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Students Fear Suite Crackdown by TIM Mcgrady Neighbourhoods
> USC Archives -ie: LCil TH J E Vol. LXIX, No.^ Vancouver, B.C. Friday, March 13,1987 ^^^^^ Students fear suite crackdown By TIM McGRADY neighbourhoods. ner, confirmed Kilgour's statistics occupied by a non-family member remedies for the "enormous social UBC students living in basement Citing statistics from the City but said probably all these extra in a neighbourhood zoned for single problems" involved. suites may be targeted in the city's Planning Department, Kilgour said suites were illegal. She said by her family residences. The only acts council has passed crackdown of illegal suites, says a that 33.1 per cent of the dwellings in department's estimates there were But McAfee said, "Council has so far is a prohibition on the inclu member of the Vancouver Tenants' the Point Grey area have been 22,000 illegal suites in Vancouver no intention of turfing out the 20 or sion of second kitchens in new Rights Coalition. "converted to include at least one but called this statistic "academic." 30,000 people who live in illegal housing starts in the city, said Suzi Kilgour said "tenants are be extra suite." When "the number of illegal suites." McAfee. ing harassed" by landlords who ask While noting that not all of these suites is over 500, a serious move to She said "the worst cases are Kilgour said her coalition ap them to keep their curtains closed are illegal suites she said her coali (shut down) illegal suites causes the dealt with first," and that rooting proves of this measure because, during the day and to keep lights tion has received many calls from vacancy rate to drop to zero," she out students who live in illegal "new houses don't provide affor off at night to prevent complaints students worried about the said. -
A Constitution ~Ay Be Changed
" .. ', .. ,',.' ....' ... .' .~ .. ";'-'~ J;» SPf,·(:. Co.1.1. 1) LD72g.6 C5 075 (A "~, \ ') , Orion rchives) i. 18:5 See pages 17-24 for the ~1ar 4/ 1987 Received on: 03-04-87 Orion's special pull-out MERIAM LIBRARY--CSU, CHICO section on the upcoming Associated Students election. ( 1 \ ( 1.\ BMU expansion probable reason ";' 1 r )' A constitution II, , I :1 ~ay be changed n " photo by Tim Rowe by Thomas Rank and DaVid Hawkins " Basketball Fan - Art Acker congratulates , •••J women's wildcat basketball coach Fran CosIo! on ,"-"" -;., their victory Saturday. :, At, y:~s~C!yf1.~,:>,:~~eetingthe Associated Students Board of Directors approved 'f -.... changes in the AS constitution to bovotedon by Chico State students in next week's The Wildcats defeated UC Davis, 65·58 in double general election. ,r ovortlme. The AS, in their attempt to approve a BMU addition, want to bypass student I The Wildcats received their first post-season bid petitions in order to hold a referendum election. I to play in the NCAA Division II Championships. ( A referendum is a student initiative, or The constitutional changes were authored measure previously passed by the BOD, by John Noele, AS director of community Chico State will be riding a 10-game winning affairs, and a candidate for AS president._ :j which is submitted to the student body for : \ streak, including 16 of their last 17, into Satur approval or rejection. Nock initially thought a new section would day's contest. If a majority of students approve the have to be added to the constitution to house changes, the BOD will be able to hold a his amendment. -
Music As Life: to Live and Die in LA
Music as Life: To Live and Die In LA By Robert V Aldrich Copyright: Robert V Aldrich, 2019 Published: 2019/03/01 This is a work of fiction. All characters and events portrayed are either products of the author’s imagination or are used fictitiously. This ebook is licensed for the personal entertainment of the reader. It is copyrighted property of the author and may not be reproduced, copied, or distributed without the express written consent of the author. Reia Maynard moved her phone so she could see her math book better. Sitting on the bus stop outside of her school, she was one of the only students still on the municipal campus. Two girls were sitting at the far end of the stop, one braiding the other’s hair. One of the boys from math class was playing a video game, his smile practically glowing when the late afternoon sun glinted off his braces. A few others from the accelerated learning track were around, none of them doing much special. The downtown school was chipped brick and faded paint. Door handles had long lost not only their luster but their metal shine all together. Windows were broken. The sidewalk outside was cracked, similar to the adjacent potholes in the road. The smell of garbage and tobacco wafted through the air, along with deep frying and motor oil. The urban haze of sound and scent alike hung around the school like a fog. Reia ignored it as she had become so accustomed to doing. She was focused on two things. -
