARY 11, 2016 • Volume 35 – No. 29 SINGLE COPY– 60¢ Seth’s Sightings Page 11 ©2016, THE JOURNAL-HERALD. All Rights Reserved (USPS 277440) Classifieds Pages 12-13 ournal-Herald Puzzles Page 13 Puzzle Answers Page 15 CONTINUING: THE WHITE HAVEN JOURNAL CONTINUING: THE WEATHERLY HERALD Journal Sports Pages 14-16 ESTABLISHEDJ 1879–137th YEAR, NO. 11 ESTABLISHED 1880–136th YEAR, NO. 37 Red & White Lady Comets host Pink Out by Stephanie Grega ets held their second annu- their home game versus Ha- survivors of any type of can- lost their battle to cancer, or The Crestwood Lady Com- al Pink Out on February 1 at zleton. The Pink Out honors cer, as well as those who have are still fighting it. The Lady Comets sold pink t-shirts that were worn by many people throughout the bleachers of the basketball court. Funds raised from the sale were donated to Can- dy’s Place in Forty Fort, which helps local cancer survivors and their families. The Pink Out ceremony be- gan between the JV and Var- sity games, when each player walked out arm-in-arm with a survivor or fighter. The Lady Comets formed two rows in the middle of the court, adorned with pink t-shirts and holding pink balloons, for sur- vivors to walk through. -
Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites. -
One Lost Day the New Studio Album from the Indigo Girls
ONE LOST DAY THE NEW STUDIO ALBUM FROM THE INDIGO GIRLS AVAILABLE JUNE 2ND ON IG RECORDINGS/VANGUARD RECORDS March 24, 2015 - - It has been four years since the Indigo Girls released a new studio album. On June 2nd, their much-anticipated release ONE LOST DAY, will be available on IG Recordings/Vanguard Records. With the help of visionary new producer Jordan Brooke Hamlin (Lucy Wainwright Roche) and mixer Brian Joseph (Bon Iver, PHOX, Kathleen Edwards), Amy Ray and Emily Sailers have created a landscape of truly original sounds and stories ranging from stark intimacy to bombastic pop and grind. On ONE LOST DAY, musicality, whimsy, rawness, sadness and joy move through each of the 13 tracks. This theme is especially evident on the first single, “Happy in the Sorrow Key,” written by Amy Ray. “I drew from lyrics I wrote during some of my travels with the IG’s,” Amy said. “I was thinking about the things that keep us weighed down with non-acceptance and a refusal to embrace impermanence and suffering. I don’t think you can make change for the good until you do, so it’s an activist part of me searching for a way to face reality and still have the energy and passion to work for good.” ONE LOST DAY was recorded in studios in Nashville, TN and mixed at Justin Vernon’s April Base Studios in Fall Creek, WI and at the Parhelion Recording Studios in Atlanta, GA. Musicians Brady Blade and Carol Isaacs from the Indigo Girls’ Beauty Queen Sister returned, along with the Indigo Girls’ touring band. -
Armik Live Guitar Tab
Armik live guitar tab Continue Acoustic Alchemy - Arianez Acoustic Alchemy - Ariane (demo version) Al Di Meola - Topaz Al Di Meola - Topaz (demo version) Al Di Meola and Paco de Lucia - Mediterranean Sundance (only solo participant) Alex Fox - Fly (YAETETB) Alex Fox - Fly (YAETETB)) Alex Fox - Nuevos Aires Alex Fox - Nuevos Aires (demo version) Alex Fox - Gypsy Alex Fox - Gypsy (demo version) Alex Fox - Rumba Disco Alex Fox - Rumba Disco (demo version) Alex Fox - Amarte De Verdad Alex Fox - Amarte De Verdad (demo version) Alex Ettmar Libert (demo version) Alex Fox - C'est La Vie Alex Fox - C'est La Vie (demo version) Alex Fox - Palermo Alex Fox - Palermo (demo version) Alex Fox - Sambada Alex Fox - Sambada (demo version) Alex Fox - Flamencada Alex Fox - Flamenc Alex Fox - Guitar on Fire Alex Fox - Guitar on Fire (demo version) Alex Fox - Blessed Arturo Alex Fox - Blessed Arturo (demo version) Alex Fox - Chiero Ser Tu Sombra Alex Fox as Kiero Sir Tu Sombra (demo version) Alex Fox - Gypsy Days , Alex Fox's Latin Nights - Gypsy Days, Latin Nights (demo version) Alex Fox - Bolero Alex Fox - Bolero (demo version) Alex Fox - Gypsy Wedding Alex Fox - Gypsy Wedding (demo version) Alex Fox - Fantasia Bodrum (demo version) Alex Fox - Buram Bumbeira Alex Fox - Buram Bumbeira Brisas (demo) Antonio Kobo - Earth Cry Antonio Cobo - Earth Cry (demo version) Antonio Cobo - Las Bodas De Luis Alonso Antonio Cobo - Las Bodas De Luis Alonso (demo version) Antonio Cobo - Love Dreaming Antonio Cobo - Love Dreaming (demo version) Antonio Cobo - Malagen Antonio -
GIPSY KINGS Volare, Bamboleo, Djobi, Djoba E Outros Grandes Sucessos Mundiais No Dia 23 De Outubro Em Apresentação Única No Auditório Araújo Vianna
