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2013 Year in Review
OPERA AMERICA 2013 GROWING ONSTAGE AND OFF OPTION 1 TABLE OF CONTENTS A SURGE OF INNOVATION 6 RESONATING IN NEW SPACES 14 A COMMUNITY OF VOICES 20 OPERA AMERICA FINANCIAL REPORT 28 ANNUAL FIELD REPORT 30 SUPPORT FOR OPERA AMERICA 55 COVER: Maria Aleida as Queen of the Night in Opera Carolina’s production of The Magic Flute. Photo by Jon Silla. LEFT: Nina Yoshida Nelsen, Ji Hyun Jang and Mihoko Kinoshita in Houston Grand Opera’s production of The Memory Stone by Marty Regan and Kenny Fries. Photo by Felix Sanchez. CONCEPT AND DESIGN FOR ANNUAL REPORT BY THE LETTER FROM THE CHAIRMAN Since its inception OPERA America has existed as a community of like-minded individuals committed to the artistic and financial strength of the field. This past year, our definition of community expanded: our conference, held in Vancouver, affirmed our commitment to all of North America, while our growing partnership with Opera Europa continued to bridge the continents through our shared dedication to an art form that knows no borders. Most profoundly, however, the opening of the National Opera Center in New York has created a new center for our community, a tangible space where individual and company members can gather for auditions, recitals and professional learning programs. The center’s technology capabilities enable us to share these offerings globally, even as its flexible amenities enable us to share our love for opera locally. We are delighted to present our global, national and local achievements of the past year through this Annual Report. To our members we offer gratitude for your support of these achievements. -
Music Man Meredith Willson
The Music Man Meredith Willson THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
Following His Heart: Your Next Five Career Moves Your Ears and Your Career from Opera to Jazz with Sylvia Mcnair
December 2016 Michael Chioldi Following His Heart: Your Next Five Career Moves Your Ears and Your Career From Opera to Jazz with Sylvia McNair U.S.A. $6.50 • Can $8.70 CS VOCAL COMPETITION $20,000 Cash Prizes Competition Classical & Musical Theatre $4,000 First Place Prize and No Age Limits! High School, University, and Emerging Professional Divisions First Round - Online or Live Locations, January-May Finals - CS Convention in Chicago, May 26-28, 2017 Convention Classes Four days of masterclasses and presentations by universities, conservatories, summer programs, industry experts, and more. Free for Competition Participants The Expo More than 80 schools, summer programs, and professional companies eager to recruit top singers and offer scholarship and performance opportunities. More than $12,700,000 in Scholarships Offered since 2004 Sponsored by magazine Use the $20 Coupon Code Magazine www.ClassicalSinger.com/vocalcompetition CELEBRATING 15 SHENANDOAH CONSERVATORy’S YEARS CCM VOCAL PEDAGOGY INSTITUTE Vocal Pedagogy for the 21st Century July 15 – 23, 2017 “I will recommend the CCM Institute to literally every vocal pedagogue I know! Shenandoah is offering the world exactly what has been needed for such a long time! I’m so grateful that I took Dr. Matthew Edwards Lifetime Achievement the time to do it, and I will definitely be back.” Artistic Director Award Recipient Dr. Robert Sataloff, Luisa Rodriguez, Boulder, CO Otolaryngologist and 2016 participant Keynote Speaker SESSION 1: JULY 15–17 RESPIRATION AND PHONATION FOR CCM SINGERS Matt Edwards with returning guests Wendy LeBorgne and Marci Rosenberg, authors of “Building on the new format established last summer, we are proud “The Vocal Athlete” to announce our first Lifetime Achievement Award honoree, world renowned otolaryngologist Dr. -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE -
|What to Expect from Così Fan Tutte
| WHAT TO EXPECT FROM COSÌ FAN TUTTE ON THE SURFACE, MOZART’S COSÌ FAN TUTTE HAS ALL THE MARKINGS OF THE WORK: a typical comic opera: tender lovers, a crafty maidservant, deceptions and COSÌ FAN TUTTE pranks, trials and confessions, and a wedding at the conclusion. But on closer An opera in two acts, sung in Italian study, Così fan tutte is a paradox. It explores depths of emotion previously Music by Wolfgang Amadeus Mozart untapped in opera buffa while moving between high farce and profound Libretto by Lorenzo Da Ponte beauty. That the work could be both accused of irony, cynicism, and triviality First performed January 26, 1790 and celebrated for communicating deep emotional truth and philosophical at the Burgtheater, Vienna, Austria import is a testament to this opera’s complex identity. Written barely two years before Mozart’s early death, Così fan tutte stands as his final, multi- PRODUCTION layered statement in the Italian opera buffa genre. Amid the opera’s quick-fire David Robertson, Conductor comedy and ravishing melodies, the drama offers an examination of the battle Phelim McDermott, Production between love and reason and a closer understanding of human fallibility. Tom Pye, Set Designer This new Met production, previously presented at the English National Opera, is by the inventive director Phelim McDermott, whose work in opera Laura Hopkins, Costume Designer ranges from Philip Glass’s Satyagraha to The Enchanted Island, an original Paule Constable, Lighting Designer Baroque pastiche opera. In Così fan tutte, McDermott transforms the opera’s original setting but maintains its characters’ isolation: The drama unfolds STARRING in a surprisingly closed environment in which the characters’ only seeming Amanda Majeski occupation is the business of love. -
