2019 Adjudicators – West Gippsland Performing Arts Competition
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Steve Fieldhouse Full CV December 2014
1 Steve Fieldhouse CV Last Updated, December 15, 2014 Curriculum Vitae for Steve Fieldhouse Includes: 1. Contents and Personal Details (Page 1) 2. Introduction (Page 2) 3. Production Credits (Pages 3 to 19) 4. Studio Experience (Pages 19 to 21) 5. Training and Lecturing (Pages 22 to 24) 6. Broadcast Experience (Pages 24 to 35) 7. Experience as a Musician (Pages 35 to 38) 8. Technical Support (Pages 38 to 42) 9. Qualifications (Pages 42 to 44) 10. Equipment Used (Pages 44 to 47) 11. Lecturing Subjects (Pages 48 to 51) 12. Employment History (Pages 51 to 53) Personal Details Name: Steve Fieldhouse Email: [email protected] Website: www.earsight.com.au Phone: 0407 970425 Postal Address: 18 Broadwater Esplanade, Bilambil Heights, NSW, 2486 Residency Status: Australian Citizen Drivers License: Medium Rigid Class Truck License 2 Steve Fieldhouse CV Last Updated, December 15, 2014 Introduction Steve Fieldhouse is an Audio Engineer, Producer, Musician and Lecturer currently based in Australia. Steve’s work as a Recording and Mixdown Audio Engineer/Producer spans Music, Broadcast, Live Concert Recording, Film, Post Production, Theatre, AV, Sound Reinforcement and Mastering Industry Sectors. Some Production Highlights include Recording and Mixing: Ø Music Artists from more than 80 countries Ø Direct broadcasts for ABC Classic FM of Symphony, Chamber Orchestras, Ensembles and Operas across Australia Ø ABC RN (Radio National) and ABC Classic FM programs and features Ø Feature Film Soundtrack Recordings Ø Adelaide International Guitar Festival 2010, 2012 and 2014 Ø Bangalow Music Festival, 2014 Ø WOMADELAIDE Festivals from 2004 to 2014 Ø Woodford Folk Festival 2012 Ø Byron Bay Bluesfest 2010 and 2013 Ø Engineering Music Recordings for ABC TV, Triple J and Local Radio Ø 100+ CD releases covering most music genres Steve has worked as a Lecturer and Trainer since 1993. -
Friends of the AMF Award, to Enable Our Members to Be Able to Directly Support the Development of a Young Australian Musician
riends of the MF Opal, Sapphire & Diamond Membership Become a Friend and help us support our young Australian Musicians studying in the UK, Europe and the USA Ftudying abroad is crucially important for young AustralianA musicians, no more so as the world becomes ever Smore interconnected. The chance to study in the elite cultural and educational centres around the globe such as London, Paris, Vienna, New York and Shanghai, helps best equip our most gifted musicians to be able to contribute back to Australia as future performers, composers, cultural leaders, and educators. he Australian Music Foundation promotes and celebrates Australian musical life on a world stage. We offer Tscholarships to applicants who wish to pursue their music education overseas, as well as performance opportunities, career advice and professional mentoring. he partnership of the Australian Music Foundation with young Australian musicians studying overseas began Tin 1975, when the Foundation was formed in the United Kingdom. In the last decade the Foundation has expanded to include the AMF Australia Foundation and The Australian Music Foundation North America Inc, becoming a truly global support network. Pei-Jee & Pie-Sian Ng Justine Marsden David Hansen Cello Viola Counter-Tenor Solo & Duo performers, Melba Records Bernadette Harvey Sydney Symphony Orchestra Sony records, UK & Europe Amanda Thane Piano Amy Dickson Soprano Daniel Sumegi Soloist & Duo performer Victoria Lambourn Opera Australia, ROH (UK) Bass Baritone Mezzo-Soprano Zoe Black Saxophone Opera Australia, -
SOUTHERN CROSS SOLOISTS a Message Welcome to 2019
SOUTHERN CROSS SOLOISTS A Message Welcome to 2019 from our Patron “I have no special talents. I am only passionately where we celebrate the intersection between curious” - Albert Einstein. nature and art, highlighted by the contrast of our English colonial past and the image of the Humans are innately inquisitive creatures that events is shared by so many including faithful Australian sunburnt country and bushland that are hard wired for curiosity. This year Southern subscribers, donors, sponsors, concertgoers we so closely identify with today. Cross Soloists delves into the many facets of young and old, and it is heartening to see so human curiosity: the sparks that have triggered We look forward to you coming on the journey many performances at capacity. I am sure with