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Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
MUSIC BOX THEATER, 239-247 West 45Th Street
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1359 MUSIC BOX THEATER, 239-247 West 45th Street. Built 1920; architects C. Howard Crane & E. George Kiehler. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Music Box Theater and the proposed designation of the related Landmark Site (Item No. 55). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty -one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. Representatives of the two co-owners appeared at the hearing and indicated that neither had formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Music Box Theater survives today as one of the his to r ic playhouses that symbolize American theater for both New York and t h e nation. Constructed shortly after the end of World Wa r I, the Music Box was built by producer Sam Harri s to house Irving Berlin's ~usic Box Re ~ues . Sam Harris was a legendary Broadway producer, who first reached fame through his successful partnership with George M. Cohan, and the n collaborated with Irving Berlin and later with Kaufman and Hart. Irving Berlin is among the greatest and best-known Ame rican s ongwriters of t his cen t ury. -
Gender in Teievision Sitcoms in the 1950S
Images of Dissent, Persistence of an Ideal: Gender in TeIevision Sitcoms in the 1950s. by Rachel S.M. Yates A thesis submitted to the Department of Kistory in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario October, 1997 copyright 8 Rachel S.M. Yates, 1997 National Library Bib!iothèque nationale (*Iof Canada du Canada Acquisitions and Acquisitions et Bibliographie Sewices services bibliographiques 395 Wellington Street 395, nie Wellington OttawaON KIAON4 Ottawa ON KIA ON4 Canada canada YœIr &? vmRifemnce Our dle Notre rEi18mUa The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfichelfihn, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT This study se& to expand the understanding of postwar gender codes through an exploration of the domestic ideal in television sitcoms of the era. Its sigdcance lies in the intersection of history with television studies and postwar social science perspectives. -
Title of Thesis Or Dissertation, Worded
PRESENTING OREGON: FORMATIVE FORCES OF THE OREGON UNIT OF THE FEDERAL THEATRE PROJECT by DAMOND G. MORRIS A DISSERTATION Presented to the Department of Theater Arts and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2013 DISSERTATION APPROVAL PAGE Student: Damond G. Morris Title: Presenting Oregon: Formative Forces of the Oregon Unit of the Federal Theatre Project This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Theater Arts by: Theresa J. May Chairperson John B. Schmor Member Louise Westling Member Ted Toadvine Outside Member and Kimberly Andrews Espy Vice President for Research and Innovation Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2013 ii © 2013 Damond G. Morris iii DISSERTATION ABSTRACT Damond G. Morris Doctor of Philosophy Department of Theater Arts June 2013 Title: Presenting Oregon: Formative Forces of the Oregon Unit of the Federal Theatre Project During the Great Depression President Roosevelt’s New Deal brought relief to Americans through the Works Progress Administration (WPA). The Federal Theatre Project (FTP) was formed in 1935 under the WPA to lift spirits, educate, entertain, and put unemployed theatre artists to work. The FTP was national in scope, but administered at the state level. In the State of Oregon, former Portland Civic Theatre director, Bess Whitcomb, pulled together theatre professionals qualified for work relief to form the Oregon Unit. Ironically, the first productions of the Oregon Unit were not examples of Whitcomb’s legitimate theatre work with the Portland Civic, but an expedient recouping of older forms. -
NBC] 5 KCMO Kansas City [CBS] 6 KMOS Sedalia, MO [ABC, Now PBS] 9 KMBC Kansas City [ABC] 13 WIBW Topeka, KS [CBS, ABC]
Retro: Kansas City, Wed. April 22nd, 1959 Source: TV Guide CHANNELS 2 KFEQ St. Joseph, MO [ABC, CBS] 4 WDAF Kansas City [NBC] 5 KCMO Kansas City [CBS] 6 KMOS Sedalia, MO [ABC, now PBS] 9 KMBC Kansas City [ABC] 13 WIBW Topeka, KS [CBS, ABC] 6:30AM 4 Continental Classroom 6:55 5 Farm Facts 7AM 4 Today-Dave Garroway Guests are actor Hal Holbrook and Robert Dahl, author of "Breakdown." 5 News-Richard C. Hottelet 7:15 5 Captain Kangaroo 8AM 2 5 13 News 8:10 5 Take Five-Mark Stevens 8:15 2 13 Captain Kangaroo 5 Moment of Mediation 8:20 5 Cartoonland 8:30 5 Jimmy Dean 9 Romper Room 9AM 2 13 Morning Playhouse 4 Health, Safety, Science 5 [telecourse] 5 Life of Riley 9:30 2 5 13 Arthur Godfrey 4 Treasure Hunt 9 Daily Word 9:35 9 General Science 9 [telecourse]-Galey The digestion of food is discussed. 10AM 2 5 13 I Love Lucy 4 Price is Right 9 Whizzo's Wonderland 10:30 2 My Little Margie "Countless Margie." Margie and one of Vern's prospective clients go to a health sanitarium and then proceed to switch identities. Gale Storm. 4 Concentration 5 13 Top Dollar 11AM 2 5 13 Love of Life 4 Tic Tac Dough 9 Susie "Tangled Web." When Susie tells a "little white lie," many complications result. Ann Sothern, Don Porter. 11:30 2 Cartoon Capers 4 It Could Be You-Bill Leyden 5 Search for Tomorrow 9 Happy Home 1. How to make dress hangers and driftwood centerpieces.