DOCSLIB.ORG

Retrospektive & Berlinale Classics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Retrospektive & Berlinale Classics 65. Internationale Filmfestspiele Berlin Retrospektive Glorious Technicolor Retrospektive: Glorious Technicolor Filme aus dem George Eastman House und weiteren Archiven The African Queen (African Queen) von John Huston mit Humphrey Bogart, Katharine Hepburn, Robert Morley, Großbritannien/USA 1951, 4K DCP: Park Circus (Digital restaurierte Fassung 2010), Englisch; Kopie: George Eastman House (35mm, Technicolor Druckverfahren/dye transfer print), Englisch An American Romance von King Vidor mit Brian Donlevy, Ann Richards, Walter Abel, USA 1944, Kopie: George Eastman House, Englisch Anne of the Indies (Die Piratenkönigin) von Jacques Tourneur mit Jean Peters, Louis Jourdan, Debra Paget, Herbert Marshall, USA 1951, Kopie: Twentieth Century Fox (Digital restaurierte Fassung), Englisch Black Narcissus (Die schwarze Narzisse) von Michael Powell und Emeric Pressburger mit Deborah Kerr, David Farrar, Jean Simmons, Großbritannien 1947, Kopie: British Film Institute (Digital restaurierte Fassung 2005), Englisch Blanche Fury (Unruhiges Blut) von Marc Allégret mit Stewart Granger, Valérie Hobson, Walter Fitzgerald, Michael Gough, Großbritannien 1947, Kopie: British Film Institute, Englisch Blood and Sand (König der Toreros) von Rouben Mamoulian mit Tyrone Power, Linda Darnell, Rita Hayworth, Anthony Quinn, USA 1941, Kopie: Twentieth Century Fox (Digital restaurierte Fassung), Englisch Broken Arrow (Der gebrochene Pfeil) von Delmer Daves mit James Stewart, Jeff Chandler, Debra Paget, Basil Ruysdael, USA 1950, Kopie: Twentieth Century Fox (Digital restaurierte Fassung), Englisch Duel in the Sun (Duell in der Sonne) von King Vidor mit Jennifer Jones, Joseph Cotten, Gregory Peck, USA 1946, Kopie: Walt Disney Studios, Englisch The Garden of Allah (Der Garten Allahs) von Richard Boleslawski mit Marlene Dietrich, Charles Boyer, Basil Rathbone, C. Aubrey Smith, USA 1936, Kopie: The Museum of Modern Art (Restaurierte Fassung 2015), Englisch Gentlemen Prefer Blondes (Blondinen bevorzugt) von Howard Hawks mit Jane Russell, Marilyn Monroe, Charles Coburn, Elliott Reid, USA 1953, Kopie: Twentieth Century Fox (Digital restaurierte Fassung 2011), Englisch Gone With the Wind (Vom Winde verweht) von Victor Fleming mit Vivien Leigh, Clark Gable, Leslie Howard, USA 1939, Kopie: George Eastman House (Restaurierte Fassung 1989), Englisch Ivanhoe (Ivanhoe. Der schwarze Ritter) von Richard Thorpe mit Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, USA 1952, Kopie: George Eastman House (35mm, Technicolor Druckverfahren/dye transfer print), Englisch, mit deutschen Untertiteln Leave Her To Heaven (Todsünde) von John M. Stahl mit Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, USA 1945, Kopie: Twentieth Century Fox (Digital restaurierte Fassung 2008), Englisch The Naked Spur (Nackte Gewalt) von Anthony Mann mit James Stewart, Janet Leigh, Robert Ryan, USA 1953, Kopie: George Eastman House, Englisch 61. Internationale Filmfestspiele Berlin Retrospektive Ingmar Bergman Niagara von Henry Hathaway mit Marilyn Monroe, Joseph Cotten, Jean Peters, Casey Adams, USA 1953, Kopie: Twentieth Century Fox (Digital restaurierte Fassung), Englisch Redskin (Rothaut. Der Todeskampf einer Rasse) von Victor Schertzinger mit