Press Release and Artist Bios
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Multiple Choice: on Separated United Forms by David Schafer
DAVID SCHAFER SEPARATED UNITED FORMS Multiple Choice: On Separated United Forms by David Schafer Jan Tumlir What Is It? Perhaps, it goes without saying—and yet I’ll say it: writing about art is not literature because it has an object that exists. It has an object that is not strictly imaginary, as are the objects of novels and stories, but then again, it is also not strictly concrete either. This is because, first, the object of art writing, like that of any other writing, is not there. The art object is absent to the writing; all that lies within the reach of the author and reader alike is “writing (storing) writing—no more, no less,”1 as Friedrich Kittler puts it. Second, the object of art writing, unlike that of most other writing, is one to which we do tend to grant an imaginary status. Why mention any of this now, again? Because David Schafer is an artist who reads a great deal of writing about art—as well as that about architecture, design, music, and many more things be- sides—and often responds to it in his work. It is characteristic of his practice that the written response to art is in turn responded to artis- tically, which is not to suggest that Schafer makes art about writing about art (or that he makes what is disparagingly termed “theory- driven art”); rather, he acknowledges the dialogical element implicit within it. Moreover, one could say that inasmuch as his work stands its ground on this point, it proclaims the dialogical element as im- plicit in all works. -
DAVID SCHAFER Contact Studio 8725 Venice Blvd Los Angeles, CA
DAVID SCHAFER Contact Studio 8725 Venice Blvd Los Angeles, CA 90034 646.436.0620 [email protected] www.davidschafer.org Education 1983 MFA The University of Texas, Austin, TX. 1979 BA The University of Missouri, Kansas City, MO. Grants and Awards 2018 Pollock-Krasner Foundation Award 2015 Center for Cultural Innovation, Los Angeles, CA 2014 Visions & Voices Arts Initiative, University of Southern California, Los Angeles, CA 2004 Great Teacher Award, Art Center College of Design, Pasadena, CA 2003 Great Teacher Award, Art Center College of Design, Pasadena, CA 2001 Taki-Fuji Award, Art Center College of Design, Tokyo, Japan Faculty Enrichment Grant, Art Center College of Design, Pasadena, CA 2000 Great Teacher Award, Art Center College of Design, Pasadena, CA 1989 National Endowment for the Arts in Sculpture, New York, NY Artist in Residence, Sculpture Chicago, Chicago, IL 1986 Project Grant, Artists Space, New York, NY Exhibitions Grant, Artists Space, New York, NY Artist in Residence, Public Art Fund, Brooklyn, NY Solo Exhibitions and Projects 2018 Pink and Blue, Martel Window, curated by Max Maslansky, Richard Telles Gallery, Los Angeles, CA 2015 Models of Disorder, Diane Rosenstein Gallery, Los Angeles, CA 2013 Four Letters to Mahler, Studio 10 Gallery, Brooklyn, NY 2012 Roundabout/UEBA, Studio 10 Gallery, Brooklyn, NY What Should an Astronaut Painter Do?, Glendale College Art Gallery, Glendale, CA 2001 Bar Ring, Shoshana Wayne Gallery, Los Angeles, CA A Death in the Family, Sara Meltzer Gallery, New York, NY 2000 David Schafer, -
One Place After Another : Site-Specific Art and Locational Identity / Miwon Kwon
M629957.final 6/25/02 8:50 AM Page 1 #629957 04/27/2002 Miwon Kwon is Assistant Professor of Art History at the “ You are familiar with art history. Welcome to art geography, a new subdiscipline launched ONE PLACE AFTER ANOTHER University of California, Los Angeles. by Miwon Kwon’s lustrous commentary on thirty-five years of artists’ engagement with Site-Specific Art and Locational Identity physical and political environments.” MIWON KWON — Andrew Ross, Professor and Director, Graduate Program in American Studies, New York KWON University Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art’s “ A compelling theoretical analysis that never loses sight of the ‘here and now’ of artistic ONE PLACE AFTER ANOTHER autonomy and universality. Throughout the 1970s and 1980s, as practice and aesthetic experience. Miwon Kwon’s exploration of the social and political site-specific art intersected with land art, process art, performance dimensions of site specificity succeeds