Parking Meters
Grand Valley State University ScholarWorks@GVSU Volume 21 Lanthorn, 1968-2001 3-18-1987 Lanthorn, vol. 21, no. 24, March 18, 1987 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol21 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 21, no. 24, March 18, 1987" (1987). Volume 21. 24. http://scholarworks.gvsu.edu/lanthorn_vol21/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 21 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Vol. 21 Issue No. 24 Grand Valley State-College, Allendale, Michigan March 18, 1987 Parking Meters: Students find themselves in a ”fine" mess (when the friend went to pay a parking students to make up for the physical Maxine Phillips, the Clerical By Karen Wood violation) 'good, we need the money ' " plant's budget" said Rosanic "If that is Assistant who spoke on behalf cf the Assistant News Editor "I don't think that it is tight for the not the case. I stand conceded " Physical Plant, said "our department does not receive any of the money Students at Grand Valley have been Time's Run Out! which is collected for parking fines on having car trouble Not the common campus The revenue goes into the dead battery or faulty alternator Ttie college general fund " problem lies in parking the car In response to the comment that .Members of the Student Senate Wygant made. -
“The Creative Producer”: John Hughes, Synergy and Late 1980S Hollywood
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX MAY 2014 2 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 3 UNIVERSITY OF SUSSEX HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA SUMMARY My thesis explores debates on the commercial and textual priorities of New Hollywood cinema through examination of the career of John Hughes. I argue that scrutiny of Hughes’ career and the products associated with him expose the inadequacy of established approaches to cinematic authorship and New Hollywood cinema. By mounting a historically grounded investigation of Hughes’ career, his status within the cinema industry, and his work as a commercially successful and agenda-setting filmmaker, I aim to reevaluate existing perspectives on post-1970s mainstream popular U.S. -
ON ¡III BEAT Idol and Paul Young Are Avail- Blue Gal, Conducted by BBC Radio Artist News, Touring, Able
Pau/ Young Adds Songwriting To His Many Talents "Tapes came in from all corners of work with him again because I'm was much more comfortable, and says Doherty. "He'll play the Uni- BY NADINE REIS the world, publishers everywhere, still a fan of his ears." that's one of the main reasons I versal Amphitheatre in L.A. and NEW YORK For his third Colum- and we listened to something like The recording of "Between Two took a chance on a change of direc- two nights at Radio City Music Hall bia album, "Between Two Fires," 1,500 songs over a five -month peri- Fires" was more relaxed than previ- tion." in New York. Then he'll go to Aus- Paul Young concentrated on record- od," says Doherty. "In the end, ous studio ventures, says Young. "I Most of the musicians featured tralia and Europe before coming ing original material rather than re- there were only two songs worth definitely felt more pressure doing on "Between Two Fires" will be ac- back to the States in July." lying on cover tunes, as he has on doing, and the material Ian and the second album," he says. "The companying Young on his upcoming Doherty views his client's career previous releases. Paul came up with was so good that first album sold very well, and, al- world tour, scheduled for a Febru- as a gradual building process. "In the past, part of the problem they just went ahead with it." though I refused to admit it to my- ary start in Texas. -
Maine Campus February 23 1987 Maine Campus Staff