Richard Dix, Gladis Belmont, Jane Novak, USA 1929, Kopie: The Library of Congress (Two-color Technicolor), englische Zwischentitel The River (Der Fluss) von Jean Renoir mit Nora Swinburne, Esmond Knight, Arthur Shields, USA 1951, Kopie: The Academy Film Archive (Digital restaurierte Fassung 2005), Englisch; Kopie: George Eastman House (35mm, Technicolor Druckverfahren/dye transfer print), Englisch Scaramouche (Scaramouche, der galante Marquis) von George Sidney mit Stewart Granger, Eleanor Parker, Janet Leigh, Mel Ferrer, USA 1952, Kopie: George Eastman House From the collection of George Eastman House, Englisch The Shepherd of the Hills (Verfluchtes Land) von Henry Hathaway mit John Wayne, Betty Field, Harry Carey, Beulah Bondi, USA 1941, Kopie: UCLA Film & Television Archive (35mm, Technicolor Druckverfahren/dye transfer print), Englisch She Wore a Yellow Ribbon (Der Teufelshauptmann) von John Ford mit John Wayne, Joanne Dru, John Agar, Ben Johnson, USA 1949, Kopie: UCLA Film & Television Archive (restaurierte Fassung), Englisch Show Boat (Mississippi-Melodie) von George Sidney mit Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, USA 1951, Kopie: George Eastman House, Englisch Singin’ in the Rain (Du sollst mein Glücksstern sein) von Gene Kelly und Stanley Donen mit Gene Kelly, Donald OʼConnor, Debbie Reynolds, Jean Hagen, USA 1952, Kopie: The Academy Archive (35mm, Technicolor Druckverfahren/dye transfer print), Englisch Snow White and the Seven Dwarfs (Schneewittchen und die sieben Zwerge) von David Hand, USA 1937, 2K DCP: Walt Disney Studios, Englisch, mit deutschen Untertiteln Sweethearts von W. S. Van Dyke II mit Jeannette MacDonald, Nelson Eddy, Frank Morgan, Ray Bolger, USA 1938, Kopie: Warner Bros. Germany, Englisch The Thief of Bagdad. An Arabian Fantasy in Technicolor (Der Dieb von Bagdad. Ein Märchen aus Tausendundeiner Nacht) von Ludwig Berger und Michael Powell mit Conrad Veidt, June Duprez, John Justin, Großbritannien/USA 1940, Kopie: British Film Institute, Englisch, mit deutschen Untertiteln This Happy Breed (Wunderbare Zeiten) von David Lean mit Robert Newton, Celia Johnson, John Mills, Großbritannien 1944, Kopie: British Film Institute (Digital restaurierte Fassung 2008, Englisch The Three Musketeers (Die drei Musketiere) von George Sidney mit Lana Turner, Gene Kelly, June Allyson, USA 1948, Kopie: George Eastman House, Englisch The Toll of the Sea (Lotosblume) von Chester M. Franklin mit Anna May Wong, Kenneth Harlan, Beatrice Bentley, USA 1922, Kopie: UCLA Film & Television Archive (Two-color Technicolor, restaurierte Fassung 1985, englische Zwischentitel Wings of the Morning von Harold D. Schuster mit Annabella, Leslie Banks, Henry Fonda, Großbritannien 1936, 2K DCP: Cohen Film Collection (Digital restaurierte Fassung 2013), Englisch The Wizard of Oz (Das zauberhafte Land) von Victor Fleming mit Judy Garland, Frank Morgan, Ray Bolger, USA 1939, Kopie: George Eastman House, Englisch, mit deutschen Untertiteln 2 61. Internationale Filmfestspiele Berlin Retrospektive Ingmar Bergman Yolanda and the Thief (Yolanda und der Dieb) von Vincente Minnelli mit Fred Astaire, Lucille Bremer, Frank Morgan, USA 1945, Kopie: George Eastman House, Englisch Short Films: Technicolor La Cucaracha von Lloyd Corrigan, USA 1934, Kopie: George Eastman House (35mm, Technicolor Druckverfahren/dye transfer