South Pacific • February 7-12, 2012 • TPAC’S Jackson Hall
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Clark Spring Semester 2020 Homeschoole MT
Clark Spring Semester 2020 Homeschoole MT JENNA: In the early 1940s, Richard Rodgers and Oscar Hammerstein III’s ‘Oklahoma!,’ adapted from a play written by Claremore playwright Lynn Riggs, opened on Broadway. It was the first musical they wrote together.. KYLE: Each had already found success on Broadway: Rodgers, having written a series of popular musicals with lyricist Lorenz Hart, and Hammerstein, having written the monumental classic, ‘Show Boat.’ But together with ‘Oklahoma!', they would change musical theatre forever. “Oh! What a Beautiful Mornin’” There's a bright golden haze on the meadow There's a bright golden haze on the meadow The corn is as high as an elephant's eye And it looks like it's climbing clear up to the sky Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way All the cattle are standing like statues All the cattle are standing like statues They don't turn their heads as they see me ride by But a little brown maverick is winking her eye Oh, what a beautiful mornin' I've got a beautiful feeling Everything's going my way All the sounds of the earth are like music All the sounds of the earth are like music The breeze is so busy, it don't miss a tree And an old weeping willow is laughing at me Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way Oh, what a beautiful day ALEXA I: With its character-driven songs and innovative use of dance, ‘Oklahoma’ elevated how musicals were written. -
URINETOWN Music & Lyrics by Mark Hollmann Book & Lyrics by Greg Kotis
So if you’ve got to go, you’ve got to go through me! URINETOWN music & lyrics by Mark Hollmann book & lyrics by Greg Kotis Managing Artistic Director Caleb Marshall Director ofInterim Education Director & Programming of Education Heather Alana Hibbert Burns NKPG Services Ltd. is honoured to be a sponsor of the Canadian College of Performing Arts! We look forward to watching and supporting the CCPA’s upcoming performances and programs. NKPG Specializes in Canadian and US taxes. We provide tax planning and accounting services to individuals and corporations. CONTACT US Derrold Norgaard, FCPA [email protected] Grant Kratofil, CPA [email protected] 202-4400 Chatterton Way T: 250-598-6998 Victoria, BC V8X 5J2 F: 778-265-6155 From the College Directors Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment. As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront. Our season theme is not rebuilding or reshaping our world. -
South-Pacific-Script.Pdf
RODGERS AND HAMMERSTEIN'S SOUTH PACIFIC First Perfol'mance at the 1vlajestic Theatre, New York, A pril 7th, 1949 First Performance in London, Theatre Royal, Drury Lane, November 1st, 1951 THE CHARACTERS (in order of appearance) NGANA JEROME HENRY ENSIGN NELLIE FORBUSH EMILE de BECQUE BLOODY MARY BLOODY MARY'S ASSISTANT ABNER STEWPOT LUTHER BILLIS PROFESSOR LT. JOSEPH CABLE, U.S.M.C. CAPT. GEORGE BRACKETT, U.S.N. COMMDR. WILLIAM HARBISON, U.S.N. YEOMAN HERBERT QUALE SGT. KENNETH JOHNSON SEABEE RICHARD WEST SEABEE MORTON WISE SEAMAN TOM O'BRIEN RADIO OPERATOR, BOB McCAFFREY MARINE CPL. HAMILTON STEEVES STAFF-SGT. THOMAS HASSINGER PTE. VICTOR JEROME PTE. SVEN LARSEN SGT. JACK WATERS LT. GENEVIEVE MARSHALL ENSIGN LISA MANELLI ENSIGN CONNIE WALEWSKA ENSIGN JANET McGREGOR ENSIGN BESSIE NOONAN ENSIGN PAMELA WHITMORE ENSIGN RITA ADAMS ENSIGN SUE YAEGER ENSIGN BETTY PITT ENSIGN CORA MacRAE ENSIGN DINAH MURPHY LIAT MARCEL (Henry's Assistant) LT. BUZZ ADAMS Islanders, Sailors, Marines, Officers The action of the play takes place on two islands in the South Pacific durin~ the recent war. There is a week's lapse of time between the two Acts. " SCENE I SOUTH PACIFIC ACT I To op~n.o House Tabs down. No.1 Tabs closed. Blackout Cloth down. Ring 1st Bar Bell, and ring orchestra in five minutes before rise. B~ll Ring 2nd Bar three minutes before rise. HENRY. A Ring 3rd Bar Bell and MUSICAL DIRECTOR to go down om minute before rise. NGANA. N Cue (A) Verbal: At start of overt14re, Music No.1: House Lights check to half. -