The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Spring 2-23-1987 Maine Campus February 23 1987 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus February 23 1987" (1987). Maine Campus Archives. 1943. https://digitalcommons.library.umaine.edu/mainecampus/1943 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. an 20, 1987 said DiMillo rrested by the The Daily Maine out at his THE UNIVERSITY Of MAINE NEWSPAPER SINCE 1875 11 know him Monday, February 23, 1987 vol. 100 na iny indicated at DiMillo's ate 1960's for Leakey speaks on origin t with Ven- of man him out to by Linda McGivern the others as apes." Staff Writer supervise the Leakey said opponents of the evolu- td Wednesday tionist belief frequently ask why evolu- Humans are genetically closer to ed or misled" tion had to take place in Africa and not chimpanzees than horses are to donkeys, ierv ice. someplace further north. said Richard Leakey, a prominent "Whether we like it or not, we are cited "ir- paleoanthropologist. from Africa," he said. n its handling Leakey began his Sunday afternoon There are two things, Leakey said, that )the criminal lecture, titled "The Origin of lead people to think evolution is "com- Mankind," to a capacity crowd in the pletely counter" to Christianity. -
GET UP, STAND UP! HIGHER ORDER THINKING in POPULAR MUSIC STUDIES By
GET UP, STAND UP! HIGHER ORDER THINKING IN POPULAR MUSIC STUDIES by Mark Elliot Bergman A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Arts Community College Education Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Summer Semester 2015 George Mason University Fairfax, VA Get up, Stand up! Higher Order Thinking in Popular Music Studies A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Arts at George Mason University by Mark Elliot Bergman Master of Music Yale University, 1997 Director: John O’Connor, Professor Department of Community College Education Summer Semester 2015 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This dissertation is dedicated to my incredibly supportive wife, Rachel, and our two wonderful children, Avi and Zachary. iii ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. John O’Connor for his sage guidance throughout my doctoral studies. I am grateful to Professor Anthony Maiello for his musical mentoring and Dr. Leslie Smith for her support in preparing my dissertation. Thank you! -
TWO LOUIES, September 2004 Erupted Between Tony and Larry, Whereupon a Litany of Pranks Ensued
photo Pat Snyder l Salazar was one of the fi rst to respond When the Psychedelic Furs played a gig at the Pine by Jim Wallace of the Odds). Th ey lent symphonic to the demand for bigger venues, Street on their fi rst US tour, the volume and pres- support to Rozz’ mostly extemporaneous songs opening the Pine Street Th eatre, at sure of their sound was such that it set the lamps and unpredictable antics, which might include his SoutheastA Pine and Sandy. Formerly housing a and chandeliers to swaying ominously above the hiking a long, skinny leg over the mic stand— easily Church of Scientology franchise (as well as the 9th audience. a height of six feet. Th eatre Of Sheep rapidly rose Street Exit), the building was a three-story honey- One of the fi rst local bands to exploit the Pine to prominence within the alternative community, comb of small, run-down offi ces and larger meeting Street stage was Th eatre Of Sheep. Led by mercurial achieving especial success among underagers; such rooms, which encircled the expansive main hall. vocalist Rozz Rezabeck-Wright, the Sheep were an that their popularity rivaled that of even the Unreal Salazar hung an extensive collection of antique imaginative, if sometimes sloppy quintet, which Gods in that demographic. Across town, Larry Hurwitz opened Starry “Rockabilly revivalists the Rockin’ NightNight oonn NNorthwestorthwest 66thth aatt BBurnside,urnside, WWithith a ccapac-apac- ityity ofof 850, tthehe cclublub pposedosed a sseriouserious cchallengehallenge ttoo Razorbacks, featured Chris Miller on guitar TonyTony DeMicoli’sDeMicoli’s abilityability toto bookbook LaLa Bamba.Bamba. -
A Novel by Luis Soto-Ortiz (A.K.A