GIPSY KINGS Volare, Bamboleo, Djobi, Djoba e outros grandes sucessos mundiais no dia 23 de outubro em apresentação única no Auditório Araújo Vianna Clique na imagem para salvar em alta resolução. Crédito: Marie Claire Margossian Depois de uma longa espera, os GIPSY KINGS liderados por Nicolas Reyes & Tonino Baliardo, se apresentarão no Brasil em outubro de 2018. O show em Porto Alegre ocorre no dia 23 de outubro, no Auditório Araújo Vianna. Ingressos em Uhuu e nos demais canais de vendas. Confira o serviço completo abaixo. A banda que vendeu mais de 20 milhões de álbuns pelo mundo e tem mais de 100milhões de views de seus vídeos no Youtube, continua a celebrar a sua própria e empolgante tradição. Tocando nas ruas de Cannes ou no deslumbrante cenário de St. Tropez, os Gipsy Kings quebraram as barreiras da World Music, como um dos raros grupos a escalar as paradas musicais dos EUA e do mundo. Fundindo o flamenco, a rumba, a salsa e o pop, os Kings prometem colocar todos os brasileiros para dançar em seus shows, fazendo uma grande festa com seus lendários sucessos como: Bamboléo, Djobi Djoba, Volare e outros, logicamente acompanhados por suas inconfundíveis guitarras flamencas. Mais recentemente, foram destaque nas trilhas sonoras de filmes como: Sing, O Grande Lebowski, Toy Story 3 e Glee, abraçando clássicos ocidentais de Bob Marley, Doobie Brothers e The Eagles, com grande graciosidade e algumas pitadas da cultura caribenha e brasileira. “A música sempre foi uma paixão”, diz o guitarrista Tonino Baliardo. “Mesmo depois de todo esse tempo, depois de todos esses anos de turnê e trabalho. -
Interview with Gipsy Kings for Songlines
"%')..%2¢3'5)$% In their early 90s heyday Band of brothers – the Reyes and Baliardos "%34 !,"5-3 Allegria (Elektra, 1982) The first album the Gipsy Kings released under their own name. Primarily a collection of more traditional flamenco- style pieces – its acoustic guitars, voices and handclaps doesn’t portend the epic productions that would follow. The Gipsy Kings (Sony, 1988) The disc that introduced the Gipsy Kings and their brand of rumba flamenco to the world. Think rhythmic guitars, passionate wailing and syncopated palmas within everything from percussive romps to plaintive melodies. Includes two of the band’s biggest hits, ‘Djobi Djoba’ and ‘Bamboleo’. Mosaïque (Elektra, 1989) With its sly use of kit drums and synthesizers, Mosaïque introduces outside genres and instrumentation to the night long,” Nicolas has recalled. “We wanted the Kings their signature sound – his basic flamenco mix. Here is rai fusion, jazzy guitar riffs, to do the same and begged our older brothers gruff and powerful flamenco voice echoing Cuban flavours and – with the first appearance of ‘Volare’ to teach us.” Not having their own guitars as that of his father’s. Other musicians rated – a bit of Italian song. kids means that the left-handed members of them: Eric Clapton allegedly took strumming the group still play guitars strung upside down tips from guitarist Tonino Baliardo. And Roots (Sony, 2004) – the legacy of playing a right hander’s guitar while flamenco musicians such as Paco de Just as it says on the tin. After a decade’s worth of over- the wrong way up. Lucía appealed to select audiences with purer produced, session-muso heavy albums, the Kings kiss After José’s death in 1979, the Reyes played forms of flamenco fusion, the Kings were their extravagant production values goodbye and go back rumba flamenco at Roma parties and on slick and eminently danceable. -
The Gipsy Kings Featuring Nicolas Reyes with Special
THE GIPSY KINGS FEATURING NICOLAS REYES WITH SPECIAL GUEST MIKAELA DAVIS AT THE FLORIDA THEATRE ON NOVEMBER 16, 2021 Tickets on Sale Friday, July 30, 2021 at 10:00 A.M. Jacksonville, Fla. (July 26, 2021) – The Florida Theatre is pleased to welcome The Gipsy Kings featuring Nicolas Reyes with special guest Mikaela Davis on Tuesday, November 16, 2021 at 8:00 p.m. It has been twenty-five years since the Gipsy Kings captured the world’s imagination with their self-titled debut album—a record that became a genuine phenomenon, certified gold and platinum around the globe, introducing millions of listeners to a unique, irresistible blend of traditional flamenco styles with Western pop and Latin rhythms. Since then, the band has toured virtually non- stop, to the farthest-flung corners of the planet, and sold almost twenty million albums, all the while retaining the same line-up of virtuoso musicians. “Music has always been a passion,” says lead guitarist Tonino Baliardo. “Even after all this time, after all these years of touring and working. It has given us so much. We have matured, we have developed in music, and it has been so good for us.” “World Music” is often a meaningless catch-all phrase, a marketing shortcut, but as one of the acts that first helped define the phrase, the Gipsy Kings create music that really does cross all borders. From the beginning all the way through their ninth studio album SAVOR FLAMENCO, their sound has reflected the constant travel and diverse influences of the gypsy heritage.