amazing discoveries and produced incredible with us in 2019; a vivid celebration of diverse the program on offer for 2019, we are in for works of art and music. The 2019 program cultures, human curiosity and discovery a series of treats that will not disappoint. Our promises to take you on an intimate performance through the global language of music. local musicians, alongside visiting artists from journey that reaches beyond just the music to our nation and abroad, will continue to create explore a rich tapestry of cultures, beliefs and TANIA FRAZER memorable moments with integrity scientific discoveries. Joining us is an outstanding Artistic Director and compassion. line up of guest artists presenting a vibrant I am proud of the partnership the Southern program, a fascinating kaleidoscope of colours, Cross Soloists has with QPAC and wish to extend cultures and stories from across the globe. -
L O C a L H E R O
MOZART PLUS BRAHMS Kristian Chong & Friends LOCAL Monday 20 November 2017, 6pm Salon HEROES PRESENTED BY Melbourne Recital Centre & Kristian Chong and Friends ARTISTS Kristian Chong piano Rebecca Chan violin Christopher Moore viola Rachael Tobin cello PROGRAM WOLFGANG AMADEUS MOZART (1756 - 1791) Sonata for piano and violin in G, K.379 Adagio - Allegro Theme (Andantino Cantabile), five variations – Theme (Allegretto) JOHANNES BRAHMS (1833 - 1897) Piano Quartet No.1 in G minor, Op.25 Allegro Intermezzo. Allegro ma non troppo — Trio. Animato Andante con moto Rondo all Zingarese. Presto ABOUT THE ARTISTS Leading Australian pianist Kristian Chong has performed throughout Australia, the U.K., China, France, New Zealand, Singapore, Hong Kong, Taiwan, U.S.A. and Zimbabwe. As soloist, he has appeared with the Adelaide Symphony Orchestra, Melbourne Symphony Orchestra, Queensland Symphony Orchestra, Sydney Symphony Orchestra, Tasmanian Symphony Orchestra, and orchestras in the U.K., New Zealand and China, with highlights including Rachmaninoff’s Paganini Rhapsody in Beijing and Canberra. A highly sought after chamber musician, his collaborations have included performances with Tinalley String Quartet and Australian String Quartet, violinists Natsuko Yoshimoto, Sophie Rowell, Dale Barltrop, Ilya Konovalov (Concertmaster at Israel Philharmonic), baritone Teddy Tahu Rhodes and cellist Li-Wei Qin amongst many. His festival appearances include the Australian Festival of Chamber Music, Huntington, and Bangalow festivals. Other highlights include Australian Music Week on Gulangyu Island (Xiamen) with Melbourne Symphony Orchestra, performances with Yoshimoto and Qin and Beethoven’s Hammerklavier Sonata in Melbourne and Perth. Kristian studied at the Royal Academy of Music with Piers Lane and Christopher Elton, and with Stephen McIntyre at the University of Melbourne where Kristian currently teaches piano and chamber music. -
Strauss and Lavish Opulence
Kristian Chong & Friends STRAUSS AND LAVISH OPULENCE LOCAL Monday 1 August 6pm, Salon HEROES Presented by Melbourne Recital Centre and Kristian Chong & Friends ARTISTS Natsuko Yoshimoto, violin Kristian Chong, piano PROGRAM JOHANNES BRAHMS (1833-1897) Sonata for violin & piano in A No.2, Op.100 I Allegro Amabile II Andante III Allegretto Gazioso MIRIAM HYDE (1913-2005) & NOREEN STOKES (1917-2012) Rhapsody for Left Hand SERGEI RACHMANINOFF (1873-1943) 13 Preludes, Op.32 X Lento XI Allegretto XII Allegro RICHARD STRAUSS (1864-1949) Sonata for violin & piano in E-flat, Op.18 I Allegro ma non troppo II Improvisation: Andante cantabile III Finale: Andante–Allegro ABOUT THE MUSIC Brahms’ Sonata Op.100 is characterised by gracious melodies. The score is marked with the composer’s constant reminders: dolce (sweet), tenerament (tenderly), espressivo (expressive), and sempre dolce (always sweet). More importantly, the tempo indication for the first movement identifies the primary mood Brahms wished to project: Allegro amabile (lively and fast, with love). The middle movement alternates between the serene Andante (moving) written in F Major with duple metre and the folk-like Vivace (very lively) written in D minor with triple metre. The finale, Allegretto grazioso (a little lively and graceful), is a rondo suggesting a gentle mood; the violin has the stirring main theme, which stays entirely on the G-string, exhibiting a quality of self-assurance as it dominates and carries the glorious music to a close. Rhapsody for Left Hand was written for Kristian Chong in a joint effort by his first teacher, Noreen Stokes and her friend, Australian composer Miriam Hyde.