Art Music Video, Art Cinema, and Spectatorship in the Streaming Era
FEEL IT ALL AROUND: ART MUSIC VIDEO, ART CINEMA, AND SPECTATORSHIP IN THE STREAMING ERA by Jeffrey Heinzl Bachelor of Arts, Furman University, 2009 Master of Arts, University of Pittsburgh, 2014 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2018 UNIVERSITY OF PITTSBURGH THE DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Jeffrey Heinzl It was defended on May 8, 2018 and approved by Mark Lynn Anderson, PhD, Associate Professor, Film Studies Program, Department of English Randall Halle, PhD, Klaus W. Jonas Professor of German Film and Cultural Studies, Department of German Neepa Majumdar, PhD, Associate Professor, Film Studies Program, Department of English Daniel Morgan, PhD, Associate Professor, Cinema and Media Studies, The University of Chicago Dissertation Advisor: Adam Lowenstein, PhD, Professor, Film Studies Program, Department of English ii Copyright © by Jeffrey Heinzl 2018 iii FEEL IT ALL AROUND: ART MUSIC VIDEO, ART CINEMA, AND SPECTATORSHIP IN THE STREAMING ERA Jeffrey Heinzl, PhD University of Pittsburgh, 2018 This dissertation describes a trend in contemporary music video that I call “art music video.” This kind of narrative music video features striking images that disrupt plot coherence, prompting a kind of spectatorship that involves endlessly rethinking narrative events and meaning. These striking images leave spectators with a number of questions at video’s end that neither the spectator nor the video can answer with certainty; these disruptive moments emphasize that the art music video is essentially and intensely discontinuous.
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