in being both original and provocative; it will provide art, conceptual art, installation art, institutional critique, a valuable foundation for all future studies.” community-based art, and public art, its creators insisted on the — Judith Russi Kirshner, critic, curator, and Dean of the College of Architecture and the Arts, inseparability of the work and its context. In recent years, University of Illinois at Chicago however, the presumption of unrepeatability and immobility encapsulated in Richard Serra’s famous dictum “to remove the “ The concept of site specificity has been used to cover a wide and often ill-defined range of work is to destroy the work” has been challenged by new models art practices. -
DAVID SCHAFER Contact Studio 8725 Venice Blvd Los Angeles, CA
DAVID SCHAFER Contact Studio 8725 Venice Blvd Los Angeles, CA 90034 646.436.0620 [email protected] www.davidschafer.org Education 1983 MFA The University of Texas, Austin, TX. 1979 BA The University of Missouri, Kansas City, MO. Solo Exhibitions and Projects 2018 Pink and Blue, Martel Window, Richard Telles Gallery, Los Angeles, CA 2015 Models of Disorder, Diane Rosenstein Gallery, Los Angeles, CA 2013 Four Letters to Mahler, Studio 10 Gallery, Brooklyn, NY 2012 Roundabout/UEBA, Studio 10 Gallery, Brooklyn, NY What Should an Astronaut Painter Do?, Glendale College Art Gallery, Glendale, CA 2001 Bar Ring, Shoshana Wayne Gallery, Los Angeles, CA A Death in the Family, Sara Meltzer Gallery, New York, NY 2000 David Schafer, Works On Paper, Inc., Los Angeles, CA 1999 David Schafer, Chuck, Los Angeles, CA Enterview, Dollhouse, Los Angeles, CA 1996 Mothermall, Special K Exhibitions, Los Angeles, CA 1992 David Schafer, Berland-Hall Gallery, New York, NY 1990 The Vanishing Wilderness, Van Rooy Gallery, Amsterdam, Netherlands 1987 David Schafer, Special Projects, MoMA-PS1, Long Island City, NY Group Exhibitions 2020 Drive-By-Art, Organized by Warren Neidich, Renee Petropoulos, Michael Slenske and Anuradha Vikram, Los Angeles, CA 2019 International Video Screening Event, Paadman Projects, Tehran, Iran Fine Art Faculty Exhibition, Art Center College of Design, Pasadena, CA 2018 The Eros Effect, Bridge Red Studio, Miami, FL Works on Paper, Art Center College of Design, Pasadena, CA 2017 More Light, JOAN, Los Angeles, CA Not Quite Underground, -
Sue Spaid CV
SUE SPAID CURRICULUM VITAE Email: [email protected] Tel: +32 2 633 4158 Web site: https://suespaid.info Academic Appointments: • Fall 2021 Adjunct Assistant Professor, Philosophy Department, University of Dayton • 2014-present: Associate Editor, Aesthetic Investigations, Nederland Genootschap voor Esthetica • 2010: Adjunct Assistant Professor, English & Philosophy Department, Drexel University • 2007-2008: Adjunct Assistant Professor, Humanities Dept., Penn State University-Abington • 2006-2008: Associate Adjunct Professor, Philosophy Department, Temple University • 2004-2006: Adjunct Assistant Professor, School of Art, University of Cincinnati • 2000-2002: M.F.A. Thesis Adviser, Department of Art, Washington University • 1996-1998: Adjunct Assistant Professor, Liberal Arts, Art & MFA Depts. Otis College of Art • 1996: Adjunct Assistant Professor, Department of Art, Claremont Graduate School • 1993-1998: Graduate Faculty, Liberal Arts Department, Art Center College of Design Non-Academic Employment: • 2010-2012: Executive Director, Contemporary Museum, Baltimore, US • 2007-2009: Curator, Abington Art Center and Sculpture Park, Jenkintown, US • 1999-2002: Curator, Contemporary Arts Center, Cincinnati, US • 1990-1995: Owner/Director, Sue Spaid Fine Art, Los Angeles, US • 1987-1989: Programmer, Lane Computers, New Jersey, US • 1986-1988: International Fixed Income Sales, S. G. Warburg, Inc., New York City, US • 1986: Corporate Finance, PaineWebber, Inc., New York City, US • 1984-1986: Fixed Income Research, Kidder Peabody, Inc., New York City, US • 1982: Environmental Policy Department, International Business Machines, Essex Junction,US • 1981: Chip and Substrate Research, International Business Machines, Essex Junction, US Education: • 2013. PhD. Temple University, Philadelphia. Department of Philosophy • 1999. MA Philosophy, Columbia University. Department of Philosophy • 1983. B.A. Economics, University of Texas at Austin. Department of Economics.