Deutsche Nationalbibliografie 2011 T 06
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2011 T 06 Stand: 15. Juni 2011 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2011 ISSN 1613-8945 urn:nbn:de:101-ReiheT06_2011-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Concerts and Master Classes June 30-July 19, 2014
Concerts and Master Classes June 30-July 19, 2014 1 About the Program In its ninth year, Westminster’s CoOPERAtive Program provides three weeks of intensive opera training for young singers. The program is presented in cooperation and consultation with professionals in the field of opera and is designed to help young singers prepare for the essential next step toward acceptance into an advanced young artist or summer apprentice program. The CoOPERAtive offers three levels of training: 1. CoOPERAtive Fellows - singers who are either current graduate students or post graduates, working toward a professional singing career. 2. CoOPERAtive Young Artists - singers who are current undergraduates in music conservatories around the country, who are preparing for graduate school. 3. CoOPERAtive Pianists - pianists who are working toward careers as coaches and conductors in opera and art song. CoOPERAtive is designed to assess the strengths of all participants, nurture their talents and assist in their skill development. Participants receive private coaching focusing on operatic style, performance techniques, dramatic presentation, language and diction, and body awareness, as well as résumé and application advice. CoOPERAtive features unique auditions in which singers are evaluated by professionals in the field of opera – advisors involved with regional opera and/or young artist programs. With their guidance, the program is customized to each singer’s needs to help improve his or her skills. Graduates of the program have been finalists in the Metropolitan Opera Council’s National Auditions and have gone on to work with opera companies throughout the United States. The public is welcome to attend master classes and concerts presented by participants at no charge. -
Virginia Mims, Soprano [email protected]
Virginia Mims, Soprano [email protected] Roles Donna Elvira* Don Giovanni IU Opera Workshop May 2020 Zemfira Aleko (Rachmaninoff) IU Opera Workshop May 2020 Flower Maiden Parsifal IU Opera Theater November 2019 Zdenka* Arabella IU Opera Workshop December 2019 Violetta* La Traviata Fondation Bell’Arte July 2019 Fiordiligi* Così fan tutte Opera Lucca July 2019 Lucia* Lucia di Lammermoor Opera Lucca July 2019 Alice* Falstaff Opera Lucca July 2019 Zelatrice Suor Angelica Opera Lucca July 2019 Cleopatra Giulio Cesare IU Opera Theater February 2019 Rosina* Il Barbiere di Siviglia Fondation Bell’Arte July 2018 Mary Bailey It’s A Wonderful Life IU Opera Theater November 2017 Susanna Le Nozze di Figaro Janiec Opera Company July 2017 Lakme* Lakme Janiec Opera Company June 2017 Marian Paroo The Music Man IU Opera Theater April 2017 *=Partial Concert Soprano Solo Bach, BWV 105 Bloomington Bach Cantata Project October 2019 Soprano Solo* Brahms, Requiem, V First United Methodist (Indiana) April 2018 Soprano Solo Händel, Messiah Masterworks Chorale December 2017 Soprano Solo Mozart, Exultate Jubilate SAOS Orchestra (Austria) July 2016 Soprano Solo Schubert, Mass in G Masterworks Chorale April 2015 Soprano Solo Mozart, Vesperae solennes Masterworks Chorale April 2015 Awards Associate Instructor IU Jacobs School of Music 2019-2021 Barbara and David Jacobs Scholarship IU Jacobs School of Music 2015-2019 First Place Winner Indianapolis Matinee Musicale 2016 First Place National Winner Classical Singer Highschool 2015 Second Place Winner Voice of The -
Love Story: a Chronicle of Winning the Amore Opera Universe's Lottery: Ana Maria Ugarte and Brian Landry