Docking at the Benedum Center August 5-14
FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium 10-TIME TONY AWARD®-WINNING MUSICAL THEATER MASTERPIECE DOCKING AT THE BENEDUM CENTER AUGUST 5-14 Pittsburgh, PA ∙ July 26, 2016 – Travel to Bali Ha’i with Billis and his crew in Rodgers & Hammerstein’s SOUTH PACIFIC, starring Broadway’s Ben Davis, James Snyder and Erika Henningsen August 5-14 at the Benedum Center. Tickets are now available and can be purchased online, by visiting the Theater Square Box Office or calling 412-456- 6666. Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over. The beloved score’s songs include “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” and “There is Nothin’ Like a Dame” amidst big, Broadway performances and a chorus of American sailors and Navy nurses ready to take you to Bali Ha’i. ABOUT THE CAST Loretta Ables Sayre (Bloody Mary) had her NYC and Broadway debut as Bloody Mary in Lincoln Center Theater’s revival of South Pacific (Tony Award® nomination and Theatre World Award) and London debut at Barbican Theatre and U.K. tour. Other theatre credits include: Bloody Mary in South Pacific (The MUNY and Paper Mill Playhouse), Wrestling Ernest Hemingway (Hawaii Theatre), You Somebody (Diamond Head Theater), Dreamgirls (Hawaii Theatre), Song of the Navigator (Honolulu Theater for Youth - U.S. -
Casting Announced for the Smash-Hit Parody, the BOOK of MERMAN!
FOR IMMEDIATE RELEASE Contact: Becca Ackner 412-281-3973 x 224 [email protected] IMAGES: User: pressroom Password: pittstadium Casting Announced for the Smash-Hit Parody, THE BOOK OF MERMAN! Pittsburgh, PA ∙ January 9, 2020 – Casting has been announced for Pittsburgh CLO's exclusive engagement of the hit musical comedy THE BOOK OF MERMAN, part of the Pittsburgh CLO Kara Cabaret Series at the Greer Cabaret Theater January 30 – March 8, 2020. Don’t miss this incredibly original hit fresh from its side-splitting Off-Broadway run! ABOUT THE SHOW Two Mormon missionaries ring the doorbell of Ethel Merman and hilarity ensues in this new musical comedy. This diva-driven whirlwind features original songs and show-stopping ballads, combining one of Broadway’s smash hits with the larger-than-life persona of the legendary belter Ethel Merman. Mistaking the two young men for door-to-door salesmen, Ethel welcomes the missionaries in after their frustrating day of canvassing the neighborhood for prospective converts. The result — a hilariously heartfelt journey about being true to oneself, as both the Mormons and Merman come to embrace who they really are. THE CAST CHRISTINE LAITTA (Ethel) Game On, Perfect Wedding, Up and Away, Girls Only - The Secret Comedy of Women, I Love You, You’re Perfect, Now Change, Forbidden Broadway and Forbidden Broadway: SVU. The Diary of Anne Frank, To Kill A Mockingbird, Hairspray and Ms. Frizzle in The Magic School Bus. She is co-author of The Dramatically Different Classroom and the creator of TV Tunes Sing a Long. JERREME RODRIGUEZ (Elder Braithewaite) was last seen at the CLO Cabaret originating the role of Kenny in the World Premiere of The Double-Threat Trio and playing Paco in Miss Abigail’s Guide… opposite Paige Davis. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Developmental Cross Training Repertoire for Musical Theatre
Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing. -
A Timely South Pacific Opens Olney Theatre's 2018-19
MEDIA CONTACT: Kristina Erwin Assistant Director of Marketing 301-924-4485 ext. 105 [email protected] A TIMELY SOUTH PACIFIC OPENS OLNEY THEATRE’S 2018-19 SEASON Director Alan Muraoka and Choreographer Darren Lee team with Lincoln Center vet William Michals and local favorite Jessica Lauren Ball Olney, MD — August 2, 2018 — Olney Theatre Center opens its 81st season on the Mainstage with the Rodgers and Hammerstein classic, South Pacific, running August 31 - October 7, 2018. Alan Muraoka, best known as a long-time cast member on Sesame Street, returns to Olney Theatre to direct and re-teams with Darren Lee, his choreographer from their 2014 production of Once On This Island. Invited press night is Thursday, September 6, 2018 at 8:00pm. South Pacific broke new ground in 1949 by combining unforgettable songs with incisive social commentary about racism and prejudice wrapped up in a story about love and war. Director Alan Muraoka maintains the story has lost none of its edge and says, "At first glance South Pacific seems to be this old, quaint chestnut of a musical written by the original masters of American Musical Theatre, Rodgers & Hammerstein. But South Pacific's story of a young American woman's journey to overcome her learned prejudice in order to find true love seems entirely necessary in our current times.” William Michals, a veteran of the 2010 Lincoln Center Theater production of South Pacific, returns to the role of Emile de Becque, the French planter with two mixed-race children and in-love with the American nurse, Nellie Forbush, portrayed by Olney veteran and Helen Hayes Award-nominee Jessica Lauren Ball (Guys and Dolls). -
Ragtime Original Broadway Cast Recording Download Torrent 320 the Rag-Time Collection
ragtime original broadway cast recording download torrent 320 The Rag-Time collection. Interested in general classical music piano rolls? Search through our new piano rolls special page! Johnson, James Price (New Brunswick, New Jersey 1894 - New York 1955); Usa. � MIDI | Dill pickles, Ragtime. Standard 88-note Roll (live) recording, piano: ? Joplin, Scott ( Caves Springs, near Linden, Texas 1868 - Manhattan 1917); Usa. Works in alphabetic order. � MIDI | The cascades, a rag (1904) � MIDI | The cascades, a rag (1904) * 88 notes or * Duo-Art (live) recording, piano: ? Duo-Art (live) recording, piano: Oakes & Williams. � MIDI | Euphonic sound (1909) 88 notes roll recording, piano: Scott Joplin. � MIDI | Gladiolus rag (1911) 88 notes roll recording, piano: ? � MIDI | Grace and beauty (1909) 88 notes roll recording, piano: Max Morath. � MIDI | Magnetic rag (?) � � MIDI | Magnetic rag (1914) * � MIDI | Magnetic rag (1914) 88 notes or � Ampico or * ? (live) recording, piano: Scott Joplin. 88 notes roll recording, piano: Scott Joplin. � MIDI | Old miss rag (1916) 88 notes roll recording, piano: Scott Joplin. � MIDI | Pineapple [Pine apple] rag (1908) 88 notes roll recording, piano: William Bolcomb. � MIDI | Pineapple [Pine apple] rag (1908) 88 notes roll recording, piano: Oakes & Williams. � MIDI | Silver swan rag (1914) 88 notes roll recording, piano: ? � MIDI | Something doing (1903) � MIDI | Something doing (1916) � � MIDI | Something doing (?) * ? or � 88 notes or * Ampico (live) recording, piano: Scott Joplin. � MIDI | Weeping willow (1903) � MIDI | Weeping willow (1911) � MIDI | Weeping willow (1916) 88 notes roll recording, piano: Scott Joplin. � MIDI | Medley: Pineapple rag & Easy winners (1908?) Duo-Art (live) recording, piano: James Kelsey & William Flynt. � MIDI | Medley: Fig leaf rag + Sensation. -