print), Englisch; Kopie: UCLA Film & Television Archive (Restaurierte Fassung), Englisch Mrs. Mortimer Jones Prepares »Dinner for Eight«, Werbefilm, USA 1934, Kopie: The Huntington Library (Restaurierte Fassung 2010), Englisch Funny Littles Bunnies. A Walt Disney Silly Symphony (Im Tal der Osterhasen) von Wilfred Jackson, USA 1934, Kopie: Walt Disney Studios, ohne Sprache Mighty Manhattan, New Yorkʼs Wonder City von James H. Smith, USA 1949, Kopie: George Eastman House, Englisch Berlinale Classics Goldfinger (James Bond 007 – Goldfinger) von Guy Hamilton, Großbritannien/USA 1964, Internationale Erstaufführung der digital restaurierten Fassung im Vorführformat 4K DCP, 4K DCP: Metro Goldwyn Mayer Studios, Beverly Hills, vertreten durch Park Circus, Glasgow, Englisch In Cold Blood (Kaltblütig) von Richard Brooks, USA 1967 – Weltpremiere der digital restaurierten Fassung im Vorführformat 4K DCP, 4K DCP: Sony Pictures Entertainment, Culver City vertreten durch Park Circus, Glasgow, Englisch Jahrgang 45 (Born in ʼ45) von Jürgen Böttcher, Deutsche Demokratische Republik 1966/1990. – Weltpremiere der digital restaurierten Fassung im Vorführformat 4K DCP, 4K DCP: Deutsche Kinemathek, Berlin (Digital restaurierte Fassung 2015), Deutsch, mit englischen Untertiteln Neun Leben hat die Katze (The Cat Has Nine Lives) von Ula Stöckl, Bundesrepublik Deutschland 1968 – Weltpremiere der digital restaurierten Fassung im Vorführformat 2K DCP, 2K DCP: Deutsche Kinemathek Berlin (Digital restaurierte Fassung 2015), Deutsch/Französisch, mit englischen Untertiteln Varieté von E. A. Dupont, Deutschland 1925 – Weltpremiere der digital restaurierten Fassung im Vorführformat 2K DCP. Musik: The Tiger Lillies, 2K DCP: Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden (Digital restaurierte Fassung 2014), ohne Sprache, deutsche Zwischentitel mit englischer Übersetzung, Musik: The Tiger Lillies 3 .
Load more

Recommended publications
  • The Naked Spur: Classic Western Scores from M-G-M
    FSMCD Vol. 11, No. 7 The Naked Spur: Classic Western Scores From M-G-M Supplemental Liner Notes Contents The Naked Spur 1 The Wild North 5 The Last Hunt 9 Devil’s Doorway 14 Escape From Fort Bravo 18 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Naked Spur ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Wild North ©1952 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Last Hunt ©1956 Turner Entertainment Co., A Warner Bros. Entertainment Company. Devil’s Doorway ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. Escape From Fort Bravo ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 11, No. 7 • Classic Western Scores From M-G-M • Supplemental Liner Notes The Naked Spur Anthony Mann (1906–1967) directed films in a screenplay” and The Hollywood Reporter calling it wide variety of genres, from film noir to musical to “finely acted,” although Variety felt that it was “proba- biopic to historical epic, but today he is most often ac- bly too raw and brutal for some theatergoers.” William claimed for the “psychological” westerns he made with Mellor’s Technicolor cinematography of the scenic Col- star James Stewart, including Winchester ’73 (1950), orado locations received particular praise, although Bend of the River (1952), The Far Country (1954) and The several critics commented on the anachronistic appear- Man From Laramie (1955).