Of Wanders and Lust A Novel by Luis Soto-Ortiz (a.k.a. Popmartfan) Version 1.0 (Abridged) Dear Reader, I began writing this novel in April 2017. The challenge I imposed on myself was to write a short story or play where the characters are musicians and what they say comes from their own lyrics. I did not know what the plot would be about but nevertheless I embarked on this project with enthusiasm. Eventually some themes came to my mind and I slowly developed them into different scenarios. This project grew to become the short novel that you are about to read. There are many relevant themes in this novel, some of them sad and others uplifting. You will see a group of musicians traveling together to different cities who, despite their different political and religious beliefs, they nevertheless stay together and help each other overcome difficult situations. You will see that the novel has several protagonists (heroes and heroines) which I will let you figure out who they are. You might even identify and relate to some of the characters. Although there are very serious themes that the novel touches upon, there are also many lighthearted moments which I hope will make you laugh or at least bring a smile to your face. I do not mean to insult anyone by the jokes or events depicted in the novel. I am not planning on making any money from this novel because I am using lyrics that are copyrighted. I do hope that by reading this novel you become a better person, someone who is more sensitive and appreciative of cultural, political and gender differences. -
GENESIS Origin Godalming, Surrey, England Genres Progressive Rock
GENESIS Origin Godalming, Surrey, England Genres Progressive rock, pop rock, rock, symphonic rock Years active 1967–1999, 2006–present Labels Virgin, Charisma, Decca, EMI Associated acts Garden Wall, The Anon Website www.genesis-music.com Members Tony BanksMike RutherfordPhil Collins Past members Peter GabrielAnthony PhillipsChris StewartJohn SilverJohn MayhewMick BarnardStev e HackettRay Wilson Genesis are an English rock band that formed in 1967. The band currently consist s of its three longest-tenured members - Tony Banks (keyboards) and Mike Rutherf ord (bass, guitar) were founding members and Phil Collins (vocals, drums) first joined in 1970. Past members Peter Gabriel (vocals, flute), Steve Hackett (guita r) and Anthony Phillips (guitar), also played major roles in the band in its ear ly years. Genesis are among the top 30 highest-selling recording artists of all time, with approximately 150 million albums sold worldwide.1 In the late 1960s, with the release of their first album, Genesis's music was in itially regarded by the band and the fans as a pop experiment, referring to then -popular melodic pop.2 Then, over the course of a year, (beginning with their se cond album in mid-1970) they quickly evolved into a progressive rock band with t he incorporation of complex song structures and elaborate instrumentation. Their concerts became theatrical experiences with innovative stage design, pyrotechni cs, extravagant costumes and on-stage stories. This second phase was characteris ed by lengthy performances such as the 23 minute "Supper's Ready" and the 1974 c oncept album, The Lamb Lies Down on Broadway. In the late 70's and early 80's th e band's musical direction changed once again, becoming more pop oriented and co mmercially accessible. -
Boxscore Best
60 Survey for Week Ending 5/19/84 Talent In Action f uovidc* STAX FAMILY REUNION medley with the same vigor they brought to The Fleshtones put on an hour -long set, '84 their current Mercury single, "Freakshow On brightened by rich three -way harmony on "Out The Dance Floor." But by then the concert had Of The Blue" and "So Tired," which managed Mid -South Coliseum boiled down into a one -act bill, and the audi- to interpret the Stax horn sound on guitar. Bill Memphis. Tenn. ence was too tired to dance. Watching from the Milhizer's drumming was ever chunky (one Tickets: $1250 sidelines, a philosophical Wayne Jackson put it suspects he listens to a great deal of Ginger Boxscore best. Said the former Mar -Keys trumpeter: Baker at home), neatly propelling songs like For more than a decade Stax Records was "Stax is dead." LEO SACKS "Hexbreaker," the title tune of the group's re- the blood and guts of Memphis soul. The la- cent album. The following are among the top concert grosses nationwide reported through the survey week. Included are bel's headquarters at 926 E. McLemore Ave. act(s), gross, attendance, capacity of facility, ticket prices, promoter, facility, city, number of shows, number of For a finale, the ever- adventurous Zaremba was a local institution, a source of civic pride sellouts and dates(s). rushed around playing guitar amid the audi- whose heart and roots lay in the church and the WANG CHUNG ence. Someone should tell him that stunt LIBERACE, THE ROCKETTES, DANCING WATERS-$1,655,331, civil rights movement.