Broadway Artists Alliance 2021 Summer Intensive Session 1 Schedule
Name: _____________________________ Age Group: ___________________ Advisor: ___________________________ Major: _______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 1 Schedule ZOOM ROOM LINKS Look at the schedule in the next pages to find the room your classes and coachings are in, and join at the specific time via the links below. All Hyperlinks within the schedule are also active. OFFICE: ZOOM https://broadwayartistsalliance.zoom.us/j/98214067838 ROOM 0 MASTER CLASSES/COACHING ROOMS: ZOOM https://broadwayartistsalliance.zoom.us/j/92699534354 Home Base: ROOM 1 Orientation Room ZOOM https://broadwayartistsalliance.zoom.us/j/99521241469 ROOM 2 ZOOM https://broadwayartistsalliance.zoom.us/j/92685054849 ROOM 3 ZOOM https://broadwayartistsalliance.zoom.us/j/93340325808 ROOM 4 ZOOM https://broadwayartistsalliance.zoom.us/j/92960225227 ROOM 5 ZOOM https://broadwayartistsalliance.zoom.us/j/95853422271 ROOM 6 ZOOM https://broadwayartistsalliance.zoom.us/j/94459483950 ROOM 7 ZOOM https://broadwayartistsalliance.zoom.us/j/95240793162 ROOM 8 ZOOM https://broadwayartistsalliance.zoom.us/j/95280686835 ROOM 9 ZOOM https://broadwayartistsalliance.zoom.us/j/92174572868 ROOM 10 Monday, July 12th Live Daily Office Hours for Parent Questions: 10:00am-11:15am & 5:15pm-6:15pm (Zoom Room 0) **Please note, all times are Eastern Daylight Time! If you are not located on the East Coast, please adjust your watches to ET! 11:00 AM - 12:00 PM ET Student Orientation with BAA’s Artistic Director, Jennifer Johns (Zoom Room 1) While this first session is primarily student focused, parents may also choose to attend this Orientation if they have remaining program related question, and/or to help their child understand the program and technology portion of our introduction discussion. -
Broadway Artists Alliance 2021 Summer Intensive Session 3 Schedule
Name: _____________________________ Age Group: ___________________ Advisor: ___________________________ Major: ______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 3 Schedule th Monday, July 26 VOICE A 9:00 AM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave, New York, NY Between W.36th and 37th Streets) VOICE B 9:10 AM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. DANCE A 9:20 AM You will also need to present your Clear to Go Green Badge on the app. ACTING A 9:30 AM * Parents – please only have 1 guardian accompany the student to limit street traffic PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! Students meet with their advisor in their studio room for introductions and theater games before Orientation! VOICE A 9:40 AM - Orientation for Voice Groups A & B (Studio 17E) VOICE B 10:20 AM * Acting A and Dance A will continue meeting with their Advisors during this time. ACTING A 10:20 AM - Orientation for Acting A and Dance A (Studio 17N) DANCE A 11:00 AM * Voice Groups A & B will go over their Dance Placement combinations (learned before the Intensive!) with BAA Dance Faculty during this time. (Studio 17E) 11:00 AM - 12:30 PM PLACEMENT AUDITIONS Voice Groups A & B (Studio 17E) Acting Group A (Studio 17I) Dance Group A (Studio 17N) Please prepare TWO contrasting 16 bar pieces (e.g. Please prepare TWO brief contrasting In addition to the group Dance Placement up-tempo/ballad, legit/belt) Be sure to bring your monologues.