    [Show full text]
  • Hollywood's Image of the Working Woman
    UNLV Retrospective Theses & Dissertations 1-1-1995 Hollywood's image of the working woman Jody Elizabeth Dawson University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Dawson, Jody Elizabeth, "Hollywood's image of the working woman" (1995). UNLV Retrospective Theses & Dissertations. 516. http://dx.doi.org/10.25669/f1nc-wwio This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • James Stewart: the Trouble with Urban Modernity in Verligo and Liberly Valance
    MA MAJOR RESEARCH PAPER James Stewart: The Trouble with Urban Modernity in Verligo and Liberly Valance ALEX MORRIS Supervisor: Edward Siopek The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada Sept. 21, 2009 Table of Contents Introduction: Post-War Stewart and the Dark Turn in Hollywood ...................................... 2 Chapter 1: Vertigo: An Architecture for Double Vision ..................................................... 13 Chapter 2: Liberty Valance: Masculine Anxiety in the Cinematic "Wild West" ................ 24 Works Cited and Consulted .............................................................................44 1 Introduction Legendary 20th Century Hollywood film star and American everyman James Maitland Stewart saw merit and enduring intrinsic reward more in his extensive career as a decorated military serviceman, which began a year before Pearl Harbor, well before his nation joined the fighting in the European theatre of the Second World War, and ended long after his controversial peace-time promotion to Brigadier General decades later­ than in his lifelong career as a cherished and profoundly successful screen actor. For him, as for his father and grandfather before him, who, between the two of them, saw action in three major American wars, serving the nation militarily was as good as it got. When asked by an interviewer some 50 years after the end of his wartime military service about his WWII memories, writes biographer Jonathan Coe in his book, Jimmy Stewart: A Wonderful Life, Stewart remarks that his military experience was "something that I think about almost everyday: one of the greatest experiences of my life." "Greater than being in the movies?" countered the reporter.
    [Show full text]
  • A Selected Bibliography of Literary Journalism
    From Norman Sims, True Stories: A Century of Literary Journalism. (Evanston: Northwestern University Press, November 2007). A Selected Bibliography of Literary Journalism Compiled by Norman Sims This bibliography is more suggestive than complete, and was compiled in 2008. It contains a range of books, some that are considered classic works and others that are much less known. These works are not infallible; some may contain fictionalized stories or elements. Mark Twain encouraged readers to exercise judgment, and that remains true today. With a few exceptions, autobiographies, memoirs, and newspaper stories have been excluded, as have criticism and books about literary journalism. Most of the works were written during the twentieth century, although a few nineteenth century classics are included. Often only a few works by an author are mentioned. For example, John McPhee has more than thirty books of literary journalism in print, but only a couple are listed here. This list is intended as a starting point for further reading and research. Works are arranged in three categories according to the date when they were written; sometimes the same author appears in two sections. Before 1915 Ade, George. Chicago Stories. Edited by Franklin J. Meine; illustrated by John T. McCutcheon and others. Chicago: Henry Regnery, 1963. Selected journalism from early in the century. Baker, Ray Stannard. Following the Color Line. New York: Harper Torchbooks, 1964. Originally published by Doubleday, Page & Co. in 1908. Banks, Elizabeth L. Campaigns of Curiosity: Journalistic Adventures of an American Girl in Late Victorian London. Introduction by Mary Suzanne Schriber and Abbey Zink. (Orig. 1894, reprinted by University of Wisconsin Press, 2003.) Berkman, Alexander.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • Elliott Reid, Sleuth in 'Gentlemen Prefer
    Grisham's 'Time to Kill' Coming to Broadway - NYTimes.com JUNE 25, 2013, 3:46 PM Grisham’s ‘Time to Kill’ Coming to Broadway By PATRICK HEALY A stage adaptation of “A Time to Kill,” John Grisham’s legal thriller about a young white lawyer defending a black man for a revenge murder in Mississippi, will open on Broadway in the fall, the producers said on Tuesday. The play is the first adaptation of a novel by the best-selling Mr. Grisham for the theater; the writer is Rupert Holmes, a Tony Award winner for best book and best score for “The Mystery of Edwin Drood.” The novel was made into a 1996 film starring Matthew McConaughey and Samuel L. Jackson. The play’s producers, Daryl Roth and Eva Price, have indicated in investment documents that the show will cost $3.6 million on Broadway. Casting will be announced soon; in the premiere of the play in 2011 at Arena Stage in Washington, Sebastian Arcelus (“Elf”) played the lawyer. That production received mixed reviews. The play is to begin preview performances on Sept. 28 at the Golden Theater and open on Oct. 20. The director will be Ethan McSweeny (the 2000 Broadway revival of “Gore Vidal’s The Best Man”), who staged the play at Arena. http://artsbeat.blogs.nytimes.com/2013/06/25/grishams-time-to-kill-coming-to-broadway/?pagewanted=print[6/26/2013 9:51:02 AM] Escaping a Broken Marriage in a Ruined Town - The New York Times June 25, 2013 THEATER REVIEW Escaping a Broken Marriage in a Ruined Town By CATHERINE RAMPELL If you describe the plot of “Rantoul and Die” to a friend, as I did, you will probably find yourself muttering, “but it’s still really funny, I swear.” And really, I swear, this tale of a sour, violent marriage is funny — darkly, darkly funny.
