Muskingum College BP's Rebranding: Green Public
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Chicago Architecture Biennial Lakefront Kiosk Competition
Chicago Architecture Biennial Lakefront Kiosk Competition Submission Deadline: March 23, 2015 chicagoarchitecturebiennial.org Table of Contents 3 Introduction 4 Challenge 6 Guidelines 7 Design Specifications 8 Apply 9 Jury 11 Competition Partners 12 Resources 13 FAQ Chicago Architecture Biennial Lakefront Kiosk Competition Submission Deadline: Introduction March 23, 2015 The Chicago Architecture Biennial announces the Lakefront chicagoarchitecturebiennial.org Kiosk Competition, organized in partnership with the Cover Photo: Iwan Baan / Chicago, 2014 Chicago Park District and the City of Chicago. In keeping with the mission of the Chicago Architecture Biennial, the Lakefront Kiosk Competition is an opportunity to support innovative architectural work and to use the city—more specifically, the iconic shoreline of Lake Michigan—as a laboratory for architectural experimentation. The competition calls for the inventive design of a new kiosk that will be installed on Chicago’s lakefront, one of the city’s most vibrant public spaces. The winning entry will be part of a broader initiative, envisioned by Mayor Rahm Emanuel and the Chicago Park District, to enhance cultural life on the lakefront. A jury of architects, curators, and city representatives will select one winner to receive the BP Prize. The winner will be awarded an honorarium for design development and a construction budget. The winning competition entry will be constructed and displayed in Millennium Park during the Chicago Architecture Biennial (October 2015-January 2016) as a featured component of its exhibition program, and in the spring of 2016 the kiosk will be installed on the lakefront. Presenting Sponsor Presenting Partners 3 Challenge Submission Deadline: Historically, the shoreline of Lake Michigan has played a March 23, 2015 central role in Chicago’s urban identity. -
The Metaphysical Quality That Gives the BP Helios Visual Identity Mark Its Sway
The metaphysical quality that gives the BP Helios visual identity mark its sway Masters of Design (Research) 2012 University of Technology, Sydney The metaphysical quality that gives the BP Helios visual identity mark its sway. Jacqueline Hill The metaphysical quality that gives the BP Helios visual identity mark its sway Certificate of I certify that the work in this thesis has not previously been submitted for a degree nor has it been Authorship submitted as part of requirements for a degree except as fully acknowledged within the text. Originality I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student The metaphysical quality that gives the BP Helios visual identity mark its sway Acknowledgments I would like to thank the University of Technology Sydney and the faculty of DAB for extending me this opportunity. I have learnt a great deal. Associate Professor Louise McWhinnie for her support. through his editing skills. And finally to Mike Staniford, Landor Associates for his ongoing support. Thank you to all my supporters for all their encouraging words and actions, and their faith in me. The metaphysical quality that gives the BP Helios visual identity mark its sway Contents List of Figures i Abstract iii Chapter One : Introduction 1 Chapter Two : BP Time Line 7 2.1 The Early 20th Century 7 2.2 The Mid -
The Metaphysical Quality That Gives the BP Helios Visual Identity Mark Its Sway
The metaphysical quality that gives the BP Helios visual identity mark its sway Masters of Design (Research) 2012 University of Technology, Sydney The metaphysical quality that gives the BP Helios visual identity mark its sway. Jacqueline Hill The metaphysical quality that gives the BP Helios visual identity mark its sway *LY[PÄJH[LVM I certify that the work in this thesis has not previously been submitted for a degree nor has it been (\[OVYZOPW submitted as part of requirements for a degree except as fully acknowledged within the text. 6YPNPUHSP[` I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student The metaphysical quality that gives the BP Helios visual identity mark its sway Acknowledgments I would like to thank the University of Technology Sydney and the faculty of DAB for extending me this opportunity. I have learnt a great deal. Associate Professor Louise McWhinnie for her support. through his editing skills. And finally to Mike Staniford, Landor Associates for his ongoing support. Thank you to all my supporters for all their encouraging words and actions, and their faith in me. The metaphysical quality that gives the BP Helios visual identity mark its sway Contents List of Figures i Abstract iii Chapter One : Introduction 1 Chapter Two : BP Time Line 7 2.1 The Early 20th Century 7 2.2 The Mid -
A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900-2000)
Good Guys: A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900-2000) Pamela Vang Linköping Studies in Arts and Science No. 621 Studies in Language and Culture No. 25 Linköping University Department of Culture and Communication Linköping 2014 Linköping Studies in Arts and Science • No 621 At the Faculty of Arts and Science at Linköping University, research and doctoral studies are carried out within broad problem areas. Research is organized in interdisciplinary research environments and doctoral studies mainly in graduate schools. Jointly, they publish the series Linköping Studies in Arts and Science. This thesis comes from the Graduate School in Language and Culture in Europe at the Department of Culture and Communication, Division of Language and Culture. Distributed by: Department of Culture and Communication Linköping University SE-581 83 Linköping, Sweden Pamela Vang Good Guys: A Cultural Semiotic Study of the Print Advertising of the Oil Industry (1900 – 2000) Edition 1:1 © Pamela Vang Department of Culture and Communication 2014 ISBN: 978-91-7519-318-2 ISSN 0282-9800 Cover image: Original water colour by Ida van Der Woude Printed by LiU-Tryck, Linköping 2014 Images removed due to copyright. For a complete copy contact [email protected] or [email protected] To Christopher Acknowledgements No project can be accomplished solo and as this project is nearing its completion, it is time to thank the people who have helped me along the way. First of all, I would like to thank Per-Olof Brehmer and Johan Holtström for making it possible by giving me the time that I needed to reach the goal. -
Rethinking Corporate Social Responsibility and Greenwashing After the BP Oil Disaster
Saint Louis University School of Law Scholarship Commons All Faculty Scholarship 2011 Beyond Profit: Rethinking Corporate Social Responsibility and Greenwashing After the BP Oil Disaster Miriam A. Cherry Judd F. Sneirson Follow this and additional works at: https://scholarship.law.slu.edu/faculty Part of the Banking and Finance Law Commons, and the Business Organizations Law Commons Beyond Profit: Rethinking Corporate Social Responsibility and Greenwashing After the BP Oil Disaster Miriam A. Cherry* Judd F. Sneirson† The explosion of the BP-leased Deepwater Horizon and subsequent oil spill stand as an indictment not just of our national energy priorities and environmental law enforcement; they equally represent a failure of Anglo-American corporate law and what passes for corporate social responsibility in business today. Using BP and the disaster as a compelling case study, this Article examines green marketing and corporate governance and identifies elements of each that encourage firms to engage only superficially in corporate social responsibility yet trumpet those efforts to eager consumers and investors. This Article then proposes reforms and protections designed to increase corporate social responsibility, root out greenwashing, and recognize liability for corporate social responsibility frauds on consumers and investors. One of these protections derives from the newly enacted Dodd-Frank Act, whose Bureau of Consumer Financial Protection could play a leading role in policing fraudulent claims of corporate social responsibility. I. INTRODUCTION ............................................................................. 984 II. THE REALITY: AN OVERVIEW OF THE BP DISASTER .................. 988 A. The Deepwater Horizon Explosion ................................... 988 B. Safety Violations ................................................................ 995 III. THE MYTH: BP’S HISTORY AND “BEYOND PETROLEUM” INITIATIVE .................................................................................... 999 A.