February 2017 MID-CAREER MAGIC: Piotr Beczala Two Sides to Anne- Carolyn Bird's Story Love Story: A Chronicle of Winning the Amore Opera Universe's Lottery: Ana Maria Ugarte and Brian Landry U.S.A. $6.50 • Can $8.70 Announcing auditions for summer 2017 Two Amazing Cities Stunning performance venues along with the thrill of singing fully-staged and beautifully-costumed operas with professional orchestras in Rome and Orvieto, Italy. May 24th to June 17th. Operafestival di Roma Don Giovanni Suor Angelica w.a. Mozart | Directed by Dugg McDonough Giacomo Puccini | Directed by Tony Offerle In Italian | Principal Roles | Double Cast | Performances with Orchestra February auditions Chicago • Baton Rouge Positions available until all roles are filled. Video auditions accepted. A Complete Italian Musical Experience for $5,000 • Apartment Style Living • Voice Lessons • Two Meals A Day Provided • Coachings • Financing Options Available • Aria Concerts Faculty Dr. Todd Queen: Executive Director Dennis Jesse: General & Artistic Director Nyela Basney: Conductor Michael Borowitz & Laura Friesen: Vocal Coaches For more information please visit our site at: operafest.wixsite.com/operafest CS VOCAL COMPETITION $2,000,000 in Scholarships $20,000 Cash Prizes Competition Classical & Musical Theatre $4,000 First Place Prize and No Age Limits! High School, University, and Emerging Professional Divisions First Round - Online or Live Locations, January-May Finals - CS Convention in Chicago, May 26-28, 2017 Convention Classes Four days of masterclasses and presentations by universities, conservatories, summer programs, industry experts, and more. Free for Competition Participants The Expo More than 80 schools, summer programs, and professional companies eager to recruit top singers and offer scholarship and performance opportunities. -
Schmidt Vocal Competition
INSPIRING FUTURE VOCAL GENERATIONS OF SINGERS COMPETITION SCHMIDT VOCAL COMPETITION Palm Beach Atlantic University Saturday, October 31, 2020 The Schmidt Vocal Competition is pleased and honored to partner with Palm Beach Atlantic University’s School of Music and Fine Arts as we celebrate and inspire future generations of singers. Our ability to provide an exceptional vocal competition experience is reliant on our host institution partners. As a comprehensive national university with almost forty percent of the student body coming from out-of- state, Palm Beach Atlantic University (PBA) is an interdenominational Christian liberal arts university that places a strong emphasis on academic rigor and community service through its distinctive servant leadership program, Workship. The School of Music and Fine Arts is dedicated to helping performing and visual artists cultivate their distinctive contributions to society through excellence in artistic expression, arts advocacy, redemptive storytelling, and transformational experiences. Competition Awards First Place $2,500 Second Place $2,000 Third Place $1,500 Finalists $250 Most Promising Sophomore $100 Encouragement Award(s) $100 This competition is made possible by the generous support of the William E. Schmidt Foundation. www.schmidtvocalarts.org Adjudicators/ Master Class Clinicians JANE GIERING-DE HAAN: Jane Giering-De Haan has been a member of the voice faculty at the University of Minnesota since 2016. She teaches applied voice lessons as well as Italian and English diction. Ms. Giering-De Haan holds a BFA in musical theatre from The State University of New York at Fredonia and a Master of Music in voice performance from Indiana University. As an operatic coloratura soprano Ms. -
Conference Program
SEPTEMBER 12-15 2019 REFLECTING ON THE Past... REACHING TOWARD Future, II THE 2019 conference on African American music for composers, performers, and scholars featuring a schedule of panels, discussions and performances. Powered by Videmus UNIVERSITY OF MICHIGAN School of Music, Theatre, and Dance SCHEDULE OF Events THURSDAY STAMPS AUDITORIUM 700 PM OPENING CONCERT SEPT 12 PROGRAM ON PAGE 4 WALGREEN DRAMA CENTER FRIDAY 930 - 1120 AM SESSION A WATKINS HALL SEPT 13 Creative Curation Of African American Art Song MODERATOR Gabriela Cruz, PhD PANELISTS Eapen Leubner & Stephanie Ball of Art Song Colorado Lynne Foote of The Burleigh Society Christie Finn of The Hampsong Foundation Darryl Taylor of the African American Art Song Alliance George Shirley & Louise Toppin of The George Shirley Vocal Competition Marcía Porter (Singing in Brazilian Portuguese) Randye Jones (So you want to sing Spirituals?) Caroline Helton & Emery Stephens, “Singing down the barriers” 1130 - 130 PM SESSION B WATKINS HALL Black Composers Culture By CCC (Composers of Color Collective) MODERATOR Uzee Brown, DMA COMPOSERS B.E. Boykin Regina Baiocchi Carlos Simon Andre Myers Chad Hughes 130 - 230 PM LUNCH BOXED LUNCH BREHM PAVILION 230 - 350 PM SESSION C WATKINS HALL Institutional Aspects of Diverse Faculty & Student Development MODERATOR Christi-Anne Castro, PhD PANELISTS Aja Burrell Wood, “Establishment of Program: The Gender and Jazz Institute” Alisha Lola Jones, “The Source of Self-Regard” Gayle Murchison, “The state of Black Music Research” 400 - 600 PM SESSION D WATKINS -
Repertoire and Performance History Virginia Opera Repertoire 1974-2012
Repertoire and Performance History Virginia Opera Repertoire 1974-2012 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE OF FIGARO