    [Show full text]
  • Westerns at The
    For immediate release: December 21, 2007 WEXNER CENTER GOES WEST FOR NINE-FILM SERIES IN JANUARY This January, the Wexner Center presents a five-night, nine-film series offering some of the best films from that most American of genres, the western. Though the western has been proclaimed dead or irrelevant numerous times in film history, the recent releases of 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and even the Coen brothers’ western update No Country for Old Men suggest that there is still plenty of life and contemporary relevance in the genre (see the New York The Searchers, showing January 10 Image courtesy Warner Bros. Times Magazine cover story “How the Western Was Won” on November 11 for more on this topic). The Western series at the Wexner Center—which kicks off January 10—presents a rare chance to revisit (or see on the big screen for the first time) some influential western classics. It features some of the genre’s iconic stars (including John Wayne, James Stewart, Randolph Scott, and Gary Cooper) in films by some of the genre’s masters (such as John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher). While this series focuses on the postwar western cycle typified by flawed heroes and muddied morals (exemplified by Ford’s landmark The Searchers), it also includes lighter approaches (The Plainsman, Trail of the Vigilantes) and the clearly revisionist Little Big Man. This series was organized by the Wexner Center’s film staff. Tickets for each night of the series are $7 general public; $5 members, students, and senior citizens; $3 children under 12.
    [Show full text]
  • Dr. Strangelove's America
    Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar.
    [Show full text]
  • George Eastman Museum Annual Report 2020
    George Eastman Museum Annual Report 2020 Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs and Events 5 Publishing and Online Projects 7 Books 7 Digitized Films Online 7 Silver Voices 7 Videos 8 Mobile Tour 9 Engagement and Attendance Statistics 10 Education 11 The L. Jeffrey Selznick School of Film Preservation 11 Photographic Preservation & Collections Management 11 Photography Workshops 12 Loans 13 Object Loans 13 Film Screenings 14 Acquisitions 15 Gifts to the Collections 15 Photography 15 Moving Image 19 Technology 19 George Eastman Legacy 22 Richard and Ronay Menschel Library 22 Purchases for the Collections 22 Photography 22 Moving Image 23 Technology 23 George Eastman Legacy 23 Richard and Ronay Menschel Library 23 Conservation and Preservation 24 Conservation 24 Film Preservation 27 Capital Projects 28 Financial 29 Treasurer’s Report 29 Statement of Financial Position 30 Statement of Activities and Change in Net Assets 31 Fundraising 32 Members 32 Corporate Members 34 Annual Campaign 34 Designated Giving 35 Planned Giving 36 Trustees and Staff 37 Board of Trustees 37 George Eastman Museum Staff 38 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries and mansion during 2020. MAIN GALLERIES POTTER PERISTYLE MANSION Anderson & Low: Voyages and Discoveries Penelope Umbrico: Everyone’s Photos Any 100 Years Ago: George Eastman in 1920 Curated by Lisa Hostetler, curator in charge, License (532 of 1,190,505 Full Moons on Flickr) Curated by Jesse Peers, archivist, Department of Photography Curated by Lisa Hostetler, curator in charge, George Eastman Legacy Collection October 19, 2019–January 5, 2020 Department of Photography February 14, 2020–January 3, 2021 July 20, 2019–January 5, 2020 Bea Nettles: Harvest of Memory Made possible by Stephen B.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]